Audio + Video 7/19/11 Audio & Video Releases *Click on the Artist Names to Be Taken Directly to the Sell Sheet
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Manual De Organización
AYUNTAMIENTO DE MEXICALI MANUAL DE ORGANIZACIÓN Patronato de las Fiestas del Sol de la Fecha de elaboración: 01 04 2013 Ciudad de Mexicali, Baja California Fecha de Actualización: 15 03 2018 Patronato de las Fiestas del Sol de la Ciudad de Mexicali, Baja California Manual de Organización 0 AYUNTAMIENTO DE MEXICALI MANUAL DE ORGANIZACIÓN Patronato de las Fiestas del Sol de la Fecha de elaboración: 01 04 2013 Ciudad de Mexicali, Baja California Fecha de Actualización: 15 03 2018 ÍNDICE Pág. Introducción……………………………………………………………………………………………………………………………… 02 Antecedentes……………………………………………………………………………………………………………………………. 03 Base Legal.................................................................................................................................................. 22 Reglamento Interior…………………………………………………………………………………………………………………. 23 Misión y Visión......................................................................................................................................... 30 Organigrama............................................................................................................................................ 31 Organigrama Funcional………………………………………………………………………………………………………….. 32 Organigrama por Unidad, Puesto y Plaza…….……………………………..…………………........................ 33 Estructura Orgánica.............................................................................................................................. 34 Análisis y Descripción de Puestos..................................................................................................... -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
Ho! Let's Go: Ramones and the Birth of Punk Opening Friday, Sept
® The GRAMMY Museum and Delta Air Lines Present Hey! Ho! Let's Go: Ramones and the Birth of Punk Opening Friday, Sept. 16 Linda Ramone, Billy Idol, Seymour Stein, Shepard Fairey, And Monte A. Melnick To Appear At The Museum Opening Night For Special Evening Program LOS ANGELES (Aug. 24, 2016) — Following its debut at the Queens Museum in New York, on Sept. 16, 2016, the GRAMMY Museum® at L.A. LIVE and Delta Air Lines will present the second of the two-part traveling exhibit, Hey! Ho! Let's Go: Ramones and the Birth of Punk. On the evening of the launch, Linda Ramone; British pop/punk icon Billy Idol; Seymour Stein, Vice President of Warner Bros. Records and a co-founder of Sire Records, the label that signed the Ramones to their first record deal; artist Shepard Fairey; and Monte A. Melnick, longtime tour manager for the Ramones, will participate in an intimate program in the Clive Davis Theater at 7:30 p.m. titled "Hey! Ho! Let’s Go: Celebrating 40 Years Of The Ramones." Tickets can be purchased at AXS.com beginning Thursday, Aug. 25 at 10:30 a.m. Co-curated by the GRAMMY Museum and the Queens Museum, in collaboration with Ramones Productions Inc., the exhibit commemorates the 40th anniversary of the release of the Ramones' 1976 self-titled debut album and contextualizes the band in the larger pantheon of music history and pop culture. On display through February 2017, the exhibit is organized under a sequence of themes — places, events, songs, and artists —and includes items by figures such as: Arturo Vega (who, along with the Ramones, -
Ramones 2002.Pdf
