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Social Media, Development and Governance Academy of ICT Essentials for Government Leaders
Academy of ICT Essentials for Government Leaders Social Media, Development and Governance Academy of ICT Essentials for Government Leaders Social Media, Development and Governance This work is available open access by complying with the Creative Commons license created for inter-governmental organizations, available at: http://creativecommons.org/licenses/by/3.0/ igo/ Publishers must remove the United Nations emblem from their edition and create a new cover design. Translations must bear the following disclaimers: “The present work is an unofficial translation for which the publisher accepts full responsibility.” Publishers should email the file of their edition to [email protected] Photocopies and reproductions of excerpts are allowed with proper credits. Disclaimers: The views expressed herein are those of the authors, and do not necessary reflect the views of the United Nations. This publication has been issued without formal editing, and the designations employed and material presented do not imply the expression of any opinion whatsoever on the part of the Secretariat of the United Nations concerning the status of any country, territory, city or area, or of its authorities, or concerning the delimitation of its frontiers or boundaries. Mention of firm names and commercial products does not imply the endorsement of the United Nations. This publication may be reproduced in whole or in part for educational or non-profit purposes without special permission from the copyright holder, provided that the source is acknowledged. APCICT would appreciate receiving a copy of any publication that uses this publication as a source. No use may be made of this publication for resale or any other commercial purpose whatsoever without prior permission. -
Media Approved
Film and Video Labelling Body Media Approved Video Titles Title Rating Source Time Date Format Applicant Point of Sales Approved Director Cuts 12 Dogs of Christmas 2 PG FVLB 98.00 19/10/2012 DVD Revolution Entertainment Kieth Merrill No cut noted Slick Yes 19/10/2012 12 Dogs of Christmas,The G FVLB 103.00 19/10/2012 DVD Revolution Entertainment Kieth Merrill No cut noted Slick Yes 19/10/2012 12 Wishes of Christmas G FVLB 85.00 09/10/2012 DVD Madman Entertainment Peter Sullivan No cut noted Slick Yes 09/10/2012 16 Candles PG Coarse language FVLB 93.00 16/10/2012 Bluray Universal Pictures Video John Hughes No cut noted Awaiting POS No 19/10/2012 2 Broke Girls Season 1 Plus WB TV Sampler Disk M Violence and sexual references FVLB 517.00 02/10/2012 Bluray Warner Bros Video Various No cut noted Awaiting POS No 03/10/2012 2 or 3 Things I Know About Her M FVLB 84.00 09/10/2012 DVD Roadshow Entertainment Jean-Luc Godard No cut noted Slick Yes 09/10/2012 21 Jump Street - Complete Season One M Drug use and violence FVLB 581.00 11/10/2012 DVD Magna Home Entertainment Various No cut noted Slick Yes 11/10/2012 21 Jump Street - Complete Season Two M Drug use and violence FVLB 978.00 11/10/2012 DVD Magna Home Entertainment Various No cut noted Slick Yes 11/10/2012 21st Century War Machines PG Violence FVLB 235.00 16/10/2012 DVD Roadshow Entertainment Roger Owen No cut noted Slick Yes 16/10/2012 30 Rock Season 6 M Sexual references FVLB 453.00 25/10/2012 DVD Universal Pictures Video Tina Fey No cut noted Slick Yes 25/10/2012 2nd Slick Yes 25/10/2012 -
Artnodes E-JOURNAL on ART, SCIENCE and TECHNOLOGY
