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Writing Alberta POD EPDF.Indd
WRITING ALBERTA: Aberta Building on a Literary Identity Edited by George Melnyk and Donna Coates ISBN 978-1-55238-891-4 THIS BOOK IS AN OPEN ACCESS E-BOOK. It is an electronic version of a book that can be purchased in physical form through any bookseller or on-line retailer, or from our distributors. Please support this open access publication by requesting that your university purchase a print copy of this book, or by purchasing a copy yourself. If you have any questions, please contact us at [email protected] Cover Art: The artwork on the cover of this book is not open access and falls under traditional copyright provisions; it cannot be reproduced in any way without written permission of the artists and their agents. The cover can be displayed as a complete cover image for the purposes of publicizing this work, but the artwork cannot be extracted from the context of the cover of this specific work without breaching the artist’s copyright. COPYRIGHT NOTICE: This open-access work is published under a Creative Commons licence. This means that you are free to copy, distribute, display or perform the work as long as you clearly attribute the work to its authors and publisher, that you do not use this work for any commercial gain in any form, and that you in no way alter, transform, or build on the work outside of its use in normal academic scholarship without our express permission. If you want to reuse or distribute the work, you must inform its new audience of the licence terms of this work. -
Ethnic Minority Writing: the Complexities Surrounding Authenticity, Translation, and Representation in a Global Environment
Ethnic Minority Writing: The Complexities Surrounding Authenticity, Translation, and Representation in a Global Environment Samuel Rose ※ Abstract: This paper discusses the complex issues surrounding authenticity and ethnic minority writing. It also addresses the broader global issues involved when an individual is educated in the West and then attempts to speak for his or her particular ethnic group. The paper concludes with a specifi c example regarding the complexities of translating a Japanese passage into English and discusses the little-known concept of “deterritorialization.” Key words: authenticity, ethnic minority writing, translation and representation, and deterritorialization Who is an authentic ethnic minority writer? How do we know if an individual truly has the authority to speak for his or her particular community? Does a Western education limit one’s ability to speak for his or her ethnic culture? If we assume that an individual does have the authority to speak for a particular group, can his or her writing be translated into another language and still retain the intended meaning? These are just a few of the questions that arise when discussing ethnic minority writing in Western nations. In this essay, I will use Joseph Pivato’s “Representation of Ethnicity as Problem: Essence or Construction” and attempt to answer the questions above. I will then conclude with an example that demonstrates just how complex the problems of representation in ethnic minority writing can be. Identifying with Minorities In the essay “Representation of Ethnicity as Problem: Essence or Construction,” Joseph Pivato writes, “I have often focussed on the voice of the writer and his/her authority to speak about the minority experi- ence” (Literary Pluralities, p. -
Appointment of City of Toronto Poet Laureate
EC2.1 REPORT FOR ACTION Appointment of City of Toronto Poet Laureate Date: March 6, 2019 To: Economic and Community Development Committee From: General Manager, Economic Development and Culture Wards: All SUMMARY The purpose of this report is to appoint Al Moritz (A.F. Moritz) as the sixth City of Toronto Poet Laureate. The position of City of Toronto Poet Laureate honours a poet who writes outstanding poetry and has written on themes that are relevant to the people who live in the city. Toronto’s Poet Laureate advocates for poetry and the arts, attracts people to the literary world, and uses their unique perspective to create a dialogue on contemporary issues. Al