DOCSLIB.ORG

Jazzweek with Airplay Data Powered by Jazzweek.Com • October 15, 2007 Volume 3, Number 46 • $7.95

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Jazzweek with Airplay Data Powered by Jazzweek.Com • October 15, 2007 Volume 3, Number 46 • $7.95 JazzWeek with airplay data powered by jazzweek.com • October 15, 2007 Volume 3, Number 46 • $7.95 Jazz Album No. 1: Sophie Millman, Make Smooth Album No. 1: Rick Braun and Rich- Someone Happy (Koch) ard Elliot, RnR (Artizen) World Music No. 1: Los Angeles Guitar Smooth Single No. 1: Rick Braun and Rich- Quartet, LAGQ Brazil (Telarc) ard Elliot, “RnR” (Artizen) Jazz Album Chart . 3 Jazz Radio Currents . 8 Smooth Jazz Album Chart . 4 Jazz Radio Panel . 11 Smooth Singles Chart . 5 Key Non-Monitored Jazz Stations . 12 World Music Album Chart. 6 Smooth Jazz Current Tracks. 13 Jazz Add Dates. 7 Smooth Jazz Station Panel. 14 Save The Date: JazzWeek Summit 2008, June 19-21, Clarion Riverside Hotel, Rochester, N.Y. During the Rochester International Jazz Festival – Registration and Hotel Information and Promotional Opportunity Details Coming Soon ������������������� ������������������������������������� ����������������������� ��������������������������������� ������������������������������������� ���������������������������������������� ������������������������������������� �������������������������������������� ������������������������������������������� ��������������������������������������� ����������������������������������������������� �������������������� ��������������������������������������� ������������������������������������ ������������������������������������ ��������������������������� �������������������������������������������������������������������� jazzweek.com • October 15, 2007 JazzWeek 2 airplay data JazzWeek Jazz Album Chart Oct. 15, 2007 powered by TW LW 2W Peak Artist Release Label TP LP +/- Weeks Stations Adds 1 29 20 1 Sophie Milman Make Someone Happy Koch 372 95 277 9 59 7 2 38 NR 2 Herbie Hancock River: The Joni Letters Verve Music Group 217 80 137 2 59 21 3 1 10 1 McCoy Tyner McCoy Tyner Quartet McCoy Tyner Music/Halfnote 212 224 -12 5 59 2 4 10 41 4 Eric Alexander Temple Of Olympic Zeus HighNote 201 149 52 3 61 16 5 4 6 1 Jackie Ryan You And The Night And The Music Open Art 200 185 15 9 60 1 6 7 4 3 Billy Taylor & Gerry Mulligan Live at MCG MCG Jazz 191 161 30 7 59 3 7 2 2 2 Sonny Fortune You And The Night And The Music 18th & Vine 175 204 -29 8 52 1 8 48 NR 8 Jon Mayer So Many Stars Reservoir 163 66 97 2 47 19 9 5 3 3 Gerald Wilson Orchestra Monterey Moods Mack Avenue 162 180 -18 3 47 7 10 NR NR 10 Cyrus Chestnut Cyrus Plays Elvis Koch 158 34 124 1 66 46 11 8 11 8 Bill Easley Business Man’s Bounce 18th & Vine 155 155 0 4 50 3 12 24 8 8 Bill Mays - The Inventions Trio Fantasy Palmetto 153 101 52 5 63 0 13 9 12 9 Eddie Daniels Homecoming: Eddie Daniels Live At The IPO Recordings 152 151 1 3 54 6 Iridium 14 6 5 1 Tom Harrell Light On HighNote 147 175 -28 10 41 0 15 14 18 13 New York Voices A Day Like This MCG Jazz 138 120 18 7 43 3 16 22 7 7 John Scofield This Meets That Emarcy 136 103 33 3 48 5 17 15 43 15 Freddy Cole Music Maestro Please HighNote 130 119 11 3 49 13 18 NR NR 18 Stacey Kent Breakfast On The Morning Tram Blue Note 128 23 105 1 47 28 19 20 34 19 Dee Dee Bridgewater Red Earth Emarcy 125 108 17 5 48 2 20 30 34 6 Luciana Souza The New Bossa Nova Verve Music Group 122 93 29 7 44 1 21 NR NR 21 Los Angeles Guitar Quartet LAGQ Brazil Telarc 116 13 103 1 43 2 22 21 17 1 Kenny Burrell 75th Birthday Bash Live! Blue Note 112 104 8 17 31 0 23 11 21 11 Wallace Roney Jazz HighNote 109 134 -25 6 45 4 24 17 15 1 Terence Blanchard A Tale Of God’s Will (A Requiem For Katrina) Blue Note 105 114 -9 9 39 1 25 12 9 2 Ron Carter Dear Miles Blue Note 104 133 -29 17 28 0 26 13 32 13 Russell Malone Live At Jazz Standard, Volume 2 MAXJAZZ 103 