Jazzweek with Airplay Data Powered by Jazzweek.Com • December 3, 2007 Volume 4, Number 3 • $7.95
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A Peter White Christmas with Rick Braun and Mindi Abair Brings the Sounds of the Season to Parker Playhouse
November 20, 2015 Media Contact: Savannah Whaley Pierson Grant Public Relations 954-776-1999 ext. 225 Jan Goodheart, Broward Center 954-765-5814 A PETER WHITE CHRISTMAS WITH RICK BRAUN AND MINDI ABAIR BRINGS THE SOUNDS OF THE SEASON TO PARKER PLAYHOUSE FORT LAUDERDALE – Celebrate the holidays with A Peter White Christmas with Rick Braun and Mindi Abair at Parker Playhouse on Saturday, December 12 at 8 p.m. One of the most versatile and prolific acoustic guitarists, White leads the contemporary jazz lineup in this seasonal concert combining smooth jazz cheer with traditional Christmas classics such as “White Christmas” and “Silent Night,” plus a few surprises along the way. White launched his career as a keyboardist touring with Al Stewart and worked with him in the studio on the classic album Year of the Cat. The tour and that album marked the beginning of a 20-year association with Stewart. During that time, the two musicians co-wrote numerous songs, including Stewart’s 1978 hit, “Time Passages.” After years as a backup musician and a session player, White launched his solo recording career and his annual Christmas tour is fueled by the success of his two highly regarded holiday albums, Songs of the Season (1997) and A Peter White Christmas (2007). Braun adds his stylistically eclectic trumpeting to the mix. A consistent chart-topper who has amassed a catalogue of #1 Billboard Contemporary Jazz Chart and radio hits throughout his solo career, Braun has also produced #1 hits for David Benoit, Marc Antoine and former Rod Stewart band sidekick Jeff Golub. -
Jazzweek with Airplay Data Powered by Jazzweek.Com • July 2, 2007 Volume 3, Number 32 • $7.95
JazzWeek with airplay data powered by jazzweek.com • July 2, 2007 Volume 3, Number 32 • $7.95 Jazz Genre No. 1: Michael Brecker, Smooth Album No. 1: Boney James, Shine Pilgrimage (Heads Up) (Concord) World Music No. 1: Angelique Kidjo, Djin Smooth Single No. 1: Paul Brown, “The Djin (Starbucks/Razor & Tie) Rhythm Method” (Peak) Jazz Genre Chart . 3 Jazz Add Dates. 7 Smooth Jazz Album Chart . 4 Jazz Radio Currents . 8 Smooth Singles Chart . 5 Smooth Jazz Current Tracks. 11 World Music Album Chart. 6 Smooth Jazz Station Panel. 12 Jazz Birthdays July 2 July 12 July 20 Herbie Harper (1920) Will Bradley (1912) Ernie Wilkins (1922) Richard Wyands (1928) Paul Gonsalves (1920) Charles Tyler (1941) Ahmad Jamal (1930) Conte Candoli (1927) July 21 July 3 John Patton (1935) Omer Simeon (1902) Johnny Hartman (1923) July 13 Billy Taylor (1921) Johnny Coles (1926) Leroy Vinnegar (1928) Helen Merrill (1930) Pete Fountain (1930) Pete Escovedo (1935) Sonny Clark (1931) John Klemmer (1946) Albert Ayler (1936) Plas Johnson (1931) John Blake (1947) July 15 July 22 July 5 Philly Joe Jones (1923) Al Haig (1924) Arthur Blythe (1940) Joe Harriott (1928) Bill Perkins (1924) July 7 July 16 Junior Cook (1934) Tiny Grimes (1916) Cal Tjader (1925) Don Patterson (1936) Doc Severinsen (1927) Bobby Previte (1957) Al Di Meola (1954) Joshua Breakstone (1955) Hank Mobley (1930) July 17 Joe Zawinul (1932) George Barnes (1921) July 23 July 8 Ray Copeland (1926) Richie Kamuca (1930) Louis Jordan (1908) Joe Morello (1928) Steve Lacy (1934) Billy Eckstine (1914) Ben Riley (1933) Khan Jamal (1946) July 9 Nick Brignola (1936) L Subramaniam (1947) Frank Wright (1935) Norman W. -
Vindicating Karma: Jazz and the Black Arts Movement
