Lecture Outlines
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
470 IAC 3-4.7 Rule 4.7 Child Care Centers; Licensing
CHILD WELFARE SERVICES Rule 4.7.Child Care Centers; Licensing 470 IAC 3-4.7-1 General definitions Authority: IC 12-13-5-3 Affected: IC 12-7-2-28.4; IC 12-17.2-4Sec. 1. For the purpose of this rule only, the following definitions apply: (1) “Accredited college or university” means accreditation by accrediting agencies and associations that are recognized by the United States Secretary of Education. (2) “Additional portion of food” means one (1) extra helping of food. (3) “Administrator” means the person who is responsible for personnel, purchasing, fiscal, and maintenance of the child care center. (4) “Admission” means the process of entering a child in a child care center. The date of admission is the first day that the child is actually present at the center. (5) “Age appropriate” means designed for the particular age of child served. (6) “Attendance” means children present in the child care center at any given time. (7) “Capacity determination” means the division will determine maximum capacity based on square footage by adding the capacities of the individual rooms/areas. The division compares the square footage capacity with the capacity based on the number of toilets and sinks. The lesser of these two (2) capacities determines the maximum capacity of the center. Capacity for fire and building issues may be different. (8) “Caregiver” means the early childhood professional that is a qualified staff person providing direct care and education to children. (9) “CDA” refers to the Child Development Associate credential issued by the Council for Early Childhood Professional Recognition. -
An Exploration of Recording and the Music Business
Bowling Green State University ScholarWorks@BGSU Honors Projects Honors College Spring 4-30-2017 An Exploration of Recording and the Music Business Erika Nalow [email protected] Follow this and additional works at: https://scholarworks.bgsu.edu/honorsprojects Part of the Arts Management Commons, Audio Arts and Acoustics Commons, and the Music Performance Commons Repository Citation Nalow, Erika, "An Exploration of Recording and the Music Business" (2017). Honors Projects. 258. https://scholarworks.bgsu.edu/honorsprojects/258 This work is brought to you for free and open access by the Honors College at ScholarWorks@BGSU. It has been accepted for inclusion in Honors Projects by an authorized administrator of ScholarWorks@BGSU. Erika Nalow HNRS 4990 Honors Project Conclusion An Exploration of Recording and the Music Business The following questions were initially proposed during the planning of my Honors Project. I have chosen to organize the final project results around these questions and how they were specifically answered through conducting my creative project. “Can an independent artist record, mix, produce, promote, and distribute their own original work successfully?” o To answer this part of the research thoroughly, I will give a detailed recitation of the planning and execution of this project. This project began with me writing an original song entitled “Upside Down.” After composing it, I went to my project advisor, Mark Bunce, and reserved a day in the Kuhlin Center recording studio on BGSU’s campus to record the song. I then arranged additional music for the song- writing parts for trombone, trumpet, alto saxophone, acoustic guitar, electric guitar, bass, drums, piano, and vocals. -
Volume 36- Issue 23- Friday, April 20, 2001
