RAYMOND GUBBAYpresents FORTHCOMING CONCERTSATTHE ROYALALBERTHALL
Saturday 23 September at 7.30pm Royal Philharmonic Orchestra Beethoven’sNinth London Philharmonic Choir Andrew Nethsingha conductor An unmissable all-Beethoven concert culminates Federico Colli piano with the monumental ‘Choral Symphony’. Ailish Tynan soprano Justina Gringyte mezzo-soprano Piano Concerto No.5 ‘Emperor’ Robert Murray tenor Symphony No.9 ‘Choral’ Jonathan Lemalu bass
Sunday 8October at 3.00pm Grand Organ Gala 10,000 organ pipes in glorious harmony. Celebrate Royal Philharmonic Orchestra the power and majesty of the king of instruments. City of London Choir Saint-Saëns - Symphony No. 3 ‘Organ’ Hilary Davan Wetton conductor Parry - I was Glad Laura Mitchell soprano Fauré - Pie Jesu & In paradisum from Requiem Philip Scriven organ Strauss - Sunrise from Also sprach Zarathustra Fanfare Trumpeters of Bach - Toccata & Fugue in D minor the Band of the Royal Logistics Corps Mussorgsky - Great Gate at Kiev Handel - Hallelujah Chorus Widor - Toccata Elgar - Land of Hope and Glory
Saturday 28 October at 7.30pm Royal Philharmonic Orchestra English Concert Chorus Carmina Burana Highgate Choral Society Royal Choral Society Returns by popular demand -witness Orff’s choral Southend Boys’ Choir extravaganza performedbyover 400 voices. Andrew Greenwood conductor Rossini - William Tell Overture Jennifer Pike violin Jennifer France soprano
Bruch - Violin Concerto No.1 sep17 Thomas Walker tenor Orff - Carmina Burana David Kempster baritone
ROYAL ALBERTHALL box office 020 7838 3109 book online royalalberthall.com barbican.org.uk SEATS AVAILABLE FROM raymondgubbay.co.uk (24hrs/bkg fees apply) 0844 847 2319 News 1–10 Instagrammers in Residence 1–2 Sep 2017 Basquiat: Boom for Real 3–4 A New Beginning 5–6 Woyzeck in Winter 7–8 Welcome to Culture Mile 9–10 Listings 11–40 Art 11–14 Film 15–20 Classical Music 27–32 Contemporary 7 Music 33–34 Theatre & Dance 35–38 8 9 Learning 39–40 Information 22–25 How do you see the Barbican? From the architecture of the towers and Explore 22 the hidden corners of the foyers to our Calendar 23–24 installations and performances – there are so many angles to the Centre and Booking 25 so many different ways of experiencing it.
Curious about how our visitors Meet our Instagrammers: see the Barbican and the @tobishinobi surrounding neighbourhood, @londonlivingdoll we invited six Instagrammers @justanotherdayin to explore the Centre @mitna29 through their lenses. Armed @thealexx09 with a smartphone and @liamfarquhar their own unique style, our Instagrammers took us on Different Instagrammers, a variety of photographic different photographs –
News journeys around the Barbican. what would the Barbican look like through your lens?
