Provisional Program ICTM Vienna, 4-11 July 2007
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Dj Chachi Allen Carter Hevad Kahn
FAIRWAY JAY: COLLEGE BASKETBALL CONFERENCE PLAY ROUNDERLIFE.com HEVAD KAHN DJ CHACHI HAS HIS SIGHTS SET MIX MASTER SPINS ON THE PLAYER OF HIS WAY TO THE TOP THE YEAR AWARD TOM “DURR” DWAN ISSUES HEADS-UP CHALLENGE ALLEN CARTER WINS SOUTHERN POKER CHAMPIONSHIP AND $1,000,000 FEBRUARY 2009 $4.95US WE HIT THE JACKPOT…IT’S JENNA! INSIDE: POKER + ENTERTAINMENT + FOOD + MUSIC + SPOR T S + G I R L S Live the EXCLUSIVE WEB VIDEO AT ROUNDERLIFE.COM ROUNDER GIRLS AFTER DARK • PLAYER INTERVIEWS HOT NEWS AND EVENTS CASINO AND RESTAURANT REVIEWS BEHIND THE SCENE FOOTAGE LETTER FROM THE EDITOR PUBLISHER he Beau Rivage Resort & Casino in Biloxi, MS recently crowned Greg McDonald - [email protected] two champions on the same night. Two of the worlds most popular forms of entertainment, had the AAA four-diamond destination alive with excitement EDITOR-IN-CHIEF T Evert Caldwell - [email protected] January 17th, 2009 as undefeated WBC welterweight champion Andre Berto defended his title in a close, but unanimous decision over number-one rated challenger and former MANAGING EDITOR WBA world champion Luis Collazo. e warriors battled ‘toe to toe’ for twelve rounds Johnny Kampis in what boxing fans were hailing as an instant classic. Two of the three judges had the fi ght even, going into the fi nal round. When they went to the scorecards, Berto was given CONTRIBUTING EDITOR the edge, sealing the victory and his second successful title defense, in front of a rowdy, Dave Lukow packed-out show room. ART & DESIGN [email protected] Casey Wiesel, Nathan Hess, Whitney Prewitt At the other end of the casino, upstairs in the convention center, the fi nal table of the WPT Main Event was taking place. -
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WU FAN 4/19/2012 7:47 PM Legal Reasoning in Chinese and Swiss Appellate Judgments - Exploring China’s Path Toward Rule of Law WU Fan TABLE OF CONTENTS I. INTRODUCTION ................................................................................ 21 II. OBJECT OF COMPARISON ................................................................ 24 A. Swiss Law as a Reference System ....................................... 25 B. Selection of Judgments ........................................................ 26 III. SCHEME OF COMPARISON ............................................................. 27 IV. LEGAL REASONING IN SWISS LEGAL SYSTEM............................... 27 A. Regulation of Legal Reasoning ........................................... 27 B. Legal Reasoning and Public Control .................................. 28 C. Legal Reasoning and Legal Education in Switzerland ....... 29 D. Legal Reasoning in Swiss TF Judgments............................ 30 1. Head of the Judgment ................................................... 31 (a) Case Designation ................................................... 31 (b) Judgment Title ........................................................ 31 2. Indexes .......................................................................... 31 3. Statement of Affairs ...................................................... 33 (a) Factual Background ............................................... 33 (b) Procedural History ................................................ 33 (c) Requests of the Parties .......................................... -
Annual Report 2012
© Ludwig Boltzmann Institute of Human Rights – LBI and Research Association A-1010 Vienna, Freyung 6 (Schottenhof), Hof 1, Stiege II T +43/1/42 77-274 20, [email protected], http://bim.lbg.ac.at Vienna, April 2013 INHALTSVERZEICHNIS Introduction ........................................................................................................................... 5 20 Years Ludwig Boltzmann Institute of Human Rights. 20 Years Committed to Human Rights Research. ..................................................................................................... 7 Human Dignity and Public Security .................................................................................... 9 Human Rights in Development Cooperation and Business / Digital Rights ................................................................................................... 