Rose-Hulman Institute of Technology Rose-Hulman Scholar The Rose Thorn Archive Student Newspaper Spring 4-20-2001 Volume 36- Issue 23- Friday, April 20, 2001 Rose Thorn Staff Rose-Hulman Institute of Technology, [email protected] Follow this and additional works at: https://scholar.rose-hulman.edu/rosethorn Recommended Citation Rose Thorn Staff, "Volume 36- Issue 23- Friday, April 20, 2001" (2001). The Rose Thorn Archive. 352. https://scholar.rose-hulman.edu/rosethorn/352 THE MATERIAL POSTED ON THIS ROSE-HULMAN REPOSITORY IS TO BE USED FOR PRIVATE STUDY, SCHOLARSHIP, OR RESEARCH AND MAY NOT BE USED FOR ANY OTHER PURPOSE. SOME CONTENT IN THE MATERIAL POSTED ON THIS REPOSITORY MAY BE PROTECTED BY COPYRIGHT. ANYONE HAVING ACCESS TO THE MATERIAL SHOULD NOT REPRODUCE OR DISTRIBUTE BY ANY MEANS COPIES OF ANY OF THE MATERIAL OR USE THE MATERIAL FOR DIRECT OR INDIRECT COMMERCIAL ADVANTAGE WITHOUT DETERMINING THAT SUCH ACT OR ACTS WILL NOT INFRINGE THE COPYRIGHT RIGHTS OF ANY PERSON OR ENTITY. ANY REPRODUCTION OR DISTRIBUTION OF ANY MATERIAL POSTED ON THIS REPOSITORY IS AT THE SOLE RISK OF THE PARTY THAT DOES SO. This Book is brought to you for free and open access by the Student Newspaper at Rose-Hulman Scholar. It has been accepted for inclusion in The Rose Thorn Archive by an authorized administrator of Rose-Hulman Scholar. For more information, please contact [email protected]. THE ROSE TittIORN 20, 2001 VOLUME 36, ISSUE 23 ROSE-HULMAN INSTITUTE OF TECHNOLOGY TERRE HAUTE, INDIANA FRIDAY, APRIL Prickel named as new Registrar The Registrar has to under- ties in being registrar, namely Travis Holler stand all of the academic rules complaints from disgruntled stu- Editor Emeritus and procedures, like grade re- dents about their schedules, placements and adding or drop- Prickel was sympathetic. -
Can You Predict a Hit?
CAN YOU PREDICT A HIT? FINDING POTENTIAL HIT SONGS THROUGH LAST.FM PREDICTORS BACHELOR THESIS MARVIN SMIT (0720798) DEPARTMENT OF ARTIFICIAL INTELLIGENCE RADBOUD UNIVERSITEIT NIJMEGEN SUPERVISORS: DR. L.G. VUURPIJL DR. F. GROOTJEN Abstract In the field of Music Information Retrieval, studies on Hit Song Science are becoming more and more popular. The concept of predicting whether a song has the potential to become a hit song is an interesting challenge. This paper describes my research on how hit song predictors can be utilized to predict hit songs. Three subject groups of predictors were gathered from the Last.fm service, based on a selection of past hit songs from the record charts. By gathering new data from these predictors and using a term frequency-inversed document frequency algorithm on their listened tracks, I was able to determine which songs had the potential to become a hit song. The results showed that the predictors have a better sense on listening to potential hit songs in comparison to their corresponding control groups. TABLE OF CONTENTS 1 INTRODUCTION........................................................................................................................................... 1 2 BACKGROUND ............................................................................................................................................ 2 2.1 MUSIC INFORMATION RETRIEVAL ................................................................................................. 2 2.2 HIT SONG SCIENCE ........................................................................................................................... -
Eminem 1 Eminem
Eminem 1 Eminem Eminem Eminem performing live at the DJ Hero Party in Los Angeles, June 1, 2009 Background information Birth name Marshall Bruce Mathers III Born October 17, 1972 Saint Joseph, Missouri, U.S. Origin Warren, Michigan, U.S. Genres Hip hop Occupations Rapper Record producer Actor Songwriter Years active 1995–present Labels Interscope, Aftermath Associated acts Dr. Dre, D12, Royce da 5'9", 50 Cent, Obie Trice Website [www.eminem.com www.eminem.com] Marshall Bruce Mathers III (born October 17, 1972),[1] better known by his stage name Eminem, is an American rapper, record producer, and actor. Eminem quickly gained popularity in 1999 with his major-label debut album, The Slim Shady LP, which won a Grammy Award for Best Rap Album. The following album, The Marshall Mathers LP, became the fastest-selling solo album in United States history.