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Whither Communism: a Comparative Perspective on Constitutionalism in a Postsocialist Cuba Jon L
University of Florida Levin College of Law UF Law Scholarship Repository UF Law Faculty Publications Faculty Scholarship 2009 Whither Communism: A Comparative Perspective on Constitutionalism in a Postsocialist Cuba Jon L. Mills University of Florida Levin College of Law, [email protected] Daniel Ryan Koslosky Follow this and additional works at: http://scholarship.law.ufl.edu/facultypub Part of the Comparative and Foreign Law Commons Recommended Citation Jon Mills & Daniel Ryan Koslosky, Whither Communism: A Comparative Perspective on Constitutionalism in a Postsocialist Cuba, 40 Geo. Wash. Int'l L. Rev. 1219 (2009), available at, http://scholarship.law.ufl.edu/facultypub/522 This Article is brought to you for free and open access by the Faculty Scholarship at UF Law Scholarship Repository. It has been accepted for inclusion in UF Law Faculty Publications by an authorized administrator of UF Law Scholarship Repository. For more information, please contact [email protected]. WHITHER COMMUNISM: A COMPARATIVE PERSPECTIVE ON CONSTITUTIONALISM IN A POSTSOCIALIST CUBA JON MILLS* AND DANIEL RYAN KOSLOSIc4 I. INTRODUCTION ........................................ 1220 II. HISTORY AND BACKGROUND ............................ 1222 A. Cuban ConstitutionalLaw .......................... 1223 1. Precommunist Legacy ........................ 1223 2. Communist Constitutionalism ................ 1225 B. Comparisons with Eastern Europe ................... 1229 1. Nationalizations in Eastern Europe ........... 1230 2. Cuban Expropriations ........................ 1231 III. MODES OF CONSTITUTIONALISM: A SCENARIO ANALYSIS. 1234 A. Latvia and the Problem of ConstitutionalInheritance . 1236 1. History, Revolution, and Reform ............. 1236 2. Resurrecting an Ancien Rgime ................ 1239 B. Czechoslovakia and Poland: Revolutions from Below .. 1241 1. Poland's Solidarity ........................... 1241 2. Czechoslovakia's Velvet Revolution ........... 1244 3. New Constitutionalism ....................... 1248 C. Hungary's GradualDecline and Decay .............. -
Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
Raza Criolla Anuario 201 1 Vol
ANUARIO 2011 ANUARIO RAZA CRIOLLA RAZA VOL. 100 tapafinal.p65 3 2012-09-08, 12:51 ASOCIACION CRIADORES DE CABALLOS CRIOLLOS Consejo Directivo 2009 / 2011 Presidente Sr. Luis Amadeo Lastra Vicepresidente Dr. Alejandro Gustavo Aguerre Vicepresidente 2º Ing. Enrique Tronconi Secretarios Sr. Raúl Freire ANUARIO Dr. Roberto Ceruti DE LA ASOCIACION CRIADORES DE CABALLOS CRIOLLOS Tesorero Director: Lic. Claudio R. Dowdall Sr. Luis Amadeo Lastra Pro-tesorero Presidente de la Comisión de Publicaciones: Dr. Alfonso De Laferrere Sr. Raúl Etchebehere Vocales Titulares Fotografías: Ing. Mariano W. Andrade Sr. Carlos Bartolomé Allende, Sr. Daniel Sempé, Sr. Ricardo J. Braida Socios, Criadores y Expositores Cdor. Horacio J. España Sonvico Sr. Hugo J. González Selección fotográfica: Cdor. Ricardo Mathó Meabe Dr. Mariano Oneto Vocales Suplentes Morfología y Funcionales Arq. Eduardo Pieroni, Cdor. Sebastián España Cdor. Gustavo Marchesini Sr. Martín Díaz Rivero, Sr. Mariano Gómez Quiroga Esc. Miguel Roque Solanet Sr. Hernán Carrillat Recopilación y corrección de material recibido: Sr. Carlos Oscar Salto Comisión Revisora de Cuentas Titulares Sr. Felipe S. Amadeo Lastra Ing. Alberto Grimaux Foto de Tapa: Eduardo Rocha / 4C con Adaptación y Diseño de Yanina Staricco Srta. Cecilia Planes Las opiniones que se emiten en los artículos que contiene la presente Revisor Suplente publicación son de responsabilidad exclusiva de quienes las formulan. Se autoriza la publicación de temas parciales, con especial mención Sr. José Luis Amadeo Lastra de su procedencia. Gerente Producción Editorial e Impresión: PUBLICIDAD NORTE / A. STARICCO Sra. Magdalena Silveyra de Soria San Martín 424, p. 6º - of. 17 (1004) Cdad. de Bs. As. Tel: (011) 4325-7753 / 4326-5801 [email protected] Larrea 670 - (1030) - Cdad. -