121 -18 8 40 1 27 19 13 6 Alvin Queen I Ain’t Looking At You Justin Time 100 109 -9 15 30 0 28 18 26 11 Joan Stiles Hurly-Burly Oo-Bla-Dee Music 96 110 -14 10 34 1 28 27 28 20 Mike Longo Float Like A Butterfly CAP 96 96 0 6 34 1 28 23 NR 23 Mark Weinstein Con Alma Jazzheads 96 102 -6 2 32 3 28 30 26 9 Bruce Hornsby, Christian McBride & Jack Camp Meeting Sony Legacy 96 93 3 9 33 0 DeJohnette 32 25 21 6 Gary Smulyan More Treasures Reservoir 87 100 -13 11 31 0 33 33 15 1 Bobby Sanabria Big Band Urban Folktales Jazzheads 84 92 -8 13 25 1 34 3 NR 3 Queen Latifah Trav’lin’ Light Verve Music Group 83 202 -119 2 24 11 34 27 33 24 Christian Scott Anthem Concord 83 96 -13 5 35 3 36 25 30 19 Sean Jones Kaleidoscope Mack Avenue 81 100 -19 9 34 1 37 NR NR 21 Oregon 1000 Kilometers Camjazz 79 63 16 8 28 3 38 44 NR 38 Carolyn Leonhart & Wayne Escoffery If Dreams Come True Nagel Heyer 77 73 4 2 28 4 39 NR 1 1 Floratone Floratone Blue Note 76 33 43 11 30 1 39 46 25 5 Poncho Sanchez Raise Your Hand Concord 76 70 6 20 25 1 41 36 37 5 Bill Charlap Live At The Village Vanguard Blue Note 75 89 -14 21 31 0 41 38 28 28 Curtis Stigers Real Emotional Concord 75 80 -5 4 28 0 41 NR 42 1 Kurt Elling Nightmoves Concord 75 62 13 27 38 2 44 NR 31 31 Michael Wolff Jazz, Jazz, Jazz Wrong Records 71 64 7 7 26 0 44 30 18 1 Various Artists We All Love Ella: Celebrating The First Lady Verve Music Group 71 93 -22 18 23 0 Of Song 46 38 49 38 Tineke Postma A Journey That Matters Foreign Media Jazz 70 80 -10 3 35 5 47 NR 50 3 Jimmy Ponder Somebody’s Child HighNote 69 51 18 21 22 1 48 34 23 16 Waverly Seven Yo! Bobby Anzic Records 68 91 -23 16 23 1 48 NR NR 31 Roberto Fonseca Zamazu Enja/Justin Time 68 62 6 7 35 3 50 45 NR 33 Eugene Marlow (featuring Arturo O’Farrill) Wonderful Discovery MEII Enterprises 67 72 -5 7 31 4 Most Added (first airplay detection) Increased Airplay Chartbound Cyrus Chestnut Cyrus Plays Elvis (Koch) +46 Sophie Milman Make Someone Happy (Koch) +277 N. Glenn Davis A Different View (Jazzed Media) Stacey Kent Breakfast On The Morning Tram (Blue Note) +28 Herbie Hancock River: The Joni Letters Miles Davis Live At The Monterey Jazz Festival ’63 (Monterey Jazz Fest) Radam Schwartz Magic Tales (Arabesque) +23 (Verve Music Group) +137 Falkner Evans ARC (Consolidated Artists) Herbie Hancock River: The Joni Letters Cyrus Chestnut Cyrus Plays Elvis (Koch) +124 Dept. Of Good And Evil Dept. Of Good And Evil (Savoy Jazz) (Verve Music Group) +21 Stacey Kent Breakfast On The Morning Tram (Blue Note) +105 Rob Lockart Parallel Lives (Origin) Jon Mayer So Many Stars (Reservoir) +19 Los Angeles Guitar Quartet LAGQ Brazil (Telarc) +103 Josh Nelson Let It Go (Native Language) Mike DiRubbo New York Accent: Live At The Kitano (Cellar Jon Mayer So Many Stars (Reservoir) +97 Ezra Weiss Get Happy (Roark) Champian Fulton Champian (Such Sweet Thunder Records) Live) +17 Rashied Ali Quintet Judgment Day, Vol. 2 (Survival) Jacques Schwarz-Bart Sone Ka-La (Decca) jazzweek.com • October 15, 2007 All monitored airplay data is owned by Mediaguide, Inc. ©2007 Mediaguide, Inc. JazzWeek 3 airplay data JazzWeek Smooth Album Chart Oct. 15, 2007 powered by TW LW 2W Peak Artist Release Label TP LP +/- Weeks Stations Adds 1 1 1 1 Rick Braun & Richard Elliot R N’ R Artizen 475 475 0 17 25 0 2 2 2 2 Euge Groove Born 2 Groove Narada 436 426 10 24 25 0 3 4 7 3 Jeff Golub Grand Central Narada Jazz 407 384 23 22 23 0 4 5 6 4 Keiko Matsui Moyo Shout! Factory 381 371 10 31 22 0 5 3 4 3 Paul Taylor Ladies Choice Peak 379 392 -13 23 23 0 6 6 3 3 U-Nam Back From The 80s Trippin ’N’ Rhythm 370 362 8 20 24 0 7 7 5 1 Boney James Shine Concord 360 356 4 60 25 0 8 8 11 8 Four 80 East En Route Native Language 345 355 -10 30 24 0 9 9 10 9 Babyface Playlist Mercury 312 309 3 3 24 0 10 10 9 5 Corinne Bailey Rae Corinne Bailey Rae Capitol 302 309 -7 73 24 0 11 13 12 3 Marion Meadows Dressed To