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Rudyard Kipling's Techniques
Rudyard Kipling's Techniques The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Friedman, Robert Louis. 2016. Rudyard Kipling's Techniques. Master's thesis, Harvard Extension School. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:33797390 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA ! Rudyard Kipling’s Techniques: Their Influence on a Novel of Stories An Introductory Essay and an Original Novel, Answers Lead Us Nowhere Robert Louis Friedman A Thesis in the Field of Literature and Creative Writing for the Degree of Master of Liberal Arts in Extension Studies Harvard University November 2016 ! ! Copyright 2016 Robert Louis Friedman ! ! Abstract This thesis investigates the techniques of Rudyard Kipling and his influence on my “novel of short stories”. How did Kipling advance the short story form over a half-century of experimentation? How did his approaches enliven the reader’s experience to such a degree that his greatest works have remained in print? Beginning in 1888 with Plain Tales From the Hills, Kipling utilized three innovative techniques: the accretion of unrelated stories into the substance of a novel; the use of tales with their fantastical dreamlike appeal (as opposed to standard fictional styles of realism or naturalism) to both salute and satirize characters in adult fiction; and the swift deployment of back story to enhance both the interwoven nature and tale-like feel of the collection. -
Fuzzy-Wuzzy Rudyard Kipling
Fuzzy-wuzzy Rudyard Kipling (Soudan Expeditionary Force) We've fought with many men acrost the seas, An' some of 'em was brave an' some was not: The Paythan an' the Zulu an' Burmese; But the Fuzzy was the finest o' the lot. We never got a ha'porth's change of 'im: 'E squatted in the scrub an' 'ocked our 'orses, 'E cut our sentries up at Sua~kim~, An' 'e played the cat an' banjo with our forces. So 'ere's ~to~ you, Fuzzy-Wuzzy, at your 'ome in the Soudan; You're a pore benighted 'eathen but a first-class fightin' man; We gives you your certificate, an' if you want it signed We'll come an' 'ave a romp with you whenever you're inclined. We took our chanst among the Khyber 'ills, The Boers knocked us silly at a mile, The Burman give us Irriwaddy chills, An' a Zulu ~impi~ dished us up in style: But all we ever got from such as they Was pop to what the Fuzzy made us swaller; We 'eld our bloomin' own, the papers say, But man for man the Fuzzy knocked us 'oller. Then 'ere's ~to~ you, Fuzzy-Wuzzy, an' the missis and the kid; Our orders was to break you, an' of course we went an' did. We sloshed you with Martinis, an' it wasn't 'ardly fair; But for all the odds agin' you, Fuzzy-Wuz, you broke the square. 'E 'asn't got no papers of 'is own, 'E 'asn't got no medals nor rewards, So we must certify the skill 'e's shown In usin' of 'is long two-'anded swords: When 'e's 'oppin' in an' out among the bush With 'is coffin-'eaded shield an' shovel-spear, An 'appy day with Fuzzy on the rush Will last an 'ealthy Tommy for a year. -
Characters Deer Raksha Seyva Dhani Other Wolves Bagheera Akela
Characters Deer Raksha Seyva Dhani Other Wolves Bagheera Akela Shere Khan Gray Mowgli Keva Fatin Baloo Monkey 1 Monkey 2 Monkey 3 Monkey 4 Kaa Asa Villager 1 Villager 2 Child 1 Child 2 Toomai Scene 1 (Stage is set with small pots of fake greenery. There are also two ‘rocks’ onstage; one being Council Rock, the other, Bagheera’s Perch. A DEER enters, gracefully. Music begins softly as the deer moves from plant to plant, dancing. The music changes ominously. Quickly, the WOLF PACK surrounds the DEER. The WOLVES circle in on the deer, blocking it from view. DEER exits by the time the pack opens up again. A rustling from the bushes. The pack turns as one.) RAKSHA. Who moves within our grounds who does not use the Stranger’s Hunting Call? BAGHEERA. (Entering SR, carrying a bundle) We be of one blood, ye and I. RAKSHA. Bagheera. BAGHEERA. I