11 European Neighbourhood and Integration Policy ........................................................... 14 Anti-Discrimination | Diversity | Asylum .......................................................................... 17 Women‘s Rights | Children‘s Rights | Trafficking in Human Being ............................... 19 Human Rights Education and Education for Democratic Citizenship .......................... 22 Staff ...................................................................................................................................... 25 Finances ............................................................................................................................. -
"Sanyuesan" Festival of She Ethnic Group in Jingning, Zhejiang Province
The 14th National and International Conference "Global Goals, Local Actions: Looking Back and Moving Forward 2021" 18 August, 2021 When Tradition Meets Modernity — The Contemporary Changes of the "Sanyuesan" Festival of She Ethnic Group in Jingning, Zhejiang Province Yang Wang Abstract This study discusses the contemporary changes of the "Sanyuesan" festival of the She ethnic group in Jingning by collecting relevant literature and conducting field investigation. Qualitative analysis is mainly carried out with participatory observation and in-depth interview as research tools. This paper mainly summarizes the change track and characteristics of the She's "Sanyuesan" festival. This study mainly explores the changes of the times of the She People's "Sanyuesan" festival from the aspects of connotation and function, form and content, subject composition of participation and cultural space. The research results are helpful to explore the historical context and cultural space of the contemporary construction of She's "Sanyuesan" festival music. Keywords: She ethnic group, Sanyuesan, Festival celebration, Change Introduction The She ethnic group is an ancient minority in Southeast China, and it is also a typical group scattered across the region. In the long process of history, unafraid of hardships and dangers, She people have created a splendid history and culture with their own diligence and wisdom, leaving a rich cultural heritage. As the second batch of national intangible cultural heritage, their "Sanyuesan" (Category: folk custom; No.: Ⅹ - 73) is emitting a bright and unique brilliance with its distinctive ethnic temperament, rich cultural meaning and active form of expression. Jingning, located in East China, is the only She Autonomous County in China. -
Steve Brecher Wins $1,025,500 Poker Palooza
FAIRWAY JAY’S MASTERS PREVIEW ROUNDERLIFE.com KEN DAVITIAN BORAT’S CHUM EXUDES CHARISMA AND CLASS ROY JONES JR Y’ALL MUST HAVE FORGOT STEVE BRECHER WINS $1,025,500 NICK BINGER SURVIVING LONGEST FINAL FROM $50 TABLE IN WPT HISTORY TO $1,000,000 ALL CANADIAN FINAL WSOP CIRCUIT EVENT FEATURED MONTREAL’S SAMUEL CHARTIER VS POKER TORONTO’S JOHN NIXON PALOOZA APRIL 2009 $4.95US DREAM A LITTLE DREAM INSIDE: POKER + ENTERTAINMENT + FOOD + MUSIC + SPOR T S + G I R L S Live the EXCLUSIVE WEB VIDEO AT ROUNDERLIFE.COM ROUNDER GIRLS AFTER DARK • PLAYER INTERVIEWS HOT NEWS AND EVENTS CASINO AND RESTAURANT REVIEWS BEHIND THE SCENE FOOTAGE LETTER FROM THE EDITOR Before you can be a legend, PUBLISHER You gotta get in the game. he World Series of Poker Circuit Event, recently held at Caesars Atlantic Greg McDonald - [email protected] City, has consistently become one of the most well attended events on the circuit schedule. e eleven tournaments that took place from Mach 4th - 14th attracted EDITOR-IN-CHIEF T Evert Caldwell - [email protected] over 5000 players and generated more than $3 million dollars in prize money. is years champion was 23 year old Montreal, Quebec native, Samuel Chartier. e young pro MANAGING EDITOR took home $322,944, and the Circuit Champion’s gold ring for his eff ort. Second place Johnny Kampis fi nisher John Nixon from Toronto, Ontario, made it an All Canadian fi nal. e full time student took home $177,619. Could this be the year a Canadian wins the WSOP Main CONTRIBUTING EDITOR Event ? Canadians were well represented at last years Main Event, making up the highest Dave Lukow percentage of players from a country outside of the US. -
Emotional Detachment: Delocalizing and Instrumentalizing Local Musical Practice in the Communist Regimes of Southeastern Europe Pistrick, Eckehard