PERFORMERS THE RAMONES B y DR. DONNA GAINES IN THE DARK AGES THAT PRECEDED THE RAMONES, black leather motorcycle jackets and Keds (Ameri fans were shut out, reduced to the role of passive can-made sneakers only), the Ramones incited a spectator. In the early 1970s, boredom inherited the sneering cultural insurrection. In 1976 they re earth: The airwaves were ruled by crotchety old di corded their eponymous first album in seventeen nosaurs; rock & roll had become an alienated labor - days for 16,400. At a time when superstars were rock, detached from its roots. Gone were the sounds demanding upwards of half a million, the Ramones of youthful angst, exuberance, sexuality and misrule. democratized rock & ro|ft|you didn’t need a fat con The spirit of rock & roll was beaten back, the glorious tract, great looks, expensive clothes or the skills of legacy handed down to us in doo-wop, Chuck Berry, Clapton. You just had to follow Joey’s credo: “Do it the British Invasion and surf music lost. If you were from the heart and follow your instincts.” More than an average American kid hanging out in your room twenty-five years later - after the band officially playing guitar, hoping to start a band, how could you broke up - from Old Hanoi to East Berlin, kids in full possibly compete with elaborate guitar solos, expen Ramones regalia incorporate the commando spirit sive equipment and million-dollar stage shows? It all of DIY, do it yourself. seemed out of reach. And then, in 1974, a uniformed According to Joey, the chorus in “Blitzkrieg Bop” - militia burst forth from Forest Hills, Queens, firing a “Hey ho, let’s go” - was “the battle cry that sounded shot heard round the world. -
Lista De Inscripciones Lista De Inscrições Entry List
LISTA DE INSCRIPCIONES La siguiente información, incluyendo los nombres específicos de las categorías, números de categorías y los números de votación, son confidenciales y propiedad de la Academia Latina de la Grabación. Esta información no podrá ser utilizada, divulgada, publicada o distribuída para ningún propósito. LISTA DE INSCRIÇÕES As sequintes informações, incluindo nomes específicos das categorias, o número de categorias e os números da votação, são confidenciais e direitos autorais pela Academia Latina de Gravação. Estas informações não podem ser utlizadas, divulgadas, publicadas ou distribuídas para qualquer finalidade. ENTRY LIST The following information, including specific category names, category numbers and balloting numbers, is confidential and proprietary information belonging to The Latin Recording Academy. Such information may not be used, disclosed, published or otherwise distributed for any purpose. REGLAS SOBRE LA SOLICITACION DE VOTOS Miembros de La Academia Latina de la Grabación, otros profesionales de la industria, y compañías disqueras no tienen prohibido promocionar sus lanzamientos durante la temporada de voto de los Latin GRAMMY®. Pero, a fin de proteger la integridad del proceso de votación y cuidar la información para ponerse en contacto con los Miembros, es crucial que las siguientes reglas sean entendidas y observadas. • La Academia Latina de la Grabación no divulga la información de contacto de sus Miembros. • Mientras comunicados de prensa y avisos del tipo “para su consideración” no están prohibidos, -
Mundial.Com Navegantecultural
This is your outside front cover (OFC). The red line is the bleed area. www.navegante-omundial.com NaveganteCultural MundialThe Portuguese Newspaper Vol 2 Issue 11 2020 This is your inside front cover (IFC). This can be your Masthead page, with a Letter from the editor and table of contents, or, whatever you This is where you would normally place a full page ad etc. need or want it to contain. You can make the letter or table of contents any size/depth you need it to be. The red line is the bleed area. You can also have Letter and/or Contents on a different page from the Masthead. Sara Carreira 1999 - 2020 This is your inside front cover (IFC). This can be your Masthead page, with a Letter from the editor and table of contents, or, whatever you This is where you would normally place a full page ad etc. need or want it to contain. You can make the letter or table of contents