HARRY CHRISTOPHERS ARTISTIC DIRECTOR

MOZART REQUIEM

May 3 + 5, 2019

2018–19 SEASON: MOZART REQUIEM 1 1 And MOZART REQUIEM MOZART

PHOTO: GRETJEN HELENE 2018–19 SEASON: “to inspire the intellect, touch it until that night. Four years later, felt I hope you enjoy hearing our students VAP perform as part of Mozart Requiem. And if you know a young person who might be interested are in we joining VAP, holding auditions on May 11. I hope they will sing with us! Snead David PRESIDENT AND CEO I’ve experienced this same sensation innumerable innumerable sensation same this experienced I’ve times; it’s just what H+H does. Tonight’s concert will be especially memorable for the nearly 60 members of our Vocal Arts Program who are performing Mozart’s Requiem onstage as part of the H+H Chorus. These members of Young and Choir Chamber Women’s Young our Men’s Chorus represent just two of the six choirs in our Vocal Arts Program, involving more than 200 students from ages 8–18 from throughout the Greater Boston region. Any adult musician in the H+H Orchestra and Chorus will tell you that musical opportunities at a young age were essential them to becoming the musicians they are And today. some of the singers will now in become VAP the what matter no But tomorrow. of administrators and performers, educators, they choose do, to they’ll take what they’ve learned about themselves and one another at H+H and carry that with them for a lifetime. They’ll tell you this themselves. “In the last six years, I’ve grown a lot as a person,” says Dina, an alto in the Women’s Young Chorus. “H+H has been this one constant, everyone’s so committed our to repertoire, and the to whole community.” Other students have told us they learned “demand to personal excellence through an unbending work ethic,” “be to a leader through preparation and confidence myself,”in andto “push each otherto be better while providing mutual support in a magical, nurturing, enjoyable, intellectual environment.” That could well summarize H+H’s entire mission: the heart, elevate the soul, and connect all of us with our shared humanity music.” Classical Baroque and with experiences transformative through is at theVAP heart of that mission. With this weekend’s concerts bring we our 204th season a spectacular to close. The Mozart Requiem was the first pieceeverI saw Harry Christophers and H+H perform at Symphony Hall; well I remember the realization that, even though I’d sat through many performances of this masterpiece before, I had never really WELCOME TO THE HANDEL AND HAYDN SOCIETY THE HANDELAND HAYDN opening night and sponsor season IT’S A PARTY!

SPRING 2019 SPRING Boston Pops Boston MAY 8–JUNE 15 MAY CONDUCTOR CONDUCTOR LAUREATE KEITH LOCKHART KEITH LOCKHART BOSTONPOPS.ORG JOHN WILLIAMS JOHN WILLIAMS 888-266-1200 MOZART REQUIEM TABLE OF CONTENTS

5 The Handel and Haydn Society 7 Harry Christophers, Artistic Director 8 2019–20 Season 12 Program 15 Program Notes 20 Program Texts 26 Artist Profiles 30 Handel and Haydn Society Orchestra and Chorus 33 The Karen S. and George D. Levy Education Program 35 Governance 37 Donors 46 Project Mozart Requiem 49 Administration 51 Symphony Hall Patron Information 52 General Information

Cover: Harry Christophers, Artistic Director PHOTO: LARA SILBERKLANG

2 HANDELANDHAYDN.ORG 2018–19 SEASON: MOZART REQUIEM 3 THE HANDEL AND HAYDN SOCIETY

The Handel and Haydn Society is internationally Leadership acclaimed for its performances of Baroque and W. Carl Kester Classical music. Based in Boston, H+H’s orchestra CHAIRMAN and chorus delight more than 50,000 listeners David Snead each year with a nine-concert subscription series PRESIDENT AND CEO at Symphony Hall and other leading venues in Harry Christophers, CBE addition to a robust program of intimate events ARTISTIC DIRECTOR in museums, schools, and community centers. THE BICENTENNIAL CHAIR Under the leadership of Artistic Director Harry Ian Watson Christophers, the ensemble embraces historically ASSOCIATE CONDUCTOR informed performance, bringing classical music to Scott Allen Jarrett life with the same immediacy it had the day it was RESIDENT CONDUCTOR, CHORUS written. Through the Karen S. and George D. Levy Alyson Greer Espinosa Education Program, H+H also provides engaging, Jennifer Kane accessible, and broadly inclusive music education to Kevin McDonald thousands of children each year through in-school VOCAL ARTS PROGRAM CONDUCTORS music instruction and the Vocal Arts Program that includes six youth choruses. Founded in Boston in 1815, H+H is among the oldest continuously performing classical music ensembles in the United States and is unique for its longevity, capacity for reinvention, and distinguished history of premieres. H+H began as a choral society founded by middle-class Bostonians who aspired to improve the quality of singing in their growing American city. They named the organization after two composers—Handel and Haydn—to represent both the old music of the 18th century and what was then the new music of the 19th century. In the first decades of its existence, H+H gave the American premieres of major works including Handel’s Messiah (1818), Haydn’s Creation (1819), and Bach’s St. Matthew Passion (1879). Since its founding, H+H has given more than 2,000 performances before a total audience exceeding 2.8 million. In addition to its subscription series, tours, and broadcast performances, H+H reaches a worldwide audience through ambitious recordings including the critically-acclaimed Haydn The Creation, the best-selling Joy to the World: An American Christmas, and Handel Messiah, recorded live at Symphony Hall under Christophers’s direction.

4 HANDELANDHAYDN.ORG 2018–19 SEASON: MOZART REQUIEM 5 HARRY CHRISTOPHERS, CBE ARTISTIC DIRECTOR THE BICENTENNIAL CHAIR The 2018–19 Season marks Harry Christophers’s 10th year as artistic director of the Handel and Haydn Society. Since his appointment, Christophers and H+H have enjoyed an ambitious artistic journey including showcases of works premiered in the United States by H+H since 1815, broad education programming, community partnerships, concerts at the Metropolitan CIBC Private Wealth Management and Jeffrey S. Thomas, Museum of Art and at Tanglewood, and a series Governor, Handel and Haydn Society, proudly support of recordings on the CORO label. Between 2015 and 2016, Christophers and H+H celebrated the The Handel and Haydn Society. organization’s Bicentennial, and he now proudly leads the ensemble in its third century of music making.

Mr. Christophers is known internationally as founder ROSNER STU PHOTO: and conductor of the British choir and directed throughout Europe, America, Australia, and Asia, gaining a distinguished reputation for his work in What’s your vision for “success”? From years of Renaissance, Baroque, and 20th- and 21st-century working with affluent individuals and families, music. In 2000, he instituted The Choral Pilgrimage, a we’ve learned that success often means achieving a tour of British cathedrals from York to Canterbury. sense of satisfaction and joy about the use of your He has recorded over 120 titles for which he has wealth for yourself, your family and causes you hold won numerous awards, including the coveted dear. CIBC Private Wealth Management can be your Gramophone Award for Early Music and the prestigious Classical Brit Award. His CD IKON was partner for all of your investment, wealth planning nominated for a 2007 Grammy and his second and private banking needs. recording of Handel’s Messiah on The Sixteen’s own label CORO won the prestigious MIDEM Classical Together, we can bring your vision for Award. In 2009, he received one of classical music’s your wealth and legacy to life. highest accolades, the Classic FM Gramophone Awards Artist of the Year Award, and The Sixteen won the Baroque Vocal Award for Handel Coronation 100 Federal Street, 37th Floor Anthems, a CD which also received a 2010 Grammy Boston, MA 02110 Award nomination, as did Palestrina, Vol. 3 in 2014, 617.357.9600 and Monteverdi Vespers of 1610 in 2015. From 2007 he has featured with The Sixteen in the highly us.cibc.com/private-wealth successful BBC television series Sacred Music, presented by actor Simon Russell Beale. The latest hour-long program, devoted to Monteverdi’s Vespers, screened in 2015. Mr. Christophers is principal guest conductor of the Granada Symphony Orchestra and a regular guest conductor with the Academy of St. Martin in the Fields. In October 2008 he was awarded an Honorary Degree of Doctor of Music from the This ad is not to be construed as an offer to buy or sell any financial instruments. CIBC Bank USA, Member FDIC and Equal Housing Lender. CIBC Bank USA and CIBC Private University of Leicester. He is an Honorary Fellow Wealth Group, LLC are both indirect, wholly owned subsidiaries of CIBC. The CIBC logo is of Magdalen College, Oxford, and also of the Royal a registered trademark of CIBC, used under license. Investment Products Offered are Not Welsh Acad­emy for Music and Drama, and was FDIC-Insured, May Lose Value and are Not Bank Guaranteed. awarded a CBE (Commander of the Order of the British Empire) in the 2012 Queen’s Birthday Honors.

6 HANDELANDHAYDN.ORG 2018–19 SEASON: MOZART REQUIEM 7 MASTERFULLY PERFORMED. 2019–20 SEASON PASSIONATELY SHARED.

A MOZART CELEBRATION HANDEL MESSIAH MOZART + HAYDN BACH ST. MATTHEW Oct 4 + 6 | Symphony Hall Nov 29 + 30 + Dec 1 | Symphony Hall Jan 24 + 26 | Symphony Hall PASSION Harry Christophers, conductor Masaaki Suzuki, conductor Harry Christophers, conductor Apr 3 + 5 | Symphony Hall Aisslinn Nosky, violin and leader Joélle Harvey, soprano Elizabeth Watts, soprano Harry Christophers, conductor Caitlin Lynch, soprano Reginald Mobley, countertenor Mireille Asselin, soprano Joshua Ellicott, tenor (Evangelist) Aaron Sheehan, tenor Nicholas Phan, tenor Catherine Wyn-Rogers, mezzo-soprano Matthew Brook, bass-baritone (Jesus) Peter Walker, bass-baritone Dashon Burton, bass-baritone Jeremy Budd, tenor Joélle Harvey, soprano H+H Orchestra and Chorus H+H Orchestra and Chorus Sumner Thompson, baritone Paula Murrihy, mezzo-soprano H+H Orchestra and Chorus TBD, tenor Mozart: Handel: Messiah Stephan MacLeod, bass-baritone Eine kleine Nachtmusik Mozart: Violin Concerto No. 4, K. 218 H+H Orchestra and Chorus Mass in C Minor, K. 427, Great Haydn: Symphony No. 100, Military Concert aria, “Nehmt meinen Dank, A BAROQUE CHRISTMAS Haydn: Lord Nelson Mass J.S. Bach: St. Matthew Passion ihr holden Gönner!” Dec 19 + 22 | NEC's Jordan Hall Concert aria, “Ah, lo previdi!”–“Ah, t’invola”– Aisslinn Nosky, violin and director BEETHOVEN + MOZART “Deh, non varcar” Debra Nagy, oboe and recorder VIVALDI THE FOUR Feb 14 + 16 | NEC's Jordan Hall Emi Ferguson, flute SEASONS H+H Orchestra Kristian Bezuidenhout, fortepiano and leader May 1 + 3 | Symphony Hall MOZART JUPITER H+H Orchestra SYMPHONY Vivaldi: Violin Concerto, RV 270, Concerto II Harry Christophers, conductor Riposo - Per il Santissimo Natale C.P.E. Bach: Sinfonia for Strings in C Major, Aisslinn Nosky, violin and leader Nov 8 + 10 | Symphony Hall Torelli: Concerto Grosso, Op. 8, No. 6 in G Wq. 182/3 H+H Orchestra and Chorus conductor Bernard Labadie, Minor, Christmas Concerto Beethoven: Piano Concerto No. 3 Handel: “Arrival of the Queen of Sheba” Guy Fishman, cello Charpentier: Noël pour instruments Mozart: Rondo in A Major, K. 386 from Solomon H+H Orchestra Biber: Mystery Sonata No. 3 in B Minor, Mozart: Symphony No. 36, Linz Handel: Dixit Dominus Beethoven: Coriolan Overture Nativity Vivaldi: The Four Seasons C.P.E. Bach: Cello Concerto in A Major, Biber: Passacaglia in G Minor HAYDN + BEETHOVEN Wq. 172/H. 439 Feb 28 + Mar 1 | NEC's Jordan Hall Mozart: Symphony No. 41, Jupiter Jonathan Cohen, conductor H+H Orchestra Haydn: Symphony No. 6, Le Matin SUBSCRIPTIONS AVAILABLE NOW Haydn: Symphony No. 92, Oxford Beethoven: Symphony No. 1 HANDELANDHAYDN.ORG 617.266.3605 M-F 10AM-6PM EXPERIENCE OUR 2019–20 SEASON SUBSCRIBE IN THE LOBBY TODAY AND WE WILL WAIVE THE $9 HANDLING FEE

FULL SEASON SYMPHONY HALL SUBSCRIBERS SAVE SUBSCRIBERS UP TO $294 AND SAVE UP TO $96! ENJOY THE VERY • Priority seating for BEST SEATS! 6 great concerts at • Top priority seating Symphony Hall for 6 great concerts at Symphony • Prepaid parking Hall and 3 great vouchers available concerts in intimate for purchase Jordan Hall CREATE YOUR • Free parking OWN SERIES vouchers for 6 Symphony Hall • Pick any 3–8 concerts ($150 concerts and savings) create your own concert collection • Ticket price savings of up to MONEY BACK $144, depending GUARANTEE on location (that’s a savings of better • If you aren’t than one free completely concert) satisfied after your first concert, we’ll refund your money PROGRAM SPONSORS