Moritz is an internationally-recognized poet and teacher based in Toronto. In unanimously recommending Moritz's appointment, the selection panel pointed to his influential body of work that has profoundly shaped Toronto's literary community. They cited his extensive mentorship of young Toronto poets, and their confidence that he would excel as an ambassador for the literary arts across stylistic, geographic and demographic boundaries. RECOMMENDATIONS The General Manager, Economic Development and Culture, recommends that: 1. City Council appoint Al Moritz (A.F. Moritz) to the position of City of Toronto Poet Laureate for a term beginning April 1, 2019 until March 31, 2022, or until a successor is appointed. Appointment of City of Toronto Poet Laureate Page 1 of 4 FINANCIAL IMPACT The Poet Laureate receives an annual honorarium of $10,000 included in Economic Development and Culture's Operating Budget. The Chief Financial Officer and Treasurer has reviewed this report and agrees with the financial impact information. -
An Interview with Dennis Bock
Read with us. February 15 – March 1, 2018 About the author Author Biography About the book An Interview with Dennis Bock Read on An Excerpt from Olympia The Communist’s Daughter by Dennis Bock An Excerpt from The Ash Garden Recommended Reading Web Detective Join the discussion at togetherweread.com The Communist’s Daughter by Dennis Bock February 15 – March 1, 2018 Author Biography Raised in Oakville, Ontario, Dennis Bock is one of five children born to German parents. His mother and father are both craftspeople: she, a weaver; he, a carpenter. The family lived near Lake Ontario, and Bock remembers his father building a sailboat in their basement, an experience that later influenced his short story collection,Olympia . There were few English-language books in his childhood home, so becoming a writer wasn’t Bock’s original career choice. As a boy, he dreamed of being a marine biologist. During high school, however, he got caught up in the magic of Gulliver’s Travels. “It was the first book I read with the understanding that someone’s mind had put all those words together— that someone’s imagination had constructed something that didn’t exist before.” After studying English and philosophy for three years at the University of Western Ontario, Bock set off for Spain. Wanderlust, he says, took him there. “Spain was the setting of some of my favourite stories and novels. I had a preconceived, literary notion of what it would look like. Of course, it was totally different.” He also wanted to experience dislocation and immigration, “to break down my elements.” While living in Madrid, Bock taught English as a foreign language and wrote short fiction. -
CATHERINE KIDD Writer / Performer / Instructor 5211 Blvd. St. Laurent, Montreal H2T 1S4 [514] 276-0839 [email protected]
CATHERINE KIDD Writer / Performer / Instructor 5211 Blvd. St. Laurent, Montreal H2T 1S4 [514] 276-0839 [email protected] www.catkidd.com _____________________________________________________________________________ WRITING WORKSHOPS: FONDATION METROPOLIS BLEU: Instructor for pilot of Télélitterature program. Writing workshops to students in Jonquiere and Nunavik via live internet conferencing; instructor for Student Literary Program during the annual Festival. 2002 – 08. Writer in residence for program Libre comme l’art; literary co-creation with a group of grade 10 students at Lindsay Place High School, in Pointe-Claire. Sept 2012 – Apr 2013. CULTURE IN SCHOOLS: Writing and performing workshops at a number of Montreal area high schools, including Westwood, Heritage Regional, and Westmount Secondary. 2012-13. PROJECT MILE END POETRY: Jessica Hand, head teacher; weekly workshops with a group of young writers in this program for students at risk. Spring, 2013. S.O.F.A.D [Société de formation à distance des commissions scolaires du Québec]: Writer of EE1 (Entertainment & Enjoyment I), a language arts workbook/textbook for adult learners with limited literacy skills. The book uses such resources as paintings, poems, films, and songs to teach basic reading and writing skills; also some developmental work for EE2, the next book in the series. 2011-13. CONCORDIA UNIVERSITY ENGLISH DEPARTMENT: Instructor; Creative Writing, Prose Fiction; 1998. Creative Writing, Experimental Fiction; 2006. McGILL UNIVERSITY ENGLISH DEPARTMENT: Guest Lecturer in poetry performance. Spring, 1997- 98. Performance for Department of Fine Arts, February 2002. VANIER COLLEGE / JOHN ABBOTT COLLEGE: Guest Lecturer for Writers in Cegeps Programme, Québec Writer’s Federation. 2001–2002 QUEBEC WRITER’S FEDERATION: Creative Writing Instructor Prose Fiction 2001- 2002. -