Share your photos with us on
1 Instagram @BarbicanCentre ‘The Barbican not only appealed to me for its distinctive
style, but turned Sep 2017 into a place I would regularly visit to 3 seek inspiration’ Alex
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Images: 1. Barbican Conservatory by @thealexx09 10. Robert Henke’s Lumière III by 2. Richard Mosse: Incoming by @justanotherdayin @justanotherdayin 11. Art Gallery foyer by @justanotherdayin 3. Barbican Conservatory by @mitna29 12. Manana//Cuba: Afro-Cuban 4. Blanca Li Dance Company’s Robot by Collaborations by @liamfarquhar @justanotherdayin 13. Royal Ballet’s Les Enfants Terribles by 5. British Sea Power: Music for Polish @londonlivingdoll
Animation Classics by @thealexx09 14. The Japanese House : Architecture and Life News 6. The Japanese House: Architecture and Life after 1945 by @mitna29 after 1945 by @liamfarquhar 15. Architecture Tour by @tobishinobi 7. Architectural details by @mitna29 8. Architecture Tour by @liamfarquhar 9. Royal Ballet’s Les Enfants Terribles by Instagrammers in Residence @londonlivingdoll 2 3 News Sep 2017 Basquiat: Boom for Real autumn exhibition. of our ahead Basquiat Michel of Jean- impact explosivethe discusses Hayford Casely- Augustus Cultural historian © Robert Carrithers Robert Carrithers.Jean-MichelBasquiatoutsideTodd’s Copy Shop,New York, 1980. in a cataclysmic paroxysm paroxysm acataclysmic in own imagination detonated his until dissolved, categories culture until once cast-iron accelerating across traditional innovation creative of waves sent He conventional. the and esoteric the fusing orthodoxy, thrilling output eviscerated and eighties, his prolific and seventies late the through that he touched. Ripping spheres creative the of many reconfigured that explosions and artistic intellectual of aseries triggered Basquiat Jean-Michel adecade, than more little In … real for –Boom BOOM … then –and tongue the on fleeting tang of electricity and tart –the short burns fuse the sparks, flint the down, ticks clock The
and left each altered. value and deem worthy of Ultimately however, they serious consideration. were fodder to further his greater project of dissecting Basquiat understood value
the way that we perceive, – he escaped homelessness Sep 2017 categorise and give value. to become an internationally acclaimed artist in a handful ‘A magnificent of years. Perhaps driven theatre of alternate by memories of his difficult childhood, by a hope that possibilities, those early years would simultaneously not define his adult life, he beautiful and approached his career with shocking, both a pathological application. Blessed with a defining talent, thrillingly nascent he rapidly found success, and yet ancient‘ while the residual pain of childhood lingered as an While he was recuperating important catalyst for his after being hit by a car, practice. He understood the his mother bought the tension between his race and young Basquiat a copy his gift, he knew what his talent of Gray’s Anatomy. This meant, what his Blackness, Victorian exploration of the his Haitian, his Puerto Rican mechanics of the human and once African ancestry body left him obsessed could connote to the artworld, with ideas of dissection and and how this ethnicity could reconfiguration. Throughout be used to limit his progress his career he nurtured a – but he also knew how he forensic interest in forcing might deploy his identity that looked backward with us to think about how we for optimum impact. These such ferocity that it became might pull apart and remake gifts made him attractive to the future. And Basquiat intellectual disciplines. He many of the most interesting left behind a cultural arena looked at history as a cadaver figures of the time, Andy that was transformed by his that could be deconstructed Warhol, David Bowie and brief, but brilliant, presence. and reanimated to suit us. Blondie among many others. Searching beyond traditional During his early years of ‘He looked at western sources of artistic success, Basquiat’s volcanic history as a inspiration, Basquiat found an talent was more than a alternative plane upon which counterbalance to his cadaver that could to build his art, borrowing demons, but those anxieties be deconstructed and refashioning punk, rap, intensified until ultimately, like and reanimated ancient Egyptian history and many of his contemporaries, traditional African art. From he was consumed by his own to suit us’ this other world he conjured ghosts. While there have a magnificent theatre of been other artists who have Although he died at 27, in alternate possibilities, reconfigured the creative his short life Basquiat made simultaneously beautiful and metric of their time, few did a telling contribution to the shocking, both thrillingly so with the explosive style cultural world, helping to nascent and yet ancient. It of Jean-Michel Basquiat. normalise a particular kind of beguiled with its flamboyant challenge to the intellectual brilliance and stunned with Basquiat: Boom for Real