This program is made possible through the generous support of Philip Gerdine, FRIDAY, MAY 3, 2019 at 7:30pm 2,463rd Concert in memory of Marjorie Gerdine. SUNDAY, MAY 5, 2019 at 3:00pm 2,464th Concert The artists’ appearances are made possible by the generous support of the SYMPHONY HALL following individuals: Harry Christophers, conductor John Winkleman, sponsor of Harry Christophers, conductor Joélle Harvey, soprano Frank O. Clark, PhD, and Lynn DeLisi, MD, sponsors of Joélle Harvey, soprano Sandra Piques Eddy, mezzo-soprano Michael & Marcy Scott Morton, sponsors of Sandra Piques Eddy, mezzo-soprano Tom Randle, tenor Betty Morningstar and Jeanette Kruger, sponsors of Tom Randle, tenor Soloman Howard, bass Jim and Cathy Stone, sponsors of Soloman Howard, bass H+H Vocal Arts Program Heather and Robert Keane, sponsors of the Orchestra Young Men’s Chorus, Kevin McDonald, conductor Julia D. Cox, sponsor of the Chorus Young Women’s Chamber Choir, Alyson Greer Espinosa, conductor Anne and David Gergen, season sponsors of Guy Fishman, cello Willma H. Davis, season sponsor of the Young Women’s Chamber Choir Handel and Haydn Society Orchestra and Chorus Lucas Wegmann, season sponsor of the Young Men’s Chorus

The MassArt collaboration is generously supported by Melissa Chase and Masonic Funeral Music, K. 477 Wolfgang Amadé Mozart K.E. Duffin. (1756–1791) The Handel and Haydn Society Chorus is funded in perpetuity by Jane and Miserere mei Gregorio Allegri Wat Tyler. Sarah Yanovitch, soprano (c. 1582–1652) Elissa Alvarez, soprano The Education Program is funded in perpetuity by Karen S. and George D. Levy. Doug Dodson, countertenor Peter Walker, baritone The Vocal Arts Program is supported in part by John and Janis Raguin and by grants from the Boston and Lynn Cultural Councils, local agencies that are Singet dem Herrn ein neues Lied, BWV 225 Johann Sebastian Bach supported by the Massachusetts Cultural Council, a state agency. (1685–1750) INTERMISSION The Handel and Haydn Society is funded in part by the Massachusetts Cultural Council and the National Endowment for the Arts. Requiem, K. 626 Mozart Joélle Harvey, soprano The Handel and Haydn Society Chorus is funded in part by a generous gift from Sandra Piques Eddy, mezzo-soprano the Wintersauce Foundation. Tom Randle, tenor Soloman Howard, bass The Handel and Haydn Society is proud to be a Principal Sponsor Young Men’s Chorus of the Boston Singers’ Relief Fund (provocal.org). Young Women’s Chamber Choir Program book printed by The Graphic Group.

Related Event Musically Speaking with Teresa Neff Christopher Hogwood Historically Informed Performance Fellow 45 minutes prior to each performance in Higginson Hall Sponsored by Lucas Wegmann Season sponsor of Musically Speaking, Joseph M. Flynn Period Instrument Demonstrations We ask for your help in creating a positive concert experience for the performers Friday, 7:00–7:15pm, and Sunday, 2:30–2:45pm, throughout Symphony Hall and those around you. Cell phones and other audible devices should be switched off during the concert. Photography and recording of any kind are strictly Connect with H+H prohibited. Food and beverages are not permitted inside the hall. facebook.com/handelandhaydn instagram.com/handelandhaydn The concert runs 1 hour and 55 minutes including intermission. twitter.com/handelandhaydn youtube.com/handelandhaydn

12 HANDELANDHAYDN.ORG 2018–19 SEASON: MOZART REQUIEM 13 THE WORLD BEYOND PROGRAM NOTES MUSICAL LEGACIES

1633 Rembrandt van Rijn paints Christ in the Storm Wolfgang Amadé Mozart’s life can be seen in three segments: his youth on the Sea of Galilee, his only known seascape. as child prodigy, the 1770s when he was known as a young composer and This painting and 12 other works were stolen performer, and the 1780s when he was a mature composer living in Vienna. from the Isabella Stewart Gardner Museum in When Wolfgang was a young child, his father Leopold recognized his unique Boston on March 18, 1990. talent and arranged for him, and often his sister Anna Maria, to travel and 1739 The Koh-i-Noor (mountain of light), one of the perform throughout Europe. These tours, no doubt a source of income for largest cut diamonds in the world, is named by the the family, also gave the young Mozart invaluable first-hand experience with Afsharid Shah of Persia after invading Delhi and diverse compositional styles, even as he astonished professional musicians and looting the treasury of the Mughal Empire. Today amateurs alike with his musical abilities and knowledge. the diamond is part of the British crown jewels. Before the 14-year-old Mozart transcribed Gregorio Allegri’s Miserere mei, a

Gregorio Allegri 1754 Mt. Pisgah African Methodist Episcopal Church, multi-voiced chant setting (falso bordone) elaborated with embellishments, b. Rome, c. 1582 the oldest continuously operating black church during Holy Week in 1770, the piece had ignited musical imaginations and d. Rome, February 7, 1652 in the United States, is founded in Elsinboro, sparked speculation. New Jersey, by Rueben Cuff, the son of a Allegri became a member of the papal choir in 1629, becoming the maestro formerly enslaved man. di cappella (master of the chapel) at midcentury. Allegri’s contemporaries 1759 The Qianlong emperor commissions viewed him as a musical heir to Giovanni Palestrina, and the stately control of Burgeoning Life in a Resplendent Age from harmony embodied in the Miserere mei underlies the various versions that have the court painter Xu Yang. This glimpse of been published throughout the years. Sung during Holy Week until the papal a Chinese city from about 250 years ago chapel was disbanded in 1870, Allegri’s setting of Psalm 51 was composed contains some 4,800 human figures and 2,000 for two choirs singing in alternation with each other, interspersed with chant. structures. It was renamed Prosperous Suzhou Improvised elaborations in the choral parts were common in this type of Psalm in the 1950s. setting and the use of embellishments was carefully protected by the papal chapel, a fact Leopold Mozart made clear when he wrote to his wife in April 1770 After hearing Allegri’s Miserere mei once, 1770 that Wolfgang had written down the work from memory: Mozart transcribes it from memory, making corrections after a second hearing. You have often heard of the famous Miserere in Rome, which is so greatly prized that the performers in the chapel are forbidden on pain 1780 May 19 is called the “Day of Darkness” in New of excommunication to take away a single part of it, copy it or give it to England after clouds, fog, and smoke from forest anyone. But we have it already. Wolfgang has written it down and…we fires produce nighttime conditions at noon. Johann Sebastian Bach shall bring it home with us. Moreover, as it is one of the secrets of Rome, b. Eisenach, March 21, 1685 d. Leipzig, July 28, 1750 1782 Deborah Sampson, disguised as a man, enlists we do not wish to let it fall into other hands. in the 4th Massachusetts Regiment. After And further, after Mozart’s mother wondered if this was a good idea: being discovered, she is given an honorable discharge. There is not the slightest cause for anxiety....All Rome and even the pope himself know that he wrote it down. There is nothing whatever to 1789 Mozart visits St. Thomas Church in Leipzig fear; on the contrary, the achievement has done him great credit. where he plays the organ. Later this same year, Mozart received the Order of the Golden Spur from the 1791 Mozart begins composing the Requiem, but pope, a type of knighthood of which Mozart was very proud—even signing his dies before the work is completed. Portions of name as Chevalier—until he was teased and taunted by other nobility. the unfinished work are sung at his memorial service in December. The English music chronicler Charles Burney published an edition of Allegri’s Miserere mei in 1771, but there is no evidence that this was Mozart’s 1793 Mozart’s Requiem, as completed by Franz transcription, the original of which is now lost. In the 19th and 20th centuries Süssmayr, is performed at a concert benefiting other versions of the work were published as well, so that what has come down Mozart’s widow and children. to us is far removed from Allegri’s original chant harmonization, preserved in two Vatican manuscripts. Nevertheless, when hearing the stark beauty of the monophonic (single line) chant, expanded to four- and five-part settings, Wolfgang Amadé Mozart each of which is an elaboration of earlier sections, it is clear why this work has b. Salzburg, January 27, 1756 fascinated listeners for hundreds of years. d. Vienna, December 5, 1791

14 HANDELANDHAYDN.ORG 2018–19 SEASON: MOZART REQUIEM 15 “singet” (sing) by simultaneously using a pedal tone, text repetition, and embellished melodies in imitation to proclaim this word in an infectiously upbeat setting that carries through the rest of the work. In the summer of 1791, Mozart received a commission for a Requiem, a musical setting of the texts of the Mass for the dead. Originally sung in chant, these fun­eral texts have been set by many composers throughout history. The person who delivered the offer did not identify himself or the source of the com­mis­ sion. Constanze Mozart said that she did not discover the identity of this patron until 1800. The mysterious patron was, in fact, a wealthy nobleman, Count Walsegg, who was in the habit of commissioning works anonymously. When sponsoring a private performance of a musical composition he commissioned, Count Walsegg often copied it out in his own handwriting and removed the com­poser’s name, becoming the “composer” of the work himself. The specific commission of a requiem was in honor of the count’s wife who had died earlier that year. Mozart died on December 5, 1791, leaving the work unfinished. In order to satisfy the terms of the commission, Mozart’s widow turned to three of her husband’s students for help. Mozart had completed most of the music for the opening movements of the Requiem (the Introit through the Kyrie plus eight measures of the Lacrymosa) and sketched the vocal and instrumental parts for some of the other movements. Owing to the work of Mozart’s students in completing the Requiem, today there are two manuscripts in four different hands. Mozart’s working manuscript initially consisted of the Introit, the only move­ The Muse of Music, bas relief by Thomas Ball, 1872, Chickering Monument, Mount Auburn Cemetery, Cambridge. ment of the Requiem completed by the composer, as well as other movements in various stages of the compositional process. For example, the Kyrie contains On December 14, 1784, Mozart was inducted as an apprentice in the “Zur vocal parts in Mozart’s handwriting; instrumental parts which double the vocal Wohltätigkeit” (Beneficence) Masonic Lodge. Within a month, he was made a lines were then added by Mozart’s student Franz Jacob Freystädtler—his only journeyman and soon became a master Mason. Mozart often offered his musical contribution to the composition. For other movements, the orchestral parts talents for lodge functions and composed a great deal of Masonic music. His were supplied by another of Mozart’s students, Joseph Eybler; he had received Masonic Funeral Music, K. 477, dates from no later than November 1785; it Mozart’s working manuscript from Constanze but later returned the score with­ was probably composed for a memorial service for two lodge brothers, Duke out completing it. She then asked Franz Xaver Süssmayr to undertake the task Georg August von Mecklenburg and Count Franz Esterházy von Galántha. of completing the Requiem. This orchestral music for strings plus a full complement of wind instruments incorporates a chant melody and features a poignant, sighing motive. Süssmayr removed the Introit and Kyrie from Mozart’s working manuscript, copied out the rest of Mozart’s music in his own handwriting, and completed When Mozart moved to Vienna in the early 1780s, he studied Bach fugues the work. Süssmayr then forged Mozart’s signature and added the date “1792” at the home of Baron van Swieten, writing to his father: “I go every Sunday to the manuscript. This was the copy given to Count Walsegg in fulfillment of where nothing is played but Bach and Handel.” He arranged Bach fugues for the commission. these musical meetings and was also commissioned by van Swieten to arrange oratorios such as Handel’s Messiah. The Requiem was premiered at a benefit concert sponsored by the Gesellschaft der Associierten Cavalerie (Society of Associated Gentlemen) on January 2, 1793. Mozart probably heard the Bach motet Singet dem Herrn, BWV 225, when he This group of noblemen, led by Baron van Swieten, paid for all performance- visited Leipzig in 1789 as part of a two-month trip to Berlin and other cities related expenses and Constanze Mozart received all of the profits from the he undertook with Prince Karl Lichnowsky, his patron and fellow Mason. One per­form­ance. Count Walsegg held a private performance of the completed of their first stops was Leipzig, where Mozart played the organ at St. Thomas Mozart Requiem as part of a memorial service for his wife in December 1793; Church, with one contemporary account claiming that, “old Sebastian Bach had the score was written in his handwriting and named him as the composer. risen again.” Earlier, portions of the Requiem had been performed at a memorial liturgy for Why Bach wrote specific motets is not always certain; this is the case with Mozart on December 10, 1791. Singet dem Herrn, composed between 1726 and 1727. Scored for double Mozart had studied and arranged Handel oratorios in the late 1780s as part of chorus, this motet contains three sections and uses texts from Psalms 103 and a commission from van Swieten’s Gesellschaft. Handel’s influence can be heard 150. In this intricate and complex work, Bach carefully draws our attention to in the choral sections of the Requiem, which are also infused with Mozart’s own important words in the text. For example, Bach emphasizes the first word, sense of drama and solemnity. In the first part of the first movement, Mozart

