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Hidden Hydrology COIL’S ‘Lost Rivers’ Sessions 1995-1996
Hidden Hydrology COIL’s ‘Lost Rivers’ Sessions 1995-1996 {Fan Curated EP} COIL - The ‘Lost Rivers’ Sessions 1995-1996 {Fan Curated EP} Lost Rivers of London Succour Version [DAT Master]. Untitled Instrumental #6 [DAT #30] 5 takes from the BLD Sessions 1995-1996. London’s Lost Rivers [Take #2 - vocals] Rough vocal track w. minimal backing mix. Lost Rivers of London [Take #1] Early version with vocals. Crackanthorpe; Sunrise Reading from Vignettes by Phil Barrington. London’s Lost Rivers [Take #1] Initial studio version with abrupt ending. [Cover Version] By The Psychogeographical Commission. Hidden Hydrology COIL's 'Lost Rivers' Studio Sessions COIL's "Lost Rivers" sessions were recorded during the Winter period of December 1995- February 1996 at COIL's own "Slut's Hole" studio in London. The day-long sessions were part of what ultimately became the "A Thousand Lights In A Darkened Room" album (at least as far as the vinyl pressing of that album went), though were apparently very rushed recordings (Jhonn later claimed that the full vocal version was written and recorded in one day to meet the “Succour” compilation deadline - Jhonn’s wraparound vocals were not redone for the BLD track). Around this winter time Jhonn Balance received a fax from David Tibet containing evocative passages from the Crackanthorpe "Vignettes" journal, originally published 100 years earlier (1896). Jhonn loved the sections he read and swiftly used passages as lyrics for the recording sessions to meet the Succour deadline (lifting text from the ‘On Chelsea Embankment’ and “In Richmond Park” sections of the small book). At the very same time as recording this track, the official (and long-awaited) 2nd Edition of the Nicholas Barton book called "The Lost Rivers of London" appeared in the bookshops of the city. -
VEGA Og Smash!Bang!Pow! Præsenterer Det Er En Skam Ikke at Opleve Shame I VEGA En Britisk Tornado Af Rendyrket DYI-Postpunk Har Kurs Direkte Mod Lille VEGA Den 29
VEGA og smash!bang!pow! præsenterer Det er en skam ikke at opleve Shame i VEGA En britisk tornado af rendyrket DYI-postpunk har kurs direkte mod Lille VEGA den 29. oktober, når den anmelderroste femkløver i Shame sætter vildskaben fri. De unge musikere fra Brixton opsteg på rekordtid i 2017 fra undergrunden i London til de internationale scener, hvor de tog publikum og anmeldere med storm. Med fandenivoldske og utæmmelige energiudladninger af primalskrig og skærende guitarriffs, har Shame opbygget et ry som et af Storbritanniens bedste livebands. Den 15. januar udgiver Shame deres andet studiealbum, Drunk Tank Pink. Med de nye sange guider kvintetten lytteren gennem nye afkroge af deres enorme, musikalske talent. På singlen ”Alphabet” vikler komplekse trommerytmer sig ind et i melodisk net af dansable guitariffs, der tilsammen skaber en eklektisk fusion af punk og funk. Hvor debutalbummet er rendyrket, oprørsk postpunk dykker bandet på det kommende album ned i større og mere sprudlende produktioner i samarbejde med produceren James Ford (The Last Shadow Puppets, Depeche Mode, Foals). Energien er stadig på sit højeste, men lydbilledet og teksterne har taget et spadestik dybere ned i eftertænksomheden. Siden debutalbummet, Songs Of Praise, udkom tilbage 2018, har de unge musikere turneret nonstop i hele verden. For forsanger Charlie Steen katapulterede den længere pause ham ud i en dyb identitetskrise, hvilket albummet i høj grad handler om. Charlie Steen fortæller: “You become very aware of yourself and when all of the music stops, you’re left with the silence,” reflects Steen. “And that silence is a lot of what this record is about.” Fakta om koncerten Shame (UK) Fredag den 29. -
