Jazzweek with Airplay Data Powered by Jazzweek.Com • February 2, 2005 Volume 1, Number 11 • $7.95 in This Issue: KBEM Raises $25,000
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Lecture Outlines
CHAPTER FOURTEEN: “SMELLS LIKE TEEN SPIRIT”: HIP-HOP, “ALTERNATIVE” MUSIC, AND THE ENTERTAINMENT BUSINESS Lecture Outlines Lecture 1: Hip-Hop and Techno I. Hip-Hop Breaks Out (1980s–1990s) A. In the mid-1980s, rap moved into the popular mainstream. B. 1986 saw the release of the first two multiplatinum rap albums: 1. Raising Hell by Run-D.M.C. a) Number Three on Billboard’s pop albums chart b) Over three million copies sold 2. Licensed to Ill by the Beastie Boys a) Number One for seven weeks b) Over seven million copies sold 3. Expansion of the audience for hip-hop music was the key to the commercial success of these albums. a) Included millions of young white fans, attracted by the rebelliousness of the genre C. Both Raising Hell and Licensed to Ill were released on a new independent label called Def Jam. CHAPTER FOURTEEN: “SMELLS LIKE TEEN SPIRIT”: HIP-HOP, “ALTERNATIVE” MUSIC, AND THE ENTERTAINMENT BUSINESS 1. Co-founded in 1984 by the hip-hop promoter Russell Simmons and the musician-producer Rick Rubin 2. Cross-promoting a new generation of artists 3. Expanding and diversifying the national audience for hip-hop 4. In 1986, Def Jam became the first rap-oriented independent label to sign a distribution deal with one of the “Big Five” record companies, Columbia Records. D. Run-D.M.C. 1. Trio: a) MCs Run (Joseph Simmons, b. 1964) and D.M.C. (Darryl McDaniels, b. 1964) b) DJ Jam Master Jay (Jason Mizell, b. 1965) 2. Adidas Corporation and Run-D.M.C. -
The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters
4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBoRAh F. RUTTER, President CONCERT HALL Monday Evening, April 16, 2018, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters TODD BARKAN JOANNE BRACKEEN PAT METHENY DIANNE REEVES Jason Moran is the Kennedy Center Artistic Director for Jazz. This performance will be livestreamed online, and will be broadcast on Sirius XM Satellite Radio and WPFW 89.3 FM. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 2 THE 2018 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, Kennedy Center Artistic Director for Jazz With remarks from JANE CHU, Chairman of the National Endowment for the Arts DEBORAH F. RUTTER, President of the John F. Kennedy Center for the Performing Arts The 2018 NEA JAzz MASTERS Performances by NEA Jazz Master Eddie Palmieri and the Eddie Palmieri Sextet John Benitez Camilo Molina-Gaetán Jonathan Powell Ivan Renta Vicente “Little Johnny” Rivero Terri Lyne Carrington Nir Felder Sullivan Fortner James Francies Pasquale Grasso Gilad Hekselman Angélique Kidjo Christian McBride Camila Meza Cécile McLorin Salvant Antonio Sanchez Helen Sung Dan Wilson 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 -
The Portrayal of African American Women in Hip-Hop Videos
Western Michigan University ScholarWorks at WMU Master's Theses Graduate College 6-2005 The Portrayal of African American Women in Hip-Hop Videos Ladel Lewis Follow this and additional works at: https://scholarworks.wmich.edu/masters_theses Part of the Sociology Commons Recommended Citation Lewis, Ladel, "The Portrayal of African American Women in Hip-Hop Videos" (2005). Master's Theses. 