DOCSLIB.ORG

YOUTH CHORUSES Season Finale Concert June 24, 2021

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
YOUTH CHORUSES Season Finale Concert June 24, 2021 YOUTH CHORUSES Season Finale Concert June 24, 2021 HANDELANDHAYDN.ORG 1 H+H YOUTH CHORUSES June 24, 2021 Streamed Online 7:00pm 2,535th Concert PERFORMERS New Voices Collaborative Pianists Nurt Villani, conductor Julia Scott Carey Andrew Mattfeld Treble Chorus Maria Rivera White Youth Chorale Concert Choir Dr. Jennifer Kane, conductor Marisa Tully, assistant conductor Chorus of Tenors and Basses Dr. Kevin McDonald, conductor Chorus of Sopranos and Altos Alyson Greer Espinosa, conductor SEASON FINALE CONCERT “Hope Is the Thing with Feathers” Laura Nevitt World premiere commission by the Handel and Haydn Society (b. 1985) “Neesa, Neesa” Traditional Seneca “I Am” Melanie Horne Hampshire Young People’s Chorus (b. 1972) K.C. Conlan, artistic director Reka Peterson, assistant director “Hotaru Koi” Ro Ogura (1916–1990) “Akai Hana Shiroi Hana” Mie Nakabayashi “Where’er You Walk” George Frideric Handel Worcester Children’s Chorus (1685–1759) Bel Canto and Cantare Ensembles Dr. Pamela Mindell, conductor “Kyrie eleison” from Messe Basse Gabriel Fauré (1845–1924) “I’m Bound Away” Donald Moore (b. 1946) “Sweet Nymphe come to thy Lover” Thomas Morley (c. 1557–1602) “The Moon” Andy Beck (b. 1986) "Der Mond kommt still gegangen" Clara Schumann (1819–1896) “Love is Love is Love is Love” Abbie Betinis (b. 1980) “Cambiar El Mundo” Jim Papoulis (b. 1961) “Lift Ev’ry Voice and Sing” James Weldon Johnson Cassandra Extavour, soprano (1871–1938) Reginald Mobley, director and countertenor Stefan Reed, tenor Dana Whiteside, baritone SPONSORS The H+H Youth Choruses are supported in part by the Parker Family Foundation, John and Janis Raguin, and the Lynn Cultural Council, a local agency that is supported by the Massachusetts Cultural Council, a state agency. The Chorus of Tenors and Basses is endowed in perpetuity by Lucas Wegmann. The Education Program is funded in perpetuity by Karen S. and George D. Levy. The Education Program is supported by the Remsen M. and Joan G. Kinne Endowed Fund for Education and the Ronald Woodward Education Fund. The Handel and Haydn Society is funded in part by the Massachusetts Cultural Council and the National Endowment for the Arts. HANDELANDHAYDN.ORG 3 TEXTS + TRANSLATIONS Nevitt: “Hope Is the Thing with Feathers” (Text: Emily Dickinson) Hope is the thing with feathers that perches in the soul, And sings the tune without the words, And never stops at all. And sweetest in the gale is heard; And sore must be the storm That could abash the little bird That kept so many warm. I’ve heard it in the chillest land, And on the strangest sea; Yet, never, in extremity, It asked a crumb of me. Traditional Seneca: “Neesa, Neesa” Seneca words: Neesa: Grandmother Moon, or Winter Moon Gayweeyo: The Creator who is in Everything Horne: “I Am” I am the water, I am the wind in your hair. I am the bird in the tree. I am the starry sky, I am the mountain so high. I am the scent on the breeze. I am nature, I am beauty. I am the earth and the sea. I am the moonlight, I am the canyon so wide. I am the storm rolling by. I am the sun so bright, I am the sweet butterfly. I am thee field and the sky. Ogura: “Hotaru Koi” Ho, ho, hotaru koi, Hey, hey, come, firefly Atchi no mizu wa nigai zo, The water over there is bitter Kotchi no mizu wa amai zo, The water over here is sweet Ho, ho, hotaru koi. Come, firefly. 