status quo. Graffiti artist, its difference. This was 21 Sep 2017–28 Jan 2018 News painter, poet, DJ, philosopher, perhaps his Grand Project, musician – Basquiat took the forced reevaluation of See page 11 for details on creative disciplines with worth, the reconsideration
a sure-footed mastery of the things that we might 4 5 News Sep 2017 A New appointment. marking his special events of concerts and days ten Rattle, is This with off kicks School Guildhall the Barbican and with Association and Artist-in- Orchestra London Symphony of the Director Music year as first Rattle’s Simon Sir Beginning ‘We want to carry ‘We have to nourish Concerto for for Concerto Bartók’s and Mahler; on reflections its Tippett’s Boréades Rameau’s Les context. fresh a in one each he’s placing audience, –anew crucially – and orchestra anew with but life, musical his to central are that by works anchored is His mind.’ in season first I have things of type the of bar tapas ‘ fashion, typical it, in puts Rattle as –or amanifesto as but afanfare, as much so not festival opening this of Think new?”’ that’s do we can What next? say, “What’s They forward. look They back. looking of idea the to admit not will absolutely but history extraordinary an has –that LSO –the orchestra an with ‘I’m working now Rattle. says back,’ looks and history its of proud very is that orchestra an years, for Berlin in orchestra extraordinary an with working ‘I’ve been aroutine. into settling of opposite the is Well, whatever inspirational. But what then? be to going It’s community. creative awider in place his LSO, but the at Rattle’s arrival just not celebrate to designed and projects community music new of Grime, Helen and Elgar of Stravinsky, and Berlioz of days ten comprises Rattle is This aflourish. with be will it Orchestra, Symphony London the of Director Music as baton the up picks Rattle Simon Sir When on bringing music to music bringing on everybody’ the ground up’ from form art this The Rose Lake Rose The sits next to Schubert; Schubert; to next sits throws throws a See pages 27–32 details for pages See Sep 14–24 Rattle is This everybody.’ to music bringing on carry to want War, World we Second and the after written were that these incredible masterpieces We tackle to want arts. across We go to want theatre. the in We work to want yesterday. written music play to want we and music, early play to want ‘We says. he start,’ the only is I’m this sure things. extraordinary do can we where city extraordinary this in spaces other find we that is idea ‘The too. does, LSO the what it’s on, now from and does, Rattle what Ambitious? It’sModern. just Tate at Turbine Hall the in sonic Gruppen spectacular immersive Stockhausen’s of prospect 2018 the hall, holds Looking beyond the concert and Guildhall. the at the Barbican Association Artist-in- also is Rattle why to as example an – and up’ ground the from form art this nourish to have We ‘Another no-brainer. – possibilities expanding to Rattle’s commitment of McBurney, proof further Gerard communicator musical great by the directed be will latter The musical exiles. greatest world’s the of by some America wartime in created collaborative alongside the extraordinary, Orchestra is performed is performed
Genesis Suite Suite Genesis
6 News Sep 2017 7 News Sep 2017 Woyzeck in Winter Jenny Gilbert explores a new production of expressive extremes but by director Conall Morrison, who prone to go out of tune. The set resembles a Caspar has combined two masterpieces David Friedrich landscape,
of the early 19th century to form a a mountainside built of Sep 2017 remarkable piece of music theatre. disused pianos, embedded at the centre of which is the Steinway, which provides the The great works of music and more and more intriguing. show’s essential soundtrack. drama, for all that we mentally Subjecting the material to the file them away in sealed workshop process (‘another ‘The piano becomes boxes, share connections that way of saying we kicked it a metaphor can still surprise us. Woyzeck in around’) convinced him that Winter is a fusion of two early play and song cycle together for Woyzeck’s 19th-century masterpieces could create a new entity, mind – a complex whose similarities are one that shed light all round. machine capable uncanny. Woyzeck, the play of expressive by Georg Büchner, and Die ‘The set resembles Winterreise, the