www.ssoar.info Spatial detachment - emotional detachment: delocalizing and instrumentalizing local musical practice in the communist regimes of Southeastern Europe Pistrick, Eckehard Veröffentlichungsversion / Published Version Zeitschriftenartikel / journal article Empfohlene Zitierung / Suggested Citation: Pistrick, E. (2012). Spatial detachment - emotional detachment: delocalizing and instrumentalizing local musical practice in the communist regimes of Southeastern Europe. Südosteuropäische Hefte, 1(2), 77–87. https://nbn- resolving.org/urn:nbn:de:0168-ssoar-324616 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer CC BY-NC-SA Lizenz This document is made available under a CC BY-NC-SA Licence (Namensnennung-Nicht-kommerziell-Weitergebe unter gleichen (Attribution-NonCommercial-ShareAlike). For more Information Bedingungen) zur Verfügung gestellt. Nähere Auskünfte zu den see: CC-Lizenzen finden Sie hier: https://creativecommons.org/licenses/by-nc-sa/4.0 https://creativecommons.org/licenses/by-nc-sa/4.0/deed.de Eckehard Pistrick – Spatial Detachment – Emotional Detachment Eckehard Pistrick Spatial Detachment – Emotional Detachment Delocalizing and Instrumentalizing Local Musical Practice in the Communist Regimes of Southeastern Europe1 Abstract Cultural traditions in their local understanding are bound to particular places and to a particular social setting, possessing generally a high degree of interaction. The exercise of political power and the commercialization of traditional music have fundamentally shaken this interactive relation between sound, space and social action. Local identities and histories became confronted with constructed national identities and a homogenized national history. Musical practice witnessed a process of uprooting, the division of performers from their audience related to an emotional reconfiguration. The emotionally and spatially-bound cultural practice became redefined in terms of a static “cultural object” whose aesthetic properties were highlighted over its dynamic functional and interactional character. -
REFLECTIONS 148X210 UNTOPABLE.Indd 1 20.03.15 10:21 54 Refl Ections 54 Refl Ections 55 Refl Ections 55 Refl Ections
3 Refl ections DAS MAGAZIN DES ÖSTERREICHISCHEN Refl ections SONG CONTEST CLUBS MERCI CHÉRIE – MERCI, JURY! AUSGABE 2015 | ➝ Es war der 5. März 1966 beim Grand und belgischen Hitparade und Platz 14 in Prix d’Eurovision in Luxemburg als schier den Niederlanden. Im Juni 1966 erreichte Unglaubliches geschah: Die vielbeachte- das Lied – diesmal in Englisch von Vince te dritte Teilnahme von Udo Jürgens – Hill interpretiert – Platz 36 der britischen nachdem er 1964 mit „Warum nur war- Single-Charts. um?“ den sechsten Platz und 1965 mit Im Laufe der Jahre folgten unzähli- SONG CONTEST CLUBS SONG CONTEST 2015 „Sag‘ ihr, ich lass sie grüßen“ den vierten ge Coverversionen in verschiedensten Platz belegte – bescherte Österreich end- Sprachen und als Instrumentalfassungen. Wien gibt sich die Ehre lich den langersehnten Sieg. In einem Hier bestechen – allen voran die aktuelle Teilnehmerfeld von 18 Ländern startete Interpretation der grandiosen Helene Fi- der Kärntner mit Nummer 9 und konnte scher – die Versionen von Adoro, Gunnar ÖSTERREICHISCHEN schließlich 31 Jurypunkte auf sich verei- Wiklund, Ricky King und vom Orchester AUSSERDEM nen. Ein klarer Sieg vor Schweden und Paul Mauriat. Teilnehmer des Song Contest 2015 – Rückblick Grand Prix 1967 in Wien Norwegen, die sich am Podest wiederfan- Hier sieht man das aus Brasilien stam- – Vorentscheidung in Österreich – Das Jahr der Wurst – Österreich und den. mende Plattencover von „Merci Cherie“, DAS MAGAZIN DES der ESC – u.v.m. Die Single erreichte Platz 2 der heimi- das zu den absoluten Raritäten jeder Plat- schen Single-Charts, Platz 2 der deutschen tensammlung zählt. DIE LETZTE SEITE ections | Refl AUSGABE 2015 2 Refl ections 2 Refl ections 3 Refl ections 3 Refl ections INHALT VORWORT PRÄSIDENT 4 DAS JAHR DER WURST 18 GRAND PRIX D'EUROVISION 60 HERZLICH WILLKOMMEN 80 „Building bridges“ – Ein Lied Pop, Politik, Paris. -
Music Review: "Bosnia: Echoes of an Endangered World", "King Ferus