4 YOUTH CHORUSES SEASON FINALE CONCERT Nakabayashi: “Akai Hana Shiroi Hana” Akai hana tsunde I'll pick a red flower and give it to you Ano hito ni ageyo I'll put it in your hair Ano hito no kami ni Red flower, red flower, in your hair Kono hana sashite ageyo Blooms and sways like the sun Akai hana akai hana I'll pick a white flower and give it to you Ano hito no kami ni I'll put it on your chest Saite yureru daro White flower, white flower, on your chest Ohisama no youni Blooms and sways like the moon Shiroi hana tsunde I'll pick a red flower and give it to you Ano hito ni ageyo I'll put it in your hair Ano hito no mune ni Red flower, red flower, in your hair Kono hana sashite ageyo Blooms and sways like the sun Shiroi hana, shiroi hana Red flower sways in your hair Ano hito no mune ni With kind smiles Saite yureru darou White flower sways on your chest Otukisan no youni With a kiss from your beloved Handel: “Where’er you walk” Where’er you walk Cool gales shall fan the glade Trees where you sit Shall crowd into a shade Where’er you tread The blushing shall rise And all things flourish And all things flourish Where’er you turn your eyes Where’er you walk Cool gales shall fan the glade Trees where you sit Shall crowd into a shade Fauré: “Kyrie eleison” Kyrie eleison, Lord, have mercy Christe eleison, Christ, have mercy Kyrie eleison. Lord, have mercy HANDELANDHAYDN.ORG 5 Moore: “I’m Bound Away” For the sake of you, my lassie, I’m bound away, my lassie For the sake of you, my lassie, I’m bound away. I’m bound away, O I’m bound away. For the sake of you, my lassie, I’m bound away. Gold to win for you, my lassie, I’m bound away, my lassie Gold to win for you, my lassie, I’m bound away. I’m bound away, O I’m bound away. For the sake of you my lassie, I’m bound away. Far across the sea, my lassie, I’m bound away, my lassie Far across the sea, my lassie, I’m bound away. I’m bound away, O I’m bound away. For the sake of you my lassie, I’m bound away. Morley: “Sweet Nymphe come to thy Lover” Sweet Nymph come to thy lover, Lo, here alone our loves we may discover, Where the sweet Nightingale with wanton gloses, Hark her love to discloses Beck: “The Moon” O moon, Shining in the night, O moon, are you listening? O moon, silvery and brith, Come again tomorrow night, Come again tomorrow night. Nighttime will soon be done, Bringing the morning sun. Where will you go? What will you do? While you are gone, I’ll wait for you. O moon, Shining in the night, O moon, are you listening? O moon, silvery and bright, Come again tomorrow night, Come again tomorrow night. Daylight is coming soon. Where will you go, O moon? Over a cloud? Under a hill? See you tomorrow night, I will. O moon, O moon. O moon, O moon. Moon. 6 YOUTH CHORUSES SEASON FINALE CONCERT Schumann: “Der Mond kommt still gegangen” Der Mond kommt still gegangen The moon rises silently Mit seinem gold’nen Schein. With its golden glow. Da schläft in holdem Prangen The weary earth then falls asleep Die müde Erde ein. In beauty and splendour. Und auf den Lüften schwanken Many thousand loving thoughts Aus manchem treuen Sinn From many faithful minds Viel tausend Liebesgedanken Sway on the breezes Über die Schläfer hin. Over those who slumber. Und drunten im Tale, da funkeln And down in the valley, the windows Die Fenster von Liebchens Haus; Sparkle of my beloved’s house; Ich aber blicke im Dunkeln But I in the darkness gaze Still in die Welt hinaus. Silently out into the world. Translation by Richard Stokes, author of “The Book of Lieder” Betinis: “Love is Love is Love is Love” Ubi caritas et amor: Where there is charity and love Love is love is love is love, Love is love is love is love, Oh, love is love is love is love, Oh, love is love is love is love. Oh, love, love, love. All we need is love, love, love. Ubi caritas et amor, Where there’s love, Love is love. Papoulis: “Cambiar El Mundo” Cambiar: Change If we could