artnodes E-JOURNAL ON ART, SCIENCE AND TECHNOLOGY http://artnodes.uoc.edu No. 24 (July 2019) ISSN 1695-5951 artnodes E-JOURNAL ON ART, SCIENCE AND TECHNOLOGY http://artnodes.uoc.edu Artnodes No. 24 (July 2019) ISSN 1695-5951 Contents La gestión matemática de la sinceridad. Algoritmos y veridicción Jorge Luis Marzo . 1-12 NODE “AFTER THE POST-TRUTH” La interfaz como alesthesis: la verdad como organización sensible Ester Jordana and Ramon Rispoli . 13-21 On Altpedias: partisan epistemics in the encyclopaedias of alternative facts Emillie V. de Keulenaar, Marc Tuters, Ivan Kisjes and Kaspar von Beelen . 22-33 Recycling old strategies and devices What remains, an art project addressing disinformation campaigns (re)using strategies to delay industry regulation Marloes de Valk . 34-43 Objeto patológico / objeto panóptico Diseño para la transparencia y la optimización en dispositivos ponibles Alicia de Manuel Lozano . 44-52 ¿Qué prueba una imagen? Raúl León-Mendoza. 53-63 You are the controller: ubiquitous interfaces and interactive digital media art installations Phaedra Shanbaum . 64-71 New ways of hiding: towards metainterface realism Søren Bro Pold . 72-82 From object to process Interface politics of networked computerization Jan Distelmeyer. 83-90 Post-truth politics in the Middle East: the case studies of Syria and Turkey Gabriele Cosentino and Berke Alikasifoglu. 91-100 Artnodes, No. 24 (2019) I ISSN 1695-5951 A UOC scientific e-journal Universitat Oberta de Catalunya artnodes http://artnodes.uoc.edu Entre fakes y factoids: la condición de lo falso en la difusa esfera del arte contemporáneo tras la era de la posverdad Ricardo González-García . -
Analyzing Forum Members by Their Comments∗
Proceedings of the 11th International Conference on Applied Informatics Eger, Hungary, January 29–31, 2020, published at http://ceur-ws.org Analyzing Forum Members by Their Comments∗ Bianka Nagy, Attila Kiss ELTE Eötvös Loránd University, Faculty of Informatics, Budapest, Hungary [email protected] [email protected] Abstract In the paper we present a forum analysis from the messages of the users in Hungarian forum topics. We represent the life of a forum topic, and the peoples inside the forum. We make categories and analyze the users from their word usage. For a user, we want to represent them with their common words, their most important sentences, plus we can compare them to another user or to the average of the topic behaviors. The paper analyzes the differences from the average word usage and the average behaviors in the topic and represent it in given time, and in a timeline. We can represent a forum topic’s life. Keywords: social network analysis, centrality, social influence, natural lan- guage processing, outlier, hidden conversation MSC: 91D30, 68U15, 62H30 1. Introduction Forums and social networking sites contain a huge amount of text information about members. Analyzing these texts is also important from a practical point of view, as you can explore the impact that events and products can have on different user groups [1]. Analyzes can also help influence individuals, as seen in politics and corporate campaigns that try to get customers to buy new products and services. Influence is now being done by bots, programs that, for some purpose, comment on messages that try to influence a community’s beliefs, thereby hacking natural communication [7]. -
Foreign Visitors and the Post-Stalin Soviet State
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2016 Porous Empire: Foreign Visitors And The Post-Stalin Soviet State Alex Hazanov Hazanov University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the History Commons Recommended Citation Hazanov, Alex Hazanov, "Porous Empire: Foreign Visitors And The Post-Stalin Soviet State" (2016). Publicly Accessible Penn Dissertations. 2330. https://repository.upenn.edu/edissertations/2330 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/2330 For more information, please contact [email protected]. Porous Empire: Foreign Visitors And The Post-Stalin Soviet State Abstract “Porous Empire” is a study of the relationship between Soviet institutions, Soviet society and the millions of foreigners who visited the USSR between the mid-1950s and the mid-1980s. “Porous Empire” traces how Soviet economic, propaganda, and state security institutions, all shaped during the isolationist Stalin period, struggled to accommodate their practices to millions of visitors with material expectations and assumed legal rights radically unlike those of Soviet citizens. While much recent Soviet historiography focuses on the ways in which the post-Stalin opening to the outside world led to the erosion of official