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2007 Vindicating karma: jazz and the Black Arts movement/ W. S. Tkweme University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Tkweme, W. S., "Vindicating karma: jazz and the Black Arts movement/" (2007). Doctoral Dissertations 1896 - February 2014. 924. https://scholarworks.umass.edu/dissertations_1/924 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. University of Massachusetts Amherst Library Digitized by the Internet Archive in 2014 https://archive.org/details/vindicatingkarmaOOtkwe This is an authorized facsimile, made from the microfilm master copy of the original dissertation or master thesis published by UMI. The bibliographic information for this thesis is contained in UMTs Dissertation Abstracts database, the only central source for accessing almost every doctoral dissertation accepted in North America since 1861. Dissertation UMI Services From:Pro£vuest COMPANY 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Michigan 48106-1346 USA 800.521.0600 734.761.4700 web www.il.proquest.com Printed in 2007 by digital xerographic process on acid-free paper V INDICATING KARMA: JAZZ AND THE BLACK ARTS MOVEMENT A Dissertation Presented by W.S. TKWEME Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 W.E.B. -
Powell, His Trombone Student Bradley Cooper, Weeks
Interview with Benny Powell By Todd Bryant Weeks Present: Powell, his trombone student Bradley Cooper, Weeks TBW: Today is August the 6th, 2009, believe it or not, and I’m interviewing Mr. Benny Powell. We’re at his apartment in Manhattan, on 55th Street on the West Side of Manhattan. I feel honored to be here. Thanks very much for inviting me into your home. BP: Thank you. TBW: How long have you been here, in this location? BP: Over forty years. Or more, actually. This is such a nice location. I’ve lived in other places—I was in California for about ten years, but I’ve always kept this place because it’s so centrally located. Of course, when I was doing Broadway, it was great, because I can practically stumble from my house to Broadway, and a lot of times it came in handy when there were snow storms and things, when other musicians had to come in from Long Island or New Jersey, and I could be on call. It really worked very well for me in those days. TBW: You played Broadway for many years, is that right? BP: Yeah. TBW: Starting when? BP: I left Count Basie in 1963, and I started doing Broadway about 1964. TBW: At that time Broadway was not, nor is it now, particularly integrated. I think you and Joe Wilder were among the first to integrate Broadway. BP: It’s funny how it’s turned around. When I began in the early 1960s, there were very few black musicians on Broadway, then in about 1970, when I went to California, it was beginning to get more integrated. -
Peter White STARLUX Album Press Release December 2019
FOR IMMEDIATE RELEASE Guitarist Peter White Releases ‘Music for STARLUX Airlines’ White releases album ahead of STARLUX Airlines launch DECEMBER 5, 2019 - Although he has never had a guitar lesson in his life, Peter White has become known as one of the jazz industry’s greatest icons. For over forty years, he has worked with many music greats, recorded eighteen solo and collaboration albums, performed before countless audiences, and most recently, created a special collection of songs for STARLUX Airlines. STARLUX Airlines is a new, luxury airline based in Taiwan. Official flights will begin in January 2020 with plans to expand to North America by 2024. The airline’s attention to detail has created great excitement in the airline community and public: cabins designed by BMW’s Designworks Studio, an impressive in-flight entertainment system, elegant uniforms, free wi-fi for all, an exclusive fragrance, a highly entertaining safety video, and the very music created by White. As a departure from the traditional airline, on-board music style, STARLUX asked that White bring in his special sound for their airline. Founder and CEO Kuo-Wei Chang grew fond of White’s music while studying in the United States and would listen to it while driving. It was his idea to have the guitarist create music for the airline to immerse passengers in a relaxed and happy atmosphere as soon as they board and to enhance their comfort while flying. White’s career began when he was invited to play keyboards for folk-rock singer Al Stewart in the 1970s. His first studio experience was at Abbey Roads Studio recording Stewart’s ‘Year of the Cat’ album with producer Alan Parsons. -