tell you now, return to your den. It is not safe out tonight. RAKSHA. What is it? BAGHEERA. Shere Khan is out hunting. RAKSHA. On our grounds? BAGHEERA. He will not obey the Law of the Jungle. He is lame and wishes for easier prey. SEYVA. Our buck will be no easier for a lame tiger to catch. BAGHEERA. It is not buck he hunts tonight ... but man. RAKSHA. Man? SEYVA. In the jungle? BAGHEERA. Travelers. And their kin (nodding toward the bundle.) SEYVA. Bagheera. BAGHEERA. (Looking only at RAKSHA) I ask only that you take the cub with you. Just until Shere Khan moves on. RAKSHA. And you believe he will be safe then? BAGHEERA. -
The West Bengal College Service Commission State
THE WEST BENGAL COLLEGE SERVICE COMMISSION STATE ELIGIBILITY TEST Subject: MUSIC Code No.: 28 SYLLABUS Hindustani (Vocal, Instrumental & Musicology), Karnataka, Percussion and Rabindra Sangeet Note:- Unit-I, II, III & IV are common to all in music Unit-V to X are subject specific in music Unit-I Technical Terms: Sangeet, Nada: ahata & anahata , Shruti & its five jaties, Seven Vedic Swaras, Seven Swaras used in Gandharva, Suddha & Vikrit Swara, Vadi- Samvadi, Anuvadi-Vivadi, Saptak, Aroha, Avaroha, Pakad / vishesa sanchara, Purvanga, Uttaranga, Audava, Shadava, Sampoorna, Varna, Alankara, Alapa, Tana, Gamaka, Alpatva-Bahutva, Graha, Ansha, Nyasa, Apanyas, Avirbhav,Tirobhava, Geeta; Gandharva, Gana, Marga Sangeeta, Deshi Sangeeta, Kutapa, Vrinda, Vaggeyakara Mela, Thata, Raga, Upanga ,Bhashanga ,Meend, Khatka, Murki, Soot, Gat, Jod, Jhala, Ghaseet, Baj, Harmony and Melody, Tala, laya and different layakari, common talas in Hindustani music, Sapta Talas and 35 Talas, Taladasa pranas, Yati, Theka, Matra, Vibhag, Tali, Khali, Quida, Peshkar, Uthaan, Gat, Paran, Rela, Tihai, Chakradar, Laggi, Ladi, Marga-Deshi Tala, Avartana, Sama, Vishama, Atita, Anagata, Dasvidha Gamakas, Panchdasa Gamakas ,Katapayadi scheme, Names of 12 Chakras, Twelve Swarasthanas, Niraval, Sangati, Mudra, Shadangas , Alapana, Tanam, Kaku, Akarmatrik notations. Unit-II Folk Music Origin, evolution and classification of Indian folk song / music. Characteristics of folk music. Detailed study of folk music, folk instruments and performers of various regions in India. Ragas and Talas used in folk music Folk fairs & festivals in India. Unit-III Rasa and Aesthetics: Rasa, Principles of Rasa according to Bharata and others. Rasa nishpatti and its application to Indian Classical Music. Bhava and Rasa Rasa in relation to swara, laya, tala, chhanda and lyrics. -
Just So Stories
Just So Stories By Rudyard Kipling Free E-Book From TRW STORIES: trwheeler.com/ebooks.html Contents Free E-Book ............................................................................................................................... 1 HOW THE WHALE GOT HIS THROAT ......................................................................................... 2 HOW THE CAMEL GOT HIS HUMP............................................................................................. 4 HOW THE RHINOCEROS GOT HIS SKIN ..................................................................................... 7 HOW THE LEOPARD GOT HIS SPOTS ......................................................................................... 9 THE ELEPHANT'S CHILD ........................................................................................................... 14 THE SING-SONG OF OLD MAN KANGAROO ............................................................................ 20 THE BEGINNING OF THE ARMADILLOS ................................................................................... 24 HOW THE FIRST LETTER WAS WRITTEN .................................................................................. 30 HOW THE ALPHABET WAS MADE ........................................................................................... 37 THE CRAB THAT PLAYED WITH THE SEA ................................................................................. 45 THE CAT THAT WALKED BY HIMSELF ..................................................................................... -
