Ancient and New Arabic Loans in Chadic Sergio Saldi
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Lolita PETRULION TRANSLATION of CULTURE-SPECIFIC ITEMS
VYTAUTAS MAGNUS UNIVERSITY INSTITUTE OF THE LITHUANIAN LANGUAGE Lolita PETRULION TRANSLATION OF CULTURE-SPECIFIC ITEMS FROM ENGLISH INTO LITHUANIAN AND RUSSIAN: THE CASE OF JOANNE HARRIS’ GOURMET NOVELS Doctoral Dissertation Humanities, Philology (04 H) Kaunas, 2015 UDK 81'25 Pe-254 This doctoral dissertation was written at Vytautas Magnus University in 2010-2014 Research supervisor: Prof. Dr. Ingrida Egl Žindžiuvien (Vytautas Magnus University, Humanities, Philology 04 H) ISBN 978-609-467-124-1 2 VYTAUTO DIDŽIOJO UNIVERSITETAS LIETUVI KALBOS INSTITUTAS Lolita PETRULION KULTROS ELEMENT VERTIMAS IŠ ANGL LIETUVI IR RUS KALBAS PAGAL JOANNE HARRIS GURMANIŠKUOSIUS ROMANUS Daktaro disertacija, Humanitariniai mokslai, filologija (04 H) Kaunas, 2015 3 Disertacija rengta 2010-2014 metais Vytauto Didžiojo universitete Mokslin vadov: prof. dr. Ingrida Egl Žindžiuvien (Vytauto Didžiojo universitetas, humanitariniai mokslai, filologija 04 H) 4 Acknowledgements First and foremost, I would like to express my deepest gratitude to my research supervisor Prof. Dr. Ingrida Egl Žindžiuvien for her excellent guidance and invaluable advices. I would like to thank her for being patient, tolerant and encouraging. It has been an honour and privilege to be her first PhD student. I would also like to thank the whole staff of Vytautas Magnus University, particularly the Department of English Philology, for both their professionalism and flexibility in providing high-quality PhD studies and managing the relevant procedures. Additional thanks go to the reviewers at the Department, Assoc. Prof. Dr. Irena Ragaišien and Prof. Dr. Habil. Milda Julija Danyt, for their valuable comments which enabled me to recognize the weaknesses in my thesis and make the necessary improvements. I would like to extend my sincere thanks to my home institution, Šiauliai University, especially to the Department of Foreign Languages Studies, who believed in my academic and scholarly qualities and motivated me in so many ways. -
Options for a National Culture Symbol of Cameroon: Can the Bamenda Grassfields Traditional Dress Fit?
EAS Journal of Humanities and Cultural Studies Abbreviated Key Title: EAS J Humanit Cult Stud ISSN: 2663-0958 (Print) & ISSN: 2663-6743 (Online) Published By East African Scholars Publisher, Kenya Volume-2 | Issue-1| Jan-Feb-2020 | DOI: 10.36349/easjhcs.2020.v02i01.003 Research Article Options for a National Culture Symbol of Cameroon: Can the Bamenda Grassfields Traditional Dress Fit? Venantius Kum NGWOH Ph.D* Department of History Faculty of Arts University of Buea, Cameroon Abstract: The national symbols of Cameroon like flag, anthem, coat of arms and seal do not Article History in any way reveal her cultural background because of the political inclination of these signs. Received: 14.01.2020 In global sporting events and gatherings like World Cup and international conferences Accepted: 28.12.2020 respectively, participants who appear in traditional costume usually easily reveal their Published: 17.02.2020 nationalities. The Ghanaian Kente, Kenyan Kitenge, Nigerian Yoruba outfit, Moroccan Journal homepage: Djellaba or Indian Dhoti serve as national cultural insignia of their respective countries. The https://www.easpublisher.com/easjhcs reason why Cameroon is referred in tourist circles as a cultural mosaic is that she harbours numerous strands of culture including indigenous, Gaullist or Francophone and Anglo- Quick Response Code Saxon or Anglophone. Although aspects of indigenous culture, which have been grouped into four spheres, namely Fang-Beti, Grassfields, Sawa and Sudano-Sahelian, are dotted all over the country in multiple ways, Cameroon cannot still boast of a national culture emblem. The purpose of this article is to define the major components of a Cameroonian national culture and further identify which of them can be used as an acceptable domestic cultural device. -
Kanembu-Kaniri Relationship