all see Cambiar el mundo: Change the world What we all could be, Hablar a todos: Talk to everyone Then we all learn to believe. Esperanza: Hope We all have the hope Cambiar! Living in our hearts. Trying to find a way Look into my eyes, you will see We can make a change. Cambiar el mundo! Learning how to find esperanza. Hablar a todos! We all have the hope Spread the word, Living in our hearts. We can make a change together. Look into my eyes, you will see. Cambiar el mundo! Cambiar el mundo! Find the peace, Find the peace. We can keep this change forever, We can keep this change forever, Spread the word! Spread the word! HANDELANDHAYDN.ORG 7 Johnson: “Lift Ev’ryLi fVoicet Eve andry V Sing”oice and Sing # ™ ™ ™ ™ ™ ™ 6 œ œ œ™ œ™ œ œ œ œ œ™ ™ & 8 œ œ œ œ #œ œ œ œ œ œ œ œ 1 Lift ev - ery voice and sing till earth and hea - ven ring, 2 Sto - ny the road we trod, bit - ter the chas - tening rod, 3 God of our wea - ry years, God of our si - lent™ tears, ™ ™ ™ ™ ™ ?#6 œ œ œ œ œ œ™ œ œ œ œ™ œ™ œ™ 8 œ œ œ œ œ œ œ #œ œ # ™ ™ ™ ™ ™ j œ œ™ œ™ ™ œ™ ™ ™ & œ #œ œ œ #œ œ œ œ œ œ œ ring with the har - mo - nies of li - ber - ty; felt in the days when hope un - born had died; thou who hast brought us thus far™ on the way; ™ j ™ ™ ™ œ œ œ œ œ œ œ™ œ™ œ™ œ bœ œ™ ?# œ œ œ ™ œ œ œ œ #œ œ œ J # ™ ™ ™ ™ j œ œ™ œ™ œ œ œ œ™ œ™ ™ & œ œ œ œ #œ œ œ nœ œ œ #œ œ œ let our re - joic - ing rise high as the lis - tening skies, yet with a stea - dy beat, have not our wea - ry feet thou who hast, by thy might, led us in - to ™ the ligh™t, ™ ™ ™ œ ™ ™ œ œ œ œ #œ™ œ #œ œ œ œœ œ™ ?# œ œ œ œ œ œ J # ™ ™ j ™ ™ œ œ #œ œ™ œ œ œ™ œ ™ ™ & œ œ œ œ œ œ œ œ œ Jœ œ œ let it re - sound loud as the rol - ling sea.
Load more

Recommended publications
  • Cds by Composer/Performer
    CPCC MUSIC LIBRARY COMPACT DISCS Updated May 2007 Abercrombie, John (Furs on Ice and 9 other selections) guitar, bass, & synthesizer 1033 Academy for Ancient Music Berlin Works of Telemann, Blavet Geminiani 1226 Adams, John Short Ride, Chairman Dances, Harmonium (Andriessen) 876, 876A Adventures of Baron Munchausen (music composed and conducted by Michael Kamen) 1244 Adderley, Cannonball Somethin’ Else (Autumn Leaves; Love For Sale; Somethin’ Else; One for Daddy-O; Dancing in the Dark; Alison’s Uncle 1538 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 1 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 2 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 1 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 2 Aebersold, Jamey: Jazz Improvisation (vol 1) 1270 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 1 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 2 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 1 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 2 Aebersold, Jamey: The II-V7-1 Progression (vol 3) 1271 Aerosmith Get a Grip 1402 Airs d’Operettes Misc. arias (Barbara Hendricks; Philharmonia Orch./Foster) 928 Airwaves: Heritage of America Band, U.S. Air Force/Captain Larry H. Lang, cond. 1698 Albeniz, Echoes of Spain: Suite Espanola, Op.47 and misc. pieces (John Williams, guitar) 962 Albinoni, Tomaso (also Pachelbel, Vivaldi, Bach, Purcell) 1212 Albinoni, Tomaso Adagio in G Minor (also Pachelbel: Canon; Zipoli: Elevazione for Cello, Oboe; Gluck: Dance of the Furies, Dance of the Blessed Spirits, Interlude; Boyce: Symphony No. 4 in F Major; Purcell: The Indian Queen- Trumpet Overture)(Consort of London; R,Clark) 1569 Albinoni, Tomaso Concerto Pour 2 Trompettes in C; Concerto in C (Lionel Andre, trumpet) (also works by Tartini; Vivaldi; Maurice André, trumpet) 1520 Alderete, Ignacio: Harpe indienne et orgue 1019 Aloft: Heritage of America Band (United States Air Force/Captain Larry H.
