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La route des Indes : l’Inde s’invite en bibliothèque नमस् त Namaste े La route des Indes L’association des bibliothèques du Val d’Oise « Cible 95 » propose, pour débuter le printemps, une programmation autour de la culture indienne. Concerts, expositions, lectures, danse, films vous sont proposés dans différentes bibliothèques du Val d’Oise. La B.E.I. vous propose du 19 mars au 9 avril des ateliers d’initiation aux légendaires percussions indiennes, les tabla. Un concert du groupe gitan du Rajasthan, Kerap, accompagné de sa danseuse vous est offert le samedi 18 juin. Qui n'a pas rêvé, en regardant un film de Bollywood, de prendre place sur un tapis et de se laisser emporter sur la route des Indes ? C’est à une invitation au voyage que la Discothèque de la B.E.I. vous convie. Laissez vous guider à travers notre sélection de CD, DVD, livres et sites web. photo © 2008 McKay Savage Histoire de la musique indienne Intimement liée à la religion et à la mythologie, la musique indienne prend sa source dans les Véda, les textes sacrés de la tradition indienne écrits entre 4000 et 1000 avant Jesus-Christ. C'est par la musique que Brahmâ créa l'univers. Le raga (« passion » en sanscrit) est un concept commun à toute la musique indienne. Fondé sur une échelle de 5, 6 ou 7 notes, le raga intègre des ornements mélodiques et des microtons Chaque raga comporte des règles strictes, des tons immuables et des phrases caractéristiques. L’équilibre du monde est maintenu en jouant des ragas à des moments précis du jour ou de la nuit. Du 13ème au 16ème siècle, l’invasion musulmane au Nord du pays scinde la musique indienne en 2 traditions distinctes : Influencée par les styles arabo-persan, la musique du Nord de l’Inde, appelée musique « hindoustani » est interprétée en trois langues : hindi, sanskrit et urdu. Au Sud de l’Inde, la musique est restée fidèle aux principes ancestraux, loin de toute influence extérieure. Son évolution a donné le style "carnatique " ("ancien" dans la langue tamoul). Les bases de la musique indienne Composée de 7 notes (swaras) : Sa, Re, Ga, Ma, Pa, Da, Ni , la gamme indienne est en relation avec les bruits de la nature. La singularité de la musique indienne par rapport à la musique occidentale est que la hauteur (en terme de fréquence) du Sa n'est pas fixée. C'est l'instrumentiste qui décide de sa position et qui accorde son instrument en conséquence. Cette variation constitue le principe fondamental de l'exécution des râgas (thème sur lequel on peut improviser et que l'on retrouve tout au long de l'exécution sous différentes formes. ). Il existe 3 octaves dans la musique indienne : un grave, un médium, un aigu. L'Inde possède le système rythmique le plus sophistiqué au monde. La manière de frapper les percussions est représentée par un monosyllabe singulier appelé bol. Les bols varient selon les modèles de percussion et le musicien doit mémoriser des variations complexes. Les râgas sont chantés aux différentes heures de la journée selon le sens des compositions et en fonction des sentiments