Chill Heads Up 283 268 15 77 23 0 12 12 8 1 Norman Brown Stay With Me Peak 248 271 -23 29 25 0 13 11 13 3 Brian Bromberg Downright Upright Artistry 243 275 -32 33 25 0 14 16 21 14 Nils Ready To Play Baja 226 194 32 38 24 1 15 19 17 15 Jay Soto Stay Awhile Nu Groove 206 183 23 24 22 0 16 14 18 14 Michael Buble Call Me Irresponsible Reprise 197 211 -14 14 20 0 17 17 15 8 John Legend Once Again G.O.O.D./Columbia 193 189 4 50 22 0 18 28 29 18 Najee Rising Sun Heads Up 187 162 25 12 26 3 19 15 14 2 Paul Brown White Sand Peak 186 208 -22 37 24 0 20 20 24 11 Robin Thicke The Evolution Of Robin Thicke Star Trak/Interscope 185 180 5 28 23 0 21 21 16 16 Down To The Bone Supercharged Narada Jazz 180 179 1 17 22 0 22 22 26 6 Kim Waters You Are My Lady Shanachie 176 178 -2 40 20 0 23 26 25 1 Peter White Playin’ Favorites Columbia/Legacy 174 170 4 71 24 0 24 29 27 14 Joyce Cooling Revolving Door Narada Jazz 164 155 9 55 17 0 25 23 19 17 Kelly Sweet We Are One Razor & Tie 163 177 -14 7 19 0 26 27 30 13 The Philippe Saisse Trio The Body And Soul Sessions G & N/Rendezvous 160 166 -6 62 21 0 27 25 22 1 Various Artists Forever, For Always, For Luther: Volume II Rendezvous 159 170 -11 47 24 0 28 64 NR 28 Queen Latifah Trav’lin’ Light Verve 147 44 103 2 16 3 29 30 31 6 Chuck Loeb Presence Heads Up 146 150 -4 43 22 0 30 24 32 22 Candy Dulfer Candy Store Heads Up 143 176 -33 16 21 0 31 32 33 31 Kirk Whalum Round Trip Rendezvous 141 133 8 10 16 0 32 36 40 32 Brian Simpson Above The Clouds Rendezvous 131 113 18 10 13 1 33 31 20 7 Norah Jones Not Too Late Blue Note 130 148 -18 46 18 0 34 46 53 34 Eric Marienthal Just Around The Corner Peak 125 78 47 8 13 2 35 33 28 1 George Benson & Al Jarreau Givin’ It Up Concord 125 130 -5 60 19 0 36 34 34 33 Ryan Shaw This Is Ryan Shaw One Haven/Red Distribu- 121 116 5 9 14 0 tion/Sony BMG 37 45 55 37 Chris Botti Italia Columbia 116 83 33 6 16 2 38 41 36 7 David Benoit Full Circle Peak/Concord 112 103 9 71 19 0 39 43 42 18 Lee Ritenour Smoke ’N’ Mirrors I.E./Peak 111 97 14 62 16 0 40 42 35 16 Jeff Lorber He Had A Hat Blue Note 107 100 7 28 15 0 41 40 37
Load more

Recommended publications
  • Vocal Ecosystems Beyond Pedagogy: Working with Challenges
    Literacy Information and Computer Education Journal (LICEJ), Special Issue, Volume 4, Issue 1, 2015 Vocal Ecosystems Beyond Pedagogy: Working With Challenges Jeri Brown Concordia University Canada Abstract Knowledge of vocal improvised music, whether demonstrated in the communication of the two demonstrated by high or low obscure pitch sounds, principal artists. The use of tone matching also the beating of the chest while making music sounds, stimulates the harmonic musical language and mood vocal pitch matching or vocal animation with or in this piece. In both pieces, composer, trumpet and without the use of technology, has paved the way for flugelhorn player Kenny Wheeler creates poetic a steady stream of vocal artists through the years, artistry with voice, tenor and arranged orchestra. each dedicated to vocal exploration. While jazz vocal Horn and voice are well suited to the complex improvisation appears on the surface to involve few material fusing personas in the signature over or no rules, it is a form of communication between layering of cadenzas that reoccur in his works with a artist and listener, where the artist adheres to a set focus on emotion and sentiment [4]. of rules or principles. Here the jazz improviser is The use of vocal language and musical treated as part of an ecosystem, a concept in the intelligence in improvisation creates added biological sciences that comprises a set of stimulation in the improvised vocal delivery. interacting organisms and environments in a particular place. Within the jazz vocal 2. Characteristics of jazz vocal improvisational ecosystem there are various roles, improvisation approaches and activities.