Soviet ideology, I argue that ideological attitudes inherited from the Stalin era structured institutional responses to a growing foreign presence in Soviet life. Therefore, while Soviet institutions had to accommodate their economic practices to the growing numbers of tourists and other visitors inside the Soviet borders and were forced to concede the existence of contact zones between foreigners and Soviet citizens that loosened some of the absolute sovereignty claims of the Soviet party-statem, they remained loyal to visions of Soviet economic independence, committed to fighting the cultural Cold War, and profoundly suspicious of the outside world. -
Quick Guide Is Online
SAN DIEGO SAN DIEGO MARRIOTT CONVENTION MARQUIS & MARINA CENTER JULY 18–21 • PREVIEW NIGHT JULY 17 QUICKQUICK GUIDEGUIDE SCHEDULE GRIDS • EXHIBIT HALL MAP • CONVENTION CENTER & HOTEL MAPS HILTON SAN DIEGO BAYFRONT MANCHESTER GRAND HYATT ONLINE EDITION INFORMATION IS SUBJECT TO CHANGE MAPu HOTELS AND SHUTTLE STOPS MAP 1 28 10 24 47 48 33 2 4 42 34 16 20 21 9 59 3 50 56 31 14 38 58 52 6 54 53 11 LYCEUM 57 THEATER 1 19 40 41 THANK YOU TO OUR GENEROUS SHUTTLE 36 30 SPONSOR FOR COMIC-CON 2013: 32 38 43 44 45 THANK YOU TO OUR GENEROUS SHUTTLE SPONSOR OF COMIC‐CON 2013 26 23 60 37 51 61 25 46 18 49 55 27 35 8 13 22 5 17 15 7 12 Shuttle Information ©2013 S�E�A�T Planners Incorporated® Subject to change ℡619‐921‐0173 www.seatplanners.com and traffic conditions MAP KEY • MAP #, LOCATION, ROUTE COLOR 1. Andaz San Diego GREEN 18. DoubleTree San Diego Mission Valley PURPLE 35. La Quinta Inn Mission Valley PURPLE 50. Sheraton Suites San Diego Symphony Hall GREEN 2. Bay Club Hotel and Marina TEALl 19. Embassy Suites San Diego Bay PINK 36. Manchester Grand Hyatt PINK 51. uTailgate–MTS Parking Lot ORANGE 3. Best Western Bayside Inn GREEN 20. Four Points by Sheraton SD Downtown GREEN 37. uOmni San Diego Hotel ORANGE 52. The Sofia Hotel BLUE 4. Best Western Island Palms Hotel and Marina TEAL 21. Hampton Inn San Diego Downtown PINK 38. One America Plaza | Amtrak BLUE 53. The US Grant San Diego BLUE 5. -
March 18-20, 2011 Valley Forge Convention Center King of Prussia, PA Event Overview
Zenkaikon V Press Kit March 18-20, 2011 Valley Forge Convention Center King of Prussia, PA Event Overview Description Zenkaikon, an annual convention celebrating Japanese animation (anime), comics (manga), and pop culture, is returning to Valley Forge for its fifth anniversary event. It features a variety of programming including anime and live action screenings, discussion panels, workshops, costume competitions, concerts by musical guests, game shows, video and table-top gaming, vendors, artists and more. Japanese goth band Rose Noire will be making their U.S. debut at the convention. Other guests for Zenkaikon V include voice actor and musican Vic Mignogna (FullMetal Alchemist, Vampire Knight), voice actor Todd Haberkorn (Ouran High School Host Club, Hetalia: Axis Powers), New York band Gelatine, standup comedian “Uncle Yo”, author CJ Henderson, webcomic artist Onezumi, and more. www.zenkaikon.com Location Valley Forge Convention Center and Scanticon Hotel & Conference Center 1160 First Avenue King of Prussia, PA 19406 Dates Friday, March 18, 2011, 11 a.m. to 2 a.m. Saturday, March 19, 2011, 9 a.m. to 2 a.m. Sunday, March 20, 2011, 9 a.m. to 4 p.m. Cost Friday $25, Saturday $35, Sunday $25, Three Day $55 Contact Kristyn Souder Head of Communications (267) 536-9566 [email protected] Page 1 of 8 Background History and Mission Zenkaikon was founded in 2006 by the merging of two local events, Kosaikon – an anime convention held at Villanova University – and Zentrancon – an anime and science fiction convention held on the University of Pennsylvania campus. Kosaikon held its first event in 2003, where 75 individuals came together to celebrate their interest in Japanese animation. -
0X0a I Don't Know Gregor Weichbrodt FROHMANN
