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SMC 2019 Music Program Notes Music Program Notes SMC 2019 Music Program Notes 16th Sound & Music Computing Conference May 28 - 31, 2019 Málaga, Spain Music Program Notes. 16th Sound & Music Computing Conference ISBN 978-84-09-11398-9 SMC 2019 is organized by ATIC Research Group Universidad de Málaga Website: http://smc2019.uma.es Music Program Notes 16th Sound & Music Computing Conference SMC 2019 Cover design by Alberto Peinado, Isabel Barbancho & Lorenzo J. Tardón SMC 2019 logo by Alberto Peinado Edited by: Lorenzo J. Tardón (ATIC Research Group. Universidad de Málaga) Isabel Barbancho (ATIC Research Group. Universidad de Málaga) Ana M. Barbancho (ATIC Research Group. Universidad de Málaga) Antonio Jurado-Navas (Universidad de Málaga) Alberto Peinado (Universidad de Málaga) ISBN 978-84-09-11398-9 Permission to make digital or hard copies of all or part of this work for personal or classroom use is granted without fee provided that copies are not made or distributed for profit or commercial advantage and that copies bear this notice and the full citation on the first page. © 2019 SMC 2019 Music Program Notes. 16th Sound & Music Computing Conference ISBN 978-84-09-11398-9 ORGANIZATION Music Program Notes. 16th Sound & Music Computing Conference ISBN 978-84-09-11398-9 SPONSORS Other collaborators Music Program Notes. 16th Sound & Music Computing Conference ISBN 978-84-09-11398-9 Contents Contents v SMC 2019 Conference Committee 1 SMC 2019 Music Reviewers 3 Music Program 5 Concert . .5 SMC. Music Session at Sala Unicaja de Conciertos María Cristina .6 M1. Music Session 1 . .7 M2. Music Session 2 . .8 Music Program Notes 9 Concert . .9 SMC. Music Session at Sala María Cristina . 10 M1. Music Session 1 . 20 M2. Music Session 2 . 27 Acknowledgments 33 Author Index 34 v vi CONTENTS Music Program Notes. 16th Sound & Music Computing Conference ISBN 978-84-09-11398-9 SMC 2019 Conference Committee General Chairs Isabel Barbancho (Universidad de Málaga, Spain) Lorenzo J. Tardón (Universidad de Málaga, Spain) Program Chairs Stefania Serafin (Aalborg University Copenhagen, Denmark) Federico Avanzini (University of Milano, Italy) Summer School Chair Romain Michon (Stanford University, USA) Music Chairs Antonio Jurado-Navas (Universidad de Málaga, Spain) Juraj Kojs (Slovakia/USA) Spencer Topel (Dartmouth College, USA) Demo Chair Ana M. Barbancho (Universidad de Málaga, Spain) Local Committee Alberto Peinado (Universidad de Málaga, Spain) Alejandro Villena (Universidad de Málaga, Spain) Irene Gómez (Universidad de Málaga, Spain) Jose María Gómez Belmonte (Universidad de Málaga, Spain) 1 2 Music Program Notes. 16th Sound & Music Computing Conference ISBN 978-84-09-11398-9 SMC 2019 Music Reviewers Hyoju Ahn, Sabina Matthews, Wade Apel, Ted Matthusen, Paula Biggs, Betsey Miyama, Chikashi Bonacossa, Federico Lippit, Takuro Mizuta Boyd, Michael Morimoto, Yota Cipriani, Alessandro Naphtali, Dafna Glowicka, Katarina Núñez, Adolfo Guillamat, Julien Osborn, Ed Hatakeyama, Akiko Park, Joo Won Hernandez, Jose Payne, Maggi Hron, Terri Rataj, Michal Hyoju Ahn, Sabina Rigler, Jane Jen, Chen-Hui Smallwood, Scott Kaczmarek, Konrad Snyder, Je Kemper, Steven Takaoka, Akira Kokoras, Panayiotis Tammen, Hans Lem, Nolan Terzaroli, Anna Lewin-Richter, Andres Vidiksis, Adam Lough, Alex Warren, Kristina 3 4 Music Program Notes. 16th Sound & Music Computing Conference ISBN 978-84-09-11398-9 Music Program Wednesday,May 29,18:30-21:00 Venue:Sala Unicaja de Conciertos María Cristina Part I Concert Rui-Silva Duo & Dancers from the Conservatorio Superior de Danza de Malaga 1. Isaac Albéniz Malagueña (Arranged for Cello and Piano by Joachim Stutschewsky) 2. Gaspar Cassadó Requiebros 3. Manuel de Falla Danza nº1 “La vida breve” 4. Enrique Granados Danza nº5 “Andaluza” 5. Enrique Granados Intermezzo de “Goyescas” (Arranged for Cello and Piano by Gaspar Cassadó) 6. Joaquín Nin Andaluza from “Suite española” 5 6 Part II SMC. Music Session at Sala Unicaja de Conciertos María Cristina SMC.1 Chris Rhodes Duet for Violin and Biofeedback SMC.2 John Granzow Axes SMC.3 Akira Takaoka Piano Sinfonia SMC.4 Ricardo Climent Duel of Strings: Lorenzo Triviño (non-virtual violin) vs. Virtual Violin - - SMC.5 Amy Brandon Seven Malagueña Fragments for Augmented Guitar SMC.6 Lorenzo Ballerini, Massimo D’Amato and Alberto Gatti Relazioni Digitali (Digital Relations) SMC.7 Nicoletta Andreuccetti Notturno Sole Music Program Notes. 16th Sound & Music Computing Conference ISBN 978-84-09-11398-9 MUSIC PROGRAM 7 Thursday, May 30, 14:30-16:30 Venue: Sala de Grados B ETSI Telecomunicación 14:30-16:30 M1. Music Session 1 M1.1 Arne Eigenfeldt TinySounds: for voice and musebot ensemble M1.2 Jerey Weeter Pattern Portrait: Cork M1.3 Man Jie Enchanted AI M1.4 Frank Pecquet, Fotis Moschos, David Fierro and Justin Pecquet Piamenca M1.5 Simon Blackmore Cryptoguitar M1.6 Scott Barton Machine Rhythm Study No. 2 - - M1.7 Te Hao Nebula II M1.8 Francesco Bossi Acousmatic Scattering M1.9 Sever Tipei Quilt Music Program Notes. 