PSGIM Annual Report 2014-2015
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Rank List for Allotment
Page 1 of 85 GOVERNMENT OF KERALA DEPARTMENT OF TECHNICAL EDUCATION DRAFT RANK LIST FOR ADMISSION TO M.Tech. DEGREE COURSES, 2020 - 2021 Rank Apln No. Name Gate Qualifying Caste Reser Remark Score Mark % vation 1 201300 AJITH MATHEW 610.00 68.400000 General SM 2 204614 Abdul Salam S 590.00 77.200000 Muslims/Mappila MU 3 202850 Anand T P 569.00 91.000000 Thiyyas EZ 4 205502 AKHIL K B 563.00 76.860000 Kudumbi KU OEC 5 201419 RESHMA JOSHY P 558.00 94.483333 General SM 6 202316 Jithin M S 555.00 86.566667 General SM 7 202009 KURUVILLA T MANI 551.00 85.050000 General SM 8 204720 TINA THOMAS 546.00 80.360000 Latin Catholics LA 9 204358 GOKUL DAS 545.00 84.166667 Ezhavas EZ 10 201636 MD ASJAD RAZA 539.00 85.666667 General SM 11 204590 ANJANA M J 537.00 90.733333 Vaniyan SM 12 204728 JISHMA ALEX 537.00 78.260000 General SM 13 200813 ADIL MUHAMMED 534.00 72.075000 Muslims/Mappila SM 14 201710 SREEHARI M B 533.00 91.383333 Ezhavas EZ 15 206498 AARABHI NAMBIAR 530.00 88.500000 General SM 16 200489 MUHAMMED HASEEB E 527.00 84.383333 Muslims/Mappila MU 17 200277 ZIZA . F 526.00 85.400000 Muslims/Mappila MU 18 203456 SURYA S 523.00 84.750000 Vaniyan BH 19 204486 GOKUL B 522.00 81.750000 General SM 20 201945 ANJALI M 520.00 95.240000 General SM 21 203393 ARJUN R NAIR 520.00 84.116667 General SM 22 204595 BLOOMY TREESA CHIRAMEL 519.00 78.180000 General SM 23 205374 RONY REJI PAUL 511.00 79.680000 General SM 24 203391 ANJANA C P 510.00 86.383333 General SM 25 205475 AKHILESH A R 508.00 86.583333 Ezhavas EZ 26 201450 JITHIN T 507.00 68.160000 General SM -
Rajasthan Public Service Commission 2016
Rajasthan Public Service Commission 2016 Ques: 150 Paper : MusicVocalI Time: 3 Hours Ques # :1 a 'saptak' where in the 'shruties' are assigned to ' swaras' in order of 4,3,2,4,4,3,2 is known as 1) 'sankirna swar saptak' 2) 'chayalag swara saptak' 3) 'shudha swara saptak' 4) 'vikrit swara saptak' वर म यĬद ु1तय का म 4, 3, 2, 4, 4, 3, 2 हो तो उस वर सतक को या कहगे ? 1) संकण वर सतक 2) छायालग वर सतक 3) शŋु वर सतक 4) ␀$वकृ त वर सतक Ques # :2 as per the 'timetheory'of hindustani music, the time period from 12:00 mid night to 12:00 noon is prescribed for 1) poorvang vadi ragas 2) uttarang vadi ragas 3) audav jati ragas 4) sampurna jati rugas Ĭहदं ु तानी संगीत के 'समय ḷसŋांत' के अनुसार 12:00 मय राį से 12:00 मयाह तक, 띂कन राग के गाये जाने का 1नदश है ? 1) पवू ाग वाद राग 2) उतरांग वाद राग 3) औढ़व जा1त राग 4) सपणू जा1त राग Ques # :3 how many 'swaras' are inherent in 'archik ', 'gathik and 'samikgayan', respectively ? 1) 1, 2, 3 2) 2, 1, 3 3) 2, 2, 3 4) 2, 4, 3 'आ낌°चक ', 'गा낌°थक' और 'साḷमक गायन' म मशः 띂कतने वर 1नĬहत है ? 1) 1, 2, 3 2) 2, 1, 3 3) 2, 2, 3 4) 2, 4, 3 Ques # :4 'upang ragas' are the combination of 1) gram raga, uprag, raga 2) raga, uprag, bhasha 3) bhasha, vibhasha, upraag 4) ragang, bhashang, kriyang 'उपांग राग' 띂कसका ḷमण है ? 