évoqués. Chaque raga possède un climat qui lui est propre. Son exécution peut durer plusieurs dizaines de minutes voire plusieurs heures dans des cas exceptionnels. Source : http://tecfa.unige.ch/tecfa/teaching/UVLibre/9899/mar005/theorie.htm photo © 2009 Mostaque Chowdhury Les instruments de la musique indienne A part les incontournables tablas, la Flûte sitar et les flûtes indiennes, il existe de nombreux autres instruments dans la musique indienne comme : la vîna, le dilruba, le santoor, etc…. Sitar photo © 2009 Irene Stylianou Tablas photo © 2007 Dominic McGlinn photo © 2009 Jean-Pierre Dalbéra Musiques de films Devdas / B.O. du film de Sanjay Leela Bhansali / musique de Ismael Darbar 520 DEV Indiavision / génériques et mélodies du cinéma populaire indien 1966-1984 / Asha Bhosle ; Salma Agha ; Usha Iyer ; Lata Mangeshkar. 520 IND Slumdog millionaire / B.O. du film de Danny Boyle / musique de A.R. Rahman. 520 SLU Divers Bharati (Comédie musicale) Pasha Goshi, 2005. 511 BHA Sitar secrets / Al Gromer Khan New Earth, 2009. 554 KHA La musique populaire indienne Wanderklust / Kiran Ahluwalia 031.7 AHL Rishte / Najma Akhtar–Gary Lucas 031.7 AKH Bollywood Party 031.7 BOL India 031.7 IND Classic titles / Lata Mangeshkar 031.7 MAN Connections / A.R. Rahman 031.7 RAH Les nouvelles musiques d’inspiration traditionnelle Asian Groove 031.4 ASI Tabla tale / Shri Subhankar Banerjee 031.4 BAN Mahima / Debashish Bhattacharya - Bob Brozman 031.4 BHA Café Bombay 031.4 CAF Weaving my ancestor's voices / Sheila Chandra 031.4 CHA A Meeting by the river / Ry Cooder - Vishwa Mohan Bhatt 031.4 COO White note / Bickram Ghosh 031.4 GHO Fanfare de Calcutta / Mehbooba Band 031.4 MEH Barsaat / Musafir 031.4 MUS Tana Tani / Paban Das Baul 031.4 PAB The Album / Panjabi MC 031.4 PAN Musique traditionnelle indienne des Antilles / Cyrille Piddar-Apaïah 031.4 PID Love trap / Susheela Raman 031.4 RAM Salt rain / Susheela Raman 031.4 RAM Introducing / Nitin Sawhney 031.4 SAW Evening concert / Lakshmi Shankar 031.4 SHA Blueprint / Suphala 031.4 SUP Tabla Beat Science / 031.4 TAB Haveli / Mukta 1.MUK 70 Arular / M.I.A. 2.83 MIA Indian vibes (remix) 2.93 IND Karma culture : 21 asian pearls 2.93 KAR Bollywood trip / Leeroy 2.93 LEE OK / Talvin Singh 2.93 SIA Musique traditionnelle et de collectage Chants du Bengale 031.3 CHA Concerto for 20 sitars / Rash Behari Datta 031.3 DAT Flûtes du Rajasthan 031.3 FLU Inde - Rajasthan 031.3 IND Inde du Sud 031.3 IND Gayaki ang / Shujaat Husain Khan 031.3 KHA The soul of Indian Music / Ustad Ali Akbar Khan 031.3 KHA Sajda / Lata Mangeshkar ; Jagjit Singh 031.3 MAN Masters of percussion / Zakir Hussein 031.3 MAS Sitar virtuoso / Budhaditya Mukherjee 031.3 MUK Ravi Prasad & Pedro Soler 031.3 PRA Inde du Sud : percussions carnatiques 031.3 PRA Musique savante, rituelle ou religieuse Vocal / M. Balamuralikrishna ; T.H. "Vikku" Vinayakram 031.1 BAL At the Royal Festival Hall / Hariprasad Chaurasia 031.1 CHA Râgas du Nord et du Sud / Hariprasad Chaurasia 031.1 CHA Inde : chant dhrupad de la Dagarvani / Ustad Sayeeduddin Dagar 031.1 DAG La Flûte de Hariprasad