16 HANDELANDHAYDN.ORG 2018–19 SEASON: MOZART REQUIEM 17 layers the sounds of the winds, strings, and voices into a supplication for the deceased. The use of chant in the second section and then the combining of INSTRUMENT SPOTLIGHT the first two sections in the final part intertwine old and new into a prayer for BASSET HORN eternal rest. Eric Hoeprich, H+H principal clarinet: The Kyrie is a fugue in which the imitation in the voices can be heard in the The basset horn, a low-sounding member of the clarinet melding of the text so that “kyrie” and “eleison” often sound simultaneously. family pitched in the key of F, appeared in Europe as Mozart’s dramatic choral writing continues in movements such as Dies irae and early as the 1750s. Various myths regarding the origin of Rex tremendae. In the latter movement, layers of voices, strings, and winds flow the instrument’s name have emerged, ranging from the out from a homophonic opening; however, with the text “Salve me” (Save me), inventor being a man named Mr. Horn, to the suggestion the vocal and orchestral layers separate, releasing the built-up musical tension that the instrument sounds similar to a basset hound. In all and underscoring this text. probability the name is simply derived from the diminutive One of the most recognizable movements, Lacrymosa, opens as a lyrical aria form of bass, that is, “small bass,” or “basset,” together with for chorus. The Lux aeterna musically unites prayers for eternal rest (“requiem”) “horn,” referring to the early instrument’s curved shape and and perpetual light (“lux aeterna”). In the final movement, completed by Süssmayr, brass bell. An important feature which sets the basset horn the music of the first movement returns, rounding out the Requiem with a apart from the clarinet is its lower range, which helps to direct reference to the only movement completed by Mozart. create the instrument’s haunting, veiled sound. When a composition profoundly affects the listener, curiosity and the desire to Mozart grew up more or less surrounded by the basset learn as much as possible about the work and the circumstances of its comp­ horn in its nascent stage. By the time he reached Vienna, osition naturally follow. Often, however, composers provide precious little locally made instruments had not only improved, but were in­for­ma­tion about their thoughts on the piece, or, as in Mozart’s Requiem, leave expertly played by the best clarinetists. Mozart clearly the composition itself unfinished. The gaps that remain may never be filled or loved writing for the basset horn which he used not only are re-imagined in succeeding generations. Still, the most important voice of for solemn moments in Masonic Funeral Music and the the composer—the music—remains. Requiem, but also in some lively trios for three basset horns and the lovely “Notturni” for three singers and a © 2019 Teresa M. Neff, PhD trio of basset horns. CHRISTOPHER HOGWOOD HISTORICALLY INFORMED PERFORMANCE FELLOW OPENING NIGHT AT POPS WITH SPECIAL GUEST IT’S A PARTY! BERNADETTE PETERS Keith Lockhart, conductor Wednesday, May 8, 8pm Celebrate the Opening Night of the Spring Pops season with Bernadette Peters, conductor Keith Lockhart and the Boston Pops. Also on the program will be a tribute to the 50th anniversary of the moon landing, From the Earth to the Moon and Beyond by composer James Beckel.

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18 HANDELANDHAYDN.ORG 2018–19 SEASON: MOZART REQUIEM 19 Quoniam si voluisses sacrificium, For thou desirest no sacrifice, PROGRAM TEXTS dedissem utique; holocaustis non else would I give it thee: but thou delectaberis. delightest not in burnt-offerings. Sacrificium Deo spiritus contribulatus; The sacrifice of God is a troubled Gregorio Allegri: Miserere mei cor contritum et humiliatum, Deus, spirit: a broken and contrite heart, O Text: Psalm 51 non despicies. God, shalt thou not despise. Miserere mei, Deus, secundum Have mercy upon me, O God, after Benigne fac, Domine, in bona O be favorable and gracious magnam misericordiam tuam; et thy great goodness: according to the voluntate tua Sion, ut aedificentur unto Sion: build thou the walls of secundum multitudinem miserationum multitude of thy mercies do away muri Jerusalem. Jerusalem. tuarum, dele iniquitatem meam. mine offenses. Tunc acceptabis sacrificium justitiae, Then shalt thou be pleased with the Amplius lava me ab iniquitate mea: et Wash me thoroughly from my wicked­ oblationes et holocausta; tunc sacrifice of righteousness, with the a peccato meo munda me. ness: and cleanse me from my sin. imponent super altare tuum vitulos. burnt-offerings and oblations: then Quoniam iniquitatem meam ego For I acknowledge my faults: and my shall they offer young bullocks upon cognosco, et peccatum meum contra sin is ever before me. thine altar. me est semper.

Tibi soli peccavi, et malum coram te Against thee only have I sinned, and J.S. Bach: Singet dem Herrn ein neues Lied feci; ut justificeris in sermonibus tuis, done this evil in thy sight: that thou Text: Psalm 149:1–3 and Psalm 150:2,6, other text by Johann Gramann (1487–1541) et vincas cum judicaris. mightest be justified in thy saying, and Singet dem Herrn ein neues Lied, Sing to the Lord a new song, clear when thou art judged. Die Gemeine der Heiligen sollen ihn loben. The congregation of the saints should Ecce enim in iniquitatibus conceptus sum: Behold, I was shapen in wickedness: Israel freue sich des, der ihn gemacht hat. praise him. Israel rejoices in the one et in peccatis concepit me mater mea. and in sin hath my mother conceived me. Die Kinder Zion sei'n fröhlich über who made him. Let the children of ihrem Könige, Sion be joyful about their king, Ecce enim veritatem dilexisti; incerta But lo, thou requirest truth in the Sie sollen loben seinen Namen im Reihen; they should praise his name in their et occulta sapientiae tuae manifestasti inward parts: and shalt make me to mit Pauken und mit Harfen sollen sie dances with drums and harps they mihi. understand wisdom secretly. ihm spielen. should play for him. Asperges me hyssopo, et mundabor; Thou shalt purge me with hyssop, and CHORALE (in italics) AND ARIA lavabis me, et super nivem dealbabor. I shall be clean: thou shalt wash me, Wie sich ein Vater erbarmet As a father feels compassion and I shall be whiter than snow. Gott, nimm dich ferner unser an, God, accept us furthermore, Auditui meo dabis gaudium et Thou shalt make me hear of joy and Über seine junge Kinderlein, for his young little child, laetitiam: et exsultabunt ossa gladness: that the bones which thou So tut der Herr uns allen, so does the Lord for all of us, humiliata. hast broken may rejoice. So wir ihn kindlich fürchten rein. if we feel pure childlike awe, Er kennt das arm Gemächte, He knows how weak is our strength, Averte faciem tuam a peccatis meis, Turn thy face from my sins: and put Gott weiß, wir sind nur Staub, God is aware that we are only dust. et omnes iniquitates meas dele. out all my misdeeds. Denn ohne dich ist nichts getan for without you nothing is accomplished Cor mundum crea in me, Deus, et Make me a clean heart, O God: and Mit allen unsern Sachen. in all our affairs. spiritum rectum innova in visceribus meis. renew a right spirit within me. Gleichwie das Gras vom Rechen, Like grass before the rake, Ein Blum und fallend Laub. a flower or falling leaf. Ne projicias me a facie tua, et spiritum Cast me not away from thy presence: Der Wind nur drüber wehet, The wind has only to blow over it sanctum tuum ne auferas a me. and take not thy holy Spirit from me. So ist es nicht mehr da, and it is there no more. Redde mihi laetitiam salutaris tui, et O give me the comfort of thy help again: Drum sei du unser Schirm und Licht, Therefore be yourself our protection spiritu principali confirma me. and stablish me with thy free Spirit. Und trügt uns unsre Hoffnung nicht, and light, and if our hope does not So wirst du's ferner machen. deceive us, then in future you will do this. Docebo iniquos vias tuas, et impii ad Then shall I teach thy ways unto the Also der Mensch vergehet, And so man passes away, te convertentur. wicked: and sinners shall be converted Sein End, das ist ihm nah. his end is near him. unto thee. Gott, nimm dich ferner unser an, God, in future take us to yourself Libera me de sanguinibus, Deus, Deus Deliver me from blood-guiltiness, Wohl dem, der sich nur steif und fest Happy are those who firmly and fastly salutis meae, et exsultabit lingua mea O God, thou that art the God of my Auf dich und deine Huld verlässt. depend on you and your grace. justitiam tuam. health: and my tongue shall sing of thy Lobet den Herrn in seinen Taten, Praise God in his works, righteousness. lobet ihn in seiner großen Herrlichkeit! praise him in his great glory! Domine, labia mea aperies, et os Thou shalt open my lips, O Lord: and Alles, was Odem hat, lobe den Herrn, Let all that has breath praise the Lord, meum annuntiabit laudem tuam. my mouth shall shew thy praise. Alleluja! Hallelujah!

20 HANDELANDHAYDN.ORG 2018–19 SEASON: MOZART REQUIEM 21 Wolfgang Amadé Mozart: Requiem, K. 626 donum fac remissionis grant me the gift of absolution ante diem rationis. before the day of retribution. I. INTROIT: REQUIEM Ingemisco, tamquam reus: I moan as one who is guilty: Requiem aeternam dona eis, Domine, Grant them eternal rest, Lord, culpa rubet vultus meus; owning my shame with a red face; et lux perpetua luceat eis. and let perpetual light shine on them. supplicanti parce, Deus. suppliant before you, Lord. Te decet hymnus, Deus, in Sion, You are praised, God, in Zion, and Qui Mariam absolvisti, You, who absolved Mary, et tibi reddetur votum in Jerusalem. homage will be paid to you in Jerusalem. et latronem exaudisti, and listened to the thief, Exaudi orationem meam, Hear my prayer, mihi quoque spem dedisti. give me hope also. ad te omnis care veniet. to you all flesh will come. Preces meae non sunt dignae, My prayers are unworthy, sed tu, bonus, fac benigne, but, good Lord, have mercy, II. KYRIE ne perenni cremer igne. and rescue me from eternal fire. Kyrie, eleison. Lord, have mercy on us. Inter oves locum praesta, Provide me a place among the sheep, Christe, eleison. Christ, have mercy on us. Et ab haedis me sequestra, and separate me from the goats, Kyrie, eleison. Lord, have mercy on us. Statuens in parte dextra. guiding me to Your right hand.

III. SEQUENZ 5. CONFUTATIS 1. DIES IRAE Confutatis maledictis, When the accused are confounded, Dies irae, dies illa Day of wrath, day of anger flammis acribus addictis, and doomed to flames of woe, Solvet saeclum in favilla, will dissolve the world in ashes, voca me cum benedictus. call me among the blessed. teste David cum Sibylla. as foretold by David and the Sibyl. Oro supplex et acclinis, I kneel with submissive heart, Quantus tremor est futurus, Great trembling there will be cor contritum quasi cinis, my contrition is like ashes, quando judex est venturus, when the Judge descends from gere curam mei finis. help me in my final condition. cuncta stricte discussurus! heaven to examine all things closely. 6. LACRIMOSA 2. TUBA MIRUM Lacrimosa dies illa, That day of tears and mourning, Tuba mirum spargens sonum The trumpet will send its wondrous qua resurget ex favilla when from the ashes shall arise, per sepulcra regionum, sound throughout earth's sepulchers judicandus homo reus. all humanity to be judged. coget omnes ante thronum. and gather all before the throne. Huic ergo parce, Deus, Spare us by your mercy, Lord, pie Jesu Domine, gentle Lord Jesus, Mors stupebit et natura, Death and nature will be astounded, dona eis requiem. Amen. grant them eternal rest. Amen. cum resurget creatura, when all creation rises again, judicanti responsura. to answer the judgment. IV. OFFERTORY Liber scriptus proferetur, A book will be brought forth, 1. DOMINE JESU in quo totum continetur, in which all will be written, Domine Jesu Christe, Rex gloriae, Lord Jesus Christ, King of glory, unde mundus judicetur. by which the world will be judged. libera animas omnium fidelium liberate the souls of the faithful, Judex ergo cum sedebit, When the judge takes his place, defunctorum de poenis inferni departed from the pains of hell quidquid latet, apparebit, what is hidden will be revealed, et de profundo lacu. and from the bottomless pit. nil inultum remanebit. nothing will remain unavenged. Libera eas de ore leonis, Deliver them from the lion's mouth, ne absorbeat eas tartarus, lest hell swallow them up, Quid sum miser tunc dicturus? What shall a wretch like me say? ne cadant in obscurum. lest they fall into darkness. quem patronum rogaturus, Who shall intercede for me, cum vix justus sit securus? when the just ones need mercy? Sed signifer sanctus Michael Let the standard-bearer, holy Michael, repraesentet eas in lucem sanctam. bring them into holy light. 3. REX TREMENDAE Rex tremendae majestatis, King of tremendous majesty, Quam olim Abrahae promisisti Which was promised to Abraham qui salvandos savas gratis, who freely saves those worthy ones, et semini ejus. and his descendants. salve me, fons pietatis. save me, source of mercy. 2. HOSTIAS 4. RECORDARE Hostias et preces tibi, Domine, Sacrifices and prayers of praise, Lord, Recordare, Jesu pie, Remember, kind Jesus, laudis offerimus. we offer to you. quod sum causa tuae viae; my salvation caused your suffering; Tu sucipe pro animabus illis, Receive them in behalf of those souls ne me perdas illa die. do not forsake me on that day. quaram hodie memoriam facimus. we commemorate today. Quaerens me, sedisti lassus, Faint and weary you have sought me, Fac eas, Domine, And let them, Lord, redemisti crucem passus; redeemed me, suffering on the cross; de morte transire ad vitam, pass from death to life, tantus labor non sit cassus. may such great effort not be in vain. Quam olim Abrahae promisisti which was promised to Abraham Juste judex ultionis, Righteous judge of vengeance, et semini ejus. and his descendants.

