December-08-Show

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december-08-show reggae-dub …step! this year, we skank it up for christmas! starting with a blend of pure classical reggae-dub tunes stamped on authentic vinyl, we make a forward shift into its modern version called “dubstep”, still using the same sound carrier: actually, it’s only the bass that makes a tiny difference… the show is entirely played by new.com (p45/cmfrt_ns_prdctns/dub_ex_machina). • total playing time: 3h/01m/06s • mixed & produced by new.com • streamed the 18th of december 2008 @ www.audioasyl.net • download (mp3/192kbs/250mb) over www.p45.ch & www.comfortnoise.com playlist 000:00 - bob marley & the wailers - war (selassie in dub) - intro 000:23 - bob marley & the wailers - war (full lenght foundation amharic version) - the war album 005:50 - henry & louis - dub like - 2 kings 02 010:44 - ticklah - nature loving dub - easy star 1015 015:14 - scientist - malicious intent - greensleeves 46 018:49 - african roots - revelation in dub - wackies 617 023:53 - henry & louis - answer (rob smith rmx) - 2 kings 01 026:28 - disrupt - selassie i continually (version) - jahtari cd01 031:00 - dub terror - burn britonia burn - universal egg 27 036:30 - blaze dem - roots defender - jahtari cd01 040:23 - jah batta & the black roots players - informer - wackie’s 615 044:46 - webcam hi-fi - war in the streets - tube dub sound 01 048:02 - milton henry - what am i to do - wackie’s 2450 051:11 - prince david - put life first - deep root 31 055:12 - dub terror - friendly dub - universal egg 26 059:16 - scientist - wins the world cup (extra time 5) - greensleeves 37 062:55 - max romeo - birth of reggae music - wackie’s 03 066:11 - unknown - asmara dub - wackie’s w-0041 070:00 - greenwood rhythm coalition - honey (grc’s jamaican honey rub) - bstrd boots bjx:005 073:43 - alborosie - diversity - forward (without #) 077:44 - calenda - 8:15 - heavy artillery war dubz 02 081:51 - stagga - jacqueline - rudeez 04 086:05 - synkro - chase the devil - not on label dubby02 091:15 - mungo’s hi-fi - babylon - scotch bonnet 13 095:49 - radical guru - conspiracy - dubout 04 100:45 - mr rigsby - run - soul prolapse 02 105:04 - cotti - nah go dung deh - aquatic lab 03 108:45 - radical guru - strong dub - dubout 03 114:30 - coki - bloodthirst - sub freq 01 117:36 - nebula & dj ore - hood menace - code of arms 01 120:55 - 12th planet feat. howard marks - untitled a - subconscious 01 122:44 - sully - give me up (ld rmx) - 2nd drop 05 126:20 - hard boogie - too moody to swing - iberian 02 129:16 - geiom & earlybird - net weight - berkane sol 09 134:23 - rob sparx - independent life (trg rmx) - dubting 09 136:58 - indigo - let it rain - mindset 01 140:40 - high deaf (dz & threesixty) - good music - aufect 01 144:33 - zomby - mush - hyperdub 09 146:33 - joker & rustie - play doe - capsize 02 148:50 - 16 bit - president of europe - urban essentials 02 150:13 - jakes - modem - hench 04 153:58 - forsaken feat. mr. jo - into the sunset - soul motive 02 157:45 - izc - sand - dub square 01 162:20 - roxy vs el-b - breakbeat science - bison 01 165:10 - untold - discipline - hemlock 02 169:18 - headhunter - paradigm shift - tempa ground 171:48 - untold - walk through walls (lv rmx) - hemlock 01r 176:17 - hatcha & kromestar - road kill v’s cyrus - southside dubstars 16 © www.p45.ch & www.comfortnoise.com .

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Treble Culture
OUP UNCORRECTED PROOF – FIRSTPROOFS, Mon Jul 09 2007, NEWGEN P A R T I FREQUENCY-RANGE AESTHETICS ooxfordhb-9780199913657-part-1.inddxfordhb-9780199913657-part-1.indd 4411 77/9/2007/9/2007 88:21:53:21:53 AAMM OUP UNCORRECTED PROOF – FIRSTPROOFS, Mon Jul 09 2007, NEWGEN ooxfordhb-9780199913657-part-1.inddxfordhb-9780199913657-part-1.indd 4422 77/9/2007/9/2007 88:21:54:21:54 AAMM OUP UNCORRECTED PROOF – FIRSTPROOFS, Mon Jul 09 2007, NEWGEN CHAPTER 2 TREBLE CULTURE WAYNE MARSHALL We’ve all had those times where we’re stuck on the bus with some insuf- ferable little shit blaring out the freshest off erings from Da Urban Classix Colleckshun Volyoom: 53 (or whatevs) on a tinny set of Walkman phone speakers. I don’t really fi nd that kind of music off ensive, I’m just indiff er- ent towards it but every time I hear something like this it just winds me up how shit it sounds. Does audio quality matter to these kids? I mean, isn’t it nice to actually be able to hear all the diff erent parts of the track going on at a decent level of sound quality rather than it sounding like it was recorded in a pair of socks? —A commenter called “cassette” 1 . do the missing data matter when you’re listening on the train? —Jonathan Sterne (2006a:339) At the end of the fi rst decade of the twenty-fi rst century, with the possibilities for high-fi delity recording at a democratized high and “bass culture” more globally present than ever, we face the irony that people are listening to music, with increasing frequency if not ubiquity, primarily through small plastic
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An Approach to Composition Based on a Minimal Techno Case Study
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