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PROFILE Besides Saniya Has Been Showered with Blessings And

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PROFILE Besides Saniya Has Been Showered with Blessings And PROFILE Born in the family of Music lovers, Saniya's talent was discovered by her parents at the tender age of 3, when she started playing songs on harmonium by herself. As an inborn Artist, since childhood, she had good understanding towards Swar and Laya. Her father is a violin player, mother is a good connoisseur of Music and brother, Sameep Kulkarni is disciple of Sitar Maestro Ustad Shahid Parvez. Education is also given utmost importance in her family and all family members are Merit rank holders. Saniya was fortunate to receive blessings from Ganasaraswati Kishoritai Amonkar at the age of 6 and she started learning classical music from Smt. Lilatai Gharpure (senior disciple of Smt. Hirabai Badodekar). Saniya's first debut was her performance in front of legendary Pt.Jitendra Abhisheki at the age of 12 and that time she created long lasting impression on the audience. Saniya had a privilege to learn under able guidance of renowned senior vocalist Dr.Ashwini Bhide- Deshpande of Jaipur-Atrauli Gharana. She was trained under Ashwiniji with a comprehensive gharana talim for 12 years and frequent Pune-Mumbai travels Saniya is a “Sangeet Visharad” with distinction and a gold medalist in M.COM. Further she also completed the intricate C.S. (Company Secretary) Course. Her hard work, perseverance, and love for music contributed to prove herself on both musical as well as academic fronts. Besides Saniya has been showered with blessings and appreciation by musicologists, music critics and stalwarts of Hindustani Classical Music like Pt. Bhimsen Joshi, Bharatratna LATA MANGESHKAR, Late Pt. Smt Hirabai Badodekar, Pandit Jasraj, Ustad Ali Akbar Khan, Ustad Sayeeduddin Dagar, Pt. Smt. Gangubai Hangal, Pt. Smt. Prabha Atre, Late Pt. Jitendra Abhisheki, Begum Parveen Sultana, Smt.Malini Rajurkar, Pt.Ajay Chakraborty, Pt.Vishwamohan Bhat and many others Approach towards Music Dr. Ashwini Bhide taught Saniya an aesthetic insight and intellectual vision regarding music. Being a doctorate in biochemistry herself, she also insisted Saniya to pursue higher academics and as a result, Saniya could progress on her academic path accomplishing M.COM. and C.S. (Company Secretary) titles. With 5-6 hours of rigorous riyaj daily, Saniya proved herself as a young torchbearer of classical music in spite of no musical inheritance and backing. Saniya was also fortunate to receive special guidance from Ashwinij's guru Smt. Manik Bhide (a senior disciple of Smt. Kishori Amonkar and Ganatapasvini Mogubai Kurdikar) and from Mr.Vasantrao Rajurkar on a complex form of music called Tappa. According to Saniya, Indian classical music is an ocean of knowledge! Exploring every knowledge drop is as good as a little step taken towards peace of soul. After a meticulous self study of more than two decades, the journey still persists, and we realize how little we know about music!! The pleasure and satisfaction lie in the journey itself. Saniya’s academic excellence empowers her with a vision to analyze musical principles and relating them logically in her riyaz and concerts. Presently she is taking guidance from senior Musicologist Dr. Arwind Thatte and studying various musical aspects such as more than 22 shrutis exist in Indian classical music, for instance. About Gayaki In her gayaki, Saniya explores a Raag with systematic development structure, innovation and thoughtfulness. Few remarkable features of her gayaki are emotive content and pronunciation, brilliant phrasing, layakari, variety of taan patterns, ease and grace in all of the three octaves. She can fabricate a Raag into an aesthetically pleasing experience. She has an affiliation to present rare forms in a concert such as Sargamgeet, Baamayna, Thhatmala, Khayalnuma, Natvari Tarana, Trivat etc. Her singing is a rare combination of softness as well as aggressiveness. Articulating any music form from different points of view, with many orientations in a thematic harmony with appealable presentation with interplay of Swar and Laya is a specialty of her gayaki. Saniya as a versatile singer and gained mastery over different genre of music, Khayal, Thumri, Dadra, Gazal, Natya-Sangeet, Bhavgeet, Tappa, Tarana, Bhajan, Abhang, Rajasthani, Gujrati and Punjabi bhajans. Saniya is giving valuable and informative guidance through her Institute ‘Prerana’ to students of music by way of teaching, lecture demonstrations, music workshops etc. About Gharana The Jaipur-Atrauli gharana was founded by Ustad Alladiya Khan in the late 19th century. In the Jaipur gayaki, notes are applied in an oblique manner with filigree involving immediately neighboring notes. Instead of the flat taan, gamak (taan sung with