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Rajasthan Public Service Commission 2016

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Rajasthan Public Service Commission 2016 Rajasthan Public Service Commission ­ 2016 Ques: 150 Paper : Music­Vocal­I Time: 3 Hours Ques # :1 a 'saptak' where in the 'shruties' are assigned to ' swaras' in order of 4,3,2,4,4,3,2 is known as­ 1) 'sankirna swar saptak' 2) 'chayalag swara saptak' 3) 'shudha swara saptak' 4) 'vikrit swara saptak' वर म यĬद ु1तय का म 4, 3, 2, 4, 4, 3, 2 हो तो उस वर ­ सतक को या कहगे ? 1) संकण वर सतक 2) छायालग वर सतक 3) शŋु वर सतक 4) ␀$वकृ त वर सतक Ques # :2 as per the 'time­theory'of hindustani music, the time period from 12:00 mid night to 12:00 noon is prescribed for­ 1) poorvang vadi ragas 2) uttarang vadi ragas 3) audav jati ragas 4) sampurna jati rugas Ĭहदं ु तानी संगीत के 'समय ḷसŋांत' के अनुसार 12:00 मय राį से 12:00 मयाह तक, 띂कन राग के गाये जाने का 1नदश है ? 1) पवू ाग वाद राग 2) उतरांग वाद राग 3) औढ़व जा1त राग 4) सपणू जा1त राग Ques # :3 how many 'swaras' are inherent in 'archik ', 'gathik and 'samik­gayan', respectively ? 1) 1, 2, 3 2) 2, 1, 3 3) 2, 2, 3 4) 2, 4, 3 'आ낌°चक ', 'गा낌°थक' और 'साḷमक ­ गायन' म मशः 띂कतने वर 1नĬहत है ? 1) 1, 2, 3 2) 2, 1, 3 3) 2, 2, 3 4) 2, 4, 3 Ques # :4 'upang ­ ragas' are the combination of ­ 1) gram raga, uprag, raga 2) raga, uprag, bhasha 3) bhasha, vibhasha, upraag 4) ragang, bhashang, kriyang 'उपांग राग' 띂कसका ḷमण है ? 1) ाम राग, उपराग, राग 2) राग, उपराग, भाषा 3) भाषा, ␀$वभाषा, उपराग 4) रागांग, भाषांग, 띂यांग Ques # :5 'rag­ragini' classification is firstly mentioned in ­ 1) sangeet makrand 2) nagmate asfi 3) rag­tatva­vibodh 4) raga­lakshan 'राग ­ रा낌°गनी वगकरण' का सवथम उलेख ḷमलता है ­ 1) संगीत मकरंद म 2) नमात े आस띂फ म 3) राग ­ तव ­ ␀$वबोध म 4) राग ­ लण म Ques # :6 the term used as a synonym of 'swara' in 'samveda' is­ 1) sam 2) brahm 3) yam 4) layam 'सामवेद' म वर के समानाथ यु त 띂कया गया शद है ­ 1) सम 2) म 3) यम 4) लयम ् Ques # :7 the first classical metaphysics of 'shruti' mentioned in the treatise of­ 1) matang 2) narad 3) sharang dev 4) bharat 'ु1त' क शाीय मीमांसा, सवथम 띂कसके ंथ म व셮णत है | 1) मतंग 2) नारद 3) शारंग देव 4) भरत Ques # :8 the seventh 'swara' of 'sam­sangeet' in the following options is­ i. krushta ii. pratham iii. dwitiya iv. tritiya v. chaturtha vi. mandra vii. __________? 1) tar 2) madhya 3) uddatta 4) atiswarya Ĭदए गए ␀$वकप म साम ­ संगीत' का सातवाँ वर है ­ (i) ु ट (ii) थम (iii) ␀$वतीय (iv) ततृ ीय (v) चतथु (vi) म (vii) ­­­?­­ 1) तार 2) मय 3) उदात 4) अ1तवाय Ques # :9 on the 36" wire of veena, 'manjrikar' has placed his 'shudha ­ madhyam' on­ 1) 20'' 2) 22'' 3) 27'' 4) 24'' 'मंजरकर' ने, 36" लबे वीणा के तार पर, 'शुŋ ­ मयम' को कहाँ था␀$पत 띂कया है ? 1) 20" 2) 22" 3) 27" 4) 24" Ques # :10 what will be the singing order of bracketted (ni), according to bhatkhande notation system? 1) 2) 3) 4) भारतखंड े वर ḷल␀$प पŌ1त के अनुसार कोठक म Ĭदए गए (नी) का गायन म या होगा ? 1) सां 1न ध 1न 2) 1न सां ध 1न 3) सां ध सां 1न 4) 1न म सां 1न Ques # :11 which 'thaat­raga' pair does not match correctly? 1) asawari­darbari 2) kafi­vrindavani 3) todi­malkauns 4) poorvi­puriya dhanashri कौनसी थाट ­ राग जोड़ी सह नहं है ? 1) आसावर ­ दरबार 2) काफ ­ वंदृ ावनी 3) तोड़ी ­ मालकस 4) पवू ­ पूĮरया धनाी Ques # :12 maximum how many 'shruties' of a 'swara' are in hindustani ­ music ? 