[2] It brought Eminem increased popularity, including his own record label, Shady Records, and brought his group project, D12, to mainstream recognition. The Marshall Mathers LP and his third album, The Eminem Show, also won Grammy Awards, making Eminem the first artist to win Best Rap Album for three consecutive LPs. He then won the award again in 2010 for his album Relapse and in 2011 for his album Recovery, giving him a total of 13 Grammys in his career. In 2003, he won the Academy Award for Best Original Song for "Lose Yourself" from the film, 8 Mile, in which he also played the lead. "Lose Yourself" would go on to become the longest running No. 1 hip hop single.[3] Eminem then went on hiatus after touring in 2005. -
SG Committees Fill Calendars by D~~ ~Urand Undergraduate Application
.'11' ' II IT1 ''l Manhunt Devils dominate ~ Index ~ Duke's defense ~ A&E 85-6 Deacon Notes 82 I Briefly A2 Editorials A6-8 shuts down ~ lli Calendar B6 Perspectives 88 Deacon players Classified 84 Scoreboard 82 Sports/81 I Comics 86 Sports 81-2 ~ ~ Visit our web sfte at httpi!ogb. wtu.edu Cto require fres en to buy laptops By .Theresa Felder The plan is a result of consultation' through the Computing Initiative, will not result in an increase in interest loan over four years or receiving financial aid News Editor International Center for Computer Enhanced Learn tuition, and students will not be required to purchase a from the university to cover the additional cost, the . ing, a consulting firm which was begun last fall and is laptop through the university, according to a UNC press release said. Following in·the footsteps of this university, the Tar headed by Provost David Brown. press release. The funds for the additional financial aid - for a Heels will soon be equipped with laptop computers. Conversations about this university's program had Instead, incoming freshmen may bring their own projected 40 percent of the students-will come from Beginning in the fall of 2000, incoming freshmen begun before ICCEL was created, however, according laptops, as long as it meets the proper specifications. approximately $9 million in special academic-enhance who attend the University of North Carolina at Chapel to Jay Dominick, an assistant vice president. Students who opt to buy laptops from UNC can choose ment funds given to UNC annually by the North Hill will be required to have laptops, UNC announced Unlike this university's Plan for the Class of 2000, from three payment options: buying a machine from Feb. -
For Immediate Release June 2021 Ani Di Franco Presents
FOR IMMEDIATE RELEASE JUNE 2021 ANI DI FRANCO PRESENTS REVOLUTIONARY LOVE: LIVE AT BIG BLUE OUT JULY 9 LIVE PERFORMANCE OF INDIE PIONEER’S 22ND ALBUM TOUR DATES IN AUGUST AND SEPTEMBER Nashville, TN – Singer/songwriter/feminist/activist/author Ani Di Franco is offering Revolutionary Love: Live at Big Blue, a full 95-minute concert documentary film from Ani, Terence Higgins and special guest Ivan Neville. Captured lovingly with seven cameras at Big Blue, Ani’s home and recording studio for the past decade, Revolutionary Love: Live at Big Blue finds Ani performing her 22nd studio album Revolutionary Love live, along with classics from Di Franco’s illustrious career. Revolutionary Love: Live at Big Blue will be released on July 9 via the Righteous Babe store and Bandcamp; pre-order HERE. In addition, fans can also pre-order Revolutionary Love: Live at Big Blue as an audio download or CD. Dating back to her landmark live album Living in Clip (which went Gold), Di Franco has been a proponent of regularly releasing her works live, building a deep catalog of offerings that also has included So Much Shouting, So Much Laughter, and Carnegie Hall 4.6.02 which is part of a now 23-album series referred to as her Bootlegs. This latest edition includes additional bonus tracks “You Had Time” and “Life Boat” that were recorded in the same session. After being off the road due to the pandemic, Di Franco is back on tour beginning August 19 in Davenport, Iowa. Elizabeth Moen has been tapped to support the August tour, while Di Franco joins the Indigo Girls for four co-headline dates in September. -