song cycle by a Caspar David extremes but prone Franz Schubert set to poems to go out of tune’ by Wilhelm Müller, were Friedrich landscape, written within nine years of a mountainside built In casting Woyzeck in Winter, one another. Each was the of disused pianos’ Morrison has looked for seminal work of a troubled actors who ‘have their own genius who died young. Each Woyzeck in Winter not black magic, with voices that narrates the course of one only takes the bold step of are raw, honest, colourful, man’s obsessive thoughts and removing Schubert’s songs alive, that bring not beauty his downward slide towards from the traditional recital- and polish to the lyrics, but dissolution. The play is a room setting, but also, more immediacy.’ Leading the cast, collection of 24 scenes, the controversially, it puts them in Patrick O’Kane and Camille song cycle 24 songs. Placed the mouths of actors. While O’Sullivan are extraordinary side by side, playscript and aware that he risks being performers by any measure. lyrics could be said to be accused of disrespecting having a conversation. the art of lieder singing, Might the combined dose of Morrison contends that using Schubert and Büchner merely ‘Placed side by non-classical voices along double the misery? Not a side, playscript with a new English translation bit, Morrison says. ‘Although ‘unlocks a kind of rough both the original works are and lyrics could be honesty’ in the poetry. The shot through with pain and said to be having a music drives Büchner’s play, heartbreak, neither Woyzeck conversation’ which in turn becomes a kind nor the singer of Winterreise is of ballad opera, inhabiting prepared to go gently. There The Dublin-based theatre a storytelling world closer is in both a strange sense of director Conall Morrison has to that of Bertold Brecht exhilaration about the soul’s spent many years absorbing and Kurt Weill, or even journey into the dark. It’s like a both works. Büchner’s play, Nick Cave or Tom Waits. fearsome embrace. The stakes which follows the struggles are high, the passions are of a put-upon foot soldier Schubert’s songs are threaded strong, the struggle is intense.’ in the German-Austrian through the drama, some sung army, ‘grabbed him by the by the Woyzeck character, Woyzeck in Winter throat’ with its energy, its others by his faithless lover 13–16 Sep vividness, its darkness. He Marie. Some are reprised, See pages 35–36 for details
came to Winterreise (Winter’s some sung in chorus, others News Journey) soon after, and the performed by piano alone. two works became a twin The piano becomes a obsession, Morrison finding metaphor for Woyzeck’s mind 8 Image © Alex Sapienza Alex © Image the parallels between them – a complex machine capable Nicholas Kenyon, Managing Director of Now is the time to draw all the Barbican Centre and a member of this history, innovation and achievement together in a the City of London Corporation’s Cultural groundbreaking initiative as
Sep 2017 Hub Working Party, introduces a new the arts, heritage and culture initiative in the north-west of the City. organisations in the northwest of the City – from Farringdon
Station to Station © Rob Stothard/Getty image
For more than 35 years, the of London, the Guildhall to Moorgate – come together Barbican has been a beacon School of Music & Drama, to launch CULTURE MILE: of adventurous culture in and LSO St Luke’s, as well as a a major destination for the the City, offering an ever- unique range of heritage sites culture of today in the heart widening range of world- and buildings including the of London’s financial district. class arts and learning to an Roman wall and fort, medieval increasingly diverse audience churches and livery halls, and Our part of the City is in London and beyond. distinguished contemporary changing radically. The arrival Living up to our vision of buildings by leading architects. of Crossrail in the north of the ‘arts without boundaries’, we City in 2018/19 will transform have expanded our activities ‘The Barbican has the area with new transport and reached a whole new been a beacon of links stretching east and west. News generation of audiences. There will be new Elizabeth adventurous culture Line stations on both sides of We have always been part of in the City’ the Barbican at Farringdon the thriving life of this area of and Moorgate/Liverpool