1) 6 2) 7 3) 5 4) 4 Ĭहदं ु तानी संगीत के , एक वर म अ낌°धकतम 띂कतनी ु1तयाँ ह ? 1) 6 2) 7 3) 5 4) 4 Ques # :13 which four ' varnas' of sangeet are specified in natya­shastra? 1) sthai, antra, sanchari, abhog 2) swara, laya, moorchna, chhand 3) arohi, avrohi, sthai, sanchari, 4) shadav, audav, antar, kakli संगीत के , कौन से चार वण, ना぀Ѓयशा म 1नĬदट है ? 1) थाई, अतं रा, संचार, आभोग 2) वर, लय, मू छना, छंद 3) आरोह, अवरोह, थाई, संचार 4) षाडव, औडव, अतर, काकल Ques # :14 what is the position of 'madhyam', in evening 'sandhi­prakash ragas ' ? 1) 2) ' ma vadi' 3) ' ma varjit' 4) सांय: कालन सं낌°धकाश राग म 'मयम' वर क या िथ1त रहती है ? 1) 2) म वाद 3) म विजत 4) Ques # :15 using 'swaras' of other 'raga' during improvisation of raga is known as ­ 1) avirbhav 2) gat bhav 3) tirobhav 4) sam bhav राग क 'बढ़त' के दौरान अय राग के वर यु त करने को कहत े है ­ 1) आ␀$वभाव 2) गत भाव 3) 1तरोभाव 4) सम भाव Ques # :16 which one of the following statement is correct? 1) hindustani and karnatak music have similar 'tal­system' 2) main singing style of karnatak music is dhrupad 3) 'javli' is equivalent to 'thumri' 4) tabla­sangati is used in hindustani and karnatak music both 1ननḷल셮खत म से कौन सा कथन सह है ? 1) Ĭहदं ु तानी व कनाटक संगीत क ताल पŌ1त समान है | 2) कनाटक संगीत क मु य गायन शलै ुपद है | 3) 'जावḷल', ठु मर के समान है | 4) Ĭहदं ु तानी व कनाटक संगीत दोन म तबला संग1त का योग होता है | Ques # :17 who was first introduced the ' mela rag classification ' ? 1) vyankatmakhi 2) vidyaranya 3) shri niwas 4) ahobal 'मेल राग वगकरण' सवथम 띂कसने तुत 띂कया ­ 1) यंकटम셮ख 2) ␀$वयारय 3) ी 1नवास 4) अहोबल Ques # :18 the time is specified for 'raga bhimpalasi' according to the time ­ theory is­ 1) 1 ­ 4 a.m 2) 4 ­ 7 p.m 3) 1 ­ 4 p.m 4) 10 ­ 1 p.m समय ḷसŋांत के अनसु ार राग भीमपलासी का गायन समय है ­ 1) 1 ­ 4 a.m 2) 4 ­ 7 p.m 3) 1 ­ 4 p.m 4) 10 ­ 1 p.m Ques # :19 what is the main characteristic of 'sandhi­prakash' ragas ? 1) 2) 3) 4) सं낌°ध काश राग क मुख ␀$वशषे ता है ­ 1) 2) 3) 4) Ques # :20 'bilawal' was accepted as a 'shudh ­ swara ­ saptak' in which treatise ? 1) sangeet ­ sar by sawai pratap singh 2) natya shastra by bharat 3) sangeet ratnakar by sharang dev 4) brihaddeshiya by matang 띂कस ंथ म, 'įबलावल' को शŋु ­ वर ­ सतक' के प म वीकृ त 띂कया गया ? 1) सवाई ताप ḷसहं कृ त संगीत सार 2) भरत कृ त ना぀Ѓय शा 3) शारंग देव कृ त संगीत रनाकर 4) मतृ ंग कृ त बहृ Ōेशीय Ques # :21 girija devi is an artist of ­ 1) shyam chaurasi gharana 2) poorab ang thumri 3) punjab ang thumri 4) darbhanga gharana 낌°गĮरजा देवी कलाकार है ­ 1) याम चौरासी घराने क 2) परू ब अगं ठु मर क 3) पंजाब अगं ठु मर क 4) दरभंगा घराने क Ques # :22 in which notation system, the 'swaras' are known as ­ 'do, re, me, fa, sol, la, si ' ­ 1) staff notation 2) solfa notation 3) neumes notation 4) cheve notation 띂कस 'वरḷल␀$प पŌ1त' म वर को ­ डो, रे, मी, फा, सोल, ला, सी कहा जाता है ? 1) टाफ नोटेशन 2) सोफा नोटेशन 3) यूस नोटेशन 4) चीव नोटेशन Ques # :23 which notation system was developed in the churches of rome ? 1) staff 2) cheve 3) neumes 4) solfa 띂कस 'वर ­ ḷल␀$प ­ पŌ1त' का ␀$वकास, रोम के चच म हुआ ? 