22 HANDELANDHAYDN.ORG PLEASE TURN THE PAGE QUIETLY 23 V. SANCTUS Sanctus, Sanctus, Sanctus, Holy, holy, holy, Dominus Deus Sabaoth! Lord God of Sabaoth. Pleni suni coeli et terra gloria tua. Heaven and earth are full of Thy glory. Osanna in excelsis. Hosanna in the highest

VI. BENEDICTUS Benedictus qui venit in nomine Blessed is He who cometh in the name Domini. of the Lord. Osanna in excelsis. Hosanna in the highest.

VII. AGNUS DEI Agnus Dei, qui tollis Lamb of God, who takes away peccata mundi, the sins of the world, dona eis requiem. grant them eternal rest. Agnus Dei, qui tollis Lamb of God, who takes away peccata mundi, the sins of the world, dona eis requiem. grant them eternal rest. Agnus Dei, qui tollis Lamb of God, who takes away peccata mundi, the sins of the world, dona eis requiem sempiternam. grant them eternal rest forever.

VIII. COMMUNIO Lux aeterna luceat eis, Domine, May eternal light shine on them, O Lord. cum sanctis mis in aeternum, with Thy saints for ever, because BOSTON’S NEW HOME FOR quia pius es. Thou art merciful. Requiem aeternam dona eis, Domine, Grant the dead eternal rest, O Lord, PUBLIC CONVERSATION et lux perpetua luceat eis, and may perpetual light shine on them, cum sanetis tuis in aeternum, with Thy saints for ever, quia plus es. because Thou are merciful. MAY 19 JUNE 11 SEPTEMBER 19

Alon Shaya “Sonic Sea” Philip Glass James Beard Film Screening & Golden Globe-winning Award-Winning Chef Conversation with & Academy Award- Marine Ecologist nominated Composer Leila Hatch & Musician

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24 HANDELANDHAYDN.ORG 2018–19 SEASON: MOZART REQUIEM 25 WBUR_CitySpace_3Events_HandelHaydn_bw_45x75nb_ad.indd 1 3/7/19 1:09 PM ARTIST PROFILES Tom Randle, tenor Tom Randle began early studies in conducting and composition, but a scholarship to study voice soon meant a change in career direction. He made his Joélle Harvey, soprano debut with the English National Opera as Tamino in Joélle Harvey has quickly established herself as a The Magic Flute and has repeated the role with great noted interpreter of a broad range of repertoire, success at Deutsche Oper Berlin, Glyndebourne specializing in Handel, Mozart, and new music. Festival Opera, Hamburg, New Zealand, and the Covent Garden Festival, swiftly followed by his Royal The works of Mahler figure substantially in Ms. Harvey’s Opera House debut in 1994 as Essex in Gloriana with 2018–19 season. She returns to the Cleveland Orchestra Phyllida Lloyd and Opera North, a production later as the soprano soloist in his Symphony No. 2, con­duct­ed released as a feature film for BBC Television. He made by Franz Welser-Möst. She also per­forms the his Royal Opera debut in 1997 as Johnny Inkslinger work for her debut with the Toronto Symphony, in in Paul Bunyan and has since sung Fool in Gawain performances led by Juanjo Mena. With the San and Macheath in The Beggar’s Opera for the Royal Diego Symphony, she reunites with Edo de Waart Opera, and Song of the Earth for the Royal Ballet. for Mahler’s Symphony No. 4, on a program also featuring Barber’s Knoxville: Summer of 1915. Also Last season saw Mr. Randle perform the role of during the season, she makes her mainstage debut at Malatestino in dall’Occhio for Opéra National Royal Opera House, Covent Garden, singing Susanna du Rhin and sing Beethoven’s Ninth Symphony in Le nozze di Figaro conducted by Sir John Eliot for H+H. Engagements for the 2018–19 season Gardiner, and is presented by Carnegie Hall in recital. include Beethoven’s Ninth with the Yomiuri Nippon With the British ensemble Arcangelo, Ms. Harvey tours Symphony Orchestra and The Monstrous Child for several U.S. cities in per­form­ances with Jonathan the Royal Opera House, Covent Garden. Cohen. The season also brought appearances with the New York Philharmonic, Utah Symphony, St. Paul Soloman Howard, bass Chamber Orchestra, North Carolina Symphony, and A recent graduate of Washington National Opera’s Music of the Baroque. Ms. Harvey has been a frequent Domingo-Cafritz Young Artist Program, Soloman soloist with H+H, including Handel Messiah and Howard garners high praise from the press for his Beethoven’s Symphony No. 9. vivid performances on the great opera and concert stages of the world. His 2018–19 season features Sandra Piques Eddy, mezzo-soprano returns to the Metropolitan Opera as the King in Aida; Sandra Piques Eddy began the 2018–19 season by to Los Angeles Opera as the Frate in Don Carlo; Santa returning to Florentine Opera to sing the role of Fe Opera as Colline in La bohème; and to Washington Mistress Revels in the Carlisle Floyd opera Prince National Opera to reprise the title role he created of Players. She appears at the Metropolitan Opera for the company in The Lion, The Unicorn, and Me by to perform the role of the Novice and cover the Jeanine Tesori and J.D. McClatchy. Abbess in Puccini’s Suor Angelica. Having made Last season Mr. Howard celebrated opera house a huge impact in Japan in recent seasons, she debuts at San Francisco Opera in Turandot; at the returned to Hyogo Performing Arts Center for Teatro Real in Aida; and at the Teatro Municipal a New Year’s Eve concert of classic show tunes de Santiago in Don Giovanni. Other notable opera before stepping once again into her signature role performances included Aida at the Washington of Carmen at Seiji Ozawa Music Academy. Later this National Opera, Rigoletto at North Carolina Opera, season, she heads to New Zealand to sing the role and Madama Butterfly at Santa Fe Opera. In concert, of Rosina in Il barbiere di Siviglia. Soloman Howard sang Beethoven’s Ninth Symphony Recent highlights include Meg Page in Falstaff at both with Gustavo Dudamel and the Los Angeles Opera Colorado and Euridice in Orfeo ed Euridice Philharmonic on tour in Europe and with Christian at Portland Opera. She joined the Beth Morrison Arming and the Vienna Chamber Orchestra on tour in Productions for the role of Naga in the avant- Asia. In 2016, The Anti-Defamation League presented garde Boston production of Ouroboros Trilogy. She Mr. Howard with their Making a Difference Award appeared in the title role of Carmen at Michigan for raising awareness of voting rights though his Opera Theatre and at Austin Opera and returned performances of Appomattox at the Kennedy Center. to the role of Cherubino in Le nozze di Figaro for performances at the Hyogo Performing Arts Centre.

26 HANDELANDHAYDN.ORG 2018–19 SEASON: MOZART REQUIEM 27 Sarah Yanovitch, soprano Peter Walker, baritone Recognized by The Boston Globe as “a name to Described as a “rich-voiced” and “vivid” singer keep an eye on,” Sarah Yanovitch is a graduate of by the New York Times, Peter Walker enjoys a the early music voice program through the Yale varied career as a singer of early and classical Institute of Sacred Music and Yale School of Music. music. Recent solo performances include works She sings regularly with the Handel and Haydn by Bach and Purcell with H+H, appearing with Society and made her solo debut at Tanglewood Kuhmo Kamarimusiikki in Finland, the title role in in 2017, singing Purcell’s Fairy Queen with Artistic Telemann’s Pimpinone with the Texas Early Music Director Harry Christophers. Recent solo highlights Project, and singing in St. Petersburg, Moscow, and include Beethoven’s Symphony No. 9, Handel’s London with the Clarion Society Choir. Judas Maccabaeus, Orff’s Carmina Burana, Mozart’s Mr. Walker also appears with Three Notch’d Road, Requiem, Bach’s Christmas Oratorio and Magnificat, Early Music New York, Pomerium, Blue Heron, and Handel’s Messiah. She is based in Boston and is Cappella Romana, Staunton Music Festival, Gotham originally from Griswold, Connecticut. Early Music, Academy of Sacred Drama, and Skylark Ensemble.

Alyson Greer Espinosa, conductor Elissa Alvarez, soprano Young Women's Chamber Choir Noted by The Boston Globe for her “intensely Alyson Greer Espinosa conducts the H+H Vocal lyrical” singing, Elissa Alvarez is an enthusiastic Arts Program Young Women's Chorus and has interpreter of recital, concert, and operatic led the Young Women's Chamber Choir since its repertoire spanning early music to works of the 21st found­ing in 2013. She is the director of choral music century. Recent engagements include appearances at Westborough High School where she con­ducts with the Purcell Society of Boston, in recital four choirs and three contemporary a cappella with pianist Thomas Weaver, and at Armstrong ensembles. She was formerly the director of choral University’s Piano in Arts concert series with music at Hanover High School, where she led five pianist-composer Benjamin Warsaw, her frequent choirs, including honors and a cappella ensembles. collaborator. Deeply devoted to the study and Her ensembles consist­ently earn gold ratings and performance of Latin American art song, Alvarez medals at the Massachu­setts Instrumental and completed her doctor of musical arts at Boston Choral Directors Asso­cia­tion and Heritage Music University. She can be heard on CORO and Advent Festival state­wide comp­etitions. As a mezzo-soprano, Press labels. Ms. Espinosa is an active performer in Boston.

Doug Dodson, countertenor Kevin McDonald, conductor Hailed as a “vivid countertenor” by The Wall Street Young Men's Chorus Journal, Doug Dodson is making his mark on Kevin J. McDonald brings 20 years of teaching opera and concert stages throughout the United experience and a broad and diverse musical States. Recent highlights include alto soloist in background to his position as the Conductor of the the world premiere of The Most Sacred Body of H+H Young Men’s Chorus. Currently, Dr. McDonald Jesus by James Kallembach and Mary Magdalene is in his 11th year as director of choral activities in Bach’s Easter Oratorio at Music at Marsh Chapel, at Wellesley High School, where he instructs alto soloist in the modern premieres of Melani’s students in five curricular choral ensembles. He is Lauda anima mea and the Perti Magnificat at Union also the director of youth music at the Wellesley College. Other engagements include performances Congregational Church, where he conducts over with the South Dakota Symphony, Musica Sacra, 60 singers in the youth choirs and leads the Village and Boston Baroque. Mr. Dodson can be heard on Brass Ensemble. Dr. McDonald received his BM MSR Classics. He holds a degree in anthropology in music education from the University of New from the University of South Dakota (Vermillion) Hampshire, MM in low brass performance from the and a masters in voice from the University of University of Idaho, and his DMA in music education Missouri–Kansas City. from the Hartt School at the University of Hartford.

28 HANDELANDHAYDN.ORG 2018–19 SEASON: MOZART REQUIEM 29 HANDEL AND HAYDN SOCIETY VOCAL ARTS PROGRAM

ORCHESTRA YOUNG WOMEN'S CHAMBER CHOIR Alyson Greer Espinosa, conductor VIOLIN I CELLO BASSOON Natalia Abbate Trisha Lahiry Masha Schmitt Aisslinn Nosky† Guy Fishman* Andrew Schwartz* Masha Leyfer Molly Schwall CONCERTMASTER CHAIR FUNDED NANCY & RICHARD LUBIN CHAIR Rachel Ader BY RHODA & PAUL JOSS Sally Merriman Sarah Freiberg Victoria Andrews Lydia McCarthy Phoebe Shubin Susannah Foster Tia Nye Rachel Warhaftig Colleen McGary-Smith HORN Kerrigan Bigelow Natalie Kress Rebecca Pringle Amanda White Michael Unterman Todd Williams* Sydney Braunstein Maureen Murchie GRACE & JOHN NEISES CHAIR Jordyn Cooper Caroline Riemer Johanna Novom BASS Elisabeth Axtell Clare Kelley Marian Rookey Adriane Post John Feeney* Jane Starkman AMELIA PEABODY CHAIR TRUMPET Peter Ferretti Bruce Hall* YOUNG MEN'S CHORUS ENDOWED IN PERPETUITY BY LUCAS WEGMANN VIOLIN II Paul Perfetti Kevin McDonald, conductor Christina Day Martinson* OBOE Fabian Arnold Neal Krishna Michael Ossam ASSOCIATE CONCERTMASTER Priscilla Herreid* TROMBONE Melchor Becker Griffin Long-Sinnott Jacob Paul DR. LEE BRADLEY III CHAIR CHAIR FUNDED IN PART BY Greg Ingles* Gianluca Maffei Anson Richman Karen Dekker DR. MICHAELFISHER SANDLER Edward Chang Erik Schmalz Diego Clark Christian Manjikian Joss Richman Emily Dahl Irons Fiona Last Mack Ramsey Gabriel Clark Yatin Mankan Alex Schneider Krista Buckland Reisner CLARINET Max Cote Liam McCarty Eddie Song Guiomar Turgeon TIMPANI Nina Stern* Stavros First Connor McDonald Henry Spence Katherine Winterstein Jonathan Hess* Charlie Franklin Frank Mendes Cameron Strouse BASSET HORN BARBARA LEE CHAIR, IN MEMORY OF JOHN GRIMES Aaron Hansen Andrew Moreland Evan Strouse VIOLA Nina Stern Isaac Hargrave Ravi Nguyen Somin Virmani Karina Schmitz* Diane Heffner ORGAN CHAIR FUNDED IN MEMORY Rohan Kapoor Grayson Noyes Henry Wright OF ESTAH & ROBERT YENS Ian Watson* David Kelly Liam Oates Daniel Youssef Anne Black CHAIR FUNDED IN PERPETUITY IN MEMORY OF MARY SCOTT MORTON Sean Kelly Jeffrey Ossam Tomislav Zovko Emily Rideout †Concertmaster Jenny Stirling *Principal String players are listed alphabetically after the principal.