Chaurasia 031.1 FLU Inde du Sud : musique carnatique / Ganesh 031.1 GAN Raga jaijaivanti / Buddhadev Das Gupta ; Debendra Kanti Chakrabarty 031.1 GUP Inde du Sud : Kerala / 031.1 IND Inde su Sud : Drames dansés 031.1IND Les musiques du Ramayana 031.1 IND Raga Darbari / Ustad Sabri Khan 031.1 KHA Raga jaijaivanti / Asad Ali Khan 031.1 KHA L’Art du Sitar / Pramod Kumar 031.1 KUM The king of Dhrupad / Ram Chatur Mallik 031.1 MAL Veena dreams / Raghunath Manet 031.1 MAN Veena recital, vol. 1 / Raghunath Manet 031.1 MAN Glories of dawn 031.1 MOR Rag Ramkali / Budhaditya Mukherjee ; Anindo Chatterjee 031.1 MUK Music from the shrines of Ajmer and Mundra 031.1 MUS Musiques du Rajasthan 031.1 MUS Pandit Ram Narayan 031.1 NAR Rag Bhupal Tori / Ram Narayan ; Suresh Talwalkar 031.1 NAR Râg Shankara / Ram Narayan ; Anindo Chatterjee 031.1 NAR Tabla / Sudhir Pandey 031.1 PAN Inde du Nord / Pandit Balaram Pathak 031.1 PAT Music in the ragas / N. Ramani ; T.S. Veeraraghavan 031.1 RAM Musique karnatique / Maharajapuram Santhanam 031.1 SAN Les heures et les saisons / Lakshmi Shankar 031.1 MUS Chant karnatique / Aruna Sayeeram 031.1 SAY Full circle / Ravi Shankar ; Anoushka Shankar 031.1 SHA Pandit Ravi Shankar 031.1 SHA Homage to Mahatma Gandhi / Ravi Shankar 031.1 SHA Master of Sitar / Ravi Shankar 031.1 SHA Raga kaushik kanada Alap/ Krishnamurti Sridhar 031.1 SRI L. Subramaniam en concert 031.1 SUB Veena / Chittibabu ; E. Gayathri 031.1 VEE Les musiques du Bangladesh, du Sri Lanka et des Maldives Chants mystiques Bâuls du Bangladesh 031.1 MIA Chants et percussions des Maldives [Disque] Ocora, 1980 F 93.20 MAL Sri Lanka [CD] : buddhist chant II : various rituals Jeclin , 1993. 031.1 SRI Les musiciens occidentaux inspirés par l’Inde Hear no evil / Bill Laswell 031.4 LAS Jivula / Titi Robin 000.4 ROB April / Suzanne Abbuehl 1.ABB Birds of fire / Mahavishnu Orchestra 1.MAH 70 Shakti with John McLaughlin 1.SHA 70 Turangalila-symphonie / Olivier Messiaen 3.MES 24 Le livre de la jungle / Charles Koechlin 3.KOE 27 Les disques pour enfants Le Chant des enfants du monde . vol.02 [CD] : Sud de l'Inde / sous la dir. de Francis Corpataux. Arion, 1994 710 CHA Chante...chante...chante...en Inde [CD] : 24 chansons traditionnelles de l' Inde . Enfance & Découvertes Pour les enfants de 2 à 6 ans. 710 CHA Pour en savoir plus Livres La musique de Shiva : la transcendance dans la musique indienne / Eric Schilling Paris : M. de Maule, 2010. 781.629.15 SCH Raga Mala : ma vie en musique / Ravi Shankar - Catherine Baldisserri Paris : Intervalles, 2010. 781.629.14 SHA La Musique de l'Inde du Nord / Alain Daniélou Paris : Buchet Chastel, 1985. 781.62614 DAN Bollywood Film Studio : ou comment les films se font à Bombay / Emmanuel Grimaud Paris : CNRS Editions, 2004. 791.430 85 GRI Les Cinémas de l'Inde / Yves Thoraval ; préf. de Catherine Clément Paris : Harmattan, 1998. 791.430 85 THO DVD Music from the Ganges : Bénares , musique du Gange [DVD Vidéo] / réalisé par Yves Billon. Universal Music , 2006. 781.6291 BIL Pandit Ravi Shankar : A man and his music [DVD Vidéo] / Ravi Shankar. IMC, 2002.