    [Show full text]
  • Presenting Some of Canada's Finest Jazz Musicians
    Presenting Some of Canada’s Finest Jazz Musicians NOVEMBER 8-15, 2008 • Tommy Banks and P.J. Perry • Turtleboy • Chandelle Rimmer and Joel Gray • Jim Head • Steve Kirby Our 36th Year, Issue 5 – November /December 2008 • Alain Bédard Auguste Quintet See Page 9 for November/ December Yardbird Suite Programming Publication Mail # 40047729 EDMONTON JAZZ SOCIETY 11 TOMMY BANKS WAY (Corner of 102 St & 86 Ave) EDMONTON AB T6E 2M2 Edmonton Jazz Society’s Board of Directors YARDBIRD 2007•2008 Jasiek Poznanski • President SUITE Adrian Albert • Vice-President 11 Tommy Banks Way (corner of 102 St & 86 Ave) Shelley Chebry • Secretary Edmonton, Alberta T6E 2M2 Paul Wilde • Treasurer Phone: (780) 432-0428 Board Members Dave Babcock • Chris Brown Pam Josey • Craig Magill THEYARDBIRDCREW Yardbird Suite Our Volunteer House Managers PROGRAMMING • Adrian Albert, Julie • Bill Hume • Judy Hume • Pam Josey King, Craig Magill, Jasiek Poznanski • Tracy Kolenchuk • Rhonda Netterfield PRODUCTION • Lisi Sommer • Mary Richards • Marilyn Rude JAM SESSIONS • Dave Babcock • Rosalynn Ruptash • Suzanne Slade Raymond Baril • Collette Slevinsky • Karen Voller LITTLEBIRDS DIRECTOR • Joel Gray • Gail Wozny FINANCE • Suzanne Morter PRESS RELEASES • Paul Wilde TRANSPORTATION • Alan Spence Yardbird Suite HOUSE MANAGER & VOLUNTEER COORDINATOR • Pam Josey Newsletter The Yardbird Newsletter is published five times per year by the Edmonton Jazz Society. EDITORS • Adrian Albert, Jasiek Poznanski Yardbird Suite Jazz is a registered trademark of the Edmonton Jazz ADVERTISING • Shelley Chebry Society (1973). NEWSLETTER DESIGN • Vikki Wiercinski GRAPHIC LAYOUT • Kim Deley, Critical Path Marketing Communications Return undeliverable Canadian addresses to: DISTRIBUTION • Monique Bielech, Shelley Chebry, Bill Harper EDMONTON JAZZ SOCIETY 11 TOMMY BANKS WAY PRINTING • Nisku Printers (1980) Ltd.