9 London, home to the Museum Street that, together with ‘This is just the the just is ‘This ‘We have expanded partnerships that already that already partnerships flourishes. There are many and matters creativity where City the of We area an in are welcome accessibility. providing numbers, increased for ready be to need we alike; enthusiasts cultural and Barbican residents, visitors This is a huge benefit to hubs. transport and airports unrivalled to access London’s interchange, will provide Farringdon new the at lines Thameslink the north–south our activities and and activities our audiences’ the story’ beginning of new generation of a wholereached out on this exciting journey. set we as us with work will you We hope generations. of LondonCity for future the of role the redefine to and partners stakeholders to engage with opportunity the have we all, for access provide will that Museum the of site present the on Music for aCentre create to vision Smithfield, and the ambitious Museum of London in west development of a new the story. With the major of beginning the just is This cyclists. and pedestrians for facilities improve to targets City with line in neighbourhood, our of look future the for ground the test to installations and art pop-up of interventions experimental be will there and improvement, for candidate obvious an is Street Beech of roadway covered The area. the of enhancing the look and feel to and signage wayfinding much-debated our rethinking from realm, public the improve to need the recognises of London Corporation development, the City this leading boldly In and opportunities. of inspiring experiences range ahuge to access ages all of people offering learning, of a destination create to together work will we City, the across available already programmes cultural extraordinary the on Expanding welcome. of asense create and buildings our between spaces the animate to also but audiences, to activities our present to way, only not coordinated more amuch in work will we now –but Barbican the with LSO; the Museum of London the with School Guildhall – the institutions the across operate ‘We are in an area area ‘We an in are of the City where where City of the and flourishes’ and Welcome to matters creativity Culture Mile
10 News Sep 2017 11 Listings Sep 2017 Business Members +guest Unlimited free entryfor Business Membership Unlimited free entryfor Members+guest Membership Plus Unlimited free entryfor Members Membership on 0207638 8891 barbican.org.uk orcallBox Office Check onlinefor afullrange of discounts Under 14s free Young Barbican£5 Students/14–17 £10 Concessions £12 Standard £16 Tickets Thu–Sat 10am–10pm Sun–Wed 10am–6pm Opening times Gallery Art
Art
See website for more details family visits. tours andworkshops suitable for schoolsand school visits,alongsideafullprogramme of An activity sheetisavailable for family and Learning Creative Real for Boom Basquiat: 21 Sep–28Jan,Across theCentre official hotel partnerisAceHotel London. fund of theLondonCommunityFoundation. The by Cockayne Grants for theArts,adonor-advised from Momart.Thepublicprogramme issupported Phillips andtpbennett,withadditional support The exhibition issponsored by NET-A-PORTER, with theSchirnKunsthalle Frankfurt. Art Galleryandorganised incollaboration Buchhart and Eleanor Nairne, Curator, Barbican Basquiat: Boomfor Real iscurated by Dieter death at27in1988 have beenenormous. an artistwhoseimpact andinfluence sincehis material, theexhibition captures thespiritof rare photography, film footage andarchive literature, film andtelevision. Incorporating focus onBasquiat’srelationship witmusic, in theUK.Thisisalsofirst exhibition to private collections,many never before seen works from international museumsand an outstanding selectionof more than100 This unprecedented exhibition bringstogether Haring andBlondie,amongothers. musician, whoworked withAndyWarhol, Keith creativity of thisself-taught artist,poet,DJ and New York artscene.Engage intheexplosive the pioneeringprodigy of the1980s downtown Discover thework of Jean-MichelBasquiat, Real for Boom Basquiat: 21 Sep2017–28 Jan2018, ArtGallery
Sep 2017
Jean-Michel Basquiat, Self Portrait, 1984. Acrylic and oil stick on paper mounted on canvas. Private collection. © The Estate of Jean-Michel Basquiat. Licensed by Artestar, New York Art 12 Sep 2017
Jean-Michel Basquiat, Moses and the Egyptians, 1982. Acrylic and oil stick on canvas. Guggenheim Bilbao Museoa. Gift of Bruno Bischofberger. © The Estate of Jean-Michel Basquiat. Licensed by Artestar, New York Listings 13 Architecture on Stage Magnum Photos Now