    [Show full text]
  • Exploiting Prior Knowledge During Automatic Key and Chord Estimation from Musical Audio
    Exploitatie van voorkennis bij het automatisch afleiden van toonaarden en akkoorden uit muzikale audio Exploiting Prior Knowledge during Automatic Key and Chord Estimation from Musical Audio Johan Pauwels Promotoren: prof. dr. ir. J.-P. Martens, prof. dr. M. Leman Proefschrift ingediend tot het behalen van de graad van Doctor in de Ingenieurswetenschappen Vakgroep Elektronica en Informatiesystemen Voorzitter: prof. dr. ir. R. Van de Walle Faculteit Ingenieurswetenschappen en Architectuur Academiejaar 2015 - 2016 ISBN 978-90-8578-883-6 NUR 962, 965 Wettelijk depot: D/2016/10.500/15 Abstract Chords and keys are two ways of describing music. They are exemplary of a general class of symbolic notations that musicians use to exchange in- formation about a music piece. This information can range from simple tempo indications such as “allegro” to precise instructions for a performer of the music. Concretely, both keys and chords are timed labels that de- scribe the harmony during certain time intervals, where harmony refers to the way music notes sound together. Chords describe the local harmony, whereas keys offer a more global overview and consequently cover a se- quence of multiple chords. Common to all music notations is that certain characteristics of the mu- sic are described while others are ignored. The adopted level of detail de- pends on the purpose of the intended information exchange. A simple de- scription such as “menuet”, for example, only serves to roughly describe the character of a music piece. Sheet music on the other hand contains precise information about the pitch, discretised information pertaining to timing and limited information about the timbre.
    [Show full text]
  • Register of Lords' Interests
    REGISTER OF LORDS’ INTERESTS _________________ The following Members of the House of Lords have registered relevant interests under the code of conduct: ABERDARE, LORD Category 10: Non-financial interests (a) Director, F.C.M. Limited (recording rights) Category 10: Non-financial interests (c) Trustee, National Library of Wales (interest ceased 31 March 2021) Category 10: Non-financial interests (e) Trustee, Stephen Dodgson Trust (promotes continued awareness/performance of works of composer Stephen Dodgson) Chairman and Trustee, Berlioz Sesquicentenary Committee (music) Director, UK Focused Ultrasound Foundation (charitable company limited by guarantee) Chairman and Trustee, Berlioz Society Trustee, West Wycombe Charitable Trust ADAMS OF CRAIGIELEA, BARONESS Nil No registrable interests ADDINGTON, LORD Category 1: Directorships Chairman, Microlink PC (UK) Ltd (computing and software) Category 10: Non-financial interests (a) Director and Trustee, The Atlas Foundation (registered charity; seeks to improve lives of disadvantaged people across the world) Category 10: Non-financial interests (d) President (formerly Vice President), British Dyslexia Association Category 10: Non-financial interests (e) Vice President, UK Sports Association Vice President, Lakenham Hewitt Rugby Club (interest ceased 30 November 2020) ADEBOWALE, LORD Category 1: Directorships Director, Leadership in Mind Ltd (business activities; certain income from services provided personally by the member is or will be paid to this company; see category 4(a)) Director, Visionable
    [Show full text]