4192. https://scholarworks.wmich.edu/masters_theses/4192 This Masters Thesis-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Master's Theses by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. THE PORTRAYAL OF AFRICAN AMERICAN WOMEN IN HIP-HOP VIDEOS By Ladel Lewis A Thesis Submitted to the Faculty of The Graduate College in partial fulfillment of the requirements for the Degree of Master of Arts Department of Sociology Western Michigan University Kalamazoo, Michigan June 2005 Copyright by Ladel Lewis 2005 ACKNOWLEDGEMENTS I wish to thankmy advisor, Dr. Zoann Snyder, forthe guidance and the patience she has rendered. Although she had a course reduction forthe Spring 2005 semester, and incurred some minor setbacks, she put in overtime in assisting me get my thesis finished. I appreciate the immediate feedback, interest and sincere dedication to my project. You are the best Dr. Snyder! I would also like to thank my committee members, Dr. Douglas Davison, Dr. Charles Crawford and honorary committee member Dr. David Hartman fortheir insightful suggestions. They always lent me an ear, whether it was fora new joke or about anything. -
Keeping the Tradition by Marilyn Lester © 2 0 1 J a C K V
AUGUST 2018—ISSUE 196 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM P EE ING TK THE R N ADITIO DARCY ROBERTA JAMES RICKY JOE GAMBARINI ARGUE FORD SHEPLEY Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East AUGUST 2018—ISSUE 196 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : ROBERTA GAMBARINI 6 by ori dagan [email protected] Andrey Henkin: [email protected] Artist Feature : darcy james argue 7 by george grella General Inquiries: [email protected] ON The COver : preservation hall jazz band 8 by marilyn lester Advertising: [email protected] Encore : ricky ford by russ musto Calendar: 10 [email protected] VOXNews: Lest We Forget : joe shepley 10 by anders griffen [email protected] LAbel Spotlight : weekertoft by stuart broomer US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or vOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIvAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD REviewS 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Mark Keresman, Marilyn Lester, Miscellany 31 Suzanne Lorge, Marc Medwin, Jim Motavalli, Russ Musto, John Pietaro, Joel Roberts, Event Calendar 32 John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Contributing Writers Mathieu Bélanger, Marco Cangiano, Ori Dagan, George Grella, George Kanzler, Annie Murnighan Contributing Photographers “Tradition!” bellowed Chaim Topol as Tevye the milkman in Fiddler on the Roof. -
Brian Simpson Again Tops Album and Singles Charts
JazzWeek with airplay data powered by jazzweek.com • Jan. 23, 2006 Volume 2, Number 9 • $7.95 In This Issue: J@LC, Radio Salute Pittsburgh. 4 Botti In PBS Spring Pledge Special . 5 MakeMusic Offers IAJE Special on SmartMusic . 6 Passings: Bob Weinstock, Phil Elwood . 6 Reviews and Picks . 15 Jazz Radio . 18 Smooth Jazz IAJE 2006 Radio. 25 WRAPUP Radio page 11 Panels. 24, 29 News. 4 Charts: #1 Jazz Album – Houston Person #1 Smooth Album –Brian Simpson #1 Smooth Single – Brian Simpson JazzWeek This Week EDITOR/PUBLISHER Ed Trefzger othing does more to charge my jets than to attend IAJE each MUSIC EDITOR year. While I’m usually exhausted by the end of the conference, Tad Hendrickson Nit’s energizing to catch up with friends and colleagues, to meet CONTRIBUTING EDITORS people face-to-face for the first time, to pick up new ideas, and to be Keith Zimmerman immersed in great music. Getting to spend time at a couple NYC clubs Kent Zimmerman is a big bonus. CONTRIBUTING WRITER/ The most thrilling thing, though, is to see the reactions of young PHOTOGRAPHER Tom Mallison students. The unbridled enthusiasm the young crowd displayed at the PHOTOGRAPHY Stefon Harris and Javon Jackson (with show-stealer Dr. Lonnie Smith) Barry Solof sets was contagious. And it gives me great hope for the vitality and fu- ture health of jazz. Founding Publisher: Tony Gasparre ••• ADVERTISING: Devon Murphy On the subject of young people, I’m watching with great interest the Call (866) 453-6401 ext. 3 or efforts to attract a younger audience at night on WEMU and KUVO. -
Jazzweek with Airplay Data Powered by Jazzweek.Com • October 15, 2007 Volume 3, Number 46 • $7.95
