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Social Formation and Cultural Patterns of the Medieval World

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Social Formation and Cultural Patterns of the Medieval World BA (Hons.), History Semester 2 CC 4 Social Formation and cultural patterns of the Medieval World Culture and religion in ancient Rome: Expansion brought Rome into contact with many diverse cultures. The most important of these was the Greek culture in the eastern Mediterranean with its highly refined literature and learning. Rome responded to it with ambivalence: although Greek doctrina was attractive, it was also the culture of the defeated and enslaved. Indeed, much Greek culture was brought to Rome in the aftermath of military victories, as Roman soldiers returned home not only with works of art but also with learned Greeks who had been enslaved. Despite the ambivalence, nearly every facet of Roman culture was influenced by the Greeks, and it was a Greco-Roman culture that the Roman empire bequeathed to later European civilization.As Roman aristocrats encountered Greeks in southern Italy and in the East in the 3rd century, they learned to speak and write in Greek. Scipio Africanus and Flamininus, for example, are known to have corresponded in Greek. By the late republic it became standard for senators to be bilingual. Many were reared from infancy by Greek-speaking slaves and later tutored by Greek slaves or freedmen. Nonetheless, despite their increasing fluency in Greek, senators continued to insist on Latin as the official language of government; visiting dignitaries from the East addressing the Senate in Greek had their speeches translated—as a mark of their subordination.Because Greek was the lingua franca of the East, Romans had to use Greek if they wished to reach a wider audience. Thus the first histories by Romans were written in Greek. The patrician Fabius Pictor, who, as noted above, founded the Roman tradition of historiography during the Second Punic War, wrote his annalistic history of Rome in Greek partly in order to influence Greek views in favour of Rome, and he emphasized Rome’s ancient ties to the Greek world by incorporating in his history the legend that the Trojan hero Aeneas had settled in Latium. Because Roman history was about politics and war, the writing of history was always judged by Romans to be a suitable pastime for men of politics—i.e., for senators such as Fabius. Rome had had a folk tradition of poetry in the native Saturnian verse with a metre based on stress, but not a formal literature. Lucius Livius Andronicus was regarded as the father of Latin literature, a fact that illustrates to what extent the development of Roman literature was bound up with conquest and enslavement. Livius, a native Greek speaker from Tarentum, was brought as a slave to Rome, where he remained until his death (c. 204). Becoming fluent in Latin, he translated the Homeric Odyssey into Latin in Saturnian verse. Thus Latin literature began with a translation from Greek into the native metre. Livius reached wider audiences through his translations of Greek plays for public performance. Gnaeus Naevius, the next major figure (c. 270–c. 201), was again not a native Roman but an Oscan speaker from Campania. In addition to translating Greek drama, he wrote the first major original work in Latin, an epic poem about the First Punic War. Naevius’ successors, Quintus Ennius from Calabria (239–169) and Titus Maccius Plautus from Umbria (c. 254–184), transformed the Latin poetic genres by importing Greek metrical forms based on the length of syllables rather than on stress. Ennius was best known for his epic history of Rome in verse, the Annales, but he also wrote tragedies and satires. Plautus produced comedies adapted from Greek New Comedy. He is the only early author whose work is well represented in the corpus of surviving literature (21 plays judged authentic by Marcus Terentius Varro, Rome’s greatest scholar). None of the plays of his younger contemporaries, Caecilius Statius (c. 210–168) and Marcus Pacuvius (c. 220–130), survive, nor do the once highly esteemed tragedies of Lucius Accius (170–c. 86). The six extant comedies of Terence (Publius Terentius Afer; c. 190–159) provide a sense of the variation in the comic tradition of the 2nd century. These authors also were outsiders, coming from the Celtic Po valley, Brundisium, Umbria, and North Africa, respectively. Thus, while assorted foreigners, some of servile origin, established a Latin literature by adapting Greek genres, metrical forms, and content, native Roman senators began to write history in Greek. Other forms of Greek learning were slower to take root in Rome. Later Romans remembered that a Greek doctor established a practice in Rome for the first time just before the Second Punic War, but his reputation did little to stimulate Roman interest in the subject. Like doctors, Greek philosophers of the 2nd century were regarded with interest and suspicion. In the early 3rd century Romans had erected in public a statue of Pythagoras, a 6th-century Greek