Mon 11 Sep 7pm, Frobisher Auditorium 1 Tue 26 Sep, Frobisher Auditorium 1 Angela Deuber Beyond the Bible: Sep 2017 Angela Deuber is an award-winning Swiss Jonas Bendiksen presents architect based in the Alpine city of Chur, Canton The Last Testament Grisons. Her office started with the conversion of Two years ago Magnum photographer a late medieval house (2010) and has continued Jonas Bendiksen started a personal project to to create projects of significant tectonic chronicle seven men who all publicly claim to presence, including the school building in Thal, be the biblical Messiah returned. In this unique Canton St Gallen (2013) and the house on the presentation, Bendiksen presents the photo- Outer Hebrides, Scotland (2013). The architect graphs and stories he has collected, exploring will present the themes of her architecture based the boundaries of religious faith and a world in on analytical drawings and recent projects. need of salvation. Tickets £15 Tickets £10
Mon 18 Sep 7pm, Theatre Tom Emerson (6A) Tom Emerson founded award-winning practice 6a with Stephanie MacDonald in 2001. The practice has developed an international reputa- tion for a portfolio that has a strong focus on commissions for arts spaces including Raven Row (2009), the South London Gallery (2010) and the extension of the MK Gallery, in Milton Keynes (2015). Recent projects include Cowan’s Court, a residential block for Churchill College, Cambridge (2016) and a studio for fashion photographer Jeurgen Teller, in west London (2016), recently awarded RIBA Regional Awards and London Building of the year 2017. Tickets £15 The Architecture Foundation, in association with the Barbican, presents Architecture on Stage – a programme of talks and debates Art 14 New Releases Release dates are correct at the time of going to press but are subject to change at short notice. Please check online closer to the time. Sep 2017
From Fri 1 Sep God’s Own Country#
Film The life of a sheep farmer is turned upside down, when he begins an intense relationship with a Romanian migrant worker in the Yorkshire dales. An incredible debut from writer-director Francis Lee. UK 2017 Dir Francis Lee 104 min
From Fri 1 Sep The Limehouse Golem15 When a series of gruesome murders shake the community, all fingers seem to point towards a legendary creature from dark times named ‘The Golem’. A gothic murder mystery staring Bill Nighy, Olivia Cooke and Douglas Booth. UK 2017 Dir Juan Carlos Medina 109 min
Tickets From Fri 8 Sep New releases The Work# Standard £12 Barbican Members £9.60 Court videographer Jairus McLeary offers a Concessions £11 unique glimpse into the lives of inmates serving Corporate Members receive 25% off time at Folsom State Prison, as they meet with standard price tickets people from the outside world during the prison’s intensive group therapy programme. Under 18s £6 Monday Madness £6 US 2017 Dirs Jairus McLeary, Gethin Aldous 87 min Student Tuesdays £5 Parent and Baby Screenings £6 For 3D titles add £2 From Fri 15 Sep plus booking fee* Journey Through Events French Cinema# See individual events online for details Filmmaker Bertrand Tavernier directs and prices this love letter to French cinema, taking Young Barbican us on a journey through the films, actors, 14–25? Join our discount scheme for free and directors, writers and cinematographers get cinema tickets to new release films for just £5 who mean so much to its history. (Mon–Thu) France 2017 Dir Bertrand Tavernier 190 min *Booking fee per online transaction 60p; 70p telephone booking fee per transaction. No Listings fee when tickets are booked in person or for Members and Young Barbican Members * Local classification
15 # Certificate to be confirmed Sep 2017
Victoria and Abdul
From Fri 15 Sep Film Podcast Victoria and Abdul# Listen to our podcast featuring inspiring Judi Dench takes on the role of Queen interviews with filmmakers, stars and film Victoria in the latest film from Stephen experts, and get the inside scoop on this Frears, which depicts the true story of the month’s new releases and seasons. monarch’s unlikely friendship with a young Listen at barbican.org.uk/film/podcast Indian clerk named Abdul (Ali Fazal). US/UK 2017 Dir Stephen Frears Parent and Baby Screenings Enjoy the best new films every Monday From Fri 22 Sep morning with your little ones of twelve months Borg/McEnroe# and under. Our specially tailored screenings Janus Metz Pedersen brings to life the have gentle lighting and sound, creating a legendary sporting dual between Björn comfortable environment. Please see our Borg and John McEnroe in this tense drama, website for full details. Sign up to our Parent starring Shia LaBeouf and Sverrir and Baby mailing list at barbican.org.uk Gudnason as the iconic tennis rivals. £6 plus booking fee* Sweden/Denmark/Finland 2017 Dir Janus Metz Pedersen Relaxed Screenings One Friday afternoon ieach month we screen From Fri 29 Sep a new release film or a performance cinema The Party# encore in a specially tailored environment for Timothy Spall, Cillian Murphy and Kristin adults who may be on the autistic spectrum, Scott Thomas make up an excellent ensemble have Tourette Syndrome, anxiety, sensory difficulties or other learning disabilities. cast in this tragi-comedy from Sally Potter, in Film which a celebration has tragic consequences. Friends and carers are very welcome, too. UK 2017 Dir Sally Potter 71 min To find out more about the screenings and to download your visual story before visiting, please