JazzWeek with airplay data powered by jazzweek.com • October 15, 2007 Volume 3, Number 46 • $7.95 Jazz Album No. 1: Sophie Millman, Make Smooth Album No. 1: Rick Braun and Rich- Someone Happy (Koch) ard Elliot, RnR (Artizen) World Music No. 1: Los Angeles Guitar Smooth Single No. 1: Rick Braun and Rich- Quartet, LAGQ Brazil (Telarc) ard Elliot, “RnR” (Artizen) Jazz Album Chart . 3 Jazz Radio Currents . 8 Smooth Jazz Album Chart . 4 Jazz Radio Panel . 11 Smooth Singles Chart . 5 Key Non-Monitored Jazz Stations . 12 World Music Album Chart. 6 Smooth Jazz Current Tracks. 13 Jazz Add Dates. 7 Smooth Jazz Station Panel. 14 Save The Date: JazzWeek Summit 2008, June 19-21, Clarion Riverside Hotel, Rochester, N.Y. During the Rochester International Jazz Festival – Registration and Hotel Information and Promotional Opportunity Details Coming Soon ������������������� ������������������������������������� ����������������������� ��������������������������������� ������������������������������������� ���������������������������������������� ������������������������������������� �������������������������������������� ������������������������������������������� ��������������������������������������� ����������������������������������������������� �������������������� ��������������������������������������� ������������������������������������ ������������������������������������ ��������������������������� �������������������������������������������������������������������� jazzweek.com • October 15, 2007 JazzWeek 2 airplay data JazzWeek Jazz Album -
Vocal Ecosystems Beyond Pedagogy: Working with Challenges
Literacy Information and Computer Education Journal (LICEJ), Special Issue, Volume 4, Issue 1, 2015 Vocal Ecosystems Beyond Pedagogy: Working With Challenges Jeri Brown Concordia University Canada Abstract Knowledge of vocal improvised music, whether demonstrated in the communication of the two demonstrated by high or low obscure pitch sounds, principal artists. The use of tone matching also the beating of the chest while making music sounds, stimulates the harmonic musical language and mood vocal pitch matching or vocal animation with or in this piece. In both pieces, composer, trumpet and without the use of technology, has paved the way for flugelhorn player Kenny Wheeler creates poetic a steady stream of vocal artists through the years, artistry with voice, tenor and arranged orchestra. each dedicated to vocal exploration. While jazz vocal Horn and voice are well suited to the complex improvisation appears on the surface to involve few material fusing personas in the signature over or no rules, it is a form of communication between layering of cadenzas that reoccur in his works with a artist and listener, where the artist adheres to a set focus on emotion and sentiment [4]. of rules or principles. Here the jazz improviser is The use of vocal language and musical treated as part of an ecosystem, a concept in the intelligence in improvisation creates added biological sciences that comprises a set of stimulation in the improvised vocal delivery. interacting organisms and environments in a particular place. Within the jazz vocal 2. Characteristics of jazz vocal improvisational ecosystem there are various roles, improvisation approaches and activities. -
The Secret Life of Bees Production Notes