“Raising Hell”—Run-DMC (1986) Added to the National Registry: 2017 Essay by Bill Adler (Guest Post)*
“Raising Hell”—Run-DMC (1986) Added to the National Registry: 2017 Essay by Bill Adler (guest post)* Album cover Label Run-DMC Released in May of 1986, “Raising Hell” is to Run-DMC what “Sgt. Pepper’s” is to the Beatles--the pinnacle of their recorded achievements. The trio--Run, DMC, and Jam Master Jay--had entered the album arena just two years earlier with an eponymous effort that was likewise earth-shakingly Beatlesque. Just as “Meet the Beatles” had introduced a new group, a new sound, a new language, a new look, and a new attitude all at once, so “Run-DMC” divided the history of hip-hop into Before-Run-DMC and After-Run-DMC. Of course, the only pressure on Run-DMC at the very beginning was self-imposed. They were the young guns then, nothing to lose and the world to gain. By the time of “Raising Hell,” they were monarchs, having anointed themselves the Kings of Rock in the title of their second album. And no one was more keenly aware of the challenge facing them in ’86 than the guys themselves. Just a year earlier, LL Cool J, another rapper from Queens, younger than his role models, had released his debut album to great acclaim. Run couldn’t help but notice. “All I saw on TV and all I heard on the radio was LL Cool J,” he recalls, “Oh my god! It was like I was Richard Pryor and he was Eddie Murphy!” Happily, the crew was girded for battle. Run-DMC’s first two albums had succeeded as albums, not just a collection of singles--a plan put into effect by Larry Smith, who produced those recordings with Russell Simmons, the group’s manager. -
Revision Guide
Music Industry Revision Guide MUSICIAN LIVE SOUND TECHNICIAN (1) Carry out sound checks before show (1) Train and practise regularly to keep (2) Choose suitable microphones and equipment instrumental skills to a high standard (3) Position and rig-up microphones (2) Turn up on time and prepared (4) Operate the sound desk during a performance (3) Look after instrument/voice (4) Learn new music for a show (5) Perform at various venues MUSICAL DIRECTOR / Sound Desk CONDUCTOR Performance (1) Unify performers (2) Set tempo and execute clear & Creative performance indications by conducting (3) Give instructions and shape the sound Roles of the ensemble, e.g. orchestra, choir (4) Choose the music and study the scores (5) Relay ideas to performers COMPOSER/ SONG-WRITER (1) Compose music for a TV programme INSTRUMENTAL SUPPORT (2) Write a song for a famous singer (3) Keep to a deadline ROADIE (1) Takes care of instruments (4) Work with the performers to ensure (1) Carry equipment (2) Provides backline technical support for composition/song is at a suitable standard (2) Set up before event a band (5) Check and liaise with employer (whoever (3) Look after equipment (3) Gives advice to band of best equipment commissioned composition) to make sure (4) Pack away after event (4) Fixes broken guitar strings or other the music fits what is asked equipment during a show MASTERING ENGINEER: SESSION MUSICIAN (1) Does the final edit (changes) of the recording (1) Turn up on time creating the final ‘master’ version (2) Rehearse the given music and keep (2) -
Of ABBA 1 ABBA 1