    [Show full text]
  • Vanier Life E X C I T I N G WINTER and VOLUME 1 ISSUE 1 AUT U M N 2 0 0 8 SPRING
    VANIER COLLEGE M Y C H O I C E . M Y F U T U R E Vanier Life E X C I T I N G WINTER AND VOLUME 1 ISSUE 1 AUT U M N 2 0 0 8 SPRING 2 0 0 8 Oratorio Terezin Oratorio Terezin a spectacular success raises $50,000 for the Vanier Foundation. Vanier Bronze Medal winners in Inter- provincial Marketing Case Challenge Vanier Lady Chee- tahs Provincial Champions International Educa- tion and Aids aware- ness in Malawi Global Health Con- ference in Uganda OTHER STORIES INSIDE THIS The thunderous applause and standing ova- the Terezin concentration camp during the Holo- ISSUE tions of more than 2,600 spectators said it all: caust. the Montreal Premiere of Oratorio Terezin on Vanier Award May 4 at Place des Arts was a spectacular suc- For the Montreal production the Vanier College Winners: cess. Presented as a benefit concert by the Choir and the McGill Conservatory Youth Choir Budding Builder Vanier College Foundation, and produced by both directed by Vanier Choir Director Erica Excelling Nurses the Vanier College Music Department, the con- Phare (Vanier 1983), were joined by two other Savvy Scientist cert was all it had promised to be – deeply prominent Montreal choirs, Concerto Della moving, passionately sung, lyrical, and simply Donna and Le choeur des enfants de Montréal, Vanier Grad: Wah Keung Chan enthralling. and accompanied by Ensemble Amati under the Big Band baton of guest conductor, Iwan Edwards. Tenor, Honouree “I am proud to say that the Oratorio was a Colin Ainsworth, baritone, Nathaniel Watson, great success, raising close to $50,000,” indi- and soprano, Teresa Maria Gomez were the Graduation 2008: cated Vanier’s Director General, Gilbert guest artists, and eleven-year old Marco Bocchic- Inspiring Héroux.
    [Show full text]
  • Jazzweek with Airplay Data Powered by Jazzweek.Com • December 17, 2007 Volume 4, Number 5 • $7.95
    JazzWeek with airplay data powered by jazzweek.com • December 17, 2007 Volume 4, Number 5 • $7.95 Jazz Album No. 1: Steve Nelson, Sound-Ef- Smooth Album No. 1: Boney James, Shine fect (HighNote) (Concord) World Music No. 1: Manu Chao, La Radolina Smooth Single No. 1: Candy Dulfer, “L.A. (Because/Nacional) Citylights” (Heads Up) Jazz Album Chart . 3 Jazz Radio Currents . 8 Smooth Jazz Album Chart . 4 Jazz Radio Panel . 12 Smooth Singles Chart . 5 Key Non-Monitored Jazz Stations . 13 World Music Album Chart. 6 Smooth Jazz Current Tracks. 14 Jazz Add Dates. 7 Smooth Jazz Station Panel. 15 Save The Date: JazzWeek Summit 2008, June 19-21, Clarion Riverside Hotel, Rochester, N.Y. During the Rochester International Jazz Festival – Registration and Hotel Information and Promotional Opportunity Details Coming Soon Jazz Birthdays December 17 December 25 January 1 Ray Noble (1903) Kid Ory (1890) Israel Crosby (1919) Sy Oliver (1910) Cab Calloway (1907) Milt Jackson (1923) Sonny Red (1932) Chris Woods (1925) Susannah McCorkle (1946) Walter Booker (1933) Bob James (1939) T. C. Pfeilier (1958) December 18 Ronnie Cuber (1941) January 2 Fletcher Henderson (1897) December 26 Arthur Prysock (1929) Eddie “Cleanhead” Vinson (1917) Monty Budwig (1929) January 3 Harold Land (1928) John Scofield (1951) John Jenkins (1931) Leo Smith (1941) Cassandra Wilson (1955) James Carter (1969) December 19 December 27 January 4 Bob Brookmeyer (1929) Bunk Johnson (1889) Frankie Newton (1906) Bobby Timmons (1935) Booty Wood (1919) Slim Gaillard (1916) December 20 Walter Norris
    [Show full text]
  • Jazzweek with Airplay Data Powered by Jazzweek.Com • February 2, 2005 Volume 1, Number 11 • $7.95 in This Issue: KBEM Raises $25,000
    JazzWeek with airplay data powered by jazzweek.com • February 2, 2005 Volume 1, Number 11 • $7.95 In This Issue: KBEM Raises $25,000 . 4 Jarreau, Wynton XM Specials . 5 Bob Dorough Visits, Performs at KUVO. 8 Artist News and Notes . 9 Reviews and Picks. 13 Jazz Radio . 15 Smooth Jazz Radio. 20 Radio Panels. 24 VILLAGE VANGUARD AT 70: More News . 4 Q&A with Lorraine Gordon . p10 Charts: #1 Jazz Album – Doctor Lonnie Smith #1 Smooth Album – Dave Koz #1 Smooth Single – Soul Ballet JazzWeek This Week EDITOR Ed Trefzger t IAJE in January, WDUQ station manager Scott Hanley spoke about CONTRIBUTING EDITORS the Jazz Core Values study. It’s available in an abridged edition online Keith Zimmerman Aat walrusresearch.com, along with lots of other interesting and useful Kent Zimmerman studies about fundraising, public radio audiences, and the like. It makes for Tad Hendrickson interesting reading, if, like me, you not only enjoy the music, but the nitty- CONTRIBUTING WRITER gritty. Tom Mallison In a nutshell, the study suggests that stations that play real jazz, that PHOTOGRAPHY present historical context and information, and that have authoritative per- Barry Solof sonalities who know and love the music will resonate with listeners. And those listeners pay attention to what’s played, motivating them to learn more PUBLISHER about the artist or to buy a CD. Tony Gasparre I suppose that’s common sense. But as a teacher I once had said, “It’s ADVERTISING: Contact Tony Gasparre ‘good sense’, not ‘common sense.’ If it were common sense, everyone would (585) 235-4685 x3 or have it.” email: [email protected] I spent a little time in the past couple of days looking at the 12+ ratings SUBSCRIPTIONS: Prices in US Dollars: of various jazz stations around the country, most of which I’ve listened to at Charter Rate: $199.00 per year, length at various times on the net, and all of which have managers or hosts JazzWeek w/ Industry Access – Charter that I know.