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Hochschulschriftenserver - Universität Frankfurt am Main Berichte des Sonderforschungsbereichs 268, Band 8, Frankfurt a.M. 1996: 37-47 KANEMBU-KANURI RELATIONSHIP: A PROPOSAL1 Shettima Umara Bulakarima Abstract The paper takes recourse to oral tradition and linguistics to ascertain the assertion that the present-day Kanuri and Kanembu speech forms emerged from the same parent language. In determining the parent language, the descriptions of the various components (i.e. clans and ethnic groups) of Kanuri and Kanembu are given as a first basis and the relation of each dialect of Kanuri and Kanembu to the other (i.e. dialect contiguity) is demonstrated as a second basis. Taking into consideration the sociolinguistic background of both Kanuri and Kanembu, the brief history of their divergence, the strong contention of the Borno Ulama and the dialect contiguity of the data presented, the paper concludes that Kanuri and Kanembu are initially one and the same language with ancient classical Kanembu being the parent language. Kanembu-Kanuri relationship: a proposal Introduction The close genetic relationship of a group of languages referred to as Saharan, was recognised about one and a half centuries ago. This was evident in BARTH (1965), NACHTIGAL (1987), LUKAS (1951), TUCKER and BRYAN (1956), GREENBERG (1966) and CYFFER (1981, 1990, 1991). Based on the genetic classification model of LUKAS (1951), GREENBERG (1966), PETRACEK (1966, 1978 and 1979) and CYFFER (1981 and 1990), the Saharan languages can be modelled as fig. 1 below. 1 I am grateful to the following colleagues for their academic criticisms/contributions which brought the paper to its present stage: A. -
Copa America a Chance for Brazil to Make Good
Australia recover to beat Brazil despite Marta’s landmark goal FRIDAY, JUNE 14, 2019 PAGE 12 India, Kiwis remain unbeaten at World Cup CRICKET WORLD CUP as rain rules in Trent Bridge PAGE 13 ENGLAND VS WEST INDIES Qatar, Australia Copa America a chance for Copa 2020 for Brazil to make good DPA BERLIN After falling short at 2014 World Cup, the hosts have opportunity in front of their own fans INJURED Neymar is miss- ing for hosts Brazil but Li- onel Messi leads Argentina in their quest for a first title in 26 years as South America’s Copa America tournament kicks off on Friday. Expectations are not only high for five-time world cham- President of the South American pions Brazil to be in the final in football’s governing body the Maracana on July 7 or for CONMEBOL, Paraguayan Alejandro Messi to end his title drought Dominguez, at a press conference in with the national team. Sao Paulo, Brazil on Thursday. (AFP) Reigning champions Chile are seeking to become the first AFP team in 72 years to win the SAO PAULO tournament for the third con- secutive year, while teams like AUSTRALIA have accepted Uruguay and Colombia will be an invitation to take part in hoping to make an impression. next year’s Copa America After 12 years without a alongside Asian champi- title, much is at stake for Bra- ons Qatar, who make their zil’s Selecao in front of their debut in the South American own fans. tournament this weekend, Full-back Filipe Luis said: CONMEBOL announced on “We never thought about be- Thursday. -
Clothing Terms from Around the World
Clothing terms from around the world A Afghan a blanket or shawl of coloured wool knitted or crocheted in strips or squares. Aglet or aiglet is the little plastic or metal cladding on the end of shoelaces that keeps the twine from unravelling. The word comes from the Latin word acus which means needle. In times past, aglets were usually made of metal though some were glass or stone. aiguillette aglet; specifically, a shoulder cord worn by designated military aides. A-line skirt a skirt with panels fitted at the waist and flaring out into a triangular shape. This skirt suits most body types. amice amice a liturgical vestment made of an oblong piece of cloth usually of white linen and worn about the neck and shoulders and partly under the alb. (By the way, if you do not know what an "alb" is, you can find it in this glossary...) alb a full-length white linen ecclesiastical vestment with long sleeves that is gathered at the waist with a cincture aloha shirt Hawaiian shirt angrakha a long robe with an asymmetrical opening in the chest area reaching down to the knees worn by males in India anklet a short sock reaching slightly above the ankle anorak parka anorak apron apron a garment of cloth, plastic, or leather tied around the waist and used to protect clothing or adorn a costume arctic a rubber overshoe reaching to the ankle or above armband a band usually worn around the upper part of a sleeve for identification or in mourning armlet a band, as of cloth or metal, worn around the upper arm armour defensive covering for the body, generally made of metal, used in combat. -