go to www.barbican.org.uk/relaxedscreenings 16 Special Events and Seasons Sun 10 Sep 4pm, Cinema 1 Strike12A Sun 3 Sep 3.30pm, Cinema 1 + Live piano accompaniment
Sep 2017 London SymphonyU* by Wendy Hiscocks + Live musical accompaniment Silent Film and Live Music by the Covent Garden Sinfonia Using historical experiments in the art of montage alongside rapid editing, Sergei + Panel discussion Eisenstein’s landmark first film tells the story of a workers’ revolt in a factory in Czarist Russia. An Silent Film and Live Music exemplary film of Russian revolutionary cinema. Alex Barrett presents a brand new artistic USSR 1925 Dir Sergei Eisenstein 82 min snapshot of London as it stands today, a city symphony celebrating its culture and diversity, £11.50–12.50 plus booking fee* followed by a discussion with the filmmakers Part of Cinema Matters: Collective Visions and London history specialist Mark Rowland. UK 2017 Dir Alex Barrett 72 min From 10 Sep, Cinema 2 & 3 £11.50–12.50 plus booking fee* Collective Visions Cinema Matters Thu 7 Sep 7.45pm, Cinema 2 We look at film’s ability to bring people together John Le Carré Live: forming collective identities, and how cinema An Evening with facilitated and inspired ideologies, revolutionary George Smiley12A ideas and dissident voices. Screenings include Gillo Pontecorvo’s The Battle of Algiers and Featuring readings from his new novel Barbara Kopple’s Harlan County, USA. alongside a rare question and answer session, John Le Carré shares the secrets £9.50–10.50 plus booking fee* behind the creation of his most beloved characters, live from the Royal Festival Hall. Tue 12 Sep 6.45pm, Cinema 1 £14–15 plus booking fee* The Substance (La Substància)PG* Sat 9 Sep 12 noon, Cinema 3 + ScreenTalk with Lluís Galter (via Skype) Which Way Up Architecture on Film with John McLean# In 2010, Chinese developers decided to build A moving portrait of one of Britain’s foremost a replica of Cadaques – a small Spanish abstract painters, John McLean, as he coastal town beloved by Salvador Dalí – for continues his exceptional work as an artist, 15,000 of their own citizens. Blurring fiction despite being diagnosed with Parkinson’s and documentary, this film follows the strange disease. teleportation of a town from one continent to UK 2017 Dir Michael Proudfoot 78 min another, exploring what ‘place’ really means. £9.50–10.50 plus booking fee* Spain 2016 Dir Lluís Galter 86 min £11–12 plus booking fee* Curated by The Architecture Foundation Listings * Booking fees Booking fee per online transaction 60p; 70p by phone. No fee when tickets are booked in person.
17 The booking fee may be reduced on certain events 17–24 Sep, Cinema 1 This is Rattle In celebration of Sir Simon Rattle’s return
to London, we screen Making of a Maestro, Sep 2017 the first documentary about Rattle’s career; Rhythm is It, which focusses on a project undertaken with the Berliner Philharmoniker, and Kenneth Branagh’s Henry V, for which Rattle conducted the music. £9.50–10.50 plus booking fee*
Tue 19 Sep 6.15pm, Cinema 2 Dr StrangelovePG + Presentation by Professor Sandra Chapman Science on Screen How much do we rely on complex, interconnected global systems? Can the most terrible of outcomes always be contained? Sandra Chapman, Professor of Physics, grapples with these In the Heat of the Night questions before a screening of Stanley Kubrick’s nuclear comedy masterpiece. Tue 26 Sep 8.30pm, Cinema 3 12A UK/US 1964 Dir Stanley Kubrick 103 min In the Heat of the Night £9.50–10.50 plus booking fee* Scintillating, suspenseful and justly acclaimed, this murder mystery creates two unlikely allies out of a wily redneck police chief (Rod Steiger) and Tue 26 Sep 6.45pm, Cinema 2 a sophisticated northern city detective (Sidney Adrian Wootton’s Hollywood Poitier), as they set out to solve a hate crime. Legends: Sidney Poitier US 1967 Dir Norman Jewison 108 min Members’ Talk £8.50–9.50 plus booking fee* Adrian Wootton, CEO of Film London, continues his exclusive Members’ series, Wed 20 Sep 7pm, Cinema 2 tracing the life of Sidney Poitier, one of the PG most celebrated screen actors in US history, The Artist + ScreenTalk with from his groundbreaking performances to Ludovic Bource his work as a director and humanitarian. Oscar Scores £9 ticket includes drink Composer Ludovic Bource joins us to discuss his Academy Award-winning score, after a screening of Michel Hazanavicius’s critically acclaimed love- letter to the magic of silent cinema. France 2011 Dir Michel Hazanavicius 100 min £14–£15 plus booking fee*