Trailfinderwolf 01.Pdf
Cub Scout Booklet All rights reserved. No part of this publication may be translated or adapted into any language, or reproduced, stored or transmitted by any means whatsoever, including illustrations and cover designs, without the prior written authorisation of the Interamerican Scout Office, which represents the owners of the copyright. Reservation of rights applies equally to the national scout associations which are members of the World Organization of the Scout Movement. Copyright registration: 133.001 ISBN: 956-8057-12-9 This first edition of 3,000 copies was printed in June 2003. Interamerican Scout Office Av. Lyon 1085, 6650426, Providencia, Santiago, Chile tel. (56 2) 225 75 61 fax (56 2) 225 65 51 [email protected] www.scout.org/interamerica World Organization of the Scout Movement Cub Scout Booklet You are already at the Trail-Finder Wolf stage! Now you and you think can walk and a little before run faster and acting, too. more freely you must be asking a lot more about the things you don't know You will learn a lot of new things with us You are going to have some good times. We promise. 2 You are also able to help your smaller sisters and brothers in the Pack, who will be beginning to follow in your footsteps. This Booklet belongs to Address Telephone Pack Scout Group I joined the Pack on This Booklet is private property. Please do not read it without permission. Thank you! 3 the adventure of the cold lairs Near the hills of Seonnee, the home of Akela's Free People of the Wolves, were the Cold Lairs. -
Textual and Historical Revision in Rudyard Kipling's
UNIVERSITY OF CENTRAL OKLAHOMA Edmond, Oklahoma Jackson College of Graduate Studies Something of Himself: Textual and Historical Revision in Rudyard Kipling’s Kim A THESIS SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the degree of MASTER OF ARTS IN ENGLISH By Lexi Stuckey Edmond, Oklahoma 2008 Abstract of Thesis University of Central Oklahoma Edmond, Oklahoma NAME: Lexi Stuckey TITLE OF THESIS: Something of Himself: Textual and Historical Revision in Rudyard Kipling’s Kim DIRECTOR OF THESIS: Dr. Gladys S. Lewis PAGES: 80 The thesis asks whether Kim, as a fin de siècle novel, helped to bridge the Victorian and Modern periods in British literature, and whether the novel, published at the midpoint of Kipling’s career, stands as a marker of his literary development. This thesis contends that Kim holds significance as both a personal and a national narrative. Each chapter explores a specific aspect of Kim: the text itself, its author, and the historical milieu in which it was composed. My theoretical roots, as detailed in the opening chapter, are in the works of Mikhail Bakhtin and his concept of “novelness,” or the warring centrifugal and centripetal forces that constantly work against each other but ultimately hold the text together. My interpretation of Kim identifies the theme of childhood as the centripetal force and the theme of empire as the centrifugal force. These opposing currents move Kipling forward in his literary life. As he puts the demons of his childhood definitively behind him and offers his final word on India, he uncovers a new thematic source of conflict in his now-complicated belief in the infallibility of the British Empire, a result of his experience in South Africa during the Boer War. -
Kipling, the Story-Writer