A Study of Stambeli in Digital Media
SIT Graduate Institute/SIT Study Abroad SIT Digital Collections Independent Study Project (ISP) Collection SIT Study Abroad Spring 2019 A Study of Stambeli in Digital Media Nneka Mogbo Follow this and additional works at: https://digitalcollections.sit.edu/isp_collection Part of the African Languages and Societies Commons, African Studies Commons, Ethnomusicology Commons, Music Performance Commons, Religion Commons, Sociology of Culture Commons, and the Sociology of Religion Commons A Study of Stambeli in Digital Media Nneka Mogbo Mounir Khélifa, Academic Director Dr. Raja Labadi, Advisor Wofford College Intercultural Studies Major Sidi Bou Saïd, Tunisia Submitted in partial fulfillment of the requirements for Tunisia and Italy: Politics and Religious Integration in the Mediterranean, SIT Study Abroad Spring 2019 Abstract This research paper explores stambeli, a traditional spiritual music in Tunisia, by understanding its musical and spiritual components then identifying ways it is presented in digital media. Stambeli is shaped by pre-Islamic West African animist beliefs, spiritual healing and trances. The genre arrived in Tunisia when sub-Saharan Africans arrived in the north through slavery, migration or trade from present-day countries like Mauritania, Mali and Chad. Today, it is a geographic and cultural intersection of sub-Saharan, North and West African influences. Mogbo 2 Acknowledgements This paper would not be possible without the support of my advisor, Dr. Raja Labadi and the Spring 2019 SIT Tunisia academic staff: Mounir Khélifa, Alia Lamããne Ben Cheikh and Amina Brik. I am grateful to my host family for their hospitality and support throughout my academic semester and research period in Tunisia. I am especially grateful for my host sister, Rym Bouderbala, who helped me navigate translations. -
Nilo-Saharan’
11 Linguistic Features and Typologies in Languages Commonly Referred to as ‘Nilo-Saharan’ Gerrit J. Dimmendaal, Colleen Ahland, Angelika Jakobi, and Constance Kutsch Lojenga 11.1 Introduction The phylum referred to today as Nilo- Saharan (occasionally also Nilosaharan) was established by Greenberg (1963). It consists of a core of language families already argued to be genetically related in his earlier classiication of African languages (Greenberg 1955:110–114), consisting of Eastern Sudanic, Central Sudanic, Kunama, and Berta, and grouped under the name Macrosudanic; this language family was renamed Chari- Nile in his 1963 contribution after a suggestion by the Africanist William Welmers. In his 1963 classiication, Greenberg hypothesized that Nilo- Saharan consists of Chari- Nile and ive other languages or language fam- ilies treated as independent units in his earlier study: Songhay (Songhai), Saharan, Maban, Fur, and Koman (Coman). Bender (1997) also included the Kadu languages in Sudan in his sur- vey of Nilo-Saharan languages; these were classiied as members of the Kordofanian branch of Niger-Kordofanian by Greenberg (1963) under the name Tumtum. Although some progress has been made in our knowledge of the Kadu languages, they remain relatively poorly studied, and there- fore they are not further discussed here, also because actual historical evi- dence for their Nilo- Saharan afiliation is rather weak. Whereas there is a core of language groups now widely assumed to belong to Nilo- Saharan as a phylum or macro- family, the genetic afiliation of families such as Koman and Songhay is also disputed (as for the Kadu languages). For this reason, these latter groups are discussed separately from what is widely considered to form the core of Nilo- Saharan, Central Downloaded from https://www.cambridge.org/core. -