Ernesto 'Che' Guevara: the Existing Literature
Ernesto ‘Che’ Guevara: socialist political economy and economic management in Cuba, 1959-1965 Helen Yaffe London School of Economics and Political Science Doctor of Philosophy 1 UMI Number: U615258 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U615258 Published by ProQuest LLC 2014. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 I, Helen Yaffe, assert that the work presented in this thesis is my own. Helen Yaffe Date: 2 Iritish Library of Political nrjPr v . # ^pc £ i ! Abstract The problem facing the Cuban Revolution after 1959 was how to increase productive capacity and labour productivity, in conditions of underdevelopment and in transition to socialism, without relying on capitalist mechanisms that would undermine the formation of new consciousness and social relations integral to communism. Locating Guevara’s economic analysis at the heart of the research, the thesis examines policies and development strategies formulated to meet this challenge, thereby refuting the mainstream view that his emphasis on consciousness was idealist. Rather, it was intrinsic and instrumental to the economic philosophy and strategy for social change advocated. -
Cuba “Underground”: Los Aldeanos, Cuban Hip-Hop and Youth Culture
Cuba “Underground”: Los Aldeanos, Cuban Hip-Hop and Youth Culture Manuel Fernández University of Wisconsin-Eau Claire Occasional Paper #97 c/o Center for Latin American and Caribbean Studies University of Wisconsin-Milwaukee PO Box 413 Milwaukee, WI 53201 http://www4.uwm.edu/clacs/ [email protected] Fernández 1 Cuba “Underground”: Los Aldeanos, Cuban Hip-Hop and Youth Culture Manuel Fernández The genre most frequently mentioned in U.S. university textbooks and anthologies when discussing Cuba’s recent musical production is the nueva trova , which developed soon after Fidel Castro came to power. The first edition of Más allá de las palabras (2004), to cite just one example of an intermediate Spanish language textbook, uses the trovistas Pablo Milanés and Silvio Rodríguez as examples of “contemporary” Cuban musical artists (204). Books on Cuba aimed at monolingual English speakers also depend largely on the nueva trova when attempting to present Cuba’s current musical production. The Cuba Reader: History, Culture, Politics (2003), an anthology of texts dating back to Columbus, uses samples from Silvio Rodríguez’s music on two occasions, in a chapter dedicated to the international aspects and impact of the Cuban Revolution and once again in a chapter dedicated to Cuba after the fall of the Soviet Union. Without discounting the artistic merit and endurance of the nueva trova or the numerous trovistas , the use of this music (the heyday of which was primarily in the 1960s to early 1980s) as a cultural marker for Cuban culture today seems distinctly anachronistic. It would be analogous to using music from World War II era United States to describe the events and sentiments of the 1960s. -
Cuba: Camagüey, Sierra De Cubitas
Cuba: Camagüey, Sierra de Cubitas 08 Rapid Biological Inventories : 08 Cuba: Camagüey, Sierra de Cubitas THE FIELD MUSEUM ograms 2496, USA Drive vation Pr – e 12.665.7433 5 3 r / Partial funding by Illinois 6060 , onmental & Conser .fieldmuseum.org/rbi 12.665.7430 F Medio Ambiente de Camagüey 3 T Chicago 1400 South Lake Shor www The Field Museum Envir Financiado po John D. and Catherine T. MacArthur Foundation Instituciones Participantes / Participating Institutions The Field Museum Museo Nacional de Historia Natural de Cuba Centro de Investigaciones de Rapid Biological Inventories Rapid biological rapid inventories 08 Cuba: Camagüey, Sierra de Cubitas Luis M. Díaz,William S.Alverson, Adelaida Barreto Valdés, y/and TatzyanaWachter, editores/editors ABRIL/APRIL 2006 Instituciones Participantes /Participating Institutions The Field Museum Museo Nacional de Historia Natural de Cuba Centro de Investigaciones de Medio Ambiente de Camagüey LOS INFORMES DE LOS INVENTARIOS BIOLÓGICOS RÁPIDOS SON Cita sugerida/Suggested citation PUBLICADOS POR/RAPID BIOLOGICAL INVENTORIES REPORTS ARE Díaz, L., M., W. S. Alverson, A. Barreto V., y/ and T. Wachter. 