DIRECTIEVERSLAG 2020 Inleiding Stichting Droom En Daad Werkt Aan
DIRECTIEVERSLAG 2020 Inleiding Stichting Droom en Daad werkt aan het verfijnen van haar visie en vervullen van haar missie: een mooier en aantrekkelijker Rotterdam door te investeren in kunst en cultuur. Hierbij kijkt de Stichting met extra aandacht naar talentontwikkeling, de publieke ruimte en het revitaliseren van cultureel erfgoed. De activiteiten van Stichting Droom en Daad hebben in het jaar 2020 grotendeels in het teken gestaan van de uitbraak van de COVID-19 pandemie. Talentontwikkeling Op gebieden variërend van klassieke muziek tot hiphop en van architectuur tot beeldende kunst is er (jong) talent in Rotterdam. Stichting Droom en Daad wil een bijdrage leveren om dit talent tot wasdom te brengen. Dat doet Stichting Droom en Daad onder andere door bij te dragen aan het Batavierhuis, Big Idea, het RIDCC, de Heerenhuyskamerconcerten en het ICCR. Al deze -en meer- activiteiten zijn door de COVID-19 pandemie in aangepaste vorm doorgegaan of afgelast en waar mogelijk verschoven naar 2021. Mede als gevolg van de COVID-19 pandemie heeft de Stichting een aantal nieuwe en eenmalige initiatieven – op het gebied van talentontwikkeling – gesteund. Publieke ruimte De publieke ruimte draagt bij tot een prettig leefklimaat en een positieve beleving van de stad voor zowel bezoekers als bewoners. Eind 2020 heeft de Stichting twee beelden aangekocht die komend jaar in de Rotterdamse buitenruimte worden geplaatst. Revitaliseren Rotterdams cultureel erfgoed Stichting Droom en Daad zet zich in om het Rotterdamse culturele erfgoed te behouden en te revitaliseren. Niet door er een stolp overheen te plaatsen, maar door er opnieuw leven in te blazen. Het Batavierhuis, de Fenix en de Doopsgezinde kerk zijn aangekocht door de Stichting en hebben reeds of krijgen in de komende jaren een nieuwe bestemming. -
Classical Series 1 2019/2020
classical series 2019/2020 season 1 classical series 2019/2020 Meet us at de Doelen! Bang in the middle of Rotterdam’s vibrant city centre and at a stone’s throw from the magnificent Central Station, you find concert hall de Doelen. A perfect architectural example of the Dutch post-war reconstruction era, as well as a veritable people’s palace, featuring international programming and festivals. Built in the sixties, its spacious state- of-the-art auditoria and foyers continue to make it look and feel like a timelessly modern and dynamic location indeed. De Doelen is home to the Rotterdam Philharmonic Orchestra, with the very young and talented conductor Lahav Shani at its helm. But that is not all! With over 600 concerts held annually, our programming is delightfully varied, ranging from true crowd-pullers to concerts catering to connoisseurs, and from children’s concerts to performances of world music, jazz and hip-hop. What’s more, de Doelen is the beating heart of renowned cultural festivals such as the IFFR, Poetry International, Rotterdam Unlimited, HipHopHouse’s Make A Scene and RPhO’s Gergiev Festival. Check this brochure for this season’s programme. You will hopefully be as thrilled as we are with what’s on offer. Meet us at de Doelen and enjoy! Janneke Staarink, director & de Doelen team Janneke Staarink © Sanne Donders classical series 3 contents classical series 2019/2020 season preface 3 Pierre-Laurent Aimard © Marco Borggreve Grupo Ruta de la Esclavitud © Claire Xavier classical series 6 - 29 suggestions per subject 30 chronological overview 32 piano great baroque ordering information 36 From classics to cross-overs: the versatility of the This series features great themes and signature baroque floor plans 38 piano takes centre stage. -
City, University of London Institutional Repository