The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters
04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBORAH F. RUTTER , President CONCERT HALL Monday Evening, April 4, 2016, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters GARY BURTON WENDY OXENHORN PHAROAH SANDERS ARCHIE SHEPP Jason Moran is the Kennedy Center’s Artistic Director for Jazz. WPFW 89.3 FM is a media partner of Kennedy Center Jazz. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 2 2016 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, pianist and Kennedy Center artistic director for jazz With remarks from JANE CHU, chairman of the NEA DEBORAH F. RUTTER, president of the Kennedy Center THE 2016 NEA JAZZ MASTERS Performances by NEA JAZZ MASTERS: CHICK COREA, piano JIMMY HEATH, saxophone RANDY WESTON, piano SPECIAL GUESTS AMBROSE AKINMUSIRE, trumpeter LAKECIA BENJAMIN, saxophonist BILLY HARPER, saxophonist STEFON HARRIS, vibraphonist JUSTIN KAUFLIN, pianist RUDRESH MAHANTHAPPA, saxophonist PEDRITO MARTINEZ, percussionist JASON MORAN, pianist DAVID MURRAY, saxophonist LINDA OH, bassist KARRIEM RIGGINS, drummer and DJ ROSWELL RUDD, trombonist CATHERINE RUSSELL, vocalist 04-04 NEA Jazz Master Tribute_WPAS -
Jazz at Lincoln Center with Wynton Dave Liebman Explained from His Seat at Jazz at Marsalis Fêted Mccoy Tyner and Charles Mcpherson Kitano’S Bar (Apr
new york @ nigHt To provide healthcare and disaster relief for needy Jazz these days can be found most anywhere, from musicians, Wendy Oxenhorn and the Jazz Foundation hallowed concert hall to basement dive bar screaming o f of America must repeatedly replenish the non-profit’s fire-code violations. But perhaps the best place to hear FrEeDoM Sound coffers. The 17th annual “A Great Night in Harlem” creative musicians is in the company of other creations, benefit, held at the Apollo Theater on the anniversary like an art gallery or bookstore. There is an analogue of Martin Luther King’s 1968 assassination (Apr. 4th), between the notes and lines being generated by the could have been a somber occasion, but the mood was instruments and the colors and textures of a painting celebratory. Harry Belafonte (not present), Tony or sentences and themes of a novel. This synergy is Bennett and the late Hugh Masekela were honored for what drove local jazz journalist and all-around lifelong commitment to humanitarian causes, each an enthusiast Luigi Santosuosso to form a partnership agent for political change through music. Indeed, in with Rizzoli Books, one of the city’s most charming his remembrances of Belafonte and King, erstwhile purveyors of print. His series is in its ninth month and Civil Rights activist/ambassador Andrew Young fills a need for afternoon jazz appropriate for both quoted Paul Robeson: “Artists are the gatekeepers of aficionados and families striving to become so. On the truth.” The music, casual but passionate, scripted yet first gorgeous weekend of 2019, a large crowd came to freeform, reinforced the political spirit. -
Editorial Rmoon the Other Day I Went Down He Wovdd Talk to Me, ‘“Cause I Didn’T to the Plaza to Look for Someone In Seem Au Uptight and Stuff