2006. PUBLISHED BY: Cuba: Camagüey, Sierra de Cubitas. Rapid Biological Inventories Report 08. The Field Museum, Chicago. THE FIELD MUSEUM Environmental and Conservation Programs Créditos fotográficos/Photography credits 1400 South Lake Shore Drive Carátula / Cover: En la Sierra de Cubitas, hay una inusual frecuencia Chicago Illinois 60605-2496, USA del chipojo ceniciento (Chamaeleolis chamaeleonides, Iguanidae), T 312.665.7430, F 312.665.7433 tanto los adultos como los juveniles. Esta especie incluye en www.fieldmuseum.org su dieta gran cantidad de caracoles, que son muy comunes en las Editores/Editors rocas y los suelos calizos de la Sierra. -
How to Cite Complete Issue More Information About This Article Journal's Webpage in Redalyc.Org Scientific Information System Re
Cultivos Tropicales ISSN: 1819-4087 Ediciones INCA Benítez-Fernández, Bárbara; Crespo-Morales, Anaisa; Casanova, Caridad; Méndez-Bordón, Aliek; Hernández-Beltrán, Yaima; Ortiz- Pérez, Rodobaldo; Acosta-Roca, Rosa; Romero-Sarduy, María Isabel Impactos de la estrategia de género en el sector agropecuario, a través del Proyecto de Innovación Agropecuaria Local (PIAL) Cultivos Tropicales, vol. 42, no. 1, e04, 2021, January-March Ediciones INCA DOI: https://doi.org/10.1234/ct.v42i1.1578 Available in: https://www.redalyc.org/articulo.oa?id=193266707004 How to cite Complete issue Scientific Information System Redalyc More information about this article Network of Scientific Journals from Latin America and the Caribbean, Spain and Journal's webpage in redalyc.org Portugal Project academic non-profit, developed under the open access initiative Cultivos Tropicales, 2021, vol. 42, no. 1, e04 enero-marzo ISSN impreso: 0258-5936 Ministerio de Educación Superior. Cuba ISSN digital: 1819-4087 Instituto Nacional de Ciencias Agrícolas http://ediciones.inca.edu.cu Original article Impacts of the gender strategy in the agricultural sector, through the Local Agricultural Innovation Project (PIAL) Bárbara Benítez-Fernández1* Anaisa Crespo-Morales2 Caridad Casanova3 Aliek Méndez-Bordón4 Yaima Hernández-Beltrán5 Rodobaldo Ortiz-Pérez1 Rosa Acosta-Roca1 María Isabel Romero-Sarduy6 1Instituto Nacional de Ciencias Agrícolas (INCA), carretera San José-Tapaste, km 3½, Gaveta Postal 1, San José de las Lajas, Mayabeque, Cuba. CP 32 700 2Policlínico Docente “Pedro Borrás Astorga”, Calle Comandante Cruz # 70, La Palma, Pinar del Río, Cuba 3Universidad de Cienfuegos “Carlos Rafael Rodríguez”, carretera a Rodas, km 3 ½, Cuatro Caminos, Cienfuegos, Cuba 4Universidad Las Tunas, Centro Universitario Municipal “Jesús Menéndez”, calle 28 # 33, El Cenicero, El batey, Jesús Menéndez, Las Tunas, Cuba 5Universidad de Sancti Spíritus “José Martí Pérez”. -
Mixed Folios
mixed folios 447 The Anthology Series – 581 Folk 489 Piano Chord Gold Editions 473 40 Sheet Music Songbooks 757 Ashley Publications Bestsellers 514 Piano Play-Along Series 510 Audition Song Series 444 Freddie the Frog 660 Pop/Rock 540 Beginning Piano Series 544 Gold Series 501 Pro Vocal® Series 448 The Best Ever Series 474 Grammy Awards 490 Reader’s Digest Piano 756 Big Band/Swing Songbooks 446 Recorder Fun! 453 The Big Books of Music 475 Great Songs Series 698 Rhythm & Blues/Soul 526 Blues 445 Halloween 491 Rock Band Camp 528 Blues Play-Along 446 Harmonica Fun! 701 Sacred, Christian & 385 Broadway Mixed Folios 547 I Can Play That! Inspirational 380 Broadway Vocal 586 International/ 534 Schirmer Performance Selections Multicultural Editions 383 Broadway