1) टाफ 2) चीव 3) यूस 4) सोफा Ques # :24 quantity of 'siyahi' applied on the 'pudi ' of tabla determines­ 1) pitch of swara on tabla 2) 'bol' on tabla 3) technique of tabla 4) 'laya' of tabla तबले क "पड़ु ी" पर लगाई गई याह क यूना낌°धक माा 1निचत करती है ­ 1) तबले के वर को 2) तबले के बोल को 3) तबले क तकनीक को 4) तबले क लय को Ques # :25 the three 'nikas­sthanas' to render 'bols' on tabla are­ 1) chaati, gajra, baddi 2) siyahi, maidan, gajra 3) siyahi, chaati, maidan 4) gatta, gajra, baddi तबले पर बोल बजाने के , तीन 1नकास ­ थान है ­ 1) चांट , गजरा , बŌी 2) ḷसयाह , मदै ान , गजरा 3) ḷसयाह , चांट , मदै ान 4) गा , गजरा , बŌी Ques # :26 which of the following symbols depict­'minim? 1) 2) 3) 4) 1ननḷल셮खत म से , "ḷम1नम" को दशाने वाला 낌°चह है ­ 1) 2) 3) 4) Ques # :27 the sign used for 1/2 beat in palushkar notaion system is ­ 1) 2) 3) 4) पलु कर वरḷल␀$प पŋ1त म 1/2 माा के ḷलए युत 낌°चह है ­ 1) 2) 3) 4) Ques # :28 the common feature equally used in bhatkhande and palishkar notation system is­ 1) sing to show'khali' 2) sing to show'avagrah' 3) writing 'shudha swaras 'of madhya saptak 4) sign to show 'tali' भातखंड े व पलुकर "वर­ḷल␀$प­पŋ1त" म , समान &प से यु त होता है ? 1) खाल Ĭदखाने का 낌°चह 2) अवह Ĭदखाने का 낌°चह 3) मय सतक के शŋु वर को ḷलखना 4) ताल Ĭदखाने का 낌°चह Ques # :29 which musician is popularly known as raja bhaiya pooch wale? 1) balkrishana bua ichalkaranjikar 2) balkrishna anand rao ashtekar 3) bala ji rao pooch wale 4) krishna baldeo rao pooch wale कौन से संगीत , राजा भयै ा पछू वाले के नाम से लोक␀$य है ? 1) बालकृ ण बुआ इचलकरंजीकर 2) बालकृ ण आनद राव अटेकर 3) बाला जी राव पछू वाले 4) कृ ण बलदेव राव पूछवाले Ques # :30 raja bhaiya ' had renderad his services as principal in­ 1) marris music college 2) baroda vidyalaya 3) madhav sangeet vidyalaya 4) lahore sangeet vidhalaya "राजा भयै ा" ने ाचाय पद पर अपनी सेवाऐं कहाँ दान क ? 1) मĮै रस यिू जक कॉलेज 2) बड़ौदा संगीत ␀$वयालय 3) माधव संगीत ␀$वयालय 4) लाहौर संगीत ␀$वयालय Ques # :31 which classical singer is known for his "merukhand" technique? 1) abdul karim khan 2) amir khan 3) faiyaz khan 4) girija devi शाीय गायक, जो मे&खड तकनीक के ḷलए ḷसŋ है ? 1) अदलु करम खान 2) अमीर खान 3) फै याज़ खान 4) 낌°गĮरजा देवी Ques # :32 abdul karim khan was the disciple of ­ 1) chand khan 2) kale khan 3) shakkar khan 4) makkhan khan अदलु करम खाँ 띂कसके शा낌°गद थे ? 1) चाँद खान 2) काले खान 3) शकर खान 4) मखन खान Ques # :33 ustad 'shahmir khan'was the guru of ­ 1) dagar bandhu 2) bhim sen joshi 3) amir khan 4) parveen sultana उताद शाहमीर खान 띂कसके गु& थे ? 1) डागर बंधु 2) भीमसेन जोशी 3) अमीर खान 4) परवीन सु ताना Ques # :34 which 'thaat­raga' pair is not correct? 1) asawari­jounpuri 2) khamaj­ bhimpalsi 3) khamj­des 4) khamj­jai­jaiwanti कौन सी "थाट ­ राग" जोड़ी सह नहं है ? 1) आसावर ­ जौनपरु 2) खमाज ­ भीमपलासी 3) खमाज ­ देस 4) खमाज ­ जजै ैवती Ques # :35 shuda nishad is placed on which shruti,according to the ancient musicologists? 1) 22 2) 21 3) 20 4) 19 ाचीन संगीत ने शुŋ नी को , 띂कस ु1त पर था␀$पत 띂कया है ? 1) 22 2) 21 3) 20 4) 19 Ques # :36 composition in a raga by only 'swara' and tala is known as 1) lakshan geet 2) rag­talmalika 3) swarmalika 4) geetmalika 띂कसी राग म, के वल वर व ताल से 1नबŋ रचना या कहलाती है ­ 1) लण गीत 2) राग­तालमाḷलका 3) वरमाḷलका 4) गीतमाḷलका Ques # :37 which of the following state ment is correct? 1) pallavi ,anupallavi and charan are the components of kirtanam and kriti 2) kirtanam and kriti are very simple and composed in prachalit­ragas
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