any size/depth you need it to be. The red line is the bleed area. You can also have Letter and/or Contents on a different page from the Masthead. Letter from the Editor MundialThe Portuguese Newspaper My father went The month of November begins with a to war because commemorative program of honouring both PUBLISHER / EDITORA two sides were spiritual saints and secular dead: immediately Navegante Cultural Navigator entrenched in following Halloween, or Hallow’s Eve on 204.981.3019 opposition (aided October 31, we wake up to All Saints Day on and abetted by all November 1, and immediately thereafter, Day sorts of allies and of the Dead on November 2 -- most Latin- EDITOR-IN-CHIEF so-called enemies), based cultures have a day of the dead; some Mia Sally Correia and power-brokers are more culturally syncretic in expression eMail: [email protected] in a centralist authoritarian dictatorship were such as the rituals in Mexico, and others are www.navegante-omundial.com holding onto territory that was not their own more closely tied to the Catholic faith, such to begin with, to retain control of valuable as in Portugal and Brazil. -
Drone Music from Wikipedia, the Free Encyclopedia
Drone music From Wikipedia, the free encyclopedia Drone music Stylistic origins Indian classical music Experimental music[1] Minimalist music[2] 1960s experimental rock[3] Typical instruments Electronic musical instruments,guitars, string instruments, electronic postproduction equipment Mainstream popularity Low, mainly in ambient, metaland electronic music fanbases Fusion genres Drone metal (alias Drone doom) Drone music is a minimalist musical style[2] that emphasizes the use of sustained or repeated sounds, notes, or tone-clusters – called drones. It is typically characterized by lengthy audio programs with relatively slight harmonic variations throughout each piece compared to other musics. La Monte Young, one of its 1960s originators, defined it in 2000 as "the sustained tone branch of minimalism".[4] Drone music[5][6] is also known as drone-based music,[7] drone ambient[8] or ambient drone,[9] dronescape[10] or the modern alias dronology,[11] and often simply as drone. Explorers of drone music since the 1960s have included Theater of Eternal Music (aka The Dream Syndicate: La Monte Young, Marian Zazeela, Tony Conrad, Angus Maclise, John Cale, et al.), Charlemagne Palestine, Eliane Radigue, Philip Glass, Kraftwerk, Klaus Schulze, Tangerine Dream, Sonic Youth,Band of Susans, The Velvet Underground, Robert Fripp & Brian Eno, Steven Wilson, Phill Niblock, Michael Waller, David First, Kyle Bobby Dunn, Robert Rich, Steve Roach, Earth, Rhys Chatham, Coil, If Thousands, John Cage, Labradford, Lawrence Chandler, Stars of the Lid, Lattice, -
Rhino Reissues the Ramones' First Four Albums
2011-07-11 09:13 CEST Rhino Reissues The Ramones’ First Four Albums NOW I WANNA SNIFF SOME WAX Rhino Reissues The Ramones’ First Four Albums Both Versions Available July 19 Hey, ho, let’s go. Rhino celebrates the Ramones’ indelible musical legacy with reissues of the pioneering group’s first four albums on 180-gram vinyl. Ramones, Leave Home, Rocket To Russia and Road To Ruin look amazing and come in accurate reproductions of the original packaging. More importantly, the records sound magnificent and were made using lacquers cut from the original analog masters by Chris Bellman at Bernie Grundman Mastering. For these releases, Rhino will – for the first time ever on vinyl – reissue the first pressing of Leave Home, which includes “Carbona Not Glue,” a track that was replaced with “Sheena Is A Punk Rocker” on all subsequent pressings. Joey, Johnny, Dee Dee and Tommy Ramone. The original line-up – along with Marky Ramone who joined in 1978 – helped blaze a trail more than 30 years ago with this classic four-album run. It’s hard to overstate how influential the group’s signature sound – minimalist rock played at maximum volume – was at the time, and still is today. These four landmark albums – Ramones (1976), Leave Home (1977), Rocket To Russia (1977) and Road to Ruin (1978) – contain such unforgettable songs as: “Blitzkrieg Bop,” “Sheena Is Punk Rocker,” “Beat On The Brat,” “Now I Wanna Sniff Some Glue,” “Pinhead,” “Rockaway Beach” and “I Wanna Be Sedated.” RAMONES Side One Side Two 1. “Blitzkrieg Bop” 1. “Loudmouth” 2. “Beat On The Brat” 2. -