150 Books of Influence Editor: Laura Emery Editor: Cynthia Lelliott Production Assistant: Dana Thomas Graphic Designer: Gwen North
READING NOVA SCOTIA 150 Books of Influence Editor: Laura Emery Editor: Cynthia Lelliott Production Assistant: Dana Thomas Graphic Designer: Gwen North Cover photo and Halifax Central Library exterior: Len Wagg Below (left to right):Truro Library, formerly the Provincial Normal College for Training Teachers, 1878–1961: Norma Johnson-MacGregor Photos of Halifax Central Library interiors: Adam Mørk READING NOVA SCOTIA 150 Books of Influence A province-wide library project of the Nova Scotia Library Association and Nova Scotia’s nine Regional Public Library systems in honour of the 150th anniversary of Confederation. The 150 Books of Influence Project Committee recognizes the support of the Province of Nova Scotia. We are pleased to work in partnership with the Department of Communities, Culture and Heritage to develop and promote our cultural resources for all Nova Scotians. Final publication date November 2017. Books are our finest calling card to the world. The stories they share travel far and wide, and contribute greatly to our global presence. Books have the power to profoundly express the complex and rich cultural life that makes Nova Scotia a place people want to visit, live, work and play. This year, the 150th Anniversary of Confederation provided Public Libraries across the province with a unique opportunity to involve Nova Scotians in a celebration of our literary heritage. The value of public engagement in the 150 Books of Influence project is demonstrated by the astonishing breadth and quality of titles listed within. The booklist showcases the diversity and creativity of authors, both past and present, who have called Nova Scotia home. -
Cahiers-Papers 53-1
The Giller Prize (1994–2004) and Scotiabank Giller Prize (2005–2014): A Bibliography Andrew David Irvine* For the price of a meal in this town you can buy all the books. Eat at home and buy the books. Jack Rabinovitch1 Founded in 1994 by Jack Rabinovitch, the Giller Prize was established to honour Rabinovitch’s late wife, the journalist Doris Giller, who had died from cancer a year earlier.2 Since its inception, the prize has served to recognize excellence in Canadian English-language fiction, including both novels and short stories. Initially the award was endowed to provide an annual cash prize of $25,000.3 In 2005, the Giller Prize partnered with Scotiabank to create the Scotiabank Giller Prize. Under the new arrangement, the annual purse doubled in size to $50,000, with $40,000 going to the winner and $2,500 going to each of four additional finalists.4 Beginning in 2008, $50,000 was given to the winner and $5,000 * Andrew Irvine holds the position of Professor and Head of Economics, Philosophy and Political Science at the University of British Columbia, Okanagan. Errata may be sent to the author at [email protected]. 1 Quoted in Deborah Dundas, “Giller Prize shortlist ‘so good,’ it expands to six,” 6 October 2014, accessed 17 September 2015, www.thestar.com/entertainment/ books/2014/10/06/giller_prize_2014_shortlist_announced.html. 2 “The Giller Prize Story: An Oral History: Part One,” 8 October 2013, accessed 11 November 2014, www.quillandquire.com/awards/2013/10/08/the-giller- prize-story-an-oral-history-part-one; cf. -
A Canadian Child's Year by Fran Newman