  • 166-90-06 Tel: +38(063)804-46-48 E-Mail: [email protected] Icq: 550-846-545 Skype: Doowopteenagedreams Viber: +38(063)804-46-48 Web
    tel: +38(097)725-56-34 tel: +38(099)166-90-06 tel: +38(063)804-46-48 e-mail: [email protected] icq: 550-846-545 skype: doowopteenagedreams viber: +38(063)804-46-48 web: http://jdream.dp.ua CAT ORDER PRICE ITEM CNF ARTIST ALBUM LABEL REL G-049 $60,37 1 CD 19 Complete Best Ao&haru (jpn) CD 09/24/2008 G-049 $57,02 1 SHMCD 801 Latino: Limited (jmlp) (ltd) (shm) (jpn) CD 10/02/2015 G-049 $55,33 1 CD 1975 1975 (jpn) CD 01/28/2014 G-049 $153,23 1 SHMCD 100 Best Complete Tracks / Various (jpn)100 Best... Complete Tracks / Various (jpn) (shm) CD 07/08/2014 G-049 $48,93 1 CD 100 New Best Children's Classics 100 New Best Children's Classics AUDIO CD 07/15/2014 G-049 $40,85 1 SHMCD 10cc Deceptive Bends (shm) (jpn) CD 02/26/2013 G-049 $70,28 1 SHMCD 10cc Original Soundtrack (jpn) (ltd) (jmlp) (shm) CD 11/05/2013 G-049 $55,33 1 CD 10-feet Vandalize (jpn) CD 03/04/2008 G-049 $111,15 1 DVD 10th Anniversary-fantasia-in Tokyo Dome10th Anniversary-fantasia-in/... Tokyo Dome / (jpn) [US-Version,DVD Regio 1/A] 05/24/2011 G-049 $37,04 1 CD 12 Cellists Of The Berliner PhilharmonikerSouth American Getaway (jpn) CD 07/08/2014 G-049 $51,22 1 CD 14 Karat Soul Take Me Back (jpn) CD 08/21/2006 G-049 $66,17 1 CD 175r 7 (jpn) CD 02/22/2006 G-049 $68,61 2 CD/DVD 175r Bremen (bonus Dvd) (jpn) CD 04/25/2007 G-049 $66,17 1 CD 175r Bremen (jpn) CD 04/25/2007 G-049 $48,32 1 CD 175r Melody (jpn) CD 09/01/2004 G-049 $45,27 1 CD 175r Omae Ha Sugee (jpn) CD 04/15/2008 G-049 $66,92 1 CD 175r Thank You For The Music (jpn) CD 10/10/2007 G-049 $48,62 1 CD 1966 Quartet Help: Beatles Classics (jpn) CD 06/18/2013 G-049 $46,95 1 CD 20 Feet From Stardom / O.
    [Show full text]
  • The Creation Harry Christophers & Handel and Haydn Society
    CORO CORO Mozart: Requiem Harry Christophers & Handel and Haydn Society cor16093 Elizabeth Watts, Phyllis Pancella, Andrew Kennedy, Eric Owens “A Requiem full of life … Mozart’s final masterpiece has never sounded so exciting.” classic fm magazine HAYDN Haydn Symphonies – Volume 1 The Creation Harry Christophers & Handel and Haydn Society cor16113 Aisslinn Nosky violin “This performance has all the attributes that display this music at its best.” gramophone Joy to the World: An American Christmas cor16117 Harry Christophers & Handel and Haydn Society “The performances [are] fresh and arresting.” bbc music magazine Christmas Choice Harry CHrisTopHers SARAH Tynan To find out more about CORO and to buy CDs visit JereMy oVenden Handel and Haydn soCieTy MaTTHeW BrooK www.thesixteen.com cor16135 hen the Handel and Haydn Society when performing in English-speaking countries. We have honoured Haydn’s wish and W(H+H) was formed in 1815, Handel for that reason I have assembled a cast whose knowledge of the language is exemplary was the old and Haydn was the new; and whose vocal colours bring this glorious writing to life. Haydn’s music is always a joy Haydn had only died six years earlier, but to perform but with The Creation he excels himself allowing soloists, chorus and period it comes as no surprise to know that it orchestra to revel in vivid word painting both vocal and instrumental. Can there be a was the inspiration of Handel’s oratorios more consistently happy work than The Creation? Feel free to smile at his genius. (and in particular Messiah and Israel in Borggreve Marco Photograph: Egypt) that gave Haydn the impetus to compose The Creation.