Kappale Artisti
14.7.2020 Suomen suosituin karaokepalvelu ammattikäyttöön Kappale Artisti #1 Nelly #1 Crush Garbage #NAME Ednita Nazario #Selˆe The Chainsmokers #thatPOWER Will.i.am Feat Justin Bieber #thatPOWER Will.i.am Feat. Justin Bieber (Baby I've Got You) On My Mind Powderˆnger (Barry) Islands In The Stream Comic Relief (Call Me) Number One The Tremeloes (Can't Start) Giving You Up Kylie Minogue (Doo Wop) That Thing Lauren Hill (Every Time I Turn Around) Back In Love Again LTD (Everything I Do) I Do It For You Brandy (Everything I Do) I Do It For You Bryan Adams (Hey Won't You Play) Another Somebody Done Somebody Wrong Song B. J. Thomas (How Does It Feel To Be) On Top Of The W England United (I Am Not A) Robot Marina & The Diamonds (I Can't Get No) Satisfaction The Rolling Stones (I Could Only) Whisper Your Name Harry Connick, Jr (I Just) Died In Your Arms Cutting Crew (If Paradise Is) Half As Nice Amen Corner (If You're Not In It For Love) I'm Outta Here Shania Twain (I'll Never Be) Maria Magdalena Sandra (It Looks Like) I'll Never Fall In Love Again Tom Jones (I've Had) The Time Of My Life Bill Medley & Jennifer Warnes (I've Had) The Time Of My Life Bill Medley-Jennifer Warnes (I've Had) The Time Of My Life (Duet) Bill Medley & Jennifer Warnes (Just Like) Romeo And Juliet The Re˜ections (Just Like) Starting Over John Lennon (Marie's The Name) Of His Latest Flame Elvis Presley (Now & Then) There's A Fool Such As I Elvis Presley (Reach Up For The) Sunrise Duran Duran (Shake, Shake, Shake) Shake Your Booty KC And The Sunshine Band (Sittin' On) The Dock Of The Bay Otis Redding (Theme From) New York, New York Frank Sinatra (They Long To Be) Close To You Carpenters (We're Gonna) Rock Around The Clock Bill Haley & His Comets (Where Do I Begin) Love Story Andy Williams (You Drive Me) Crazy Britney Spears (You Gotta) Fight For Your Right (To Party!) The Beastie Boys 1+1 (One Plus One) Beyonce 1000 Coeurs Debout Star Academie 2009 1000 Miles H.E.A.T. -
Az Archetipikus Csövigyerek-Banda: Ramones
Koko Kommandó Az archetipikus csövigyerek-banda: Ramones Többé-kevésbé mindenkinek megvan az egy vagy több életre szóló esete. Az én LEG-eim között a legeslegesebb a RAMONES. Amikor 1976 végén az Újvidéki Rádióba megérkeztek az első punk lemezek (Sex Pistols, Patti Smith Group, The Clash, Dr. Feelgood, The Stranglers, Ramones), mindjárt lecsaptam rájuk - megéreztem, tudtam, hogy ez az, ami nekem kell, ez az én zeném. A Judy Is A Punk szédületes tempója egyből kiakasztott. Igen, „szerelem első pillantásra" volt, vagy operettmagyarul: szerelem első vérig. A Ramones számaival való találkozás alapélmény volt. Reménytelen, boldog szerelem, hiszen csak metafizikai viszonzásról beszélhettünk. Ez a zene soha nem hagyott cserben, soha nem volt hozzám hűtlen, soha nem okozott fájdalmat. A legnehezebb pillanatokon segített, lendített át. Szilárd pont az életemben. A nők jöttek-mentek, s mára az otthonomból és a munkahelyemről is elüldöztek. Azon az 1991-es novemberi napon, amikor még katonai engedély nélkül távozhattam a szerb birodalomból, a Ramones-kazetták ott lapultak a poggyászomban. Egy ilyen elfogult vallomás után illene valamit mondani a zenekarról, s nem utolsósorban a zenéről, amit játszanak _ hisz errefelé nem sok szó esett róluk. A legjelentősebb magyar rock- kritikusok ugyan számon tartják őket, de a tömérdek lapban s a rádiókban szinte semmit sem találni róluk. Egyszóval: siralmas állapot. Mintha depressziós lenne ez az ország zeneileg. We're A Happy Family A Ramones 1974-ben alakult. Kezdetben három queens-i fiú, John Cummings, Douglas Colman és Jeffry Hyman alkotta. Johnny és Dee Dee gitáron játszott, míg Joey dobolt. Thomas Erdélyi menedzserként szorgoskodott, de aztán átvette a dobokat Joey-tól, aki előrement énekesnek. -