    [Show full text]
  • 50Yearsofthe
    50YEARSOFTHE YARDBIRD SUITE • • Issue 2, March 2007 YARDBIRD Edmonton Jazz Society’s Board of Directors SUITE 2006•2007 11 TOMMY BANKS WAY Jasiek Poznanski • President (CORNER OF 102 ST & 86 AVE) Adrian Albert • Vice-President Shelley Chebry • Secretary EDMONTON, ALBERTA Barry Hull • Treasurer T6E 2M2 CANADA Board Members Dave Babcock • Chris Brown Phone • (780) 432-0428 Norma Davis • Pam Josey FAx • (780) 433-3773 Craig Magill Yardbird Suite PROGRAMMING • Adrian Albert, Craig Magill, Jasiek Poznanski PRODUCTION • Jasiek Poznanski, THEyardbIRDCREW Alan Spence JAM SESSIONS • Don Berner, Raymond Baril Our Volunteer House Managers LITTLEBIRDS DIRECTOR • Joel Gray COORDINATOR • Pam Josey FINANCE • Suzanne Morter PRESS RELEASES • Paul Wilde Tracy Kolenchuk • Rhonda Netterfield TRANSPORTATION • Alan Spence Mary Richards • Suzanne Slade HOUSE MANAGER & VOLUNTEER Collette Slevinsky • Gail Wozny COORDINATOR • Pam Josey Rosalynn Ruptash • Karina Wrobel The 50th Anniversary Committee Yardbird Suite Craig Magill • Chairperson Newsletter Wendy Magill • Secretary The Yardbird Newsletter is published five Committee Members times per year by the Edmonton Dave Babcock • Monique Bielech Jazz Society. Glen Buick • Jean Greenough EDITOR • Jasiek Poznanski Bill Harper • Leslie Shragge Phil Shragge ADVERTISING • Shelley Chebry GRAPHIC DESIGN • Vikki Wiercinski THE EJS BOARD6 Standing • Adrian Albert, Shelley DISTRIBUTION • Monique Bielech, Chebry, Chris Brown, Dave Babcock, Jasiek Poznanski, Craig Shelley Chebry, Bill Harper Magill, Barry Hull. Sitting • Pam
    [Show full text]
  • LPG Academic Catalogue
    LITERARY PRESS GROUP ACADEMIC 2014 CATALOGUE {} Welcome Th e Literary Press Group is a collective of independent Canadian literary presses, all of whom work tirelessly to introduce and support incredibly diverse voices that keep the Canadian literary scene vital, fresh, and interesting. When you choose a course text from an LPG publisher, you’re choosing to support some of the hardest working people in the Canadian publishing industry. Th at’s because, for our members, publishing is a labour of love and not a money-making venture. Although they each have a unique mandate, our publishers share a commitment to introducing new authors and new ideas to a literary scene that is overrun with the same voices and the same information. Our publishers are the ones saying yes to debut authors, who often go on to work with bigger publishers. Th ey are taking risks and supporting authors who are outside of the mainstream. And when they’re not bringing you something completely new, they are reissuing important literary texts that are out-of-print and/or diffi cult to source. In this catalogue you’ll fi nd 130 potential course texts from 35 of our members, and this is just a sample of what’s available. New poetry and fi ction, drama and theatre history, literary theory and essays on culture—together our members’ books provide you with an unrivalled selection of contemporary Canadian thought and creativity. For a full listing of our members, see www.lpg.ca/publishers. The Literary Press Group of Canada gratefully acknowledges the support of Connect with us
    [Show full text]
  • Civil Engineers to Face the 'Crusher'
    Vol. 16 No. 18 February 20, 1992 Building better bridges Civil Engineers to face the 'crusher' design we u sed last year. This year, determined by the pressure withstood, we're using an IBM-compatible PC to d ivided by the weight of the bridge /vain Comeau build the bridge to scale, and to calcu­ squared. Contestants must aim for a late the shape of the arch." lightweight yet sturdy structure. All this work and ingenuity is to see "The challenge is in forcing them to how their meticulously planned and use so few materials," said Rocco Lom­ constructed scale model bridges will bardo, a technician in the Department Two weeks to go, and the six teams survive being squeezed by a hydraulic of Civil Engineering, who serves as a from Concordia have already put long press known as "the crusher." resource person for students working hours into preparing for the eighth an­ Points are given for strength and aes­ on