CHORUS FUNDED IN PERPETUITY BY JANE AND WAT TYLER Bruckner, SOPRANO TENOR Chorus Prepared by Stravinsky, and Elissa Alvarez Ethan DePuy Harry Christophers Gabrieli Jessica Cooper Alexander Nishibun THE CABOT FUND FOR CHORUS LEADERSHIP IS Fri, May 17 / 8pm Cassandra Extavour Eric Christopher Perry ENDOWED IN PERPETUITY IN MEMORY OF NED CABOT St. Paul Church Maggie Finnegan Alex Powell MaryRuth Lown Stefan Reed Tanya Blaich Elisabeth Marshall Gene Stenger German Coach Nacole Palmer Patrick T. Waters Cantata Singers' 55th season concludes with Anton Margot Rood Steven Caldicott Wilson Bruckner’s enthralling Mass in E minor, Igor Stravinsky’s Mass, Carey Shunskis and Giovanni Gabrieli’s uplifting Jubilate Deo. Sarah Yanovitch BASS Glenn Billingsley ALTO Woodrow Bynum Julia Cavallaro Ryne Cherry Doug Dodson Jacob Cooper Katherine Growdon Bradford Gleim A pre-concert talk will be held at 7pm, free to all ticketholders. Kim Leeds Scott Allen Jarrett All are invited to attend a free post-concert reception. Margaret Lias David McFerrin Emily Marvosh Peter Walker Clare McNamara Caroline Olsen

For tickets and info: 617.868.5885 cantatasingers.org 30 HANDELANDHAYDN.ORG 2018–19 SEASON: MOZART REQUIEM 31 THE KAREN S. AND GEORGE D. LEVY EDUCATION PROGRAM

FIND YOUR VOICE JOIN THE Vocal Training VOCAL ARTS Choral Performances Musicianship Classes PHOTO: LARA SILBERKLANG PROGRAM Performances with the Handel and Haydn Society Orchestra and Chorus Six Ensembles for Ages 8–18

Generous Scholarships The Handel and Haydn Society’s Karen S. and George D. Levy Education Available Program provides music education for children in communities throughout eastern Massachusetts, reaching thousands of students each year. The Vocal Arts Program provides talented young singers ages 8–18 the opportunity to sing in a chorus, take musicianship classes, perform with professional musicians, and receive private voice instruction. UPCOMING AUDITIONS Collaborative Youth Concerts bring choirs from Boston-area high schools together to perform alongside H+H musicians in their home communities and at May 11, August 24, and Symphony Hall. September 7 School Partnerships led by H+H teaching artists bring weekly choral and music education instruction to Boston elementary school students. See the Education Program in action at handelandhaydn.org/education. Learn more at H+H’s Education Program is endowed in perpetuity by Karen S. and George D. Levy. handelandhaydn.org/education/vap 32 HANDELANDHAYDN.ORG or call 617.262.1815 2018–19 SEASON: MOZART REQUIEM 33 HANDEL AND HAYDN SOCIETY GOVERNANCE

Board of Governors Board of Overseers Your Spring Time W. Carl Kester Carolyn Aliski CHAIRMAN Martha Hatch Bancroft Julia D. Cox Giulio Batterman VICE CHAIR Nancy A. Bradley Companion Deborah S. First VICE CHAIR Julian G. Bullitt Nicholas Gleysteen Jane Carlson VICE CHAIR Thomas B. Draper Karen S. Levy Kate S. Flather VICE CHAIR Christina Frangos Michael Scott Morton VICE CHAIR Howard Fuguet Kathleen W. Weld Melissa Gerrity VICE CHAIR Nancy Hammer David R. Weaver Suzanne Hamner TREASURER Frederick Ilchman Elizabeth Reza Paul V. Kelly SECRETARY Claire Laporte David Snead PRESIDENT AND CEO Winifred I. Li Amy S. Anthony* Laura Lucke Miguel Canizares* Peter G. Manson Louise Cashman James F. Millea Dr. Frank Clark Nancy Nizel John S. Cornish Dr. Winifred B. Parker Willma H. Davis Benjamin Perkins David Elsbree Prema Popat Philip Gerdine Alice E. Richmond James S. Hoyte Robin R. Riggs Mark A. King Robert H. Scott Anthony T. Moosey Richard F. Seamans Dr. Stephen Morrissey Barbara Stedman Michael Oliveri Susan M. Stemper Carolyn Pope Dr. Terry Taylor Catherine Powell Cecily Tyler Arthur Robins Susan Weatherbie Brenda Gray Reny Jane Wilson George Sacerdote John Winkleman Emily F. Schabacker Christopher R. Yens Robert N. Shapiro Dr. Laima Zarins Jeffrey S. Thomas Nancy B. Tooke *In memoriam Judith Verhave Thomas J. Watt A service of WGBH Elizabeth P. Wax Jean Woodward A SERVICE OF WGBH • CLASSICALWCRB.ORG Governors Emeriti Joseph M. Flynn Download Timothy C. Robinson the App Janet P. Whitla

AS OF MARCH 13, 2019

34 HANDELANDHAYDN.ORG 2018–19 SEASON: MOZART REQUIEM 35 MAKE A GIFT TO H+H AND ENDOWED CHAIRS AND NAMED FUNDS The Handel and Haydn Society is grateful to the generous donors who have endowed chairs and TRANSFORM LIVES THROUGH MUSIC established named funds to support H+H’s educational and artistic programs. If you are interested in a naming opportunity, establishing a fund, or contributing to an existing fund, contact Mike Peluse, Vice President of Development, at 617.262.1815 or [email protected].

Leadership Education and Outreach Artistic Director: The Bicentennial Chair funded by Education Program: Funded in perpetuity by an anonymous donor Karen S. & George D. Levy Young Men’s Chorus: Funded in perpetuity by Chorus Lucas Wegmann Handel and Haydn Society Chorus: Funded in Candace MacMillen Achtmeyer Award perpetuity by Jane & Wat Tyler Evangelyna Etienne Scholarship Chorus Leadership (in perpetuity): Cabot Fund for Christopher Hogwood Historically Informed Chorus Leadership, in memory of Ned Cabot Performance Fellowship Remsen M. and Joan G. Kinne Endowed Fund for Orchestra Music Education Concertmaster: Chair funded by Rhoda & Paul Joss Barbara E. Maze Award for Musical Excellence Principal Second Violin: Dr. Lee Bradley III Chair Ronald Woodward Education Fund Principal Viola: Chair funded in memory of Estah &

PHOTO: KAT WATERMAN KAT PHOTO: Robert Yens Named Funds Principal Cello: Nancy & Richard Lubin Chair Amy Anthony Fund for Community Engagement Principal Bass: Amelia Peabody Chair Marie-Hélène Bernard Endowed Fund for Principal Oboe: Chair funded in part by Excellence Dr. Michael Fisher Sandler George Geyer Fund Principal Horn: Grace & John Neises Chair John Grimes Fund Organ: Chair funded in perpetuity in memory of Ann and Graham Gund Endowment Fund Mary Scott Morton Robert N. Shapiro Endowment Fund Timpani: Barbara Lee Chair, in memory of Wat H. Tyler Jr. Memorial Fund John Grimes “From the Vocal Arts Program I Your Gift Will Make received camaraderie, leadership, a Difference $2,000 helps support LIFETIME BENEFACTORS and a happiness in performing weekly music literacy The following donors have made cumulative gifts to H+H totaling $100,000 or more (only received gifts are counted). classes for one year at for people…even delighting Abbot & Dorothy H. Stevens Mr. & Mrs. Nicholas Gleysteen Mr.* & Mrs. Jerome Preston Jr. a Boston public school. Foundation John W. Gorman* Judith Lewis Rameior* in the joy and emotional Allison & William Achtmeyer Graham & Ann Gund Alice E. Richmond & $1,000 presents a free Ann & Gordon Getty Foundation Janet* & Henry Halvorson David Rosenbloom connection of a performance.” community concert Amy S. Anthony* Sylvia & Roy A.* Hammer Mr. & Mrs. Timothy C. Robinson by H+H musicians. Barr Foundation Dena & Felda Hardymon Michael F. Sandler — Lucas Guzman Leo* & Gabriella Beranek The Harold Whitworth Pierce Stanley & Kay Schlozman VAP CLASS OF 2016 Bessie Pappas Charitable Charitable Trust Robert H. Scott & $500 provides a full Foundation Mr.* & Mrs. J. Robert Held Diane T. Spencer scholarship for a Bloomberg Philanthropies Helena Foundation Mr. & Mrs.* Michael Scott Morton student to participate The Boston Foundation Jane’s Trust Seth Sprague Educational & Dr. Lee C. Bradley III* Mr.* & Mrs. David B. Jenkins Charitable Foundation in a Vocal Arts Program Julian & Marion* Bullitt John Hancock Financial Services Robert N. Shapiro Play a vital role in the life of the Handel and Haydn ensemble for one year. Edmund* & Betsy Cabot Prof. Paul Christopher Joss & Mr. & Mrs. Stephen A. Shaughnessy Society by donating today. Contribute toward the Cabot Family Charitable Trust Dr. Rhoda Kupferberg Joss $250 provides dress Louise & Thomas Cashman Kingsbury Road Charitable State Street Foundation current season and make an immediate impact on Alfred & Fay Chandler* Foundation Stearns Charitable Trust rehearsal space for Susan M. Stemper H+H performances, community partnerships, and John F. Cogan & Mary L. Cornille Mr.* & Mrs. Remsen M. Kinne III H+H musicians for Patricia Collins* The Klarman Family Foundation Stratford Foundation extensive educational activities. Julia D. Cox David Landay Jeffrey S. Thomas one performance. David Greenewalt George D.* & Karen S. Levy Nancy & Michael Tooke To make a gift, visit Patron Information at today’s Charitable Trust Winifred I. Li & William P. Oliver Jane & Wat* Tyler $75 enables a community Judy & Menno Verhave performance or go online at handelandhaydn.org/ Elisabeth K. Davis* Linde Family Foundation member to experience Willma H. Davis Dr. Janina Longtine Virginia Wellington Cabot support. If you have any questions, please contact Foundation an H+H concert through Deborah Munroe Noonan Laura M. & Thomas R. Lucke Brook Holladay, Director of Annual Giving, at Memorial Fund, Bank of Jane E. Manilych & Donald F. Wahl* the Heartstrings program. America, N.A., Trustee Prof. W. Carl Kester Thomas & Jane Watt 617.262.1815 or [email protected]. The E. Nakamichi Foundation Massachusetts Cultural Council Elizabeth & Robert Wax David Elsbree & Lorraine Gilmore Walter H. Mayo* Lucas Wegmann Todd Estabrook & John Tenhula* Kathleen McGirr & Keith Carlson Kathleen & Walter Weld Deborah & Robert First Betty Morningstar & Janet & Dean Whitla Wilson Family Foundation Joseph M. Flynn Jeanette Kruger John J. Winkleman Jr. Howard & Darcy Fuguet Stephen Morrissey Rawson* & Marcia Wood George Frederick Jewett Mary & Sherif Nada Ron* & Jean Woodward Foundation East National Endowment for the Arts Christopher R. Yens & Temple Gill Anne & David Gergen Grace & John Neises* Ten Anonymous Donors Mr. & Mrs. John W. Gerstmayr Winifred & Leroy Parker Stephanie Gertz Parthenon-EY *Deceased

36 HANDELANDHAYDN.ORG 2018–19 SEASON: MOZART REQUIEM 37 INDIVIDUAL DONORS The Handel and Haydn Society is grateful for the generous support of the following individuals and institutions that made gifts to H+H’s Annual Fund as of February 15, 2019.