double notes with a delicate force behind each of the component double-notes of the taan) makes the taan spiral into seemingly never-ending cycles. Meend in aalap and gamak in taan are the hallmark of this gayaki. Not only are the notes sung in rhythm with the taal but progress between the matras (beats) is in fractions of quarters and one-eighths. Meticulous attention is given to the short and long vowels in the words of the bandish that are being pronounced, and the strict discipline of avoiding unnatural breaks in the words and in the meaning of the lyrics. Special attention is given to the aesthetics and laykaari in singing bol-alaaps and bol-taans.A highlight of Jaipur gayaki is the mastery over Jod Raags (mixed or hybrid Raags) like Raag Basanti Kedar, Raag Jait Kalyan, Raag Kafi Kanada, Raisa Kanada, Raag Basanti Kanada, Raag Savani Nat, Raag Savani Kalyan, Raag Bhoop Nat, Raag Nat Kamod, Raag Bihari, Raag Khat, Raag Khokar, Raag Sampoorna Malkauns, and many .Hence this Gayaki is called a thinking listener's or connoisseur's Gayaki. Part of Gharana tree to which Saniya belongs: Ustad. Alladiya Khan (Founder) Smt. Mogubai Kurdikar Smt. Kishoritai Amonkar Smt. Manik Bhide Dr. Ashwini Bhide Deshpande Smt. Saniya Patankar AWARDS Major Awards: ALL INDIA RADIO competition Radio (Classical Music, Light Classical ,Light music GOLD MEDAL 2002) ‘’Pandit Vishnu Digambar Paluskar Award’’ by Sharada Sangeet Vidyalaya , Mumbai (1996) and by Gandharva Mahavidyalaya , Pune (1999) Udayana Indubhai ‘’Swaravilas Award’’ , Vadodara (2002) ‘’Pandit Jasraj ‘’Award, Pune (2003) [i.e. Paingankar Award] ‘’Surmani Award’’, Sur Singar Sansad, Mumbai, 2005 ‘’Rajiv Gandhi Puraskar’’, Congress Govt., Pune, 2005 ‘’Kalagaurav Award’’,2006 ‘’Swarmadhuri Award’’,2008 ‘’Ramkrishnabua Vaze’’ Award by Gandharva Mahavidyalaya.2010 Scholarships: Dadar Matunga Cultural Centre ('Guru-Shishya parampara') Ganavardhan, Pune Central Government Scholarship, 2002 Special Programs: Interview by Varsha Usgaonkar in M2G2 TV show and Programme of “Holi”, MALHAR KE PRAKAR, TAPPA on DD national channel Interview on Star plus and SAAM Channel in MADHURA show) Special Achievements: A successful USA tour with solo concerts in 32 states . Music workshop conducted in ‘Michigan University’,USA 16 solo concerts in AUSTRALIA Selection by Govt.on ICCR ,cultural wing to represent Indian Music abroad Graded artist of AIR and DOORDARSHAN Album RASIYA by Raagrang, USA released in SAWAI GANDHARVA mahotsav, Pune by Smt. Devki Pandit and Taalyogi Pt. Suresh Talwalkar Articles: ARTICLES on MUSIC are published in newspapers and magazines like SAKAL, EKATA, GLOBAL MARATHI, MAHER etc. <Links to be inserted> CONCERTS Prestigious concerts in INDIA in Major Festivals and Organisation Sawai Gandharva Music Festival , Kundgol Late Ustad Thirakawa Mahotsav, Gandharva Mahavidyalaya, Ganavardhan,Pune Festival,Pune Dadar Matunga Cultural Centre (DMCC), ' Nehru Centre’ , National Centre for Performing Arts (NCPA), Yashwantrao Chavan Centre, , Chaturang Pratishthan, Mumbai, Indian Habitat centre, Indian Internationa centre,New Delhi Kalasamaj,Chennai Raamkrishna Mission,Sangeet Research Acadamy,Swami Haridas sammelan-Kolkata Chakradhar Sangeet Sammelan,Chhatisgarh Government Yuva Mahotsav ,Bhopal Abhinav Kala samaj,Indore Pt.Raam Marathe samaroh,Thane Goa Kala Academy,Pt.Jitendra Abhisheki mahotsav, Goa Gayan Samaj Deval Club , Kolhapur Swara – Vilas, ,Vadodara Akashwani Yuva Sangeet Mahotsav , Jaipur Artist Union, Solapur Steel City, Bhilai Ubhaykar Youth Festival,Swanand sangeet sabha ,Saptak,Bangalore Usmanabad, Latur, Jalgon Marathwada Eklingajee Mahotsav,UDAYPUR Akola Amravati Music circle Drishti Foundation,Bijapur,Dharwad CONCERT TOURS ABROAD USA tour with solo concerts in 32 states, 2005 Music workshop conducted in Michigan University, 16 solo concerts in AUSTRALIA,2010 Theme based programmes and Experiments CLASSICAL MUSIC is Saniya’s first love, but to increase awareness about classical music in all types of audiences she handled all forms of music. A program based on “Shree Krishna Charitra” Bandishes called “Shree Krishna Manmohan” A program based on “Varsha Ritu” called “Barse Badariya” ‘Jugalbandi ‘with Flute and Sitar Experiment with ‘Kathak’ dance Ritu sangeet,’Basant Barkha’ ‘Abhangavani’ (Compositions of Marathi Saints) ‘Raang Natyageetache’ ‘Bhajansandhya ‘(Hindi,Marathi ,Gujrathi,Sanskrit,Rajasthani,Panjabi,Bengali Bhajans) ‘Gazal ‘prog. Famous Gazals by Gulam Ali,Begum Akhtar,Mehandi Hasan,Jagjit Singh ‘Dhrupad te…’containing ALL forms of INDIAN MUSIC ‘Malhar Raag rang’ ..All types of Malhars,Bandishes in Malhars and filmy music based on these malhars ‘Tappa’ –Lecture ,Demonstration and presentation ‘Yaad piya ki aaye’ ---Prog.of worldfamous Thumri,dadra,zoola,Hori,Chaiti,Kajri,Sawani,Baramasi,Tappa,Gazal etc. Raagrachananjali
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