a number of department projects. nual Civil Engineering Bridge Building thetics; the models should look as much "They have to ask themselves, What Competition. as possible like real bridges. Strength is "We've been working on our design See BRIDGES page CTR-2 for about eight hours a week since January," said Building Engineering student Brian Monk. He and his five teammates have been analyzing data on the materials used last year. World-class guitarist Contestants are restricted to three materials: popsicle sticks, Elmer's Glue and dental floss. The idea is to test their Peter Leitch joins Jeri Brown ability to create sturdy structures.
    [Show full text]
  • Jazzweek with Airplay Data Powered by Jazzweek.Com • December 3, 2007 Volume 4, Number 3 • $7.95
    JazzWeek with airplay data powered by jazzweek.com • December 3, 2007 Volume 4, Number 3 • $7.95 Jazz Album No. 1: John Scofield, This Meets Smooth Album No. 1: Boney James, Shine That (Emarcy) (Concord) World Music No. 1: M.I.A., Kala (XL/Inter- Smooth Single No. 1: Candy Dulfer, “L.A. scope) Citylights” (Heads Up) Jazz Album Chart . 3 Jazz Radio Currents . 8 Smooth Jazz Album Chart . 4 Jazz Radio Panel . 12 Smooth Singles Chart . 5 Key Non-Monitored Jazz Stations . 13 World Music Album Chart. 6 Smooth Jazz Current Tracks. 14 Jazz Add Dates. 7 Smooth Jazz Station Panel. 15 Save The Date: JazzWeek Summit 2008, June 19-21, Clarion Riverside Hotel, Rochester, N.Y. During the Rochester International Jazz Festival – Registration and Hotel Information and Promotional Opportunity Details Coming Soon Jazz Birthdays December 11 December 16 December 3 McCoy Tyner (1938) Andy Razaf (1895) Sylvia Syms (1919) December 12 Turk Murphy (1915) Herbie Nichols (1919) Eddie Barefield (1909) Sam Most (1930) Webster Young (1932) Frank Sinatra (1915) Johnny “Hammond” Smith (1933) December 4 Bob Dorough (1923) Joe Farrell (1937) Russell Jacquet (1917) Dodo Marmarosa (1925) John Abercrombie (1944) Jim Hall (1930) Joe Williams (1928) Rene McLean (1946) Dennis Charles (1933) Toshiko Akiyoshi (1929) December 17 Andy LaVerne (1947) Grover Washington, Jr. (1943) Ray Noble (1903) December 5 Michael Carvin (1944) Sy Oliver (1910) Art Davis (1934) Alex Acuña (1944) Sonny Red (1932) Egberto Gismonti (1947) Tony Williams (1945) Walter Booker (1933) December 6 December 13
    [Show full text]
  • Brief to Quebec Urges Increase in Funding
    CONCORDIA' Publications Mail Agreement No.40042804 Vol. 28, No. 12 http://ctr..concordia.ca March 18, 2004 Brief to Quebec urges increase in funding Bv BARBARA BLACK "Concordia's government operating grant of $178 million must be increased Concordia's senior 1,administrators to $248 million just to meet basic expens­ appeared before the standing committee es:• Lowy said. on education of the Quebec legislature Millions of dollars must be found to yesterday in a determined effort to get hire 318 full-time faculty over the next more funding for both the Quebec uni­ five years, hire additional staff to support versity system and Concordia. the growing enrolment and professorial At the request of the CSU, the universi­ corps, keep up with salary indexation, ty gave CSU representatives five minutes and maintain and expand urgently need­ of the university's 20-minute presenta­ ed teaching and research space. tion time to address the committee. The consequences of the ongoing Concordia's brief, called Building our funding shortfall affects the capacity of Future: The Challenge of Responsibly the university to support research and Harvey Shulman and Fred Krantz alternate the principalship of the Liberal Arts College. When they started, students thought references to Lenin Financing the Quebec University System, keep talented faculty in Quebec. It also meant Beatie John Lennon. Now, Krantz says, they don't even know who John Lennon was. supports the claim by CREPUQ, the asso­ leads to higher student-professor ratios, ciation of Quebec universities, that in overcrowding, and ultimately, an overall 2001, they would have needed another deterioration of the quality of education Liberal Arts College marks $375 million to meet Canadian stan­ and the teaching and research infrastruc­ dards.