16th Sound & Music Computing Conference ISBN 978-84-09-11398-9 8 Friday, May 31, 14:30-16:30 Venue: Sala de Grados B ETSI Telecomunicación 14:30-16:30 M2. Music Session 2 M2.1 Gordan Kreković An Excerpt from Hologram Space M2.2 Martyn Harry, James Dooley and Jamie Savan Palimpsest M2.3 Gil Dori "Tenir el cap ple de..." M2.4 Joshua Tomlinson A Short Story - - M2.5 Francesco Roberto Dani and Riccardo Novella Mimesi M2.6 Ji Won Yoon and Woon Seung Yeo Childhood memories - distant but close Music Program Notes. 16th Sound & Music Computing Conference ISBN 978-84-09-11398-9 Music Program Notes Wednesday, May 29, 18:30-21:00 Venue: Sala de Conciertos María Cristina Concert Rui-Silva Duo & Dancers from the Conservatorio Superior de Danza de Málaga The Rui-Silva Duo performs music from Spanish Composers (Isaac Al- béniz, Manuel de Falla, Enrique Granados, Joaquín Nin) accompanied by the art of dancers from the Conservatorio Superior de Danza de Malaga. The Rui-Silva Duo was formed in 2004 by Sabrina Rui (cello) and Ana M. Silva (piano) as the result of the interest of both components for the study and dissemina- tion of the Chamber music repertoire com- posed for cello and piano. Their current repertoire includes musical pieces from the XVIII century to the present days including Spanish repertoire, with a romantic touch. Since its foundation, this duo has given nu- merous concerts all across Andalusia. Sabrina Rui and Ana M. Silva are professors of cello and piano, respec- tively, at the "Conservatorio Profesional de Música Gonzalo Martín Tenllado" of Málaga. They have in high consideration the master classes that, periodically, they have received from Sergei Yerokhin and Mischa Milman. 9 10 SMC. Music Session at Sala María Cristina SMC.1 Chris Rhodes Duet for Violin and Biofeedback Duet for Violin and Biofeedback is a live interactive piece, for Violin and Tape, which uses new wearable sensor technologies (biosensors) to explore the relationship between performer and performer biometric data. The piece incorporates the term ‘bio- feedback’ for this reason. The piece is in two parts. The first movement allows for the performer to play from a score, in uni- son with a Fixed Media recording, which uses the acousmatic medium to relay sounds inspired from trends observed in stud- ied biometric data. The second movement, however, allows the performer to interact with the piece: deciding its structure and dictating how the piece will sound. They do this by wearing a biosensor, to perform novel gestures (created via machine learn- ing before the performance), which aect playback and musical parameters of the Tape. Ultimately, this piece aims to explore the discourse between music inspired by biometric data and mu- sic composed from biometric data. Duration: 9’ 20” Year of Composition: 2019 Chris Rhodes: Doctor of Philosophy, Music Composition, NOVARS Research Centre, University of Manchester, UK. SMC.2 John Granzow Axes Luthiers use computer-controlled mills for the subtractive man- ufacture of guitar components. These machines have multiple motors stepping at variable rates to propel cutting tools in three dimensional paths with corresponding pitch contours. Axes is a work that brings these live robotic sounds of modern guitar- making to the concert space. For this piece, stepper motors are fixed to the neck, body and soundboard of an unassembled gui- tar. The motors are driven in concert as the x, y and z axes of a toolpath derived from a digital model of the instrument. The pitched and noisy motors are filtered acoustically through the guitar’s components and are captured via transducers to become the source for subtractive synthesis. The actuation and vibration Music Program Notes. 16th Sound & Music Computing Conference ISBN 978-84-09-11398-9 MUSIC PROGRAM NOTES 11 also make the guitar components mildly kinetic. MaxMSP is used for the additional processing and to generate nebulous quo- tations from the emerging guitar’s future/past repertoire, pro- ducing a collage of fine motor skills, both machine and human. Axes is a multichannel work that can be adapted to the channel count in the space. Duration: 8’ 00” Year of Composition: 2019 John Granzow is Assistant Professor of Performing Arts Technology at the Uni- versity of Michigan. He teaches musical acoustics, sound synthesis, performance systems and digital fabrication. He initiated the 3D Printing for Acoustics work- shop at the Centre for Computer Research in Music and Acoustics at Stanford. His instruments and installations leverage found objects, iterative CAD design, additive manufacturing and embedded sound synthesis. SMC.3 Akira Takaoka Piano Sinfonia Piano Sinfonia consists of three sections in simple ternary form. Lindenmeyer systems are extensively employed for the transfor- mations of pitch-class sets and the generation of melodic figures in every section. The L-systems are implemented in my own computer program for algorithmic composition written in Java. The Java program generated the piano part and score files for RTcmix, which produced all the synthesized sounds.
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