0x0a I Don’t Know Gregor Weichbrodt FROHMANN I Don’t Know Gregor Weichbrodt 0x0a Contents I Don’t Know .................................................................4 About This Book .......................................................353 Imprint ........................................................................354 I Don’t Know I’m not well-versed in Literature. Sensibility – what is that? What in God’s name is An Afterword? I haven’t the faintest idea. And concerning Book design, I am fully ignorant. What is ‘A Slipcase’ supposed to mean again, and what the heck is Boriswood? The Canons of page construction – I don’t know what that is. I haven’t got a clue. How am I supposed to make sense of Traditional Chinese bookbinding, and what the hell is an Initial? Containers are a mystery to me. And what about A Post box, and what on earth is The Hollow Nickel Case? An Ammunition box – dunno. Couldn’t tell you. I’m not well-versed in Postal systems. And I don’t know what Bulk mail is or what is supposed to be special about A Catcher pouch. I don’t know what people mean by ‘Bags’. What’s the deal with The Arhuaca mochila, and what is the mystery about A Bin bag? Am I supposed to be familiar with A Carpet bag? How should I know? Cradleboard? Come again? Never heard of it. I have no idea. A Changing bag – never heard of it. I’ve never heard of Carriages. A Dogcart – what does that mean? A Ralli car? Doesn’t ring a bell. I have absolutely no idea. And what the hell is Tandem, and what is the deal with the Mail coach? 4 I don’t know the first thing about Postal system of the United Kingdom. -
Social Media and the Post-Truth World Order the Global Dynamics of Disinformation
Social Media and the Post-Truth World Order The Global Dynamics of Disinformation Gabriele Cosentino Social Media and the Post-Truth World Order “If the post-truth order is primarily marked by a generalized loss of trust in traditional sources of authority and information as well as a growing fragmen- tation of the media sphere, this book convincingly argues that the truth of the post-truth condition is not to be found in the details but within a global dis- cursive space where state and non-state actors, established powers and emerging political networks, build surprising alliances to hegemonize the public sphere and upend the post-1989 world order.” —Marco Deseriis, Assistant Professor, Scuola Normale Superiore Florence, Italy “Finally, we have a theory of post-truth that emerges from an international or global analysis. In this excellent development of empirically-grounded post-truth theory, Cosentino moves from well-known cases such as Pizzagate and Russian trolls in the U.S. 2016 presidential election, to cases that have received little to no attention in media and political communication studies, such as the “White Helmets” rumors amplified by Russian media in the Syrian civil war, the Face- book hate speech campaign against the Rohingya Muslim minority in Myanmar, and the disinformation apparatus that propelled Bolsonaro to power in Brazil. Cosentino’s analysis is also unique in its attention to the use of an array of platforms and spaces of media that are exploited for disinformative and misin- formative purposes, including 4chan and 8chan, Whatsapp, Facebook, Twitter, in addition to traditional news media. -
Culture Warlords, Such As It Is, Be Part Revenge, Part Explainer, and Partly the Story of What Hate Does to Those Who Observe It and Those Who Manufacture It
Contents Cover Title Page Copyright Dedication Epigraph Introduction Chapter 1: On Hating Chapter 2: The Jews Chapter 3: Boots on for the Boogaloo Chapter 4: Operation Ashlynn Chapter 5: Adventures with Incels Chapter 6: That Good Old-Time Religion Chapter 7: Tween Racists, Bad Beanies, and the Great Casino Chase Chapter 8: Getting to the Boom: On Accelerationism and Violence Chapter 9: Antifa Civil War Chapter 10: We Keep Us Safe Afterword Discover More Acknowledgments Endnotes Copyright © 2020 by Talia Lavin Cover design by Keith Hayes Cover copyright © 2020 by Hachette Book Group, Inc. Hachette Book Group supports the right to free expression and the value of copyright. The purpose of copyright is to encourage writers and artists to produce the creative works that enrich our culture. The