1) ाम राग, उपराग, राग 2) राग, उपराग, भाषा 3) भाषा, ␀$वभाषा, उपराग 4) रागांग, भाषांग, 띂यांग Ques # :5 'ragragini' classification is firstly mentioned in 1) sangeet makrand 2) nagmate asfi 3) ragtatvavibodh 4) ragalakshan 'राग रा낌°गनी वगकरण' का सवथम उलेख ḷमलता है 1) संगीत मकरंद म 2) नमात े आस띂फ म 3) राग तव ␀$वबोध म 4) राग लण म Ques # :6 the term used as a synonym of 'swara' in 'samveda' is 1) sam 2) brahm 3) yam 4) layam 'सामवेद' म वर के समानाथ यु त 띂कया गया शद है 1) सम 2) म 3) यम 4) लयम ् Ques # :7 the first classical metaphysics of 'shruti' mentioned in the treatise of 1) matang 2) narad 3) sharang dev 4) bharat 'ु1त' क शाीय मीमांसा, सवथम 띂कसके ंथ म व셮णत है | 1) मतंग 2) नारद 3) शारंग देव 4) भरत Ques # :8 the seventh 'swara' of 'samsangeet' in the following options is i. -
Life Members
LIFE MEMBER of BBS LM no. Name & Address LM no. Name & Address L001 Prof. A. K. M. Nurul Islam L012. Prof. Khurshida Banu Fattah Deceased University of Dhaka Flat # B-3, House # 27 Dhaka-1000 Road # 5, Dhanmondi-R/A Dhaka-1205 L002 Dr. K.M. Sultanul Aziz Mob: 01711330019 House # 109, Road # 13A, Block C, Banani, Dhaka-1213 L013. Dr. Kazi Moslehuddin Ahmed Mob: 01819410315 Additional Director, Email: [email protected] Seed Certificate Agency L003 Dr. G. Panigrahi BARI, Joydebpur, Gazipur Deceased. A-13/3 Kalindi Housing Estate Kolkata 700 089 L014. Dr. Mohsin Ullah Patwary India Dean of Science and Professor of Biology, School of Science, Health & L004. Dr. Shrish C. Gupta Technology, Medgar Evers College of Professor the City University of New York Department of Botany 1638 Bedford Ave, Brooklyn, NY University of Delhi 11225, USA New Delhi, India Email:[email protected] L005. Dr. Lalita Sehgal L015 Prof. Dr. M. A. Malek Chowdhury Department of Botany Flat # 801, Rose Valley Gargi College 45 Kalabagan (1st Lane) New Delhi, India Dhanmondi, Dhaka-1205 L006. Ms. Kanan Nanda Mob: 01819025188, 01819642225 Department of Botany Email: [email protected] University of Delhi New Delhi, India L16 Prof. Dr. Tahsina Rahim House-9, Road-105 L007. Prof. Priyadarshan Sen Sarma Flat-B-4, Gulshan-2, Dhaka 8/P, Chandra Mondal Lane Mob: 01715067116 Kolkata 26, Indiaatique Email: [email protected] L008. Dr. Pranjit Sarma D-1, University Teachers Quarters L017 Dr. Shamsul Huda Chowdhury Tarabagh, P.O. & Dist. Burdwan Deceased House No. 4, Road No. 14 West Bengal, India Sector No. -
Bidaai-2019-20 Kalaburgi-Kodagu-DK- Approved List
Bidaai-2019-20 Kalaburgi-Kodagu-DK- Approved List REG NAME OF THE NAME OF Sl. -
A Study on Management of Non Performing Assets in Priority Sector Reference to Indian Bank and Public Sector Banks (Psbs) by B.Selvarajan & Dr
Global Journal of Management and Business Research Volume 13 Issue 1 Version 1.0 Year 2013 Type: Double Blind Peer Reviewed International Research Journal Publisher: Global Journals Inc. (USA) Online ISSN: 2249-4588 & Print ISSN: 0975-5853 A Study on Management of Non Performing Assets in Priority Sector reference to Indian Bank and Public Sector Banks (PSBs) By B.Selvarajan & Dr. G. Vadivalagan Anna University, Chennai Abstract - In India the magnitude of the problem of bad debts was not taken seriously. Subsequently, following the recommendations of Narasimham committee and Verma committee, some steps have been taken to solve the problem of old NPAs in the balance sheets of the banks. It continues to be expressed from every corner that there has rarely been any systematic evaluation of the best way