FOX SEARCHLIGHT PICTURES PRESENTS An OVERBROOK ENTERTAINMENT / DONNERS’ COMPANY Production A GINA PRINCE-BYTHEWOOD Film QUEEN LATIFAH DAKOTA FANNING JENNIFER HUDSON ALICIA KEYS SOPHIE OKONEDO NATE PARKER TRISTAN WILDS HILARIE BURTON and PAUL BETTANY WRITTEN FOR THE SCREEN AND DIRECTED BY....................................................GINA PRINCE-BYTHEWOOD BASED UPON THE NOVEL BY........................SUE MONK KIDD PRODUCED BY ..................................................LAUREN SHULER DONNER ..............................................................................JAMES LASSITER ..............................................................................WILL SMITH ..............................................................................JOE PICHIRALLO EXECUTIVE PRODUCER..................................JADA PINKETT SMITH DIRECTOR OF PHOTOGRAPHY......................ROGIER STOFFERS, N.S.C. PRODUCTION DESIGNER................................WARREN ALAN YOUNG EDITED BY .........................................................TERILYN A. SHROPSHIRE, A.C.E. COSTUME DESIGNER ......................................SANDRA HERNANDEZ MUSIC BY...........................................................MARK ISHAM CASTING BY ......................................................AISHA COLEY ..............................................................................LISA MAE, CRAIG & ..............................................................................MARK FINCANNON, CSA CO-PRODUCERS................................................ED -
View Was Provided by the National Endowment for the Arts
Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. LORRAINE GORDON NEA Jazz Master (2013) Interviewee: Lorraine Gordon (October 15, 1922 – June 6, 2018) Interviewer: Anthony Brown with recording engineer Ken Kimery Dates: July 7, 2012 Depository: Archives Center, National Music of American History Description: Transcript. 43 pp. Brown: Today is July 7, 2012, and this is the Smithsonian Jazz Oral History Interview with NEA Jazz Master Lorraine Gordon, in her home in New York City. It happens to be a very hot but beautiful day in New York. Good afternoon, Lorraine Gordon! Gordon: Hello. Thank you for coming on this hot day. Brown: And thank you so much for your incomparable hospitality. Ken and I are having a wonderful time. This is Anthony Brown, and Ken Kimery is here, to interview Lorraine Gordon, who, if you do not know who Lorraine Gordon is, she, over the last approximately 70 years, has been a mover-and-shaker in jazz, starting first at Blue Note Records, and, in the last fifteen years, as the owner and, shall we say, preserver of the greatest jazz club in the world, the Village Vanguard. So, Lorraine, where do you want to start this odyssey of your life in jazz? Do we start in Newark? Gordon: Why not? That’s almost where it did start. I mean, that’s where I was born, although I would like to be somewhere else—but I wasn’t. Brown: So you’re a Jersey girl! Gordon: No, I liked Newark. -
Make It New: Reshaping Jazz in the 21St Century
Make It New RESHAPING JAZZ IN THE 21ST CENTURY Bill Beuttler Copyright © 2019 by Bill Beuttler Lever Press (leverpress.org) is a publisher of pathbreaking scholarship. Supported by a consortium of liberal arts institutions focused on, and renowned for, excellence in both research and teaching, our press is grounded on three essential commitments: to be a digitally native press, to be a peer- reviewed, open access press that charges no fees to either authors or their institutions, and to be a press aligned with the ethos and mission of liberal arts colleges. This work is licensed under the Creative Commons Attribution- NonCommercial- NoDerivatives 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/ by-nc-nd/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, California, 94042, USA. DOI: https://doi.org/10.3998/mpub.11469938 Print ISBN: 978-1-64315-005- 5 Open access ISBN: 978-1-64315-006- 2 Library of Congress Control Number: 2019944840 Published in the United States of America by Lever Press, in partnership with Amherst College Press and Michigan Publishing Contents Member Institution Acknowledgments xi Introduction 1 1. Jason Moran 21 2. Vijay Iyer 53 3. Rudresh Mahanthappa 93 4. The Bad Plus 117 5. Miguel Zenón 155 6. Anat Cohen 181 7. Robert Glasper 203 8. Esperanza Spalding 231 Epilogue 259 Interview Sources 271 Notes 277 Acknowledgments 291 Member Institution Acknowledgments Lever Press is a joint venture. This work was made possible by the generous sup- port of -