    [Show full text]
  • Download Booklet
    HANDEL AT VAUXHALL, VOL.1 w The Melancholy Nymph, HWV 228 No. 19 G. F. Handel [3.35] 1 Sinfonia from Acis and Galatea, HWV 49 G. F. Handel [3.36] Charles MacDougall tenor 2 Organ Improvisation in the style of John Worgan and Handel [0.59] Concerto for Strings and Basso Continuo No 1 in A Major John Hebden Daniel Moult organ e Adagio [1.59] r Fuga [1.55] Organ Concerto Op. 4 No. 2 in B flat Major, HWV 290 G. F. Handel t Largo [1.33] 3 Sinfonia: A tempo ordinario e staccato [0.49] y Allegro [3.33] 4 Allegro [4.56] 5 Adagio e staccato [0.48] u As steals the morn upon the night G. F. Handel [6.12] 6 Allegro ma non presto [3.07] from L’Allegro, il Penseroso ed il Moderato, HWV 55 Daniel Moult organ Eleanor Dennis soprano Greg Tassell tenor 7 Accompagnato: Ye verdant plains and woody mountains G. F. Handel [0.42] 8 [Air] Hush, ye pretty warbling choir! [5.43] Total timings: [48.18] from Acis and Galatea, HWV 49 Kirsty Hopkins soprano 9 Colin and Phoebe A Pastoral Thomas Arne [3.34] Eleanor Dennis soprano Greg Tassell tenor LONDON EARLY OPERA Benjamin Bevan baritone BRIDGET CUNNINGHAM CONDUCTOR 0 Dead March from Saul, HWV 53 G. F. Handel [3.06] DANIEL MOULT ORGAN SOPHIE BEVAN • ELEANOR DENNIS • KIRSTY HOPKINS q The Advice G. F. Handel [2.10] CHARLES MACDOUGALL • GREG TASSELL • BENJAMIN BEVAN Sophie Bevan soprano www.signumrecords.com HANDEL AT VAUXHALL Vauxhall though, was never a simple pleasure unfortunately memorable phrase, Dr Johnson time.
    [Show full text]
  • Anime/Games/J-Pop/J-Rock/Vocaloid
    Anime/Games/J-Pop/J-Rock/Vocaloid Deutsch Alice Im Wunderland Opening Anne mit den roten Haaren Opening Attack On Titans So Ist Es Immer Beyblade Opening Biene Maja Opening Catpain Harlock Opening Card Captor Sakura Ending Chibi Maruko-Chan Opening Cutie Honey Opening Detektiv Conan OP 7 - Die Zeit steht still Detektiv Conan OP 8 - Ich Kann Nichts Dagegen Tun Detektiv Conan Opening 1 - 100 Jahre Geh'n Vorbei Detektiv Conan Opening 2 - Laufe Durch Die Zeit Detektiv Conan Opening 3 - Mit Aller Kraft Detektiv Conan Opening 4 - Mein Geheimnis Detektiv Conan Opening 5 - Die Liebe Kann Nicht Warten Die Tollen Fussball-Stars (Tsubasa) Opening Digimon Adventure Opening - Leb' Deinen Traum Digimon Adventure Opening - Leb' Deinen Traum (Instrumental) Digimon Adventure Wir Werden Siegen (Instrumental) Digimon Adventure 02 Opening - Ich Werde Da Sein Digimon Adventure 02 Opening - Ich Werde Da Sein (Insttrumental) Digimon Frontier Die Hyper Spirit Digitation (Instrumental) Digimon Frontier Opening - Wenn das Feuer In Dir Brennt Digimon Frontier Opening - Wenn das Feuer In Dir Brennt (Instrumental) (Lange Version) Digimon Frontier Wenn Du Willst (Instrumental) Digimon Tamers Eine Vision (Instrumental) Digimon Tamers Ending - Neuer Morgen Digimon Tamers Neuer Morgen (Instrumental) Digimon Tamers Opening - Der Grösste Träumer Digimon Tamers Opening - Der Grösste Träumer (Instrumental) Digimon Tamers Regenbogen Digimon Tamers Regenbogen (Instrumental) Digimon Tamers Sei Frei (Instrumental) Digimon Tamers Spiel Dein Spiel (Instrumental) DoReMi Ending Doremi
    [Show full text]
  • Performance Practice of Johann Sebastian Bach's Passio
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2008 Performance Practice of Johann Sebastian Bach's Passio Secundum Johannem a Study of 25 Years of Recorded History (1982-2007) as Influenced by Events Surrounding the Historically Informed Performance Movement Michael Troy Murphy Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC PERFORMANCE PRACTICE OF JOHANN SEBASTIAN BACH‟S PASSIO SECUNDUM JOHANNEM – A STUDY OF 25 YEARS OF RECORDED HISTORY (1982-2007) AS INFLUENCED BY EVENTS SURROUNDING THE HISTORICALLY INFORMED PERFORMANCE MOVEMENT By MICHAEL TROY MURPHY A Dissertation submitted to the College of Music In partial fulfillment of the Requirements for the degree of Doctor of Philosophy Degree Awarded: Fall Semester, 2008 Copyright 2008 Michael Troy Murphy All Rights Reserved The members of the Committee approve the dissertation of Michael Troy Murphy on June 24, 2008. ____________________________________ André J. Thomas Professor Directing Dissertation ____________________________________ Judy K. Bowers Committee Member ____________________________________ Charles Brewer Outside Committee Member ____________________________________ Kevin Fenton Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii Dedicated to my best friend and wife, Claire and my sons William and Colin, for your love, patience and encouragement iii ACKNOWLEDGMENTS I would like to thank my committee members for the encouragement and guidance they have offered me during my graduate studies at The Florida State University College of Music. This dissertation is a synthesis of their influence and my studies while pursuing my degree at Florida State University.