Volume 12 • Issue 2 October 2, 2007 Editorial rMOON The other day I went down he wovdd talk to me, ‘“cause I didn’t to the plaza to look for someone in seem aU uptight and stuff... I Staff teresting. I had a vague idea of find seemed like, pretty cool, and just a ing someone to interview for the guy who was tryin’ to go to school, Levi Armlovich Moon, a sort of ‘Man on the Street’ and get by and everything.” So after thing. So I went downtown, parked, an hour and a half or so of hanging Editor and started ambling toward the plaza. out Hstening to these guys play— and I saw some homeless-looking guys they really were good— I got my in Micheal Grotz hanging out, but I just didn’t get the terview. It wasn’t long. I asked Intern right vibe from them. I kept on Jessie what his story was, where he walking. When I got to San Fran was from and why he was here and Esme Gaisford cisco Street I heard music. Now, I where he was going. He told me, have always had a special place in my “I’m not really an interesting person, Layout and Design heart for street performers, especially man. I’m just a kid from the Mid musicians. I saw these three accor west who Hked to play music, and Gatlin Cass dion players once in Cologne who who wanted to hke, go some places Layout and Design were playing Beethoven... but that’s and play.” I was astonished. -
Cecil Mcbee Mutima Mp3, Flac, Wma
Cecil McBee Mutima mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Mutima Country: Japan Released: 2010 Style: Contemporary Jazz, Avant-garde Jazz MP3 version RAR size: 1271 mb FLAC version RAR size: 1902 mb WMA version RAR size: 1762 mb Rating: 4.6 Votes: 671 Other Formats: AIFF APE AUD FLAC AA TTA VOC Tracklist Hide Credits 1 From Within 11:21 2 Voice Of The 7th Angel 2:02 Life Waves 3 Alto Saxophone – Allen Braufman*Bells – Lawrence KillianPercussion – Jimmy HoppsTenor 9:13 Saxophone, Soprano Saxophone – George AdamsTrumpet – Tex Allen 4 Mutima 13:41 A Feeling 5 2:38 Drums – Allen Nelson Tulsa Black 6 6:10 Electric Bass – Cecil McBee, Jr. Companies, etc. Manufactured By – Bomba Records, Inc. Distributed By – Bomba Records, Inc. Licensed From – Strata-East Records, Inc. Recorded At – Minot Sound Credits Bass, Arranged By, Composed By, Producer – Cecil McBee Congas – Lawrence Killian Design [Cover] – Lucia Haskell McBee Drums – Jimmy Hopps Engineer – Ron Carran Engineer [Mixing] – Richard Adler* Flugelhorn – Tex Allen Flute – Art Webb Gong, Percussion – Michael Carvin Liner Notes – 悠雅彦* Percussion, Cymbal – Jaboli Billy Hart* Piano, Electric Piano – Onaje Allen Gumbs* Transferred By [Digital Transfer] – Duncan Stanbury Vocals – Dee Dee Bridgewater Notes Recorded May 8, 1974 at Minot Studios, White Plains, NY Other versions Category Artist Title (Format) Label Category Country Year Cecil Mutima (LP, SES-7417 Strata-East SES-7417 US 1974 McBee Album) Everland Jazz Cecil Mutima (LP, Everland Jazz Everland Jazz Netherlands 2018 -
Crowd Pleaser Thousands Flock to Princeton for Food and Jazz by Tony Mottola Editor Jersey Jazz
Volume 35 • Issue 10 November 2007 Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. Crowd Pleaser Thousands flock to Princeton for food and jazz By Tony Mottola Editor Jersey Jazz Princeton JazzFeast 2007 — story on page 26. Free for members! inset: photo Alan Dale. Photos by Tony Mottola. NJJS Annual Meeting SUNDAY, DECEMBER 2 • CONCERT see pp 3, 8, 49 ARTICLES Ellingtonia on the Net . 32 Institute of Jazz Studies/ Snuffy’s . 23 in this issue: Classic Stine. 9 Crow’s Nest . 49 Jazz from Archives. 49 CTS Images . 24 NEW JERSEY JAZZ SOCIETY Meadowbrook Swings Again. 9 REVIEWS Somewhere There’s Music . 50 Lana’s Fine Dining . 25 Pres Sez/NJJS Calendar Big Band in the Sky . 10 D. Sherman/KT Sullivan . 34 The Name Dropper . 51 Community Theatre. 33 NH Library of Traditional Jazz . 14 Glen Rock Inn . 34 & Bulletin Board. 2 CDs: Compact Views/ ADVERTISERS Talking Jazz with Anat Cohen . 16 Other Views . 