Volume 8, Number 1 January. 1979 The Ghost Calls You Poor. by PBATURES Andrew Suknaski; lkons of the ILLUSTRATIONS Hunt. by There Kishkan: Once Balanehtg the Book% The results of e When I War Drowning. by Al Cover end drawing on pe8e 5 survey rating CanLit reputations Pittman 14 by Kim la Few bigger some editoriel rdleztions on Some of the Cat Poems. by Anie Drawings by Geor8e Unger 7.8.9 Cumde’s CUltural meturity 3 Gold; The Assumption of Private Othw drawings throughout the issue Rttglii, Our English. An essay by Lives. by Roben Allen; Prisoner. by by loan Acosta George Bowering examines how the Linda Pyke: A Burning Patience language is being tortured by the and Dancing in the House of Card% grammetieal berbariisms and by Pier Giorgio Di Cicco 14 onblocked meuphon that abound in The Trial of Adolf Hitler. by Phillipe daily, weekly. and monthly we Rjndl IS joumalism 7 Canadien Poetry I and 2. edited by Bigger Bmthexhood. Wayne Grady Michael Gnemwski and 0. M. R. reviews 1985 by Anthony Burgess. e Bentley; Book Forum: Canada revised and updated version of Emergent. edited by James Cerley lb George Orwell’s not-so-prophetic Making Arrangements. by Roben nightmare IO Herlow 16 A Dream of Riches: The Japanese Canadians 1877-3977. by the Japanese Centennial Reject 17 Go Do Some Great Thing. by CONTRIBUTORS Crawford Kilian I8 Lost Toronto. by William Dendy: Yesterday’s Toronto. lg70-1910. Tometo frecleecer Msrk Abley rpcn, the part edited by Linda Shapim I9 three years al O&ford es a Rhodes Scholar from Seskatchewm. -
The Griffin Poetry Prize Announces the 2020 International And
THE GRIFFIN TRUST For Excellence In Poetry Trustees: Press Release Mark Doty Carolyn Forché THE 2020 GRIFFIN POETRY PRIZE WINNERS Scott Griffin Marek Kazmierski Jo Shapcott International Karen Solie Time Ian Williams Sarah Riggs, translated from the French written by Etel Adnan David Young and Trustees Emeriti: Margaret Atwood Robert Hass Canadian Michael Ondaatje Robin Robertson Magnetic Equator Colm Tóibín by Kaie Kellough TORONTO – Tuesday, May 19, 2020 – Time by Sarah Riggs, translated from the French written by Etel Adnan (Nightboat Books) and Magnetic Equator by Kaie Kellough (McClelland & Stewart) are the International and Canadian winners of the 2020 Griffin Poetry Prize, each receiving C$65,000 in prize money. The other shortlist finalists will be awarded $10,000 each. The Griffin Poetry Prize was founded in 2000 to encourage and celebrate excellence in poetry. The prize is for first edition books of poetry written in, or translated into, English and submitted from anywhere in the world. The judges for the 2020 Griffin Poetry Prize are Paula Meehan (Ireland), Kei Miller (Jamaica/UK) and Hoa Nguyen (Canada). These distinguished writers and poets each read 572 books of poetry, received from fourteen countries around the globe, including translations from eighteen different languages. The trustees of The Griffin Trust For Excellence In Poetry select the judges annually. 363 Parkridge Crescent, Oakville, Ontario L6M 1A8, Canada www.griffinpoetryprize.com Tel: 905 618 0420 Email: [email protected] THE GRIFFIN TRUST For Excellence In Poetry The 2020 Griffin Poetry Prize Shortlist : International Abigail Chabitnoy’s How to Dress a Fish, published by Wesleyan University Press Sharon Olds’ Arias, published by Jonathan Cape and Alfred A. -
Jazzweek with Airplay Data Powered by Jazzweek.Com • October 15, 2007 Volume 3, Number 46 • $7.95
JazzWeek with airplay data powered by jazzweek.com • October 15, 2007 Volume 3, Number 46 • $7.95 Jazz Album No. 1: Sophie Millman, Make Smooth Album No. 1: Rick Braun and Rich- Someone Happy (Koch) ard Elliot, RnR (Artizen) World Music No. 1: Los Angeles Guitar Smooth Single No. 1: Rick Braun and Rich- Quartet, LAGQ Brazil (Telarc) ard Elliot, “RnR” (Artizen) Jazz Album Chart . 3 Jazz Radio Currents . 8 Smooth Jazz Album Chart . 4 Jazz Radio Panel . 11 Smooth Singles Chart . 5 Key Non-Monitored Jazz Stations . 12 World Music Album Chart. 6 Smooth Jazz Current Tracks. 13 Jazz Add Dates. 7 Smooth Jazz Station Panel. 14 Save The Date: JazzWeek Summit 2008, June 19-21, Clarion Riverside Hotel, Rochester, N.Y. During the Rochester International Jazz Festival – Registration and Hotel Information and Promotional Opportunity Details Coming Soon ������������������� ������������������������������������� ����������������������� ��������������������������������� ������������������������������������� ���������������������������������������� ������������������������������������� �������������������������������������� ������������������������������������������� ��������������������������������������� ����������������������������������������������� �������������������� ��������������������������������������� ������������������������������������ ������������������������������������ ��������������������������� �������������������������������������������������������������������� jazzweek.com • October 15, 2007 JazzWeek 2 airplay data JazzWeek Jazz Album -