of tackling the problem. There seems to be no unanimity in the proper policies to be followed in resolving this problem. There is also no consistency in the application of NPA norms, ever since these have been recognized. Non Performing Assets are also called as Non Performing Loans. It is made by a bank or finance company on which repayments or interest payments are not being made on time. A loan is an asset for a bank as the interest payments and the repayment of the principal create a stream of cash flows. It is from the interest payments that a bank makes its profits. The problem of NPA is not limited to only Indian public sector banks, but it prevails in the entire banking industry. Major portion of bad debts in Indian Banks arose out of lending to the priority sector at the dictates of politicians and bureaucrats. -
University of Mumbai Department of Music Sample of MCQ Question Paper for Students M.Mus Part 2 Paper -V Course Name – Music
University of Mumbai Department of Music Sample of MCQ Question Paper for Students M.mus part 2 paper -V Course Name – Music Education Paper/Subject Code_________ Student’s Seat No._____ Instrructions; 1. All the Questions are Compulsory Total Marks – 50 2. All Questions Carry Equal Marks 1. Name the artist from Kirana Gharana among the following a. Sangmeshwar Gurav b. Mallikarjun Mansoor c. Krishnarao Shankar Pandit d. Faiyyaz Khan 2. Name the student of Ustad Allauddin Khan a. Ust. Aliakbar Khan b. Kishore Kumar c. Gayatri Chitre d. MAnik Varma 3. Name disciple of Ust. Alladiya Khan among the following a. Kesarbai b. Hirabai c. Begam Akhtar d. Parveen Sultana 4. Where the Indira Kala Vishwavidyalay is Located? a. Pune b. Mumbai c. Khairagadh d. Nagpur 5. Among following who is awarded with Padmavibhushan? a. Pt. Rakesh Chaurasia b. Pt. Jasraj c. Pt. Mukund Lath d. Sumitra Guha 6. Who was the Guru of Kumar Gandharva? a. Saraswati Rane b. B.R. Deodhar c. Kagalkar buwa d. Bhaskarbuwa Bakhale 7. Who had written book on Aesthetics of Indian Music? a. Sudheer Nayak b. Manjiri Sinha c. Rama Deodhar d. Ashok D. Ranade 8. Among the following which is a performing art? a. Natya b. Pottery c. Poetry d. Sculpture 9. Who was titled as Swarbhaskar ? a. Prabhakar Karekar b. Vinay Mishra c. Rajan Sajan Mishra d. Bhimsen Joshi 10. Who was the only direct disciple of Kesarbai Kerkar? a. Dhondutai Kulkarni b. Parmeshwar Hegade c. Pahadi Sanyal d. Jaimala Shiledar 11. Name the famous stage actor-singer a. Saleel Choudhari b. -
Sandesh Sandesh Issue 3 “The Message” a Newsletter from Indus of Fox Valley
October 2007 Volume 5 Sandesh Sandesh Issue 3 “The Message” A Newsletter from IndUS of Fox Valley From Editors’ Desk Indian Classical Music and Dances: A Brief Introduction Dear Readers, By B. S. Sridhar Each year the October issue of Sandesh is dedicated to the theme Classical Indian Music raga is a projection of artist’s inner spirit. of upcoming annual IndUS ban- The origin of Indian music is said to be The current classification of ragas can be quet. The theme of IndUS-2007 is rooted in the Vedas (1000-1700 B.C.). traced to two seminal works by great Music & Dances of India and the Over the centuries classical music has musicologists: Svaramelakalanidhi by articles in this issue are a prelude evolved into two distinct schools, namely, Raamamaatya (c. 1550 AD) and to such a rich and diverse compo- Hindustani (the North Indian) and Carnatic Caturdandi Prakaasikaa by Venkatamakhi nent of Indian culture. (the South Indian). (1660 A.D.). The ten principal families of ragas in Hindustani are: Asavari, Bhairav, The lack of space prevents us to Carnatic music is devotional in nature, with Bhairavi, Bilawal, Kafi, Kalyan, Khamaj, cover many other interesting attention on melody and rhythm, heavy Marwa, Purvi and Todi. Carnatic labels for forms and important aspects of emphasis is placed on sahitya or lyrics. The ragas generally differ but there are Indian music and dance. We are music is often in praise of the Hindu equivalent ragas in both systems. sure that at the banquet you will pantheon and often the poets are known to discover interesting and informa- express other emotions such as love, anger, Tala refers to rhythmic cycles. -
Track Name Singers VOCALS 1 RAMKALI Pt. Bhimsen Joshi 2 ASAWARI TODI Pt
Track name Singers VOCALS 1 RAMKALI Pt. Bhimsen Joshi 2 ASAWARI TODI Pt. Bhimsen Joshi 3 HINDOLIKA Pt. Bhimsen Joshi 4 Thumri-Bhairavi Pt. Bhimsen Joshi 5 SHANKARA MANIK VERMA 6 NAT MALHAR MANIK VERMA 7 POORIYA MANIK VERMA 8 PILOO MANIK VERMA 9 BIHAGADA PANDIT JASRAJ 10 MULTANI PANDIT JASRAJ 11 NAYAKI KANADA PANDIT JASRAJ 12 DIN KI PURIYA PANDIT JASRAJ 13 BHOOPALI MALINI RAJURKAR 14 SHANKARA MALINI RAJURKAR 15 SOHONI MALINI RAJURKAR 16 CHHAYANAT MALINI RAJURKAR 17 HAMEER MALINI RAJURKAR 18 ADANA MALINI RAJURKAR 19 YAMAN MALINI RAJURKAR 20 DURGA MALINI RAJURKAR 21 KHAMAJ MALINI RAJURKAR 22 TILAK-KAMOD MALINI RAJURKAR 23 BHAIRAVI MALINI RAJURKAR 24 ANAND BHAIRAV PANDIT JITENDRA ABHISHEKI 25 RAAG MALA PANDIT JITENDRA ABHISHEKI 26 KABIR BHAJAN PANDIT JITENDRA ABHISHEKI 27 SHIVMAT BHAIRAV PANDIT JITENDRA ABHISHEKI 28 LALIT BEGUM PARVEEN SULTANA 29 JOG BEGUM PARVEEN SULTANA 30 GUJRI JODI BEGUM PARVEEN SULTANA 31 KOMAL BHAIRAV BEGUM PARVEEN SULTANA 32 MARUBIHAG PANDIT VASANTRAO DESHPANDE 33 THUMRI MISHRA KHAMAJ PANDIT VASANTRAO DESHPANDE 34 JEEVANPURI PANDIT KUMAR GANDHARVA 35 BAHAR PANDIT KUMAR GANDHARVA 36 DHANBASANTI PANDIT KUMAR GANDHARVA 37 DESHKAR PANDIT KUMAR GANDHARVA 38 GUNAKALI PANDIT KUMAR GANDHARVA 39 BILASKHANI-TODI PANDIT KUMAR GANDHARVA 40 KAMOD PANDIT KUMAR GANDHARVA 41 MIYA KI TODI USTAD RASHID KHAN 42 BHATIYAR USTAD RASHID KHAN 43 MIYA KI TODI USTAD RASHID KHAN 44 BHATIYAR USTAD RASHID KHAN 45 BIHAG ASHWINI BHIDE-DESHPANDE 46 BHINNA SHADAJ ASHWINI BHIDE-DESHPANDE 47 JHINJHOTI ASHWINI BHIDE-DESHPANDE 48 NAYAKI KANADA ASHWINI -
GVK Power & Infrastructure Limited
GVK Power & Infrastructure Limited 20th Annual Report 2013 - 2014 BOOK-POST New Terminal 2, MIAL, Mumbai GVK Jegurupadu CCPP Resources GVK Jaipur-Kishangarh Expressway If undelivered, please return to: KARVY COMPUTERSHARE PRIVATE LIMITED Unit: GVK Power & Infrastructure Limited Registrar & Share Transfer Agent Flat No. 17-24, Vittal Rao Nagar, Madhapur, Hyderabad – 500 081 Phone: 040-44655133, Fax: 040-23420814 E-mail: [email protected] New Terminal 1A, BIAL, Bengaluru Art wall, T2, MIAL, Mumbai Departure lounge, T2, MIAL, Mumbai