Music Review: "Bosnia: Echoes of an Endangered World", "King Ferus: Ferus Mustafov, Macedonian Wedding Soul Cooking", and "Gaida Orchestra: Bagpipe Music from the Rhodope Mountains" Lynn Maners Pima Community College/University of Arizona "Bosnia: Echoes of an Endangered World" Music Track eight returns to the sevdalinka form for a and Chant of the Bosnian Muslims." Smithsonian lovely unaccompanied performance of "II' je vedro, Folkways CD SF 40407 il' oblacno" ("Is it clear or cloudy?") This CD is an excellent compilation of the musical Tracks nine through eleven represent the Muslim performance, both religious and vernacular of the religious experience in Bosnia and Herzegovina. Muslim population of Bosnia and Herzegovina. Track nine is the ezan, or call to prayer, while tracks Using both commercial sources and field recordings ten and eleven are chanted excerpts from zikrs, or (from 1984-5), Ted Levin and Ankica Petrovic (the Sufi religious rites, in Bosnian dervish orders. latter formerly of the University of Sarajevo's Music Faculty) illustrate a variety of Bosnian musical The final selections on this CD, tracks twelve through forms, both urban and rural. Field recordings (1989- fourteen return us once again to that musical form 90) by Mirjana Lausevic, (currently a graduate most associated with Bosnia and Herzegovina, the student at Wesleyan), also appear in this collection. sevdalinka. Track twelve, "Saraieveski Pocetak/Sarhos Aljo", is a remnant of an older urban Tracks one and two are sevdalinkas, or love songs, style in which the singer is accompanied on saz, a and represent an urban Muslim musical style, based larger version of the more rural oriented sargija. -
Art Song in the South Slav Territories (1900-1930S): Femininity, Nation and Performance
Creating Art Song in the South Slav Territories (1900-1930s): Femininity, Nation and Performance Verica Grmuša Department of Music Goldsmiths, University of London PhD Thesis The thesis includes a video recording of a full evening lecture-recital entitled ‘Performing the “National” Art Song Today – Songs by Miloje Milojević and Petar Konjović’ (November 22nd, 2017, Deptford Town Hall, Verica Grmuša, soprano, Mina Miletić, piano) 1 Declaration This unpublished thesis is copyright of the author. The thesis is written as a result of my own research work and includes nothing that is written in collaboration with other third party. Where contributions of others are involved, every effort is made to indicate this clearly with reference to the literature, interviews or other sources. The thesis is submitted for the degree of Doctor of Philosophy and I further state that no substantial part of my dissertation has been already submitted to another qualification or previously published. Signed: ____________________________ Date: __________________ Verica Grmuša 2 Acknowledgments I express my gratitude to Goldsmiths’ Music Department, the Postgraduate Research Committee and the Graduate School for their awards and support for my research. I express my gratitude to my supervisors, Dr Berta Joncus and Dr Dejan Djokić, for their specialist help which greatly shaped this thesis. I am indebted to Nan Christie for her indispensable vocal tuition and support during my studies. I am indebted to the late Professor Vlastimir Trajković for access to the Miloje Milojević Family Collection, and for his support and guidance. I would also like to thank a number of friends and colleagues for their support and advice at different stages during my studies: Richard Shaw, Aleksandar Vasić, Tijana Miletić, Melita Milin, Anthony Pryer, Stephen Smart, Nada Bezić, Davor Merkaš, Slobodan Varsaković, Sarah Collins. -
Society for Ethnomusicology 58Th Annual Meeting Abstracts
Society for Ethnomusicology 58th Annual Meeting Abstracts Sounding Against Nuclear Power in Post-Tsunami Japan examine the musical and cultural features that mark their music as both Marie Abe, Boston University distinctively Jewish and distinctively American. I relate this relatively new development in Jewish liturgical music to women’s entry into the cantorate, In April 2011-one month after the devastating M9.0 earthquake, tsunami, and and I argue that the opening of this clergy position and the explosion of new subsequent crises at the Fukushima nuclear power plant in northeast Japan, music for the female voice represent the choice of American Jews to engage an antinuclear demonstration took over the streets of Tokyo. The crowd was fully with their dual civic and religious identity. unprecedented in its size and diversity; its 15 000 participants-a number