scanning, uploading, and distribution of this book without permission is a theft of the author’s intellectual property. If you would like permission to use material from the book (other than for review purposes), please contact [email protected]. Thank you for your support of the author’s rights. Hachette Books Hachette Book Group 1290 Avenue of the Americas New York, NY 10104 HachetteBooks.com Twitter.com/HachetteBooks Instagram.com/HachetteBooks First Edition: October 2020 Published by Hachette Books, an imprint of Perseus Books, LLC, a subsidiary of Hachette Book Group, Inc. The Hachette Books name and logo is a trademark of the Hachette Book Group. The Hachette Speakers Bureau provides a wide range of authors for speaking events. To find out more, go to www.hachettespeakersbureau.com or call (866) 376-6591. -
Programme 2004 Edition 1 Jan Van Eyck Academie
Programme 2004 Edition 1 Jan van Eyck Academie Contents 5 Introduction Research projects 10 Authoring the City 11 CLiC 12 Meta Haven Sealand Identity Project 13Micropolis 14 Publications and Resonances 15 Trichtlinnburg 16 UbiScribe Researchers, advising researchers and staff 18 A– 20 B– 35 C– 40 D– 42 E– 43 F– 46 G– 48 H– 55 I– 56 J– 58 K– 65 L– 74 M– 82 N– 83 P– 85 R– 88 S– 95 T– 99 U– 100 V– 105 W– 108 Directory Introduction: Post-academic institute? Research and production? Fine art, design and theory? ~ ‘Never yet has this institute had the time to get used to its past’ – it is the first sentence of the preface of a former director at the Jan van Eyck Academie, and also one of the last sentences from the argument of another former director at the same institute. William Graatsma and Ko Sarneel are right: the history of the Jan van Eyck has been turbulent. There has never been much time to look back. If I mention that the Jan van Eyck was founded in 1948 as a catholic ‘academy for education in fine art and applied art’ with a view to ‘promote and extend art education in the widest sense of the word on a catholic foundation’ then this provides an immediate indication about the drastic changes which have occurred in Maastricht. And how much the people there have always looked to the future. This would remain the same also after the directorships of Sarneel and Graatsma. The Jan van Eyck has simply continued reformulating its own principles and practices. -
Abstract Political Science Fuller, Frank R. B.A
ABSTRACT POLITICAL SCIENCE FULLER, FRANK R. B.A. OGLETHORPE U1JIVERSITY, 2000 M.S. GEORGIA INSTITUTE OF TECHNOLOGY, 2001 THE ATOMIC BOMB: REFLECTIONS IN JAPANESE MANGA AND ANIME Committee Chair: Robert B. DeJanes, Ph.D. Dissertation dated May 2012 This study examines post-World War II “anime” and manga based on the bomb’s after-effects and changes in Japanese mindsets resulting from the War, especially as inspired by Osamu Tezuka and later artists influenced by his works. This study theorized that Japanese political culture elements, through particular plotlines, could be traced in manga and anime themes carrying hidden messages repeatedly referencing the bomb’s effects on Japan, citing Tezuka’s influence, in the 1945-65 and 1985-95 periods, in the post-apocalyptic, science fiction, and fantasy genres. Case studies were used to qualitatively assess data for historical evidence of Tezuka’s influence across specific genres, from scholarly studies and reviews of manga. comics, and related media. Evidence ofTezuka-inspired themes, such as hope out of endless devastation (the phoenix analogy) and man’s destructive obsession with technology by conquering nature (dependent variables), were analyzed from a comparativist, historical viewpoint, as influenced by atomic bomb-related themes. The researcher explains the Japanese fascination with technology and why many anime show status quo disagreements. Japan absorbed trauma from the bomb, was invaded by foreigners, and faced a complete overhaul. Post-war, the economy grew rapidly, but Japan must reduce rigidity and social conformity. The Japanese are aware of the US role in their dual defense arrangement; Japan felt discomfort as a junior-partner in the 1950s-60s.