City Research Online City, University of London Institutional Repository Citation: Pace, I. ORCID: 0000-0002-0047-9379 (2021). New Music: Performance Institutions and Practices. In: McPherson, G and Davidson, J (Eds.), The Oxford Handbook of Music Performance. Oxford, UK: Oxford University Press. This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/25924/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] New Music: Performance Institutions and Practices Ian Pace For publication in Gary McPherson and Jane Davidson (eds.), The Oxford Handbook of Music Performance (New York: Oxford University Press, 2021), chapter 17. Introduction At the beginning of the twentieth century concert programming had transitioned away from the mid-eighteenth century norm of varied repertoire by (mostly) living composers to become weighted more heavily towards a historical and canonical repertoire of (mostly) dead composers (Weber, 2008). -
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
Support Local Music & Arts
Contents OCTOBER 2015 Vol. 18 # 8 THE GOODS 4 Le Beat: Who’s who and what’s happening locally 11 Rock ‘n’ Roll Moment of the month 12 11 Questions: Jan Peters 20 Calendar 32 Monthly Pin-Up: Moongrass 34 Tales from the Road: Minor Plains 35 Stuff Yer Face: Hotpoint Tea & Express SPOTLIGHTS 6 Scotty Sensei: New dimensions 7 Panda Panda Panda: 1, 2, 3, GO 8 Zion I: The resurgence 9 Crushed out: Music and marriage FEATURES 14 Katie Johnson: The face of expression 15 I Found My Friends: The Oral History of Nirvana 16 Mark Pickerel and His Helping Hands: Still screaming 18 Beats Antique: Melding performance, music and art REVIEWS NEXT ISSUE: NOV. 2015 10 Live Shows DEADLINE: Oct. 19 25 Recordings 360.398.1155 • P.O. Box 30373, Bellingham, WA 98228 www.whatsup-magazine.com • [email protected] CO-PUBLISHER/EDITOR-IN-CHIEF: Brent Cole CO-PUBLISHER/DESIGN DIRECTOR: Becca Schwarz Cole CONTRIBUTING WRITERS: Tommy Calderon, Jared Curtis, Thea Hart, Adam Walker, Mark Broyles, Jackson Main, Hayden Eller, Charlie Walentiny, Halee Hastad, Keenan Ketzner, Raleigh Davis, Aaron Apple, Aaron Kayser CONTRIBUTING PHOTOGRAPHERS: Tommy Calderon, David Johnson, Sarah Day, Ryan Russell, Aaron Brick AD SALES: Brent Cole, Victor Gotelaere DISTRIBUTION: David Johnson, Brent Cole COVER ARTIST: Katie Johnson WEB GENIUS: Django @ Seatthole SUPPORT: Harrison, Ruby, Autumn, Lulu What’s Up! is a free, independent monthly music magazine covering the Bellingham/Whatcom County scene, and is locally owned and operated by Brent Cole and Becca Schwarz Cole. What’s Up! is a member of Sustainable Connections, and a sister publication of Grow Northwest. -
Ryuichi Sakamoto Discography 19782012
Ryuichi Sakamoto Discography 19782012 1 / 4 Ryuichi Sakamoto Discography 19782012 2 / 4 3 / 4 Ryuichi Sakamoto Discography 1978-2012. 2011 Fennesz & Ryuichi Sakamoto Flumina 2011 Alva Noto & Ryuichi Sakamoto Summvs.. Upload:, 04:58 202 Artist: Ryuichi Sakamoto Title Of Album: Discography Year Of Release: 1978-2012 Genre: Modern Classical, Electronic, .... Artist Ryuichi Sakamoto Title Of Album Discography Year Of Release 1978-2012 Genre Modern Classical, Electronic, Experimental, Jazz, .... Ryuichi Sakamoto - Discography (1978-2012)http://bit.ly/2tPHUtq.. Artist: Ryuichi Sakamoto Title Of Album: Discography Year Of Release: 1978-2012. Genre: Modern Classical, Electronic, Experimental, Jazz, J‑pop, New Wave, .... Ryuichi Sakamoto Discography Download Average ratng: 4,7/5 6409 ... Download Ryuichi Sakamoto - Discography (1978-2012) Mp3 or any .... 