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    Travelling into History: The Travel Writing and Narrative History of William Dalrymple By Rebecca Dor gel o BA (Hons) Tas MA Tas Submitted in fulfilment of the r equi r ements for the Degr ee of Doctor of Philosophy University of Tasmani a July 2011 ii Declaration of Originality The thesis contains no material which has been accepted for a degree or diploma by the University or any other institution, except by way of background information and duly acknowledged in the thesis, and to the best of my k now l ed ge and bel i ef no mat er i al pr ev i ousl y publ i shed or w r i tten by another per son except w her e d ue ack now l ed gement i s made in the text of the thesis, nor does the thesis contain any material that infringes copyright. Si gned , Rebecca Dorgelo. 18 July 2011 Authority of Access The thesis may be made available for loan and limited copying in accordance w ith the Copyright Act 1968. Si g n ed , Rebecca Dorgelo. 18 July 2011 iii iv Abstract: “Travelling into History: The Travel Writing and N arrative History of William Dalrymple” Doctor of Philosophy. William Dalrymple is a popular, bestselling author, initially known for his travel writing and subsequently for his popular narrative histories. He is also a prolific journalist and reviewer. His major publications include: In Xanadu: A Quest (1990), City of Djinns: A Year in Delhi (1993), Fr om t he H ol y M ount ai n: A Jour ney i n t he Shadow of Byzant i um (1997), T he Age of Kali: Indian Travels & Encounters (1998), White M ughals: Lov e & Bet r ay al i n Ei ght een t h-Century India (2002), The Last M ughal : The Fal l of a Dynasty, Delhi, 1857 (2006), and N i n e L i v es: I n Sear ch of t he Sacr ed i n M odern India (2009).
  • Ragamala World Music 2017 Program Book

    Ragamala World Music 2017 Program Book

    RAGAMALA 2017: WELCOME SCHEDULE Ragamala 2017 A CELEBRATION OF INDIAN CLASSICAL MUSIC + DANCE For the 5th year, spanning 15 hours and featuring dozens of performers, Ragamala offers a FRIDAY, SEPTEMBER 8 - SATURDAY, SEPTEMBER 9 Presented in collaboration with Kalapriya Foundation, Center for Indian Performing Arts jaw-dropping assortment of Indian classical music from some of its greatest and emerging Ragamala: A Celebration of Indian Classical Music + Dance A CELEBRATION OF INDIAN CLASSICAL MUSIC + DANCE practitioners. Ragamala functions as the perfect, immersive introduction to the classical music Chicago Cultural Center, Preston Bradley Hall FRIDAY, SEPTEMBER 8 - SATURDAY, SEPTEMBER 9 of India. Not only are both the music of the north (Hindustani) and the south (Carnatic) + Millennium Park, Great Lawn FRIDAY, SEPTEMBER 8 - SATURDAY, SEPTEMBER 9 - 6:30PM-10AM Chicago Cultural Center represented, but listeners will also get the rare chance to hear ragas performed at the time of 78 E. Washington Street, 3rd Floor Preston Bradley Hall, 3rd Floor day they were originally composed for—a facet of the tradition lost in the west. 6:30pm-10am 78 E Washington Street Presented in collaboration with Kalapriya Foundation, Center for Indian Performing Arts 6:30pm-6:30am The word “raga” has a Sanskrit origin, meaning "coloring or dyeing". The term also connotes an Evolution of Songs from Indian Films: 1930-2017 emotional state referring to a "feeling, affection, desire, interest, joy or delight", particularly 6:30-7:30pm SATURDAY, SEPTEMBER 9 related to passion, love, or sympathy for a subject or something. In the context of ancient Anjali Ray, vocals with Rishi Thakkar, tabla and Anis Chandnani, harmonium Yoga + Gong Meditation Indian music it is often devotional and used as a prayer.