Composers’ Circle Ellen & John Harris John A. Renner Jr. The Hauser Foundation Robin Riggs & David Fish HANDEL AND Kathryn Hintz Mr. & Mrs. Timothy C. Robinson HAYDN CIRCLE Elizabeth B. Johnson Victoria Santarcangelo & ($50,000 AND ABOVE) Prof. Paul Christopher Joss & John Dobermiller Drs. Philip & Marjorie* Gerdine Dr. Rhoda Kupferberg Joss Richard & Eleanor Seamans Emily F. Schabacker Nancy & Richard Lubin Richard & Mary Scott Michael & Marcy Scott Morton Jane E. Manilych & David & Sharon Steadman One Anonymous Donor Prof. W. Carl Kester Barbara Stedman Anthony T. Moosey Terry & Michael Taylor BACH CIRCLE Betty Morningstar & David G. Tuerck & Prema P. Popat ($25,000–$49,999) Jeanette Kruger Cecily Tyler Amy S. Anthony* & Mr. & Mrs. J. Daniel Powell Janet & Dean Whitla John B. Parmwat Brenda Gray Reny Jane & James Wilson Julia D. Cox Stanley & Kay Schlozman Laima & Bertram Zarins Willma H. Davis Robert N. Shapiro One Anonymous Donor David B. Elsbree & Eleanor H. Smith & Donald Lorraine Gilmore R. Smith Charitable Fund BRONZE BATON Deborah & Robert First Susan M. Stemper & ($2,000–$4,999) Joseph M. Flynn Peter Lieberwirth Joseph Abucewicz Graham & Ann Gund Jolinda & William Taylor Dr. Ronald Arky Barbara & Amos Hostetter Jane & Wat* Tyler Martha Hatch Bancroft David H. Knight Elizabeth & Robert Wax Susan & Arthur Barsky Karen Secunda Levy Three Anonymous Donors Richard & Margaret Batchelder The Parker Family Fund at the Richard & Carla Benka Boston Foundation SILVER BATON Paul & Wendy Chieffo John & Janis Raguin ($5,000–$9,999) Sidney E. Berger & Robert N. Shapiro Christopher Baldwin & Michèle V. Cloonan Cathleen & James Stone Sally Reyering Dr. John D. Biggers* & Rose-Marie & Eijk Van Otterloo Peter Banks in honor of Dr. Betsey Williams* Lucas Wegmann Karen Levy Peter Boberg & Sunwoo Kahng Christopher R. Yens & Temple Gill Giulio Batterman John Paul & Diane Britton Jennifer Bemis Mark C. Brockmeier & Kate Silva Conductor’s Circle Polly Brown Reverend Thomas W. Buckley PLATINUM BATON Julian & Marion* Bullitt Lawrence & Phyllis Buell ($15,000–$24,999) Edmund and Betsy Cabot Harold Carroll & Amy Ryan Mitchell Adams, in memory of Charitable Foundation Robert Cotta Kevin Michael Smith Jane & Christopher Carlson William & Sally Coughlin Todd Estabrook & John Tenhula* Melissa Chase & K. E. Duffin Elizabeth C. Davis Howard & Darcy Fuguet John F. Cogan & Mary L. Cornille Tom & Ellen Draper Dr. Janina Longtine John Cornish & Irving & Gloria Fox Stephen Morrissey Victoria Angelatova-Cornish Ann & Richard Fudge Winifred I. Li & William P. Oliver John & Maria Cox James & Melissa Gerrity Dana & Carolyn Pope Terry Decima Joseph R. Godzik Robert & Rosmarie Scully Maisie & Jefferson Flanders Clark & Wendy Grew Elizabeth Reza Skelly & Kate S. Flather Frank Haluska & Lia Gore Paul Skelly Nancy Fleming in honor of Suzanne & Easley Hamner Jeffrey S. Thomas Julia Cox & Melissa Gerrity Dr. & Mrs. John T. Herrin Nancy & Michael Tooke Deborah & Martin Hale Frederick & Cassandra Ilchman Judy & Menno Verhave Nancy & Bill Hammer Per & Jan Jonas Thomas & Jane Watt Mr. Jamie Hoyte & Peter & Claudia Kinder Matthew A. & Susan B. Ms. Norma Dinnall Joan G. Kinne Weatherbie Martha H. Keith Pamela Kohlberg & A. Curt Greer David & Dorothy* Weaver Paul V. Kelly & Linda Perrotto Neil M. Kulick & Jane C. Harper Kathleen & Walter Weld Judith & Mark King David & Suzanne Larsen John J. Winkleman Jr. Claire Laporte Robert & Virginia Lyons Jean Woodward John & Elizabeth Loder Patricia & Richard MacKinnon One Anonymous Donor Nancy & Richard Lubin Patricia MacLeod & Russ Vickers Laura M. & Thomas R. Lucke Ruth & Victor McElheny GOLD BATON Peter G. Manson & Timothy & Deborah Moore ($10,000–$14,999) Peter A. Durfee Robert & Jane Morse Allison & William Achtmeyer Joseph Mari Nancy Nizel in memory of Carolyn & William Aliski Kathleen McGirr & Keith Carlson George Levy Rob & Nancy Bradley James F. Millea & Rory O’Connor & Claire Muhm Miguel* & Sheila Canizares Mary Ellen Bresciani Michael J. Oliveri Louise & Thomas Cashman Martha Mugar Mr. & Mrs. Rienzi B. Parker Jr. John & Katharine Cipolla Myra Musicant & Howard Cohen Mrs. Carol Pechet Saturday, April 27, 2019 MassArtAuction.org Dr. Frank O. Clark Mary & Sherif Nada Judith Lewis Rameior & Dr. Lynn DeLisi Scott* & Diane Palmer Tracey E. Roberts Image: Adam Waimon, Pagliacci Trio Jesters, 2016, Blown & Sculpted Glass. Courtesy of the Artist. Anne & David Gergen Winifred & Leroy Parker Alice E. Richmond & Nicholas & Paula Gleysteen Dorothy Puhy David Rosenbloom

38 HANDELANDHAYDN.ORG 2018–19 SEASON: MOZART REQUIEM 39 Art & Elaine Robins Katherine & Theodore Ongaro Dr. & Mrs. Jeff F. Flagg Dr. & Mrs. William A. Ribich Tatiana Chicheva & Oleg Levin Warren & Marilyn Hollinshead Paul & Ann Sagan Mike Peluse & Hannah Weisman Alden Flanders Berit & Philip Rightmire John Clark & Judith Stoughton James & Susan Hunnewell George & Martha Schwartz The Petersen Family Fund Pierre Fleurant Burton & Gloria Rose Richard & Barbara Corkey Drs. David G. Hunter & Robert H. Scott & Samuel Plimpton & John & Patricia Folcarelli Alan & Christine Russell Mary Couvillon Constance E. West Diane T. Spencer Wendy Shattuck Dr. Mary Ellen Foti Cheryl K. Ryder Frederick & Sophia Crawford Judith B. Hurley in memory of Arnold & Polly Slavet Karen M. & James F. Poage Edward Gadsby & Nancy Brown Margaret Sagan & Michael Simons in honor of Peter Manson & John Kannar Hurley Stanley & Jody Smith Ellen Powers Peter & Deborah Gates Susan Schaefer & Christian Halby Peter Durfee Lin Hymel David C. Snead & Kate Prescott Florence Preisler John & Pamela Gerstmayr Kathryn Schnaible & Alice Argon* Robert A. Creamer Kathleen & Hershel Jick John & Donna Sytek Jerome & Phyllis Rappaport Mary & Michael Gimbrone Daniel & Margaret Schneider Sen. Cynthia Creem & Stephen Toby Kunian W. M. Thackston Frederick Reis Luis Girón Negrón in honor of Joan Kinne Harvey Creem Samuel Knight & Anna Whitcomb Rik & Elise Tuve in memory of Kennedy & Susan Richardson Robert & Barbara Glauber Robert & Catherine Schneider Robert & Amanda Crone Genevieve Laforet Ron Woodward Lidia & Jerry Rosenbaum in honor of Julia Cox Daniel & Eva Schwall William & Joan Crosson Aaron Lamb & Margaret E. Thomas & Lois C. Russell Barbara Gratry Dr. & Mrs. Lawrence Selter Benjamin & Alexandra Dane Margrethe Flanders Gilbert Pemberton II John & Carol Rutherfurd Samuel & Florence Graves Joan K. Shafran & Rob Haimes Mary H. DeGarmo Cynthia Landau & David Weiner Rosamond B. Vaule Kenneth B. Sampson Ron Guerriero Michael Shanahan Father Constantine Desrosiers Rudolph L. Lantelme Gordon* & Phyllis Vineyard Michael Shanahan Andrew Haber Katherine & Nathaniel Sims Dr. Robert C. Dewey & Amelia LeClair The Honorable Rya W. Zobel John & Jean Southard Gregory Hagan & Leslie Brayton Vale Southard Ms. Pamela D. Van Arsdale John Lemly Albert B. Staebler Adelaide Haigney Lionel & Vivian Spiro Barry C. Dorn & Jan Smith Margaret Lias & Meghan Sweeney Musicians’ Circle Philip Tasho Monina & James Harper Dr. & Mrs. J. K. Stark Duane & Tatiana Downey Jean Lightman Ned Tate & Frank Tate Robert & Ellen Helman Mr. & Mrs. Theodore E. Judith Drew Ann Marie Lindquist & SOLOISTS’ CIRCLE Rose-Marie & Eijk van Otterloo Jennifer Helmick Stebbins Jr. Edward & Monica Driggers Robert Weisskoff ($1,000–$1,999) Heidi Vernon Ingrid & Michael Hillinger Jane Stenning in honor of Jennifer Kane Kim & Mark Luiggi William & Julia Alexander Alvin & Judy Warren Jennifer Hochschild & Margaret Suby & David Dorney Linda Drury & Paul McBride Nancy Macmillan in memory of F. Knight Alexander Arlene Weintraub Charles Broh Jill & Alice Sullivan Judy & Jack Duncan Marie Maillet Marie-Hélène Bernard Charles O. Wood III & Peter & Jane Howard Mary & Robert Sutter Rev. Caroline B. Edge Dr. & Mrs. Edward J. Martens in memory of John Tenhula Miriam M. Wood Foundation Rendall Howell & Nancy Hill Lisa Teot Drew Estabrook in honor of Dr. Owen R. Mathieu Jr. Rhys Bowen & Rebecca Snow Kennard & Bess Woodworth William & Lauren Huyett Valerie Tipping Todd Estabrook Audrey McCarthy & John Hoye Marilyn Brandt in memory of Wat Tyler Carl & Betsy Hyam Elizabeth A. Van Atten & Andrew J. Falender & George McCormick Rick & Nonnie Burnes Margot T. Young in honor of Christopher & Dorothy Hyde Kimberley R. Van Atten Jacquelyn A. Lenth Scott & Mary McDougal Susan Okie Bush Kathleen & Walter Weld Ilene & Richard Jacobs Alan & Julie Vance Peter & Sarah Farrow George & Mary McNeil Ronald & Elizabeth Campbell Jeanne W. Yozell Scott A. Jarrett Frank & Beth Waldorf Daniel D. Federman Susan & Kirtland Mead Arthur Clarke & Susan Sloan Dina & Andy Zelleke Melinda Julbert Lucy B. Wallace in memory of Martha Ferko Tremont & Susan Miao in honor of Julia Cox Nicholas & Thalia Zervas David & Althea Kaemmer James H. Wallace Jerry Fielder Ronni & Dennis Michel Stephen Columbia Seven Anonymous Donors Elizabeth Kaplan & Arthur Waltman & Carol Watson Christina M. Frangos Nicolas Minutillo & Sandra Larson Lindsey & Charlie Coolidge in Federico Minoli Bertram Waters & Dan & Lois Frasier Ray Morton-Ewbank honor of Alyson Greer Espinosa CHORUS CIRCLE Karen & Barry Kay Victoria Arnold Kenneth Froewiss Jeanine Mount John & Diddy Cullinane ($500–$999) The Rev. David S. King Holly Safford Weilbrenner Ben Fry John & Jasmine Murphy Jackie Dennis Graham & Elisabeth Allison Heather & Robert Kirby Ruth Susan Westheimer Paul Gallo & Diana Collazo-Gallo Angela Napolitano Peter Dodson & Beverly Feinberg Joshua Anderson Margot Kittredge Katie & Marshall Wolf R. Constance Giesser in honor of Terri Neufeglise & T. Christopher Donnelly & Salvatore Angelone Anne Koffey in celebration of Debbie & Bob First Rosalyn J. Fennell Carolyn Bitetti Suzanne & Robert Art Christian Lane Debbie and Bob First David Glen John & Evelyn Neumeyer Simon & Carolyn Eccles John & Elizabeth Bacon Alan Lawson & Donald G. Workman & John Glore Francis & Susan Newbury Jeffrey & Anne Elton in memory Curtis & Joan* Barnes Mary Beth Tabacco Jane C. Workman Peter Goldis & Charlene Placido H. Peter Norstrand & of Dr. Sheila M. Cohen, Ph.D. Mary Ellen Bates Beth & Michael Luey Bernhardt & Mary Jane Wuensch Goodman Family Fund of the Katherine Tallman Bruce Epstein John & Molly Beard Sandy & John Lynch Robert & Sarah Wulff New Hampshire Charitable John & Ellen O’Connor Thatcher L. Gearhart Robert Berk & Lei Sun Robert Macauley & Anita Israel* Susan Wyatt Foundation William & Martha O’Dell Robert L. Goldsmith & Edward S. W. Boesel David & Mary MacBain David & Evelyn Yoder Susan Gordon Joseph L. Pennacchio Kathleen McIssac Sally & Eric Bradford Patricia Maier Five Anonymous Donors Mr. & Mrs. Kenneth B. Gould Ernest Pierce Robert & Claire Greenspon Gaby & Bob Bradley Diana Marsh Samuel & Florence Graves Beatrice A. Porter in memory of Wat Tyler Dr. Mary Briggs & John Krzywicki Elaine & Steven Marshall ORCHESTRA CIRCLE Scott & Barbara Greenstein Harold I. Pratt Ellen & Tim Guiney Nicholas & Margaret Brill Dr. & Mrs. Edward J. Martens ($250–$499) Carol Griffin Bernie & Sue Pucker Kathleen Henry David & Barbara* Bristol Lawrence A. Martin Jr. Joseph Aieta & Helen Alcala D. J. Griffith Sally & Andrew Quale Ann Higgins Dr. & Mrs. R. E. Britter William McLaughlin Anita Amadei Jonathan & Sandra Grindlay in memory of Ron Woodward Dr. Douglas Horst & Bruner Cott Architects Barbara Ann & Michael McCahill Katharine Armstrong Randy Grossman Paul Rabin & Arlene Snyder Ms. Maureen Phillips Paul & Patricia Buddenhagen William B. McDiarmid Suzanne & Robert Art Jonathan & Victoria Guest Emily & Stefan Reed Arthur* & Eileen Hulnick Barbara Buell Susan A. McLeish Salvatore P. Auditore Timothy Halbach, John & Cynthia Reed Rachel Jacoff Kennett & Barbara Burnes Melissa & Andrew McMorrow Christopher Bailey in Depth Marketing Dale & Raelene Rice Penny Janeway Ian & Kelsey Calhoun Colin & Anne McNay Mary Ellen Bates George Halsey & Grave Billings Lawrence & Christa Roberts Stephen B. Kay& Lisbeth Tarlow Derek Clark & Monica Bruno Forrest & Sara Milder Christopher F. Baum Don & Gina Halsted Susan & Daniel* Rothenberg Maryanne King Christine Coakley & Audrey & Douglas Miller Kimberley Beaudet Martha Stone Harley Darold Rorabacher Christopher Laconi Michelle O’Connell Therese Minton Jeremy Behrle & Beth Gage Monina & James Harper Maria Rosario Nan Laird & Joel Alstein Joan Coe Ray & Connie Morton-Ewbank Rev. Kazimierz Bem Paul & Elizabeth Harrington Cheryl K. Ryder Sylvia & Richard Lanza Linzee & Beth Coolidge Wesley & Sandra Mott Helga & Milton Berglund Carroll & Molly Harrington Elizabeth M. Sanning Michael Lawler Paul Corneilson & Beth A. Frasso Francis Neczytor Conrad & Marianne Biber David Hartzband & James & Nancy Schibanoff Jonathan Loring Robert V. Costello Terri Neufeglise & Mr. & Mrs. Marvin Biren Maureen Harvey Paula & Steven Schimmel Laura & Scott Malkin Paul Cousineau & Patricia Vesey- Rosalyn J. Fennell Tracey Blueman & Susan Hassinger John & Anne Schiraga Anne & Eli Manchester McGrew in memory of Emile & Kathryn O’Connell in memory of Brandon Bigelow George* & Daphne Hatsopoulos Walter & Cindy Schlaepfer Ruth & Victor McElheny Annette Cousineau Wat Tyler Nancy Bradford Robert Haynor & Stephen & Toby Schlein Susan A. McLeish John DeMambro in memory of Richard Packwood & Mr. & Mrs. David I. Brainard Ralph Colangelo Warren M. Schur John & Sally Miller Ellen DeMambro Mary Modahl Edmund & Anne Bullis Jasjit & Donald Heckathorn Elizabeth & Russell Schutt Janet Miner Christopher Drew David & Janet Offensend,in Thomas Burke Mrs. Nancy Heer Daniel & Eva Schwall Nina & Marshall Moriarty Donald & Gale Druga honor of Mark and Judith King Frederick & Edith Byron Thomas Frederick Hindle Liam & Kathleen Seward Evelyn Krache Morris Michael & Kate Duffield Deborah Peluse Mary Ellen Cahill James Douglas Hines Neil Schutzman John & Susan Morris Cheryl Dyment & Dennis O’Brien Mr. & Mrs. E. Lee Perry Ewan & Ellen Cameron Alan Hobbs Douglas & Karen Skillins Gregory A. Netland & Mary K. Eliot Elizabeth & Ervin Philipps Sarah M. Carothers & Thomas & Caroline Hodge Janet K. Skinner Kimberly A. Holliday Joseph J. Ferreira Jr & Elizabeth & David Powell Duncan G. Todd Edward & Pamela Hoffer Edward Smith Marie B. Normoyle Dr. Manabu Takasawa John S. Reidy Mr. & Mrs. Eugene G. Cassis Barry & Diane Hoffman Joseph Peter Spang