I Hope You're Available to Swing by the Newseum This Evening As the National Park Trust Honors Senator Martin Heinrich (June 13Th at 6:30 PM)
Message From: Knauss, Chuck [[email protected]] Sent: 6/13/2018 4:40:24 PM To: Wehrum, Bill [/o=Exchangelabs/ou=Exchange Administrative Group (FYDI BO HF 23SPDL T)/cn=Recip ients/en =33d96a e800cf43a391 ld94a 7130b6c41-Weh rum, Wil] Subject: Invitation for tonight -- yes I know it's late ... Attachments: 2018 Bruce F Vento Public Service Award lnvitation.s-c-c-c-c.pdf Bill: Please come tonight and share with others that might be interested. ! I hope you're available to swing by the Newseum this evening as the National Park Trust honors Senator Martin Heinrich (June 13th at 6:30 PM). As you know, I'm on the NPT board and our mission is very important to me - protecting high priority lands for the National Park Service and creating future park stewards, with a special emphasis on children from under-served communities. Each year we host the Bruce F. Vento Public Service Award event to honor an outstanding elected official and conservationist and celebrate NPT's accomplishments. The invitation is below and attached. The short program will give you a chance to hear about the important and effective projects we have underway and the highlight of the evening is hearing directly from some over the under-served children in our programs. The event includes a reception with the 30-minute formal program starting at 7:00 PM. Best regards, Chuck Sierra Club v. EPA 18cv3472 NDCA Tier 1 ED_002061_00180418-00001 Sierra Club v. EPA 18cv3472 NDCA Tier 1 ED_002061_00180418-00002 Sierra Club v. EPA 18cv3472 NDCA Tier 1 ED_002061_00180418-00003 Bruce E Vento Public Service Award Recipients JOHL C'Jn<Jrntt'Nnm:m Sett; McCdkm, Minntrna 2th Ss>ndM fbb h)r!nvm. -
Family Businesses in Germany and the United States Since
Family Businesses in Germany and the United States since Industrialisation A Long-Term Historical Study Family Businesses in Germany and the United States since Industrialisation – A Long-Term Historical Study Industrialisation since States – A Long-Term the United and Businesses Germany in Family Publication details Published by: Stiftung Familienunternehmen Prinzregentenstraße 50 80538 Munich Germany Tel.: +49 (0) 89 / 12 76 400 02 Fax: +49 (0) 89 / 12 76 400 09 E-mail: [email protected] www.familienunternehmen.de Prepared by: Institut für Wirtschafts- und Sozialgeschichte Platz der Göttinger Sieben 5 37073 Göttingen Germany Univ.-Prof. Dr. Hartmut Berghoff Privatdozent Dr. Ingo Köhler © Stiftung Familienunternehmen, Munich 2019 Cover image: bibi57 | istock, Sasin Tipchai | shutterstock Reproduction is permitted provided the source is quoted ISBN: 978-3-942467-73-5 Quotation (full acknowledgement): Stiftung Familienunternehmen (eds.): Family Businesses in Germany and the United States since Indus- trialisation – A Long-Term Historical Study, by Prof. Dr. Hartmut Berghoff and PD Dr. Ingo Köhler, Munich 2019, www.familienunternehmen.de II Contents Summary of main results ........................................................................................................V A. Introduction. Current observations and historical questions ..............................................1 B. Long-term trends. Structural and institutional change ...................................................13 C. Inheritance law and the preservation