    [Show full text]
  • Musician/Group Title Label # AAVV Americans in Europe Impulse 3857 7 12 18 AAVV Aldo Sandoval 4248 6 4 21 (Duplo) 4249 AAVV
    Musician/Group Title Label # AAVV Americans in Europe Impulse 3857 7 12 18 AAVV Antologia de jazz de la Universidad de Chile 2002{03 Aldo Sandoval 4248 6 4 21 (duplo) 4249 AAVV Art Ensemble of Chicago and Associated Ensembles ECM 3861 18 12 18 (21-plo) 3862 3863 3864 3865 3866 3867 3868 3869 3870 3871 3872 3873 3874 3875 3876 3877 3878 3879 3880 3881 AAVV The Atlantic New Orleans jazz sessions Mosaic 709 3 12 99 (quadruplo) 710 711 712 AAVV Birks works EMI/Blue Note 7 3 93 AAVV The Blue Note jazz profile series Blue Note 619 5 7 99 AAVV Classic Capitol jazz sessions Mosaic 734 7 1 00 (duod´ecuplo) 735 736 737 738 739 740 741 742 743 744 745 AAVV Classic Columbia Condon Mob sessions Mosaic 2338 1 3 07 (´octuplo) 2339 2340 2341 2342 2343 2344 2345 AAVV Classic Savoy be-bop sessions 1945-49 Mosaic 4075 2 6 20 (d´ecuplo) 4076 4077 4078 4079 4080 4081 4082 4083 1 Musician/Group Title Label # 4084 AAVV Commodore piano anthology Commodore 830 6 4 00 AAVV The complete Felsted mainstream collection Solar 4146 24 10 20 (qu´ıntuplo) 4147 4148 4149 4150 AAVV The complete H.R.S. sessions Mosaic 722 16 12 99 (sextuplo) 723 724 725 726 727 AAVV The complete Nocturne recordings, volume 1 Fresh Sound 519 27 2 99 (triplo) 520 521 AAVV The complete Norman Granz jam sessions Verve 1851 4 1 05 (qu´ıntuplo) 1852 1853 1854 1855 AAVV Early jazz 1917-1923 Fr´emaeux& Ass 836 26 4 00 (duplo) 837 AAVV Essential South African Jazz: the Jo'burg sessions African Cream 3661 16 4 16 AAVV Fet´en:rare jazz recordings from Spain 1961{74 Vampisoul 3452 28 4 13 AAVV Focus jazz: more modern jazz Wewerka Arch.
    [Show full text]
  • 14. the Singers in Cleveland
    14. The Singers in Cleveland orgotten by many is the fact that several of the his longtime girlfriend, most popular singers of a generation had sung Roselle, in 1933, Carlone Fwith jazz bands in Cleveland. Perry Como, was the best man. The Frankie Laine and Dean Martin all spent several years young couple lived in South singing here before winning national fame. Martin and Euclid Tony Bennett met their wives in Cleveland. Other well­ One night in 1936, known singers had memorable appearances and Como was singing with experiences here. In addition, several native Cleveland Carlone at a gambling spot singers made national reputations. One became an in Warren when another overnight success after 50 years oftrying. band leader, Ted Weems, walked in to play roulette. The singer who turned down Carlone Weems heard Como sing In the early 1930s, a young singer from Lakewood and saw the crowd call him turned down an offer to join one of Cleveland' s most back for several encores. popular bands. That decision opened the door for a Weems immediately Perry Como singing in future national star. offered Como ajob with his Cleveland in the 19305 The young Lakewood singer' s name was Bert Porter. orchestra. Como toured He had played saxophone and guitar and sung with a with Weems' II-piece band for six years and became band led by Bob Royce at Ohio State University and the prototypical big band singer. later with the Vernon-Owens band in Cleveland. After Como later became one of the most popular record getting his civil engineering degree in 1928, Porter spent and television singers ofthe 1950s.
    [Show full text]