  • Triveni  and Children Below 6

    Triveni  and Children Below 6

    The Indian Music Society of Central Illinois Proudly Presents Free for IMS members Triveni and children below 6 Musical Trio Live in Concert Samanway Sarkar and Debapriya Adhikary, are two young artistes who have paired together to present their ‘ Sitar Vocal Jugalbandi’ which has won the admiration of connoisseurs’ world over. Currently both of them are disciples of the legendary Padmabhusan Girija Devi of Benaras Gharana. Sitar – Samanway a Sarkar was initiated into the art of sitar by his father Sri. Swapan Kumar Sarkar. At the young age of four, he began his lessons with Pt, Sasanka Bandopadhyay of the Senia Gharana. He then continued his training for twelve years under the able guidance of Pt. Manilal Nag and later trained with Pt.Shyamal Chattopadhyay and Pt. Kumar Prasad Mukhopadhyay. Samanway is currently an ‘A’ graded artiste of All India Radio. Vocal – Debapriya Adhikary was in itiated to Classical music by his parents and re ceived his primary training in vocal music from his mother, Smt. Anita Adhikary. He later studied under the tutelage of Pt. Samaresh Chawdhury of the Senia Gharana for fifteen years. In 2005 Debapriya received the Jnana Pravaha scholarship which allowed hi m the opportunity to gain invaluable guidance from stalwarts like Pt.Vijay Kichlu and Late Pt. Kumar Prasad Mukhopadhyay . Tabla – Rohit Mujumdar is a young, talented and promising Tabla player of this generation. He has been a disciple of Guru Taal-Yogi P t. Suresh Talwalkar since the the age of 11. Rohit is not only an accompanist, but is also an accomplished solo artist; he has performed solo concerts in many cities in India and has accompanied renowned vocalists like Padmashri Pt.
  • Alphabetical List of Persons for Whom Recommendations Were Received for Padma Awards - 2015

    Alphabetical List of Persons for Whom Recommendations Were Received for Padma Awards - 2015

    Alphabetical List of Persons for whom recommendations were received for Padma Awards - 2015 Sl. No. Name 1. Shri Aashish 2. Shri P. Abraham 3. Ms. Sonali Acharjee 4. Ms. Triveni Acharya 5. Guru Shashadhar Acharya 6. Shri Gautam Navnitlal Adhikari 7. Dr. Sunkara Venkata Adinarayana Rao 8. Shri Pankaj Advani 9. Shri Lal Krishna Advani 10. Dr. Devendra Kumar Agarwal 11. Shri Madan Mohan Agarwal 12. Dr. Nand Kishore Agarwal 13. Dr. Vinay Kumar Agarwal 14. Dr. Shekhar Agarwal 15. Dr. Sanjay Agarwala 16. Smt. Raj Kumari Aggarwal 17. Ms. Preety Aggarwal 18. Dr. S.P. Aggarwal 19. Dr. (Miss) Usha Aggarwal 20. Shri Vinod Aggarwal 21. Shri Jaikishan Aggarwal 22. Dr. Pratap Narayan Agrawal 23. Shri Badriprasad Agrawal 24. Dr. Sudhir Agrawal 25. Shri Vishnu Kumar Agrawal 26. Prof. (Dr.) Sujan Agrawal 27. Dr. Piyush C. Agrawal 28. Shri Subhash Chandra Agrawal 29. Dr. Sarojini Agrawal 30. Shri Sushiel Kumar Agrawal 31. Shri Anand Behari Agrawal 32. Dr. Varsha Agrawal 33. Dr. Ram Autar Agrawal 34. Shri Gopal Prahladrai Agrawal 35. Shri Anant Agrawal 36. Prof. Afroz Ahmad 37. Prof. Afzal Ahmad 38. Shri Habib Ahmed 39. Dr. Siddeek Ahmed Haji Panamtharayil 40. Dr. Ranjan Kumar Akhaury 41. Ms. Uzma Akhtar 42. Shri Eshan Akhtar 43. Shri Vishnu Akulwar 44. Shri Bruce Alberts 45. Captain Abbas Ali 46. Dr. Mohammed Ali 47. Dr. Govardhan Aliseri 48. Dr. Umar Alisha 49. Dr. M. Mohan Alva 50. Shri Mohammed Amar 51. Shri Gangai Amaren 52. Smt. Sindhutai Ramchandra Ambike 53. Mata Amritanandamayi 54. Dr. Manjula Anagani 55. Shri Anil Kumar Anand 56.