The Language of Fashion TITLES in the Bloomsbury Revelations Series
The Language of Fashion TITLES IN THE BLOOMSBURY REVELATIONS SERIES Aesthetic Theory, Theodor W. Adorno Being and Event, Alain Badiou On Religion, Karl Barth The Language of Fashion, Roland Barthes The Intelligence of Evil, Jean Baudrillard I and Thou, Martin Buber Never Give In!, Winston Churchill The Boer War, Winston Churchill The Second World War, Winston Churchill In Defence of Politics, Bernard Crick Intensive Science and Virtual Philosophy, Manuel DeLanda A Thousand Plateaus, Gilles Deleuze and Félix Guattari Anti-Oedipus, Gilles Deleuze and Félix Guattari Cinema I, Gilles Deleuze Cinema II, Gilles Deleuze Taking Rights Seriously, Ronald Dworkin Discourse on Free Will, Desiderius Erasmus and Martin Luther Education for Critical Consciousness, Paulo Freire Marx’s Concept of Man, Erich Fromm and Karl Marx To Have or To Be?, Erich Fromm Truth and Method, Hans Georg Gadamer All Men Are Brothers, Mohandas K. Gandhi Violence and the Sacred, Rene Girard The Essence of Truth, Martin Heidegger The Eclipse of Reason, Max Horkheimer The Language of the Third Reich, Victor Klemperer Rhythmanalysis, Henri Lefebvre After Virtue, Alasdair MacIntyre Time for Revolution, Antonio Negri Politics of Aesthetics, Jacques Ranciere Course in General Linguistics, Ferdinand de Saussure An Actor Prepares, Constantin Stanislavski Building A Character, Constantin Stanislavski Creating A Role, Constantin Stanislavski Interrogating the Real, Slavoj Žižek Some titles are not available in North America. iv The Language of Fashion Roland Barthes Translated by Andy -
Rites Et Construction De L'identité Berbère. Les Rites Funéraires Dans
École des Hautes Études en Sciences Sociales École doctorale de l’EHESS Anthropologie Sociale et Ethnologie Thèse en co-tutelle - UNIOR Ferraro Rosa Rites et construction de l'identité berbère. Rituels funéraires et évolution des formes traditionnelles du rite au Maroc Thèse dirigée par: Yacine Tassadit et Di Tolla Anna Maria Date de soutenance : le 16-01-2017 Jury 1 Anna Maria Di Tolla – UNIOR 2 Tassadit Yacine – EHESS 3 Gianfranca Ranisio – UNINA 4 Enric Porquères – EHESS SYNTHÈSE DE LA THÈSE EN FRANÇAIS Remerciements D'abord, je veux remercier mes précieux, ponctuels et attentifs Tutor de ces années d'étude, le professeur Yacine Tassadit et le professeur Anna Maria Di Tolla. Elles m'ont conduit à travers les étapes délicates de la recherche, mais surtout m'ont transmis l'amour et le dévouement pour le monde et la culture berbère. Un grand merci aux trois Professeurs Saa Fouad, Abdelmounïm El Azouzi et Bassau Hamri, leurs suggestions et leur contribution ont été très précieux pour la réalisation du projet. Je voudrais aussi remercier mes médiateurs, interprètes et surtout mes amies Samira et Talia qui m'ont suivi, m'ont aidé et m'ont soutenu pendant toute la phase de recherche sur le terrain au Maroc. — 3 — Résumé et mots clés Résumé Ce travail est le résultat d'une recherche croisée entre l'Italie et le Maroc, limité à un restreinte environnement géographique, à savoir, la ville de Maddaloni dans la région Campanie, et les deux provinces du Maroc, Beni Mellal et Khouribga, lieux d'où vient la plupart des migrants marocains qui vit dans le sud de l'Italie. -
Jonathan Friedlander Collection of Middle Eastern Americana, 1875-2006
http://oac.cdlib.org/findaid/ark:/13030/kt4779r5hf Online items available Finding Aid for the Jonathan Friedlander collection of Middle Eastern Americana, 1875-2006 Processed by Lorraine Pratt (2006), Sina Rahmadi (2007), and Audra Eagle (2008) in the Center for Primary Research and Training (CFPRT), with assistance from Kelley Bachli, 2008; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Email: [email protected] URL: http://www.library.ucla.edu/libraries/special/scweb/ © 2008 The Regents of the University of California. All rights reserved. Finding Aid for the Jonathan 1314 1 Friedlander collection of Middle Eastern Americana, 1875-2006 Descriptive Summary Title: Jonathan Friedlander collection of Middle Eastern Americana