University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2017 Sound Business: Great Women Of Gospel Music And The Transmission Of Tradition Nina Christina Öhman University of Pennsylvania,
[email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the African American Studies Commons, Music Commons, and the Women's Studies Commons Recommended Citation Öhman, Nina Christina, "Sound Business: Great Women Of Gospel Music And The Transmission Of Tradition" (2017). Publicly Accessible Penn Dissertations. 2646. https://repository.upenn.edu/edissertations/2646 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/2646 For more information, please contact
[email protected]. Sound Business: Great Women Of Gospel Music And The Transmission Of Tradition Abstract From the 1930s to the present, women have played instrumental and visible leadership roles in the remarkable growth of African American gospel music. Through both creative and entrepreneurial activities, these women paved the way for the expansion of an emotive sacred music expression from the worship practices of southern migrants to audiences around the world. This dissertation focuses on the work of three cultural trailblazers, Mahalia Jackson, Aretha Franklin, and Karen Clark Sheard, who stand out in the development of gospel music as virtuosic vocalists and pivotal figures whose sonic imprints can be heard both in sacred songs performed in churches and in American popular music. By deploying exceptional musicality, a deep understanding of African American Christianity, and an embrace of commercialism, the three singers have conserved and reworked musical elements derived from an African American heritage into a powerful performance rhetoric.