Presenting Some of Canada's Finest Jazz Musicians
Presenting Some of Canada’s Finest Jazz Musicians NOVEMBER 8-15, 2008 • Tommy Banks and P.J. Perry • Turtleboy • Chandelle Rimmer and Joel Gray • Jim Head • Steve Kirby Our 36th Year, Issue 5 – November /December 2008 • Alain Bédard Auguste Quintet See Page 9 for November/ December Yardbird Suite Programming Publication Mail # 40047729 EDMONTON JAZZ SOCIETY 11 TOMMY BANKS WAY (Corner of 102 St & 86 Ave) EDMONTON AB T6E 2M2 Edmonton Jazz Society’s Board of Directors YARDBIRD 2007•2008 Jasiek Poznanski • President SUITE Adrian Albert • Vice-President 11 Tommy Banks Way (corner of 102 St & 86 Ave) Shelley Chebry • Secretary Edmonton, Alberta T6E 2M2 Paul Wilde • Treasurer Phone: (780) 432-0428 Board Members Dave Babcock • Chris Brown Pam Josey • Craig Magill THEYARDBIRDCREW Yardbird Suite Our Volunteer House Managers PROGRAMMING • Adrian Albert, Julie • Bill Hume • Judy Hume • Pam Josey King, Craig Magill, Jasiek Poznanski • Tracy Kolenchuk • Rhonda Netterfield PRODUCTION • Lisi Sommer • Mary Richards • Marilyn Rude JAM SESSIONS • Dave Babcock • Rosalynn Ruptash • Suzanne Slade Raymond Baril • Collette Slevinsky • Karen Voller LITTLEBIRDS DIRECTOR • Joel Gray • Gail Wozny FINANCE • Suzanne Morter PRESS RELEASES • Paul Wilde TRANSPORTATION • Alan Spence Yardbird Suite HOUSE MANAGER & VOLUNTEER COORDINATOR • Pam Josey Newsletter The Yardbird Newsletter is published five times per year by the Edmonton Jazz Society. EDITORS • Adrian Albert, Jasiek Poznanski Yardbird Suite Jazz is a registered trademark of the Edmonton Jazz ADVERTISING • Shelley Chebry Society (1973). NEWSLETTER DESIGN • Vikki Wiercinski GRAPHIC LAYOUT • Kim Deley, Critical Path Marketing Communications Return undeliverable Canadian addresses to: DISTRIBUTION • Monique Bielech, Shelley Chebry, Bill Harper EDMONTON JAZZ SOCIETY 11 TOMMY BANKS WAY PRINTING • Nisku Printers (1980) Ltd. -
Zackie Achmat B
ZACKIE ACHMAT b. March 21, 1962 SOUTH AFRICAN ACTIVIST “The desire to know requires courage, patience and persistence because freedom, dignity and equality depend on it.” By organizing protests, Zackie Achmat is a South African activist whose work has focused on people living Achmat demanded that the with HIV/AIDS, the gay community and combating apartheid. He is a Nobel Peace government take action to Prize nominee and a recipient of the Desmond Tutu Leadership Award and the Nelson provide AIDS education, Mandela Award for Health and Human Rights. prevention and resources Achmat was raised in Cape Town, South Africa. At age 14, he participated in the 1976 for HIV-positive citizens. anti-apartheid uprising in Soweto. As an adolescent, he assisted the African National Congress by organizing his peers. He continued to fight against apartheid until its end in 1994. Achmat became active in South Africa’s gay community and founded the National Coalition for Gay and Lesbian Equality. In 2000, he directed the documentary “Apostles of Civilised Vice,” chronicling the history of the gay community in South Africa. In the late 1990s, Achmat was diagnosed as HIV-positive. It was difficult for him to obtain treatment or medications in South Africa, which had one of the highest rates of infection. Achmat helped create the Treatment Action Campaign (TAC). TAC led campaigns against the South African government, which was reluctant to get involved with the epidemic because it did not consider AIDS a significant problem. By organizing protests, Achmat demanded that the government take action to provide AIDS education, prevention and resources for HIV-positive citizens.