philosopher who had founded communities of philosophers in southern Italy. In the mid-2nd century some senators displayed an interest in philosophy. Scipio Aemilianus, Gaius Laelius (consul 140), and Lucius Furius Philus (consul 136) were among those who listened to the lectures of the three leaders of the Athenian philosophical schools visiting Rome on a diplomatic mission in 155—the academic Carneades, the peripatetic Critolaus, and the stoic Diogenes. On an official visit to the East in 140, Scipio included in his entourage the leading stoic Panaetius. In the same period, another stoic, Blossius of Cumae, was said to have influenced the reforming tribune Tiberius Sempronius Gracchus. Yet the philosophical influence should not be exaggerated; none of these senators was a philosopher or even a formal student of philosophy. Moreover, the sophisticated rhetoric of the philosophers—in 155 Carneades lectured in favour of natural justice one day and against it the next—was perceived by leading Romans such as Cato the Censor as subversive to good morals. At his urging the Senate quickly concluded the diplomatic business of Carneades, Critolaus, and Diogenes in 155 and hurried them out of Rome. This was part of a broader pattern of hostility to philosophy: in 181 the (spurious) Books of Numa, falsely believed to have been influenced by Pythagoras, were burned, and the following decades witnessed several expulsions of philosophers from the city. In comedies of the period, the discipline was held up for ridicule. The hostility toward philosophy was one aspect of a wider Roman sense of unease about changing mores. Cato, a ―new man‖ (without senatorial ancestors) elected consul (195) and censor (184), represented himself as an austere champion of the old ways and exemplifies the hardening Roman reaction against change under foreign influence. Although Cato knew Greek and could deploy allusions to Greek literature, he advised his son against too deep a knowledge of the literature of that ―most worthless and unteachable race.‖ Cato despised those senatorial colleagues who ineptly imitated Greek manners. He asserted the value of Latin culture in the role of father of Latin prose literature. His treatise on estate management, the De agricultura (c. 160), has survived with its rambling discourse about how to run a 200-iugera (124-acre) farm, including advice on everything from buying and selling slaves to folk medicine. Cato’s greater, historical work, the Origines, survives only in fragments: it challenged the earlier Roman histories insofar as it was written in Latin and emphasized the achievements of the Italian peoples rather than those of the few great senatorial families of Rome (whose names were conspicuously omitted). lected censor in 184 to protect Roman mores, Cato vowed ―to cut into pieces and burn like a hydra all luxury and voluptuousness.‖ He expelled seven men from the Senate on various charges of immorality and penalized through taxation the acquisition of such luxuries as expensive clothing, jewelry, carriages, and fancy slaves. The worry about luxury was widespread, as evidenced by the passage of a series of sumptuary laws supported by Cato. During the depths of the Second Punic War the Oppian law (215) was passed to meet the financial crisis by restricting the jewelry and clothing women were allowed to wear; in 195, after the crisis, the law was repealed despite Cato’s protests. Later sumptuary laws were motivated not by military crisis but by a sense of the dangers of luxury: the Orchian law (182) limited the lavishness of banquets; the Fannian law (161) strengthened the Orchian provisions, and the Didian law (143) extended the limits to all Italy. A similar sense of the dangers of wealth may also have prompted the lex Voconia (169), which prohibited Romans of the wealthiest class from naming women as heirs in their wills. The laws and censorial actions ultimately could not restrain changes in Roman mores. Economic conditions had been irreversibly altered by conquest; the magnitude of conspicuous consumption is suggested by a senatorial decree of 161 that restricted the weight of silver tableware in a banquet to 100 pounds—10 times the weight for which Publius Cornelius Rufinus was punished in 275. Moreover, the very competitiveness that had traditionally marked the senatorial aristocracy ensured the spread of cultural innovations and new forms of conspicuous consumption among the elite. In contrast to the austere Cato, other senators laid claim to prestige by collecting Greek art and books brought back by conquering armies, by staging plays modeled on Greek drama, and by commissioning literary works, public buildings, and private sculptural monuments in a Greek style. Whereas the influence of Greek high culture was felt principally in a small circle of elite Romans who had the wealth to acquire Greek art and slaves and the leisure and education to read Greek authors, the influence of religions from the eastern Mediterranean was perceived as potentially subversive to a far wider audience.
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