1990 The Sheltering Sky http://sxmlaboraffairs.com/lossless- music/319705-ryuichi-sakamoto-discography-1978-2012-a.html.. Ryuichi Sakamoto Discography.rar - [Fast Download] kbps. ... Sakamoto on AllMusic - 2011Download Ryuichi Sakamoto - Discography (1978-2012) Mp3 or any .... The Japanese musician Ryuichi Sakamoto has released 19 solo studio albums, six live albums, several compilation albums, two EPs, and various singles and .... Download Ryuichi Sakamoto - Discography (1978-2012) Mp3 or any other file from Music. Fennesz & Ryuichi Sakamoto - Flumina [320. Pure Best [192kbps] .... Listen to Ryuichi Sakamoto - Discography (1978-2012) and ninety- six more episodes by Solicall V1.7.7, free! No signup or install needed. Far.. Ryuichi sakamoto 05 rar shared files: Here you can download ryuichi sakamoto 05 rar shared ... Ryuichi Sakamoto - Discography (1978-2012).. Ryuichi Sakamoto (坂本 龍一 Sakamoto Ryūichi?, born January 17, 1952) (Japanese pronunciation: [sakamoto ɽju͍ːitɕi]) is a Japanese musician, activist, ... -
DISINTEGRATION Loop 1.1
SVILOVA | WILLIAM BASINSKI DISINTEGRATION LOOP 1.1 WILLIAM BASINSKI JUNE 18–JULY 31, 2014 www.svilova.org 1 SVILOVA | WILLIAM BASINSKI SCALE BE THY KING: THE BLACK Mirror OF William Basinski By David Keenan 1. Scalle Bee Thie Kynge. There is a magical idea, rarely articulated, that imagination is the world-creating matrix of desire, in other words that imagination is what translates a sensation into a thought. Disintegration Loops, still the central, emblematic work of the artist and composer William Basinski, conflates the biological with the constructed, the historical with the personal, by a creative act of imagination that would attempt to mimic the function of memory via accidental processes of auto-forgetting while connecting it with historical trauma –the 9/11 attacks on the Twin Towers as a head wound – and romantic portraiture, through the back cover recreation of Henry Wallis’s 1856 painting, The Death Of Chatterton, with Basinski posed as the dead 18th Century English poet, who poisoned himself in 1770, aged 17. Thomas Chatterton’s reputation as a forger of mystical poetry is of note here. From the age of 12 onwards he produced a run of strange, visionary verse that he claimed was the work of a 15th century monk of his own invention, Thomas Rowley. Indeed, a particular adjective, “Rowliean”, has been coined to describe the works of this historical figment, this shade birthed of an intoxicated imagination. Rowley’s verse is difficult, its language being largely derived from Chatterton’s study of the English philologist John Kersey’s Dictionarium Anglo-Britannicum, “comprehending a brief explication of all sorts of difficult words”. -
ANALYSIS the Official UK Singles & Albums Charts Are Compiled by the Official Charts Company, Based on a Sample of More Than 15,000 Physical and Digital Outlets
ANALYSIS The Official UK Singles & Albums Charts are compiled by the Official Charts Company, based on a sample of more than 15,000 physical and digital outlets. They count actual sales and audio streams from last Friday to Thursday, based on sales of downloads, CDs, vinyl and other physical formats and audio streams weighted using SEA2 methodology. Highway to hell: Lewis Capaldi returns to top spot with debut album Q BY ALAN JONES ethroned by Bruce Springsteen last week, and trailing Will Young for much of the latest frame, Lewis DCapaldi edged past the latter to return to No.1. The Scot’s debut, Divinely Uninspired To A Hellish Extent, bounces 3-1 to secure its fifth week at the summit, although its sales are off 21.00% week-on-week to 19,003 (including 11,085 from sales-equivalent streams) its lowest haul yet. Denied his fifth No.1 album at the death, Will Young’s seventh studio set, Lexicon, opens at No.2 on sales of 16,706 copies. He thus remains tied with Cheryl (two solo, two with Girls Aloud), One Direction and Olly Murs as the reality TV graduates with most No.1 albums. Lexicon is No.1 on both physical sales (11,752) and paid-for downloads (4,274), being No.1 let down only by streaming. Recording Young’s lowest first week sale for a studio album yet, it is the successor to 85% Proof, which previously held that record with 21,320, but which Lewis Capaldi - Divinely Uninspired To A Hellish Extent (Virgin EMI) nevertheless opened at No.1 in 2015, and has sold 96,356 copies. -