36 Arbors Records . 35 November 18 Member Meeting . 3 Cornerstone. 5 The Mail Bag/Jazz Trivia. 4 Dan’s Den . 22 DVDs: Jazz Icons/ Jazzdagen Tours. 39 Yours for a Song . 24 Improvisation . 40 Shanghai Jazz. 7 46 Lounge . 43 Editor’s Pick/Deadlines/NJJS info . 6 35th Anniversary Dinner Dance. 28 September Member Meeting . 46 Whiskey Café. 11 PA Jazz Society . 44 Notes from the Music Committee . 8 Riverwalk Jazz on WBGO. 30 EVENTS Cedar Grove Elks/Meadowbrook. 13 Atlanta Jazz Party . 45 In the Mainstream. 44 Giants of Jazz at the Baird . 30 ’Round Jersey: Bridgewater, Trumpets . -
052019.Log ********** 88.5 Fm Keom 05/20/19
052019.LOG ********** 88.5 FM KEOM 05/20/19 EST.TIME YEAR TITLE ARTIST 12:00 A Rock Me Amadeus Falco 12:03 A 74 I'm Leaving It All Up To You Donny & Marie Osmond 12:05 A 72 Me And Mrs. Jones Billy Paul 12:10 A 83 You Are Lionel Richie 12:14 A 82 Do You Really Want To Hurt Me Culture Club 12:16 A 71 Beginnings (Short Version) Chicago 12:19 A 75 Jive Talkin' Bee Gees 12:22 A 74 Everlasting Love Carl Carlton 12:24 A 76 (Shake Shake Shake) Shake Your Boot KC & The Sunshine Band 12:31 A 96 Change The World Eric Clapton 12:35 A 82 Who Can It Be Now Men At Work 12:38 A 84 To All The Girls I've Loved Before Julio Iglesias & Willie Nelson 12:41 A 91 Coming Out Of The Dark Gloria Estefan 12:46 A 79 Goodnight Tonight Paul McCartney [+] Wings 12:50 A 72 I Am Woman Helen Reddy 12:53 A 76 Muskrat Love Captain & Tennille ********** 88.5 FM KEOM 05/20/19 EST.TIME YEAR TITLE ARTIST 01:00 A 75 Calypso John Denver 01:03 A 77 You Make Lovin' Fun Fleetwood Mac 01:06 A 70 Signed, Sealed, Delivered I'm Yours Stevie Wonder Page 1 052019.LOG 01:09 A 82 You Can't Hurry Love Phil Collins 01:12 A 71 Maggie May Rod Stewart 01:16 A 77 I Feel Love Donna Summer 01:21 A 84 Magic Cars 01:25 A 70 (They Long To Be) Close To You Carpenters 01:29 A Show Me Love Robyn 01:31 A 83 Girls Just Want To Have Fun Cyndi Lauper 01:35 A 77 Lovely Day Bill Withers 01:39 A 99 Bailiamos Enrique Iglesias 01:42 A 75 Heat Wave Linda Ronstadt 01:46 A 72 Rockin' Robin Michael Jackson 01:48 A 75 Swearin' To God Frankie Valli ********** 88.5 FM KEOM 05/20/19 EST.TIME YEAR TITLE ARTIST 02:00 A -
Alicante's Cultural Guide
Table of Contents Country Profile: Spain ..................................................................................................................................1-6 Country Overview: History, Quick Facts, Government, Educational System…………………..........................................2-4 Alicante Overview: History, Quick Facts, Economy....................................................................................................4-6 Practical Information ...................................................................................................................................6-9 Making Phone Calls .......................................................................................................................................................6 Emergency Numbers .....................................................................................................................................................7 Handling Money...........................................................................................................................................................7-8 Weather........................................................................................................................................................................8-9 Being a North American Abroad .................................................................................................................9-12 Culture Shock..................................................................................................................................................................9