Resources Alaknanda Hydro Electric Power Project Chek-in hall, T2, MIAL, Mumbai GVK Goindwal Sahib Power Project Art wall, T2, MIAL, Mumbai Baggage carousels, T2, MIAL, Mumbai GVK Deoli-Kota Expressway Contents Board of Directors and Corporate information 3 Gist of Standalone Accounts 4 Notice of Annual General Meeting 5 Directors Report 19 Financial Information of Subsidiary Companies 26 Report on Corporate Governance 28 Management Discussion & Analysis 40 Independent Auditor’s Report on Consolidated Accounts 47 Consolidated Balance Sheet, Profit & Loss Account 50 & 51 Consolidated Cash Flow Statement 52 Notes to Consolidated Accounts 54 Independent Auditor’s Report on Standalone Accounts 106 Standalone Balance Sheet, Profit & Loss Account 110 & 111 Standalone Cash Flow Statement 112 Notes to Standalone Accounts 114 Notes 135 Green Initiative on Corporate Governance 136 Attendance Slip & Proxy Form 139 & 140 Corporate Information Board of Directors Dr. GVK Reddy Chairman & Managing Director G Indira Krishna Reddy Director G V Sanjay Reddy Vice Chairman Krishna Ram Bhupal Director K N Shenoy Director (up to 29-05-2014) P Abraham Director Ranjana Kumar Director Ch G Krishna Murthy Director S Balasubramanian Director A Issac George Director & CFO S Anwar Additional Director (w.e.f. -
Annual Report 2014-15 Working File.Cdr
Annual Report 2014-15 IIM KASHIPUR INDIAN INSTITUTE OF MANAGEMENT KASHIPUR Annual Report 2014-15 IIM KASHIPUR Indian Institute of Management Kashipur 3 ©Indian Institute of Management Kashipur 4th Annual Report Production Team: Printed at 4 Contents Board of Governors………………………………………………….………………..…………6 Message from the Chairman……………………………………………….………...………..…8 From the Director's Desk……………………………………………………….………......……9 About the Institute……………………………………………………….....……...................... 10 Academic Programmes………………………………………………………............................ 11 Post-Graduate Programme in Management………………….................................... 11 Executive Post-Graduate Programme in Management…………......................…..... 16 Fellow Programme in Management………………………........................................1 9 Executive Fellow Programme in Management………............……………...............1 9 Placements…………………………………………………………......………......................... 20 The Faculty and Academics………………………………….......……………......................... 25 Publication, Presentation and Participation…………………..........………………................... 28 Administrative Staff………………………………………......………………….......................3 2 Centres of Excellence…………………………………….......…………………....................... 33 CoE Competitiveness………...…………………......…………………….................3 3 CoE Sustainable Development …………………........….…………………............. 35 CoE Public Policy and Government………….......………………………................ 37 Management Development Programmes……………………...........………………..................4 -
Music/Singers