Vocal Scores 477 It’s Easy to Play 569 Score & Sound Masterworks 457 Budget Books 598 Jazz 744 Seasons of Praise 569 CD Sheet Music 609 Jazz Piano Solos Series ® 745 Singalong & Novelty 460 Cheat Sheets 613 Jazz Play-Along Series 513 Sing in the Barbershop 432 Children’s Publications 623 Jewish Quartet 478 The Joy of Series 703 Christian Musician ® 512 Sing with the Choir 530 Classical Collections 521 Keyboard Play-Along Series 352 Songwriter Collections 548 Classical Play-Along 432 Kidsongs Sing-Alongs 746 Standards 541 Classics to Moderns 639 Latin 492 10 For $10 Sheet Music 542 Concert Performer 482 Legendary Series 493 The Ultimate Series 570 Country 483 The Library of… 495 The Ultimate Song 577 Country Music Pages Hall of Fame 643 Love & Wedding 496 Value Songbooks 579 Cowboy Songs -
The Life & Rhymes of Jay-Z, an Historical Biography
ABSTRACT Title of Dissertation: THE LIFE & RHYMES OF JAY-Z, AN HISTORICAL BIOGRAPHY: 1969-2004 Omékongo Dibinga, Doctor of Philosophy, 2015 Dissertation directed by: Dr. Barbara Finkelstein, Professor Emerita, University of Maryland College of Education. Department of Teaching and Learning, Policy and Leadership. The purpose of this dissertation is to explore the life and ideas of Jay-Z. It is an effort to illuminate the ways in which he managed the vicissitudes of life as they were inscribed in the political, economic cultural, social contexts and message systems of the worlds which he inhabited: the social ideas of class struggle, the fact of black youth disempowerment, educational disenfranchisement, entrepreneurial possibility, and the struggle of families to buffer their children from the horrors of life on the streets. Jay-Z was born into a society in flux in 1969. By the time Jay-Z reached his 20s, he saw the art form he came to love at the age of 9—hip hop— become a vehicle for upward mobility and the acquisition of great wealth through the sale of multiplatinum albums, massive record deal signings, and the omnipresence of hip-hop culture on radio and television. In short, Jay-Z lived at a time where, if he could survive his turbulent environment, he could take advantage of new terrains of possibility. This dissertation seeks to shed light on the life and development of Jay-Z during a time of great challenge and change in America and beyond. THE LIFE & RHYMES OF JAY-Z, AN HISTORICAL BIOGRAPHY: 1969-2004 An historical biography: 1969-2004 by Omékongo Dibinga Dissertation submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2015 Advisory Committee: Professor Barbara Finkelstein, Chair Professor Steve Klees Professor Robert Croninger Professor Derrick Alridge Professor Hoda Mahmoudi © Copyright by Omékongo Dibinga 2015 Acknowledgments I would first like to thank God for making life possible and bringing me to this point in my life. -
Congressional Record-House. 1453
1902. CONGRESSIONAL RECORD-HOUSE. 1453 Joel L. Stewart, to be postmaster at Clintonville, in the county Beryl F. Carroll, to be postmaster at Bloomfield, in the county of Waupaca and State of Wisconsin. of Davis and State of·Iowa. Albert L. Scott, to be postmaster at Dickson, in the county of Harry A. Strohm, to be postmaster at Kentland, in the county Dickson and State of Tennessee. · of Newton and State of Indiana. John Q. Royce, to be postmaster at Phillipsburg, in the county Ferdinand K. Hill, to be postmaster at Sunbury, in the county of Phillips and State of Kansas. of Northumberland and State of Pennsylvania. Robert C. Wilcox, to be postmaster at Clarksville, in the county Byron A. Weaver, to be postmaster at Montoursville, in the of Montgomery and State of Tennessee. county of Lycoming and State of Pennsylvania. · Giles Rives, to be postmaster at Brownsville, in the county of Samuel M. Turk, to be postmaster at Parkers Landing, in the Haywood and State of Tennessee. county of Armstrong and State of Pennsylvania . John F. Cole, to be postmaster at Marshfield, in the county of Eldon Lowe, to be postmaster at Fort Scott, in the county of Wood and State of Wisconsin. Bourbon and State of Kansas. Frank M. Givens, to be postmaster at Fond duLac, in the county Frederich D. Dismuke, jr., to be postmaster at Thomasville, in of Fond du Lac and State of Wisconsin. the county of Thomas and State of Georgia. George D. Breed, to be postmaster at Chilton, in the county of Augustus Loucks, to be postmaster at York, in the county of Calumet and State of Wisconsin. -