    [Show full text]
  • Mozart Requiem
    HARRY CHRISTOPHERS ARTISTIC DIRECTOR MOZART REQUIEM May 3 + 5, 2019 2018–19 SEASON: MOZART REQUIEM 1 WELCOME TO SPRING 2019 THE HANDEL AND HAYDN SOCIETY With this weekend’s concerts we bring our 204th season to a spectacular close. The Mozart Requiem was the first piece I ever saw Harry Christophers and H+H perform at Symphony Hall; I well remember the realization that, even though I’d sat through many performances of this masterpiece before, I had never really felt it until that night. Four years later, Boston IT’S APops PARTY! I’ve experienced this same sensation innumerable times; it’s just what H+H does. Tonight’s concert will be especially memorable for the nearly 60 members of our Vocal Arts Program who are performing Mozart’s Requiem onstage HELENE GRETJEN PHOTO: as part of the H+H Chorus. These members of our Young Women’s Chamber Choir and Young Men’s Chorus represent just two of the six choirs in our Vocal Arts Program, involving more than 200 students from ages 8–18 from throughout the Greater Boston region. Any adult musician in the H+H Orchestra and Chorus will tell you that musical opportunities at a young age were essential to them becoming the musicians they are today. And some of the singers now in VAP will become the performers, educators, and administrators of tomorrow. But no matter what they choose to do, they’ll take what they’ve learned about themselves and one another at H+H and carry that with them for a lifetime.
    [Show full text]
  • Fairy Inc. Sheet Music Products List Last Updated [2013/03/018] Price (Japanese Yen) a \525 B \788 C \683
    Fairy inc. Sheet Music Products list Last updated [2013/03/018] Price (Japanese Yen) A \525 B \788 C \683 ST : Standard Version , OD : On Demand Version , OD-PS : Piano solo , OD-PV : Piano & Vocal , OD-GS : Guitar solo , OD-GV : Guitar & Vocal A Band Score Piano Guitar Title Artist Tie-up ST OD ST OD-PS OD-PV ST OD-GS OD-GV A I SHI TE RU no Sign~Watashitachi no Shochiku Distributed film "Mirai Yosouzu ~A I DREAMS COME TRUE A A A Mirai Yosouzu~ SHI TE RU no Sign~" Theme song OLIVIA a little pain - B A A A A inspi'REIRA(TRAPNEST) A Song For James ELLEGARDEN From the album "BRING YOUR BOARD!!" B a walk in the park Amuro Namie - A a Wish to the Moon Joe Hisaishi - A A~Yokatta Hana*Hana - A A Aa Superfly 13th Single A A A Aa Hatsu Koi 3B LAB.☆ - B Aa, Seishun no Hibi Yuzu - B Abakareta Sekai thee michelle gun elephant - B Abayo Courreges tact, BABY... Kishidan - B abnormalize Rin Toshite Shigure Anime"PSYCHO-PASS" Opening theme B B Acro no Oka Dir en grey - B Acropolis ELLEGARDEN From the album "ELEVEN FIRE CRACKERS" B Addicted ELLEGARDEN From the album "Pepperoni Quattro" B ASIAN KUNG-FU After Dark - B GENERATION again YUI Anime "Fullmetal Alchemist" Opening theme A B A A A A A A Again 2 Yuzu - B again×again miwa From 2nd album "guitarium" B B Ageha Cho PornoGraffitti - B Ai desita. Kan Jani Eight TBS Thursday drama 9 "Papadoru!" Theme song B B A A A Ai ga Yobu Hou e PornoGraffitti - B A A Ai Nanda V6 - A Ai no Ai no Hoshi the brilliant green - B Ai no Bakudan B'z - B Ai no Kisetsu Angela Aki NHK TV novel series "Tsubasa" Theme song A A