Produced in collaboration with the Academy Film of Motion Picture Arts and Sciences 18 Sep 2017
The Grime and the Glamour: Remembering CBGBs
Wed 27 Sep 6.30pm, Cinema 2 From 29 Sep, Cinema 3 School Number 3 15 * The Grime and the Glamour: New East Cinema NYC 1976–90 Teenagers from a school in Ukraine’s Donbass Get a taste of the scuzzy and blisteringly share their innermost hopes, fears, desires and creative streets of late 1970s and 1980s New memories to camera. While the war between York, with a season of films that take us back to Russia and Ukraine is never mentioned, it forms Jean-Michel Basquiat’s home town. Screenings an unspoken epicentre around which individual include hip-hop classic Wild Style, and Jim stories – full of emotion – coalesce. Jarmusch’s first feature, Permanent Vacation. Ukraine/Germany 2017 Dirs Yelizaveta Smith, £8.50–9.50 plus booking fee* Georg Genoux 116 min Complementing Basquiat: Boom For Real New East Cinema is a film series presented 21 Sep–28 Jan. See page 11 for details in collaboration with Calvert 22 Foundation, curated by The New Social: a cultural collective bringing contemporary cinema Framed Film Club: from eastern Europe and beyond. Jamila Gavin Presents … £9.50–10.50 plus booking fee* Every Saturday at 11am, we’ll be screening one of author Jamila Gavin’s favourite family films, including Ratatouille, The Secret World of Arietty and a special presentation of The Adventures of Prince Achmed with live musical accompaniment. On the final Saturday of the month, come along for our free Framed Extra creative workshop in the Cinema 2 & 3 foyer, led by an artist and inspired by the film.
Listings See website for full programme. * Booking fees £2.50 under 18s / £3.50 over 18s Booking fee per online transaction 60p; 70p by Special events vary phone. No fee when tickets are booked in person. No unaccompanied adults or children
19 The booking fee may be reduced on certain events Performance Cinema/Encores Fri 15 Sep 12.30pm, Cinema 3 Angels in America Part 2: 15 Fri 8 Sep 12.30pm, Cinema 3 Perestroika Angels in America Part 1: Relaxed screening Sep 2017 Millennium Approaches15 The second part of Tony Kushner’s multi- award-winning play, in a screening specially Relaxed Screening tailored for adults who may be on the autistic A chance to see Andrew Garfield, Denise spectrum, have Tourette Syndrome, anxiety, Gough and Russell Tovey star in the first part sensory difficulties or other learning difficulties. of Tony Kushner’s multi-award-winning play, £5, carers go free in a screening specially tailored for adults who may be on the autistic spectrum, have Tourette Syndrome, anxiety, sensory difficulties or other Wed 20 Sep 7.15pm, Cinema 3 learning difficulties. The Magic Flute12A £5, carers go free Royal Opera House Live Mozart’s glorious opera is brought enchantingly Wed 13 Sep 8.30pm, Cinema 1 to life in David McVicar’s production, with David Gilmour Live at Pompeii beautiful sets by John Macfarlane. David Gilmour performs live in the £21 plus booking fee* legendary Roman amphitheatre at Pompeii, featuring astonishing music from his solo career alongside Pink Floyd classics. A true Thu 28 Sep 2pm, Cinema 2 audio-visual spectacle screened in 4K. Vincent Van Gogh £14–15 plus booking fee* Afternoon Arts Enjoy complete and unprecedented access to the Thu 14 Sep 2pm, Cinema 2 treasures of Amsterdam’s Van Gogh Museum. Made in collaboration with the gallery’s curators, Eugene Onegin the film marks the major rehang of the gallery’s Afternoon Arts collection. We start our Afternoon Arts series with a £9.50–10.50 plus booking fee* production of Tchaikovsky’s heart-rendering opera live from the Vakhtangov State Academic Theatre of Russia, created and directed by the Thu 28 Sep 8.30pm, Cinema 3 renowned Rimas Tuminas. Black Sabbath: # £9.50–10.50 plus booking fee* The End of the End After nearly 50 years, the biggest name in heavy metal, Black Sabbath, perform in Sun 17 Sep 1.45pm, Cinema 2 their home city for the last time, bringing Yerma down the curtain on a final tour that no National Theatre Encore one thought would ever happen. Featuring unparalleled insights from the band, alongside The incredible Billie Piper (Penny rare live tracks from Angelic Studios. Dreadful, Great Britain) returns in her Olivier award-winning role, as a young £14–15 plus booking fee* woman who is driven to the unthinkable by her desperate desire to have a child.
£20 plus booking fee* Film 20 Sep 2017
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