Hip-Hop & the Global Imprint of a Black Cultural Form
Hip-Hop & the Global Imprint of a Black Cultural Form Marcyliena Morgan & Dionne Bennett To me, hip-hop says, “Come as you are.” We are a family. Hip-hop is the voice of this generation. It has become a powerful force. Hip-hop binds all of these people, all of these nationalities, all over the world together. Hip-hop is a family so everybody has got to pitch in. East, west, north or south–we come MARCYLIENA MORGAN is from one coast and that coast was Africa. Professor of African and African –dj Kool Herc American Studies at Harvard Uni- versity. Her publications include Through hip-hop, we are trying to ½nd out who we Language, Discourse and Power in are, what we are. That’s what black people in Amer- African American Culture (2002), ica did. The Real Hiphop: Battling for Knowl- –mc Yan1 edge, Power, and Respect in the LA Underground (2009), and “Hip- hop and Race: Blackness, Lan- It is nearly impossible to travel the world without guage, and Creativity” (with encountering instances of hip-hop music and cul- Dawn-Elissa Fischer), in Doing Race: 21 Essays for the 21st Century ture. Hip-hop is the distinctive graf½ti lettering (ed. Hazel Rose Markus and styles that have materialized on walls worldwide. Paula M.L. Moya, 2010). It is the latest dance moves that young people per- form on streets and dirt roads. It is the bass beats DIONNE BENNETT is an Assis- mc tant Professor of African Ameri- and styles of dress at dance clubs. It is local s can Studies at Loyola Marymount on microphones with hands raised and moving to University. -
PC-000290.Pdf
UNIVERSIDAD TÉCNICA DE COTOPAXI FACULTAD DE CIENCIAS AGROPECUARIAS Y RECURSOS NATURALES CARRERA DE MEDICINA VETERINARIA PROYECTO DE INVESTIGACIÓN COMPORTAMIENTO EPIZOOTIOLÓGICO DE PARÁSITOS GASTROINTESTINALES EN CANINOS DOMÉSTICOS (canis familiaris) EN EL BARRIO “SANTA ROSA DE PICHUL” DEL CANTON LATACUNGA. Proyecto de Investigación presentado previo a la obtención del Título de Médico Veterinario y Zootecnista Autor: Ramos del Castillo Leonardo Andrés Director: Dra.Mg. Mercedes Toro LATACUNGA - ECUADOR OCTUBRE 2017 – MARZO 2018 i DECLARACIÓN DE AUTORÍA Yo, RAMOS DEL CASTILLO LEONARDO ANDRÉS declaro ser autor del presente proyecto de investigación: COMPORTAMIENTO EPIZOOTIOLÓGICO DE PARÁSITOS GASTROINTESTINALES EN CANINOS DOMÉSTICOS (canis familiaris) EN EL BARRIO “SANTA ROSA DE PICHUL” DEL CANTON LATACUNGA, siendo la DRA. MG. BLANCA MERCEDES TORO MOLINA, tutor (a) del presente trabajo; y eximo expresamente a la UNIVERSIDAD TÉCNICA DE COTOPAXI y a sus representantes legales de posibles reclamos o acciones legales. Además, certifico que la fundamentación de las ideas, conceptos, procedimientos y resultados vertidos en el presente trabajo investigativo, son de mi exclusiva responsabilidad. ………………………………………………. RAMOS DEL CASTILLO LEONARDO ANDRES C.I. 1722925979 ii CONTRATO DE CESIÓN NO EXCLUSIVA DE DERECHOS DE AUTOR Comparecen a la celebración del presente instrumento de cesión no exclusiva de obra, que celebran de una parte de Leonardo Andrés ramos del Castillo, identificada/o con C.C. N°, 1722925979 de estado civil soltera y con domicilio en Quito-Tumbaco, a quien en lo sucesivo se denominará LA/EL CEDENTE; y, de otra parte, el Ing. MBA. Cristian Fabricio Tinajero Jiménez, en calidad de Rector y por tanto representante legal de la Universidad Técnica de Cotopaxi, con domicilio en la Av.