unseen since 1968-ranged from mothers concerned with radiation risks on Walking to Tsuglagkhang: Exploring the Function of a Tibetan their children's health to environmentalists and unemployed youths. Leading Soundscape in Northern India the protest was the raucous sound of chindon-ya, a Japanese practice of Danielle Adomaitis, independent scholar musical advertisement. Dating back to the late 1800s, chindon-ya are musical troupes that publicize an employer's business by marching through the From the main square in McLeod Ganj (upper Dharamsala, H.P., India), streets. How did this erstwhile commercial practice become a sonic marker of Temple Road leads to one main attraction: Tsuglagkhang, the home the 14th a mass social movement in spring 2011? When the public display of merriment Dalai Lama. -
Measuring Social Vulnerability to Natural Hazards in the Yangtze River Delta Region, China
Int. J. Disaster Risk Sci. 2013, 4 (4): 169–181 doi:10.1007/s13753-013-0018-6 ARTICLE Measuring Social Vulnerability to Natural Hazards in the Yangtze River Delta Region, China Wenfang Chen1,2,3, Susan L. Cutter2, Christopher T. Emrich2, and Peijun Shi1,3,* 1State Key Laboratory of Earth Surface Processes and Resource Ecology, Beijing Normal University, Beijing 100875, China 2Hazard and Vulnerability Research Institute, Department of Geography, University of South Carolina, Columbia, SC 29208, USA 3Academy of Disaster Reduction and Emergency Management, Ministry of Civil Affairs and Ministry of Education of China, Beijing Normal University, Beijing 100875, China Abstract Social vulnerability emphasizes the different bur- By adopting the human-centered vulnerability concept, dens of disaster losses within and between places. Although the “social vulnerability paradigm” (Hewitt 1983; 1997; China continuously experiences devastating natural disasters, Blaikie et al. 1994; Cutter, Boruff, and Shirley 2003) stresses there is a paucity of research specifically addressing the that vulnerability is socially constructed and exhibits with multidimensional nature of social vulnerability. This article stratification and inequality among different groups of people presents an initial study on the social vulnerability of the and different places. Consequently, vulnerability reduction Yangtze River Delta region in China. The goal is to replicate requires understanding the underlying social, economic, and and test the applicability of the place-based Social Vulnerabil- political context and then addressing the factors that increase ity Index (SoVI®) developed for the United States in a Chinese cultural context. Twenty-nine variables adapted from SoVI® risk and vulnerability. were collected for each of the 134 analysis units in the study Much of the vulnerability research uses case study and area. -
Timo Alakotila Curriculum Vitae
Timo Alakotila Curriculum Vitae Syntymäaika : 15.7 1959 Gsm: 050-5116112 Osoite: Vesalantie 46 A 00940 Helsinki Sähköposti:, [email protected] , [email protected] Yleisopinnot 1978 Ylioppilastutkinto (Nurmijärven yhteiskoulu) Musiikkiopinnot 1992 Musiikinteorian opettajan tutkinto (Oulunkylän Pop/Jazz-konservatorio), piano-opinnot Heikki Heinosen, Markku Suoknuutin ja Vladimir Shafranovin johdolla, teoriaopinnot Rolf Grefvebergin, Eino Virtasen ja Kaj Backlundin johdolla, sävellysopinnot Kaj Backlundin johdolla 1989- Osallistunut useille sävellys/sovitus-kursseille, 1990 opettajina mm. Georg Russell, Herb Pomeroy, Bob Mintzer ja Muhal Richard Abrams (USA) 1978 Musiikki koulun päästötodistus (Nurmijärvi) Piano-opinnot Lauri Vuorelan, Salla Koivurannan, Kari Pettisen ja Maija Riipan johdolla, teoriaopinnot Kari Pettisen johdolla Työkokemus 1983- Säveltänyt ja sovittanut laajasti musiikkia yli genrerajojen 2000-2016 Improvisaatiodemonstraatioita Johanna Juholan kanssa 2008 Demonstraatio Carita Holmstömin kosketinsoitintapahtumassa (Sibelius-Akatemia) 2006 Sovituskurssi Luoteis-Helsingin musiikkiopistossa 2004-2005 Improvisaatiodemonstraatioita ja opetusta Lanarkissa Skotlannissa ja Bristolissa Englannissa (Distil) 2004 Säveltäjä oppilaitoksessa -projektissa Hyvinkään musiikkiopistossa säveltäjänä opettaen mm. sävellystä, improvisointia ja sovitusta 1995-2016 Opettanut Rääkkylän musiikkikoulussa / Joensuun konservatoriossa/ Joensuun ammattikorkeakoulussa 1994-2016 Opettanut Kokkolan konservatoriossa / ammattikorkeakoulussa useita