Freeandfreak Ysince
FREEANDFREAKYSINCE | DECEMBER THIS WEEK CHICAGOREADER | DECEMBER | VOLUME NUMBER IN THIS ISSUE TR - YEARINREVIEW 20 TheInternetTheyearofTikTok theWorldoff erstidylessonson “bootgaze”crewtheKeenerFamily @ 04 TheReaderThestoryof 21 DanceInayearoflosswefound Americanpowerdynamicsand returnwithasecondEP astoldthroughsomeofourfavorite thatdanceiseverywhere WildMountainThymefeaturesone PPTB covers 22 TheaterChicagotheaterartists ofthemostagonizingcourtshipsin OPINION PECKH 06 FoodChicagorestaurantsate rosetochallengesandcreated moviehistory 40 NationalPoliticsWhen ECS K CLR H shitthisyearAlotofshitwasstill newonesin politiciansselloutwealllose GD AH prettygreat 24 MoviesRelivetheyearinfi lm MUSIC &NIGHTLIFE 42 SavageLoveDanSavage MEP M 08 Joravsky|PoliticsIthinkwe withthesedoublefeatures 34 ChicagoansofNoteDoug answersquestionsaboutmonsters TDEKR CEBW canallagreethenextyearhasgot 28 AlbumsThebestoverlooked Maloneownerandleadengineer inbedandmothersinlaw AEJL tobebetter Chicagorecordsof JamdekRecordingStudio SWMD LG 10 NewsOntheviolencesadness 30 GigPostersTheReadergot 35 RecordsofNoteApandemic DI BJ MS CLASSIFIEDS EAS N L andhopeof creativetofi ndwaystokeep can’tstopthemusicandthisweek 43 Jobs PM KW 14 Isaacs|CultureSheearned upli ingChicagoartistsin theReaderreviewscurrentreleases 43 Apartments&Spaces L CSC-J thetitlestillhewasdissingher! 32 MusiciansThemusicscene byDJEarltheMiyumiProject 43 Marketplace SJR F AM R WouldhedothesametosayDr doubleddownonmutualaidand FreddieOldSoulMarkLanegan CEBN B Kissinger? fundraisingforcommunitygroups -
Newslist Drone Records 31. January 2009
DR-90: NOISE DREAMS MACHINA - IN / OUT (Spain; great electro- acoustic drones of high complexity ) DR-91: MOLJEBKA PVLSE - lvde dings (Sweden; mesmerizing magneto-drones from Swedens drone-star, so dense and impervious) DR-92: XABEC - Feuerstern (Germany; long planned, finally out: two wonderful new tracks by the prolific german artist, comes in cardboard-box with golden print / lettering!) DR-93: OVRO - Horizontal / Vertical (Finland; intense subconscious landscapes & surrealistic schizophrenia-drones by this female Finnish artist, the "wondergirl" of Finnish exp. music) DR-94: ARTEFACTUM - Sub Rosa (Poland; alchemistic beauty- drones, a record fill with sonic magic) DR-95: INFANT CYCLE - Secret Hidden Message (Canada; long-time active Canadian project with intelligently made hypnotic drone-circles) MUSIC for the INNER SECOND EDITIONS (price € 6.00) EXPANSION, EC-STASIS, ELEVATION ! DR-10: TAM QUAM TABULA RASA - Cotidie morimur (Italy; outerworlds brain-wave-music, monotonous and hypnotizing loops & Dear Droners! rhythms) This NEWSLIST offers you a SELECTION of our mailorder programme, DR-29: AMON – Aura (Italy; haunting & shimmering magique as with a clear focus on droney, atmospheric, ambient music. With this list coming from an ancient culture) you have the chance to know more about the highlights & interesting DR-34: TARKATAK - Skärva / Oroa (Germany; atmospheric drones newcomers. It's our wish to support this special kind of electronic and with a special touch from this newcomer from North-Germany) experimental music, as we think its much more than "just music", the DR-39: DUAL – Klanik / 4 tH (U.K.; mighty guitar drones & massive "Drone"-genre is a way to work with your own mind, perception, and sub bass undertones that evoke feelings of total transcendence and (un)-consciousness-processes.