DESIZN CIRCLE , DELHI I NOIDA WWW.DESIZNCIRCLE.COM Music/Singers There are two major styles of classical music unique to India- 1. The Hindustani style popular in North India and 2. The Carnatic style popular in South India. BhaKti/devotion to God is the main purpose of classical music and hence the theme and content of the songs sung/played are heavily religious or spiritual. The songs/kritis/kirtans are set to melodious tunes called ‘ragas’ and time beats/rhythms called taal/taalas’. • Great poets and holy men liKe Tulsidas, Surdas, Meera Bhai, Namdev, Ek Nath, Kabir have contributed the lyrics of the songs in the Hindustani style. • Thyagaraja, Muthuswamy Dikshitar, and Shyma Sastrigal are considered the big three among composers (lyrics and music) in the carnatic style. • Some of the other composers are Purandara dasa, Annamacharya, Narayana Tirthar and Swati Thirunal. • In the Hindustani style, Pandit Bhimsen Joshi, Pt. Jasraj, Rajan Mishra and Sajan Mishra, Kishori Amolkar, Prabha Apte, Girija devi, Parveen Sultana, Shubha Mudgal are some of the vocalists famous for their vocal recitals both within our country and abroad. • In the Carnatic Style, Dr. Bal Murali Krishna Madurai Shesha Gopalan are two of the many veterans who inspire the youth to learn classical music and Keep the tradition alive. • Late M. S Subbulakshmi’s voice had the power to mesmerize any number of listeners during her recitals. • Vocalists who are now popular are Sudha Raghunathan, Aruna Sairam, Sowmya, Nithyasree Mahadevan, Unnikrishnan, T.N. Krishna. Hyderabad bothers, Sanjay Subramanian, Neyveli Santanam Hyderabad bothers, Jesudas. • Here is a list of exponents of some of the Indian musical instruments. -
CLK Dir 2017
NAME OF ORGANISATION : PUNJAB & SIND BANK POST BASED RECRUITMENT ROSTER : AS ON 31-12-2017 FOR THE STATE OF : ANDHRA PRADESH DIRECT RECRUITEMENT : CLERICAL CADRE Name of Post : CLERKS CLERICAL CADRECategory : GEN Grade Rs. Method of Recruitment : Direct Recuitment No.of Posts in the Cadre: Percentage of Reservation rescribed for : SC = 16 % ST= 7% OBC= 27 % Year of Rec./ No.of Cycle Unreserved Name/Particulars of the Person appointed Whether Date of Filled as UR No.of reserved vacancies carried Signature: Remarks (if any) backlog reserved vac./ No. / or reserved Kum/Smt/Shri the person Appoint or Reserved forward as backlog vacancies/ Appointing reservation carried Point for SCs/ is SC/ ST/ ment for reservation carried forward (+) (-) i.e. Authy or forward (+) (-) from prev. STs/ OBCs Other Auth. year No. OBC SC/ST/OBC sub-event / recruitment Officer 1-2-3-45 6 7 8 9 10 11 12 13 14 15 ADJST AT CARRIED FORWAD YEAR SC/ST OBC VAC TYP PFCOD NAME DES. Cat VAC. DETAILSROSTER PT. Vac Emp SC ST OBC by Agmst 1984 1 1 S15715 SUDHANSHU SEKHAR PATRO CLK GEN 13-11-1984 GEN S15715 1990 2 2 K08826 VENKATA RAMADAS KATRAGADD CLK GEN 27-01-1990 GEN K08826 1991 3 3 K09211 K M C KHANNA CLK GEN 02-11-1991 GEN K09211 2013 5 2 5 A19489 ANIL KUMAR PEDDI CLK GEN 24-06-2013 GEN 1 A19489 2013 6 3 6 A20248 ANUMALASETTY MAHA LAKSHUM CLK GEN 25-09-2013 GEN 1 A20248 2015 8 5 8 OBC-1 R22468 R D KRISHNA TRINATH CLK GEN 15-07-2015 GEN -1 1 #N/A 2017 9 6 9 G15542 GUGGILAM KUMAR CHAITANYA CLK GEN 06-11-2017 GEN -1 1 #N/A MANAGER [HRD] SR.MANAGER [HRD] NAME OF ORGANISATION : PUNJAB & SIND BANK POST BASED RECRUITMENT ROSTER : AS ON 31-12-2017 FOR THE STATE OF : ARUNACHAL PRADESH DIRECT RECRUITEMENT : CLERICAL CADRE Name of Post : CLERKS CLERICAL CADRECategory : GEN Grade Rs.