Date (inclusive): 1875-2006 Collection number: 1314 Creator: Friedlander, Jonathan. Extent: 33 boxes (16.5 linear feet)21 oversize boxes Abstract: The several thousand items contained in the Middle Eastern Americana collection document the substantial and significant presence of the Middle East in the annals of American popular culture. Over the course of more than 150 years and well into the present public interest in the Middle East has engendered a consumer appetite for a material culture that ranges from popular fiction and cinema to tobacco and coffee. In all its parts and subsets this diverse and multifaceted collection is geared for academic research and scholarly exploration of issues related to the representation of the Middle East in various popular culture domains including literature, cinema, music, photography, graphics and visual art, the performing arts, and entertainment. -
Adaptation and Delimitation Some Thoughts About the Kanurization of the Gamergu
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Hochschulschriftenserver - Universität Frankfurt am Main Berichte des Sonderforschungsbereichs 268, Band 8, Frankfurt a. M. 1996: 49-66 ADAPTATION AND DELIMITATION SOME THOUGHTS ABOUT THE KANURIZATION OF THE GAMERGU Norbert Cyffer, Doris Löhr, Editha Platte and Abba Isa Tijani Introduction The area around the Lake Chad is characterized as an example for a region where ethnic changes abundantly took place and still do. For example some Kanuri districts, or the leaders of those districts, are (unofficially) named after other ethnic names (e.g. Margi, Shuwa) or Kanuri clan names are identical with ethnic names of other groups, eg. Tera, Bade. Both people speak a Chadic language and live in the south and west of the Kanuri respectively. These are indications that the Kanuri formerly absorbed and integrated these peoples. These processes are not only a phenomenon of the past. In the case of the neighbouring Gamergu people an ongoing process of ethnic change towards a Kanuri identity is observed until present. The research projects1 have revealed that the concept of "ethnic units" is far from being static which the term may suggest. This especially applies to the German Stamm, which implies a static concept of ethnicity. However, in Borno the dynamics of ethnic and linguistic change are prevailing. Therefore Ronald Cohen rejected the term "ethnic unit", or even "tribe" for the Kanuri and preferred "nation" instead (COHEN 1967). Umara Bulakarima argued along the same line but used "ethnic group" for Kanuri sub-units, e.g. -
SOUNDSCAPES: the Arab World Vocabulary
SOUNDSCAPES: The Arab World Vocabulary ADHAN The Islamic call to prayer. MAFRAJ A window‐lined room at the AL‐ANDALUS Around 1000 CE, the area now top of a house. called Spain and part of North MAGHREB The North African dessert. Africa. MAQAM Scales and notes that define AL‐QAHIRAH The Arabic name for Cairo, Arabic music tonality. Egypt. MINARET Part of a MOSQUE, a tower ARDHA A traditional Arabic dance, used for communication. common in Saudi Arabia. MIZHWIZ A double‐pipe double‐reed AS‐SANTOOR A multi‐stringed instrument wind instrument. played with wooden sticks. MIZMAR A single‐pipe double‐reed wind BEDOUIN Nomadic people of the Arabian instrument. and North African desert. MOSQUE An Islamic place of worship. BENDIR A round, flat, wooden‐framed NAY An end‐blown wind instrument. drum. OSTINATO Italian musical term for a BERBER Indigenous people of the North repeating pattern. African desert OUD/AL‐‘UD A pear‐shaped string CHA’ABI/SHA’ABI A style of dance and music instrument, similar to a lute. popular in some poorer Arab QANUN A large, flat multi‐stringed communities. instrument. DABKE A traditional line dance, RABABEH A single‐stringed bowed fiddle. popular in Lebanon. REBEC The European version of the DALOONAH Improvised music often used REBABEH, precursor to the with DABKE. violin. DERVISH Devout SUFI Muslims, similar to RIQ/TAR A round, flat, wooden‐framed Christian monks. drum with jingling plates DJELLABA A tunic, often worn by BERBER around the rim, similar to a men. tambourine. DJEMBE A West African drum, similar to SAWT A bluesy style of Arabic music, a DUMBEK.