    [Show full text]
  • Samedi 17 Mars Henry Purcell King Arthur H En Ry P U Rce Ll
    Roch-Olivier Maistre, Président du Conseil d’administration Laurent Bayle, Directeur général Samedi 17 mars Henry Purcell King Arthur Dans le cadre du cycle Métamorphoses Du 10 au 22 mars Samedi 17 mars Samedi 17 | | King Arthur Henry Purcell Vous avez la possibilité de consulter les notes de programme en ligne, 2 jours avant chaque concert, à l’adresse suivante : www.citedelamusique.fr Cycle Métamorphoses Changer de peau, d’enveloppe : c’est ce qui arrive dans les opéras de Gluck et de Purcell, ainsi que dans La Métamorphose de Kafka animée par les frères Quay. Écho et Narcisse n’eut guère de succès à sa création en 1779 tout comme lors de ses reprises. Il s’agit pourtant d’une délicieuse pastorale sur un livret d’après les Métamorphoses d’Ovide. En employant un double orchestre et un chœur des Plaisirs situé en coulisses dès le prologue, Gluck déploie tout son art dans les effets d’écho qui s’imposent. On les retrouvera notamment à l’acte II, lors du bel arioso de Narcisse face à son image dans l’eau, et à l’acte III, lorsque la voix de la nymphe, qu’il croit morte de désespoir, lui répond. En juillet 1826, Mendelssohn annonçait à sa sœur qu’il s’apprêtait à « rêver le Songe d’une nuit d’été » : un mois après, il avait achevé l’ouverture. Ce n’est qu’en 1843 qu’il écrivit la musique de scène. La Marche nuptiale, qui accompagne aujourd’hui tous les mariages du monde, était à l’origine destinée à celui, comique, de la reine des fées Titania avec Bottom transformé en âne.
    [Show full text]
  • For All My Walking
    Watson(santoka)_FM 9/3/03 3:03 PM Page i for all my walking Modern Asian Literature Watson(santoka)_FM 9/3/03 3:03 PM Page ii for all my walking Watson(santoka)_FM 9/3/03 3:03 PM Page iii Translated by Burton Watson Free-Verse Haiku of Taneda Santoka with Excerpts from His Diaries columbia university press new york Watson(santoka)_FM 9/3/03 3:03 PM Page iv Columbia University Press Publishers Since 1893 New York Chichester, West Sussex Copyright © 2003 Columbia University Press All rights reserved Library of Congress Cataloging-in-Publication Data Taneda, Santoka, 1882–1940. [Poems. English. Selections] For all my walking : free-verse haiku of Taneda Santoka with excerpts from his diaries / translated by Burton Watson. p. cm.—(Modern Asian literature series) ISBN 0–231–12516–X (cloth : alk. paper) ISBN 0–231–12517–8 (paper : alk. paper) I. Watson, Burton, 1925– II. Taneda, Santoka, 1882–1940. Nikki. English. Selections. III. Title. IV. Series. Columbia University Press books are printed on permanent and durable acid-free paper. Printed in the United States of America c 10 9 8 7 6 5 4 3 2 1 p 10 9 8 7 6 5 4 3 2 1 Watson(santoka)_FM 9/3/03 3:03 PM Page v Contents Chronology of the Life of Taneda Santoka vii Introduction 1 Poems and Diary Entries 19 Bibliography of Works in English 103 Watson(santoka)_FM 9/3/03 3:03 PM Page vi Watson(santoka)_FM 9/3/03 3:03 PM Page vii Chronology of the Life of Taneda Santo¯ka 1882 december 3.
    [Show full text]