40 HANDELANDHAYDN.ORG 2018–19 SEASON: MOZART REQUIEM 41 Gary & Elizabeth Spiess Olaf & Margaret Thorp Jeffrey Williams in memory of Ron Woodward Joan & Christoph Tschalaer Patrick & Elsie Wilmerding Drs. Robert G. Spiro* & Gerald Tutor Uwe & Renate Winter THE SOCIETY BALL 2019 SUPPORTERS Mary J. Spiro Alan & Julie Vance Amy Woodward & Leonard Varon The Handel and Haydn Society is grateful for the generosity of the many individuals and Jane Stenning Rosalind Walter Christopher Wright businesses supporting the 2019 Society Ball. The event, on May 4 at the Mandarin Oriental, Campbell Steward Elise & Jeremy Warhaftig Clifford Wunderlich & honors David Gergen for his extraordinary service to the community and longstanding support Ashley & Willis Stinson Buster Wediker David Shuckra of H+H. Proceeds from the event benefit H+H and its education programs, which serve thousands Ralph & Carol Stuart Barbara Weidlich John & Judith Wyman Jill & Alice Sullivan Marcia Welch in honor of Anna F. Yoder of students in Greater Boston through youth choruses and in-school music instruction. Helen Taft & Peter Bowman Wat Tyler Charles & Elizabeth Yon Dr. & Mrs. John Tamilio III Rhonda & Milton Weinstein Robert Scott Zeller in memory of Alfred Teoh & Nancy & James Weiss John Tenhula Gala Steering Supporters Maureen Phillips & Andre Morais Campos Barbara Werner & Margaret & Charles Ziering Committee Carolyn & William Aliski Douglas Horst Nathalie & John Thompson Catherine Riley Six Anonymous Donors Deborah Benson & Ellen & Keith Plapinger HONORARY CHAIR Judith Thomson William Wilkens Frederic Marx Carolyn & Dana Pope *Deceased Jane Tyler Bill & Ginny Birch The Pucker Gallery CO-CHAIRS Boston Capital Partners Katherine & Eric Aho Boston Early Music Festival Theodore Ongaro INSTITUTIONAL DONORS Michael Oliveri Boston Symphony Out of Asia, LLC The Handel and Haydn Society is grateful for the generous support of the following foundations, Catherine Powell Orchestra John S. Reidy corporations, and government agencies. Gifts to H+H's Annual Fund are key to H+H’s continued artistic Judy Verhave Cynthia & Joel Bradley Arthur & Elaine Robins excellence and allow H+H to subsidize 90% of its Karen S. and George D. Levy Education Program. Nancy & Robert Bradley Gloria Rose in honor of Lou Cashman Bradley, Foster & Sargent Karen Levy HANDEL AND HAYDN WBUR† BRONZE BENEFACTORS Jane Manilych Jeanne Burlingame Emily Schabacker CIRCLE BENEFACTORS One Anonymous Donor ($1,000–$2,499) Kathleen McQuillan Rebecca Caras Catering Michael & Marcy Scott ($50,000 AND ABOVE) Blue Cross Blue Shield Brenda Reny Jane & Christopher Carlson Morton The Boston Globe† GOLD BENEFACTORS Boston Baroque† Terry Taylor The Catered Affair Richard Seamans & ($5,000–$9,999) The Klarman Family Foundation Boston Early Music Festival† Kathy Weld Celebrity Series of Boston Eleanor Mulvaney League of American Orchestras Abbot & Dorothy H. Stevens Boston Philharmonic† Foundation Carol & Erik Christensen Rob Shapiro The Manton Foundation Boston Youth Composer Wendy Shattuck & One Anonymous Donor Alice Willard Dorr Foundation Symphony Orchestra† C.P.E. Bach: The Catered Affair† Table Sponsors The Complete Works Sam Plimpton in honor of Celebrity Series† The Fairy Queen BACH CIRCLE BENEFACTORS Eaton Vance Management Eastern Bank Charitable Wayne Davis & Ann Jane Tyler ($20,000–$49,999) Google† Foundation Jim & Cathy Stone Merrifield in honor of Polly & Arnold Slavet 99.5 WCRB/WGBH† The Graphic Group† The Symphony Heist† Jane Tyler Stanley & Jody Smith Clark Charitable Trust The Hamilton Company Concertmaster Worcester Chamber Music Nicholas Dials & Terry & Michael Taylor The Colonnade Hotel† Charitable Foundation Society† Table Sponsors George Frederick Jewett Liberty Mutual Foundation Joseph M. Flynn Dustin Henderson Richard & Elise Tuve Foundation East Max and Selma Kupferberg SUPPORTERS Jane A. Tyler Lucinda Doran Rosamond Vaule The Hyams Foundation Family Foundation (UP TO $999) David Elsbree & Rose-Marie Van Otterloo Massachusetts Cultural Council The Ramsey McCluskey Family Bernice B. Godine Family Soloist Table Sponsors Lorraine Gilmore Judith & Menno Verhave National Endowment for the Arts Foundation Foundation Boston Private Deborah & Robert First Elizabeth Wax Prescott & Associates† Boveri-Trackman Family SILVER BENEFACTORS David & Anne Gergen Dr. Philip Gerdine David Weaver Ropes & Gray† Foundation W. Carl Kester & Janney Wilson in honor of ($2,500–$4,999) Dennis Arts and Culture Council Nicholas & Paula Gleysteen PLATINUM BENEFACTORS Back Bay Chorale† Kingston Cultural Council Jane Manilych Drs. Frank Haluska & David Gergen ($10,000–$19,999) Boston Cultural Council Lawrence Cultural Council Karen Levy & Peter Banks Lia Gore John Winkleman Ann and Gordon Getty Eastern Standard Lynn Cultural Council Amy Ryan & Harold Carroll Handel and Hendrix Wizard Computer Foundation Kitchen & Drinks† Mid-Cape Cultural Council TD Private Client Group in London Services, Inc. Boston Private Facebook† Norwell Cultural Council Nancy & Michael Tooke Jean Woodward BPS Arts Expansion Fund at The Fuller Foundation John & Tessa Hedley-Whyte EdVestors Indian Hill Music† MATCHING GIFT Kathleen & Walter Weld Frederick & Margot T. Young in honor of First Church of Christ, Scientist† John Hancock COMPANIES Cassandra Ilchman Kathy and Wally Weld Howland Capital Management† Massachusetts College of Art Amazon Smile Foundation Corporate Sponsor Paul Kelly & Linda Perrotto Laima & Bertram Zarins Boston Private Kingsbury Road Charitable and Design† Bank of America Matching Gifts La Morra Henry Steinway Ziegler & Foundation Mattina R. Proctor Foundation General Electric Print Sponsor Janina Longtine Jourdan Arpelle-Ziegler Lucca Back Bay† The Mollie Baldwin Foley Give with Liberty Laura & Thomas Lucke Dorothy Zinberg Miss Wallace M. Leonard Charitable Trust Giving Assistant Graphic Group Elizabeth & Hugh MacKay One Anonymous Donor Foundation New England Conservatory† IBM Wine Sponsor Schrafft Charitable Trust Packard Humanities† Johnson & Johnson in honor of Joe Flynn AS OF APRIL 16, 2019 Seth Sprague Educational and The Richard Foundation Merck Partnership for Giving Winestone Mallory Portraits Charitable Foundation Stearns Charitable Trust Millipore Joseph Mari Tsoutsouras & Co† WBZ† State Street Foundation David Gergen Honorary Circle Kathleen McGirr & The Van Otterloo Family Voya Foundation Keith Carlson Foundation Ann & Graham Gund †In-Kind Donor The Hauser Foundation Mida Prof. Carl Kester & Sally & Andy Miller Ms. Jane E. Manilych Therese Minton Margaret Marshall Anthony & Amy Moosey Kennedy & Mary & Sherif Nada Susan Richardson New York Philharmonic Daniel & Catherine Powell Janet & David Offensend David Snead & Michael Oliveri & Eric Aho Kate Prescott Jeffrey & Valerie Paley Andy & Dina Zelleke Philharmonia Baroque