UNIVERSITY OF CALIFO! AT LOS ANGELES SEMICENTENNIAL PUBLICATIONS OF THE UNIVERSITY OF CALIFORNIA 1868-1918 42 1 6 KIPLING THE STORY-WRITER BY WALTER MORRIS HART UNIVERSITY OF CALIFORNIA PRESS BERKELEY 1918 28412 TO A. B. H. VA PREFACE In the course of an attempt to trace the history of the Short- Story in English it came to seem desirable, three or four years ago, to examine with some thoroughness, as the terminus ad quern, the work of Rudyard Kipling. The results of this study were rather fully set forth in the form of notes intended for class-room lectures. Revision and publication of these notes was advised by Professor Bliss Perry of Harvard College and by Professor Charles Mills Gayley of the University of Califor- nia. To these good friends of the writer this little book owes its being. Without their criticisms and suggestions, moreover, it would have been even less worthy than it is of the author with whom it is concerned. To him, to Mr. Kipling himself, thanks are due for gracious permission to take from his works the many illustrative passages with which these pages are adorned. CONTENTS PAGE Introduction 1 PART ONE: THE INDIAN PERIOD CHAPTER I Settings 5 CHAPTER II Characters and Psychology 12 CHAPTER III Plots and Their Significance 33 CHAPTER IV General Characteristics of the First Period Ill PART TWO: THE PERIOD OF TRANSITION CHAPTER V The Transitional Technique 131 PART THREE: THE ENGLISH PERIOD CHAPTER VI Settings 160 CHAPTER VII Characters and Psychology 170 CHAPTER VIII Plots and Their Significance 192 CHAPTER IX Conclusion 2 1 7 KIPLING THE STORY WRITER 53-2./. -
Works in the Kipling Collection "After" : Kipling, Rudyard, 1865-1936. 1924 BOOK PR 4854 R4 1924 "After"
Works in the Kipling Collection Title Main Author Publication Year Material Type Call Number "After" : Kipling, Rudyard, 1865-1936. 1924 BOOK PR 4854 R4 1924 "After" : Kipling, Rudyard, 1865-1936. 1924 BOOK PR 4854 R4 1924 "Collectanea" Rudyard Kipling. Kipling, Rudyard, 1865-1936. 1908 BOOK PR 4851 1908 "Curry & rice," on forty plates ; or, The ingredients of social life at Atkinson, George Francklin. 1859 BOOK DS 428 A76 1859 "our station" in India / : "Echoes" by two writers. Kipling, Rudyard, 1865-1936. 1884 BOOK PR 4854 E42 1884 "Kipling and the doctors" : Bateson, Vaughan. 1929 BOOK PR 4856 B3 "Teem"--a treasure-hunter / Kipling, Rudyard, 1865-1936. 1935 BOOK PR 4854 T26 1935 "Teem"--a treasure-hunter / Kipling, Rudyard, 1865-1936. 1938 BOOK PR 4854 T26 1938 "The Times" and the publishers. Publishers' Association. 1906 BOOK Z 323 T59 1906 "They" / Kipling, Rudyard, 1865-1936. 1905 BOOK PR 4854 T35 1905 "They" / Kipling, Rudyard, 1865-1936. 1905 BOOK PR 4854 T35 1905 "They" / Kipling, Rudyard, 1865-1936. 1905 BOOK PR 4854 T35 1905a "They" / Kipling, Rudyard, 1865-1936. 1905 BOOK PR 4854 T35 1905a "They" / Kipling, Rudyard, 1865-1936. 1906 BOOK PR 4854 T35 1906 "They" / Kipling, Rudyard, 1865-1936. 1905 BOOK PR 4854 T35 1905 "They"; and, The brushwood boy / Kipling, Rudyard, 1865-1936. 1925 BOOK PR 4854 T352 1925 "They"; and, The brushwood boy / Kipling, Rudyard, 1865-1936. 1926 BOOK PR 4854 T352 1926 [Autograph letter from Stephen Wheeler, editor of the Civil & Wheeler, Stephen, 1854-1937. 1882 BOOK PR 4856 A42 1882 military gazette, reporting his deputy [Diary, 1882]. -
New Orleans Nostalgia Ned Hemard’S Weekly Column Remembering New Orleans History, Culture and Traditions
New Orleans Nostalgia Ned Hemard’s Weekly Column Remembering New Orleans History, Culture And Traditions Rudyard Kipling, born in Bombay, India, is famous for his works “The Jungle Book”, “Kim”, “Gunga Din” and “Just So Stories”. In 1909, his inspirational poem “If” was published. Like Polonius’ advice to Laertes, it too is advice to a son. What follows is a New Orleans slant to the poem, addressed to both men and women (young and old): If, New Orleans Style If you can chill when leaders try to fool us And you love still this Crescent we call home; If you enjoy pronouncing Tchoupitoulas Or cheering when the Saints are in the Dome; If you eat crawfish drenched in Creole seas’nin’ While listenin’ to a soulful Toussaint tune; If dieting has made you lose all reas’nin’ So you have to live on sno-balls every June; If you can down a king-sized muffaletta At Central Grocery one fine afternoon; If you believe Maurice was simply not a Winning name for mayor compared to Moon; If Rock ‘n’ Bowl is where you rock and bowl in And Lenfant’s was the place you went to pet; If K-Doe used to get you rock and rollin’ And the Fairgrounds always was a lucky bet; If it’s alligator pear, not avocado; If it’s Parasol’s without a drop of a rain; If it’s NOMA now when once it was Delgado; If we once belonged to France and then to Spain; If Camellia Grill is where you’ve done some waiting For omelets, burgers or a chocolate freeze, And Bali Hai was just the spot for dating (On that point almost everyone agrees); If your Coliseum’s void of gladiators; If you’ve weathered -