Music the best of ABBA 1 ABBA 1. Waterloo (2:45) 7. Knowing Me, Knowing You (4:04) 2. S.O.S. (3:24) 8. The Name Of The Game (4:01) 3. I Do, I Do, I Do, I Do, I Do (3:17) 9. Take A Chance On Me (4:06) 4. Mamma Mia (3:34) 10. Chiquitita (5:29) 5. Fernando (4:15) 11. The Winner Takes It All (4:54) 6. Dancing Queen (3:53) Ad Vielle Que Pourra 2 Ad Vielle Que Pourra 1. Schottische du Stoc… (4:22) 7. Suite de Gavottes E… (4:38) 13. La Malfaissante (4:29) 2. Malloz ar Barz Koz … (3:12) 8. Bourrée Dans le Jar… (5:38) 3. Chupad Melen / Ha… (3:16) 9. Polkas Ratées (3:14) 4. L'Agacante / Valse … (5:03) 10. Valse des Coquelic… (1:44) 5. La Pucelle d'Ussel (2:42) 11. Fillettes des Campa… (2:37) 6. Les Filles de France (5:58) 12. An Dro Pitaouer / A… (5:22) Saint Hubert 3 The Agnostic Mountain Gospel Choir 1. Saint Hubert (2:39) 7. They Can Make It Rain Bombs (4:36) 2. Cool Drink Of Water (4:59) 8. Heart’s Not In It (4:09) 3. Motherless Child (2:56) 9. One Sin (2:25) 4. Don’t We All (3:54) 10. Fourteen Faces (2:45) 5. Stop And Listen (3:28) 11. Rolling Home (3:13) 6. Neighbourhood Butcher (3:22) Onze Danses Pour Combattre La Migraine. 4 Aksak Maboul 1. Mecredi Matin (0:22) 7. -
This Machine Kills Fascists" : the Public Pedagogy of the American Folk Singer
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 8-2016 "This machine kills fascists" : the public pedagogy of the American folk singer. Harley Ferris University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Part of the Rhetoric Commons Recommended Citation Ferris, Harley, ""This machine kills fascists" : the public pedagogy of the American folk singer." (2016). Electronic Theses and Dissertations. Paper 2485. https://doi.org/10.18297/etd/2485 This Doctoral Dissertation is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. “THIS MACHINE KILLS FASCISTS”: THE PUBLIC PEDAGOGY OF THE AMERICAN FOLK SINGER By Harley Ferris B.A., Jacksonville University, 2010 M.A., University of Louisville, 2012 A Dissertation Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in English/Rhetoric and Composition Department of English University of Louisville Louisville, KY August 2016 “THIS MACHINE KILLS FASCISTS”: THE PUBLIC PEDAGOGY OF THE AMERICAN -
BEN MINK Composer for Film & Television
BEN MINK composer for film & television Contact: ARI WISE, agent • 1.866.784.3222 • [email protected] FEATURE FILMS BEN MINK FIFTY DEAD MEN WALKING 2008 compoNicoleser Carmen for film,-Davis, & television Guy Collins, Kyle Ryan Brightlight Pictures, Future Films, Cindy Cowan, Kyle Lundberg, Stephen Contact: ARI WISE, agent • 1.866.784.3222 • [email protected] Handmade International Hegyes, prod., Kari Skogland, dir. CONFESSIONS OF AN INNOCENT MAN 2007 David Paperny, Cal Shumiatcher, Catherine Paperny Films, National Film Board of Canada, CTV Tait, Trevor Hodgson, Rina Fraticelli, prod. David Paperny, dir. BORDERTOWN CAFE 1997 Stephen J. Roth, Norma Bailey, prod. Cinexus, Flat City Films, National Film Board of Canada Norma Bailey, dir. EVEN COWGIRLS GET THE BLUES (credited with K.D. Lang) 1993 Gus Van Sant Jr., Laurie Parker, prod. New Line Cinema Gus Van Sant Jr., dir. THE BIG DEAL 1985 Andras Hamori, prod. RSL Entertainment Corp., Alliance, MCA Barry Healey, dir. SEARCH AND DESTROY 1979 R. Ben Efraim, Edward L. Montoro, prod. Film Ventures International, Montoro Productions William Fruet, dir. Dark Sky Films TELEVISION CRACKING CANCER 2017 Sue Ridout, prod CBC The Passionate Eye, Dreamfilm Judith Pyke, dir. ON THE FARM (theme music) 2016 S. Cameron, R. Harvey, J. Howell, J. Prince, Full Flood Prods., CBC, Park Entertainment L. Moffat, prod., Rachel Talalay, dir. ALICE (Mini-Series) 2009 Robert Halmi Jr., Robert Halmi Sr., Matthew Reunion Pictures, Studio Eight Productions O’Connor, Lisa Richardson, Jamie Brown, RHI Entertainment, SY-FY prod., Nick Willing, dir. TERMINAL CITY 2005 Angus Fraser, Christine Haebler, Jayme Crescent Entertainment, Chum TV, The Movie Network Pfahl, Gordon Mark, prod., Various dir.