42 HANDELANDHAYDN.ORG 2018–19 SEASON: MOZART REQUIEM 43 INSPIRING THE MUSIC LOVERS OF TOMORROW 1815 SOCIETY The Handel and Haydn Society thanks the following donors for including H+H in their long-term financial and estate plans. “What may seem like a small gift from our estate Allison & William Achtmeyer Nancy & Bill Hammer Mr. & Mrs. Timothy C. can make a big impact on an organization. We Mitchell Adams Roy A. Hammer* Robinson Amy S. Anthony* Dr. Elma Hawkins Lois C. Russell hope to provide a lasting legacy for H+H.” Marie-Hélène Bernard Thomas Frederick Hindle Judith & Clifford Rust Dr. John D. Biggers* Dr. Douglas Horst & Margaret A. Sagan & — Peter Manson and Peter Durfee Herbert & Barbara Boothroyd Ms. Maureen Phillips Michael Simons Dr. Lee C. Bradley III* Prof. Paul Christopher Joss & Dr. Michael F. Sandler Rob & Nancy Bradley Dr. Rhoda Kupferberg Joss Mr. Michael Scott Morton Rev. Mark Brockmeier & Judith & Mark King Robert N. Shapiro Dr. Kathleen Silva Paul Krueger & Janet K. Skinner Rev. Thomas W. Buckley Charles Mallard* Martin Small* & Lois Lowry Julian Bullitt Kathryn Kucharski David C. Snead Peter Manson, member of the H+H Board of Miguel* & Sheila Canizares Michael Lawler Drs. Robert G. Spiro*& Mary Overseers, and his husband, Peter Durfee, Christopher T. Carlson Barbara Lee* J. Spiro Jane Fisher Carlson Karen S. Levy Ms. Rheua S. Stakely* bonded over their love for music more than Louise & Thomas Cashman Signe Lindberg David & Sharon Steadman 20 years ago and have been subscribing Fay Chandler* Dr. Holger M. Luther Barbara Stedman to H+H ever since. Mr. Manson has long Melissa Chase & K. E. Duffin Jane E. Manilych & Thomas A. Teal Harry Christophers Prof. W. Carl Kester Olaf J. & Margaret L. Thorp known the value of planned giving and the Dr. Frank O. Clark Peter G. Manson & Peter A. Nancy Briggs Tooke significant role it plays in sustaining not-for- Patricia Collins* Durfee Richard & Elise Tuve Paul Corneilson Joseph Mari Jane & Wat* Tyler profits. Several years ago, he joined with Robert Cotta Franklin J. Marryott* Koen & Bartha Van Opijnen* a few others to help reinvigorate the 1815 Gregory & Anne Crisci Kathleen McGirr Donald F. Wahl* Elisabeth K. Davis* James F. Millea & Ruth Ann Walker* Society. Peter and Peter made a provision in Willma H. Davis Mary Ellen Bresciani Elizabeth & Robert Wax their estate plans to provide a gift larger than Carolyn & Forbes Dewey Janet Miner Susan B. Weatherbie they could make in their lifetimes, knowing it will David B. Elsbree Anthony T. Moosey Lucas Wegmann Todd Estabrook Stephen Morrissey Kathleen & Walter Weld have a lasting effect on H+H. Deborah & Robert First Mary & Sherif Nada Barbara Werner & Catherine Stephen J. Fitzsimmons Michael Oliveri Riley The 1815 Society recognizes those who have made gifts to H+H through their Joseph M. Flynn Connie B. Pawelczak Janet & Dean Whitla estate plans. To find out more about the1815 Society and how you can leave a Drs. Philip & Marjorie* Mike Peluse John J. Winkleman Jr. Gerdine Dana & Carolyn Pope Jean Woodward legacy gift for H+H, contact Signe Lindberg, Major Gifts Officer, at 617.262.1815 Anne & David Gergen Judith Lewis Rameior* Fifteen Anonymous Donors or [email protected]. John W. Gorman* Brenda Gray Reny *Deceased Diane Griffith Art & Elaine Robins

SUPPORT THE FUTURE OF H+H AND RECEIVE INCOME FOR LIFE! The Charitable Gift Annuity (CGA) Benefits of a CGA Gift: program at H+H is a good way to 1. Transfer assets to H+H. support tomorrow's audiences and 2. You receive an income tax deduction become a member of our 1815 Society, (and may save capital gains tax). which honors those providing for H+H's 3. H+H pays you a fixed amount each future. CGAs enable supporters to year, typically a portion tax-free. make a gift now, receive payments for 4. When the gift annuity ends, the life, and ultimately provide a wonderful remaining principal passes to H+H. gift to sustain H+H's excellence in Baroque and Classical music.

CalculateCalculate your your fixed fixed income income for forlife lifeusing using our ouronline online gift giftcalculator calculator at at handelandhaydn.org/support/plannedgivinghandelandhaydn.org/support/plannedgiving Or Orcontact contact Signe Signe Lindberg, Lindberg, Major Major Gifts Gifts Officer, Officer, at 617.262.1815at 617.262.1815 or or [email protected]@handelandhaydn.org.

44 HANDELANDHAYDN.ORG 2018–19 SEASON: MOZART REQUIEM 45 PROJECT MOZART REQUIEM

The Handel and Haydn Society is proud to continue a creative partnership with the Massachusetts College of Art and Design this season. Under the instruction of MassArt faculty, junior class students in the illustration department created works of art inspired by Mozart's Requiem. H+H Historically Informed Performance Fellow Teresa Neff and H+H musicians visited classes to give students insight into Mozart's life and the beautifully haunting music of his Requiem.

In March, a professional jury selected 12 works to display during today's performance. You may view the slected artworks in the Cabot-Cahners Room on the first balcony level.

HEAR FROM THE STUDENT ARTISTS I feel as if the requiem itself is more ethereal than anything; I wanted to convey a sense of otherworldliness—an experience that could only be felt through sound. With that in mind, I decided to keep the figure, as well as their surroundings, purposefully ambiguous. — Daniela Coca MassArt student artist

My main goal was to portray Mozart’s passion, persistence and of course, his stubbornness. While dealing with the illness that eventually claimed his life, he was focused only on one thing, finishing his Requiem. His admirable grit, indomitable spirit, and his love for music carried him to incredible heights. — Dennis Nolasco-Ramirez MassArt student artist

The Handel and Haydn Society is proud to partner with MassArt on Project Mozart Requiem.

ARTWORKS ARE FOR SALE If you are interested in purchasing a piece of art, contact Emily Yoder Reed at [email protected]. Artwork will be sold on a first-come, first-served basis and students will receive 100% commission for the sale.

46 HANDELANDHAYDN.ORG 2018–19 SEASON: MOZART REQUIEM 47 HANDEL AND HAYDN SOCIETY Massart.edu/ce ADMINISTRATION

David Snead Marketing and Education President and CEO Audience Services Program Staff Alexandra Burkot Executive Coordinator Sally Bradford VOCAL ARTS PROGRAM Vice President of Marketing CONDUCTORS and Communications Artistic Alyson Greer Espinosa Amanda LePain Young Women’s Chorus and Ira Pedlikin Director of Audience Services Young Women’s Chamber Choir Vice President of Artistic Planning José Cuadra Jennifer Kane Jesse Levine Assistant Audience Singers, Youth Chorus, Personnel/Production Manager Services Manager and Concert Choir and Music Librarian Chris Petre-Baumer Kevin McDonald Design Manager Young Men’s Chorus Development Alex Avery Marketing Specialist VOCAL ARTS PROGRAM Mike Peluse MUSICIANSHIP TEACHERS Vice President of Development Laurin Stoler Calling Campaign Manager Michael Driscoll Jan Miner Lead Musicianship Teacher Senior Philanthropy Officer Jerry Waldman Kilian Mooney Brook Holladay Assistant Calling Director of Annual Giving Campaign Manager Laura Nevitt Signe Lindberg Benjamin Pesetsky Melissa Weikart Major Gifts Officer Program Book Editor VOCAL ARTS PROGRAM Shannon Rose McAuliffe PIANISTS Associate Director of Education and Institutional Giving Michael Becker Community Anna Carr Rachel Dacus Hill Engagement Development Operations Manager Maria Rivera White Emily Yoder Reed Lisa Yasui Vice President of Education TEACHING ARTISTS Development Coordinator and Community Engagement Rachael Chagat Dominique Castro Winship Elementary School Finance and Vocal Arts Program Coordinator Michal Shein Administration Teresa M. Neff, PhD Sarah Greenwood K–8 School Lilee Dethchan- Christopher Hogwood Historically Sonja DuToit Tengblad Manibusan Informed Performance Fellow Mother Caroline Academy Director of Finance and Administration Interns Igor Rabovsky Michelle Dumas Staff Accountant Sam Howard Mary Ellen Reardon Accounting Assistant Marisa Merchan Ropes & Gray, LLP Jarod Stone Counsel Tsoutsouras & Company, P.C. Auditors and Tax Preparers

PROFESSIONAL AND CONTINUING EDUCATION Learn at H+H! Internships are available year-round in the Artistic, Courses and Programs in Art and Design Box Office, Development, Education, and Marketing departments. Visit our website for current ADULTS | YOUTH | DESIGN CERTIFICATES opportunities at handelandhaydn.org/internships.

48 HANDELANDHAYDN.ORG 2018–19 SEASON: MOZART REQUIEM 49 SYMPHONY HALL Bo on Early Music Fe ival PATRON INFORMATION s Paul O’Dette & Stephen Stubbs, Artistics Directors For patrons with disabilities: elevator In case of emergency patrons will be Join us for our 20th Festival—a weeklong access to Symphony Hall is available notified by an announcement from celebration of Early Music! at both the Massachusetts Avenue the stage. Should the building need and Cohen Wing entrances. An access to be evacuated, please follow any service center and accessible lighted exit sign to the street or follow FULLY STAGED OPERA restrooms are available inside the alternate instructions as directed. Do Steffani’s Orlando Cohen Wing. not use elevators. Walk, do not run. Large print programs are available CHAMBER OPERA at the Patron Information table in Versailles: Portrait of a Royal Domain the lobby. Music of Charpentier and Lalande MASSACHUSETTS AVENUE 20192019 Assistive listening devices are AND SO MUCH MORE! available. Please see the head usher FestivalFestival for details. HUNTINGTON AVENUE

17 unforgettable concerts, our world-famous O’BLOCK/KAY

June 9–16, 2019 Exhibition, and more. Late seating: Those arriving, or ROOM June 9–16, 2019 ORCHESTRA returning, to their seats late will FLOOR be seated at the discretion of the STAGE ORDER TODAY! management. Aaron Sheehan in BEMF’s 2017 production of 617-661-1812 | BEMF.org Lost and found is located at the Campra’s Le Carnaval de Venise. security desk at the stage door on St. Stephen Street. COHEN WING Lounge and bar service: There are two lounges in Symphony Hall: The O’Block/ Kay Room on the orchestra level and the Cabot-Cahners Room in the first HIGGINSON HALL Season 13 balcony. Each serves drinks starting one hour before each performance and Our Passion. Our Community. during intermission. MASSACHUSETTS AVENUE Worcester Chamber Music Society Coatrooms are located on the WorcesterWorcester ChamberChamber MusicMusic SocietySociety orchestra and first balcony levels, HUNTINGTON AVENUE CABOT-CAHNERS

audience-left, and in the Cohen Wing. BALCONY) (1ST ROOM ROOM Ladies’ rooms are located in both 1ST BALCONY AND 2ND BALCONY STAGE In the Shadow of War main corridors on the orchestra level, A dessert Café at both ends of the first balcony, | audience-left, and in the Cohen Wing. THU 7:30 PM dessert, 8:00 PM concert 9 MAY Men’s rooms are located on the Arts Worcester, 44 Portland Street, Worcester orchestra level, audience-right near the elevator, on the first balcony, Performing Boulanger D’un matin du printemps, Ives Concord Sonata,“Thoreau”, audience-right, and in the Cohen Wing. and Ravel Piano Trio in A minor. Shop: H+H CDs and other merchandise are available to purchase Featuring pianist Randall Hodgkinson in the Cohen Wing. Tickets $30-$45 Sponsored by Carol Seager Associates, Inc.

Tickets and info | worcesterchambermusic.org or call 508-217-4450

50 HANDELANDHAYDN.ORG 2018–19 SEASON: MOZART REQUIEM 51 HANDEL AND HAYDN SOCIETY GENERAL INFORMATION

9 Harcourt Street Connect with H+H Carl PhiliPP EmanuEl BaCh Boston, MA 02116 facebook.com/handelandhaydn twitter.com/handelandhaydn handelandhaydn.org instagram.com/handelandhaydn [email protected] youtube.com/handelandhaydn he omplete orks 617.262.1815 Merchandise    Box Office The Handel and Haydn Society offers Monday–Friday, 10am–6pm gift items and recordings featuring 617.266.3605 the Orchestra and Chorus and guest tickets.handelandhaydn.org artists throughout the season. Your [email protected] purchases help support our education and artistic programming. Group Tickets SHOP LOCATIONS Groups of 10 or more save 20%. Symphony Hall: Cohen Wing near Email [email protected] Higginson Hall or visit handelandhaydn.org/groups. NEC’s Jordan Hall: Orchestra level Musically Speaking near the coat room Join Historically Informed Performance Merchandise is also available online at Fellow Teresa Neff for an engaging handelandhaydn.org. exploration of the music and instruments featured in concert. Talks begin 45 minutes prior to performances at Symphony Hall and one hour prior to concerts at other venues.

MUSICALLY SPEAKING LOCATIONS Symphony Hall: Higginson Hall (in the Cohen Wing) Other Venues: On Stage “He is the father, we are the kids. Those of us who know anything at all, learned it from him.” —attributed to Wolfgang amadeus mozart

Subscribe Today! Join us for our 2019–20 Season. www.cpebach.org Choose your subscription at handelandhaydn.org.

52 HANDELANDHAYDN.ORG 2018–19 SEASON: MOZART REQUIEM 53 "This is the sound NEW RELEASE of a conductor and Mozart + Haydn orchestra really Vol 2 clicking with their namesake composer... their love of the music is palpable." —Gramophone

HANDELANDHAYDN.ORG/CDs

617.262.1815 HARRY CHRISTOPHERS ARTISTIC DIRECTOR