Kipling's Kim, Novel and Game Lindsay Meaning
Document generated on 09/25/2021 5:05 a.m. Loading The Journal of the Canadian Game Studies Association Adaptations of Empire: Kipling's Kim, Novel and Game Lindsay Meaning Volume 13, Number 21, Summer 2020 Article abstract This paper addresses the depiction of colonialism and imperial ideologies in URI: https://id.erudit.org/iderudit/1071451ar video games through an adaptation case study of the 2016 indie role-playing DOI: https://doi.org/10.7202/1071451ar game Kim, adapted from the Rudyard Kipling novel of the same name. I explore the ways in which underlying colonial and imperial ideologies are See table of contents replicated and reinforced in the process of adapting novel to game. In the process of adaptation, previously obscured practices of colonial violence are brought to the forefront of the narrative, where they are materialized by the Publisher(s) game’s procedural rhetoric. However, the game fails to interrogate or critique these practices, ultimately reinforcing the imperial ideological framework in Canadian Game Studies Association which it was developed. ISSN 1923-2691 (digital) Explore this journal Cite this article Meaning, L. (2020). Adaptations of Empire: Kipling's Kim, Novel and Game. Loading, 13(21), 55–73. https://doi.org/10.7202/1071451ar Copyright, 2020 Lindsay Meaning This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. -
Jungle Book Names
Jungle Book Names NAME: ANIMAL: DESCRIPTION: Ahdeek Reindeer *Team Games Akela The Great Grey Lone & Leader of the Pack, Strength & Cunning Wolf Apukwa Bulrush *Weaving Bagheera Black Panther Training & Proficiency in physical activities Baloo Brown Bear Teacher & Lawgiver Bander-log Monkey People People without a Law Black Plume Brother Wolf *Raksha's Cub (Black Six) Blue Smoke *Signalling Brown Tip Brother Wolf *Raksha's Cub (Brown Six) Buldeo Village Hunter Hunter & teller of stories (about himself) Chikai Leaping Rat *Jumping Chil Kite (Bird) Observer/Observation Chuchundra Musk Rat *Advice Council Rock Meeting Place of the Seconee Pack Coppersmith Bird *Towncrier Crimson Arrow *Throwing & Catching Dahinda Bullfrog *Leaping Darzee Tailor Bird *Warning Dewanee Water Madness Feared by all Jungle Creatures Dholes Red Dogs Killers Father Wolf Raksha's Mate Ferao Scarlet Woodpecker *Woodwork Gidur-log Jackel People Also SEE: Tabaqui Golden Quill *Artist Gonds Black Hunters Little wild people of the jungle Grampus Killerwhale Killer Gray Brother Eldest Brother Wolf *Raksha's Cub (Loyal friend/Gray Six) Gray Tracker *SEE: Phaona Hathi Wild Elephant Large size or regular attendance Hawkeye *Observation Hiawatha *AII round Athletics lagoo Story Teller *Telling stories Ikki Porcupine *Scribe, SEE: Sahi Jacala Crocodile *Acting Jeebi The Ghost *Fastest Kaa Rock Python Tree Climbing Kala Nag The Wise Old Elephant (Name meaning: Black Snake) Karait Dusty Brown Snakeling Death Karela Bitter Vine *Knotting Keego The Fish *Swimming Keneu Great War Eagle *Running Kim Little Friend Helpfulness Kite SEE: Chil Ko Crow Chatter Kotick The Seal *Sea Catch's Son, Wrestling Kwasin The Strong Man *Boxing Limmerskin The Wren *Message Carrying Little Beaver *Lair Building Little Brother Mowgli's nickname by brother Wolfs Little People of the Rocks Wild Black Bees, Feared by all Little Toomai Elephant Boy BOLD - common names used by leaders ITALIC - names never used by leaders *NAMES USED BY CUBS & LEADERS Page 1.