Racial and Gender Shifting in Gregory Scofield's Under Rough My Veins
Racial and Gender Shifting in Gregory Scoeld’s under rough My Veins (1999) Eszter Szenczi In my paper, I explore the literary strategy of decolonizing racial and gender binaries alike through the memoir of one of Canada’s best-known Metis Two- Spirit authors, Gregory Sco!eld, whose work interrupted the previously ruling national collective myth that excluded the voices of those Aboriginal people who have become categorised as second class citizens since Colonization. He has produced a number of books of poetry and plays that have drawn on Cree story- telling traditions. His memoir under rough My Veins (1999) is resonant for those who have struggled to trace their roots or wrestled with their identity. By recalling his childhood di"culties as a Metis individual with an alternative gender, he has challenged the Canadian literary presentation of Metis and Two-Spirited people and has created a book of healing for both himself and also for other Metis people struggling with prejudice. In order to provide a historical, cultural, and theoretical background, I will start my analysis of Sco!eld’s memoir by giving a brief recapitulation of the problematics of racial and gender identities, overlapping identities and life-writing as a means of healing. #e history of Canada is largely the history of the colonization of the Indigenous people. Out of the Colonization process grew the Metis, a special segment of the Aboriginal population having European and Indigenous ancestry. #e earliest mixed marriages can be traced back to the !rst years of contact but the metis born out of these relationships did not yet have a political sense of distinctiveness (Macdougall 424). -
Untitled and Unnumbered Poems of "The Fire" Are Musically Structured Into Four Distinct Movements
...poetry being the good bacteria of language . .. -SHARON THESEN EDITOR Jenny Penberthy EDITORIAL ASSISTANT Andrea Actis THE CAPILANO PRESS Colin Browne, Pierre Coupey, Roger Farr, SOCIETY BOARD Brook Houglum, Crystal Hurdle, Andrew Klobucar, Elizabeth Rains, George Stanley, Sharon Thesen CONTRIBUTING EDITORS Clint Burnham, Erin Moure, Lisa Robertson FOUNDING EDITOR Pierre Coupey DESIGN CONSULTANT Jan Westendorp WEBSITE DESIGN James Thomson The Capilano Review is published by The Capilano Press Society. Canadian subscription rates for one year are $25 GST included forindividuals. Institutional rates are $30 plus GST. Outside Canada, add $5 and pay in U.S. funds. Address correspondence to The Capilano Review, 2055 Purcell Way, North Vancouver, BC V?J 3H5. Subscribe online at www.thecapilanoreview.ca For our submission guidelines, please see our website or mail us an SASE. Submissions must include an SASE with Canadian postage stamps, international reply coupons, or funds for return postage or they will not be considered-do not use U.S. postage on the SASE. The Capilano Review does not take responsibility for unsolicited manuscripts, nor do we consider simultaneous submissions or previously published work; e-mail submissions are not considered. Copyright remains the property of the author or artist. No portion of this publication may be reproduced without the permission of the author or artist. Please contact accesscopyright.ca for permissions. The Capilano Review gratefully acknowledges the financial assistance of Capilano College and the Canada Council forthe Arts. We acknowledge the financialsupport of the Government of Canada through the Canada Magazines Fund toward our editorial and production costs. The Capilano Review is a member of Magazines Canada (formerly CMPA), the BC Association of Magazine Publishers, and the Alliance forArts and Culture (Vancouver).