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BT These Hopeful Machines Mp3, Flac, Wma
BT These Hopeful Machines mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: These Hopeful Machines Country: Japan Released: 2010 Style: Trance, Breaks, Progressive Trance, Ambient, Progressive House, Electro, Downtempo MP3 version RAR size: 1137 mb FLAC version RAR size: 1487 mb WMA version RAR size: 1576 mb Rating: 4.6 Votes: 682 Other Formats: DMF VOC VQF WAV ADX MP2 RA Tracklist Hide Credits Suddenly 1-1 Arranged By, Synthesizer [Analog & Modular], Bass – BTDrums [Live] – Kevin 8:05 Sawka*Vocals – BT, Christian BurnsWritten-By – Christian Burns The Emergency Arranged By [Vocals And String Arrangements] – BTBacking Vocals [Background 1-2 Vocals] – Christian BurnsProducer [Additional] – Andrew BayerProgrammed By 10:53 [Additional] – Andrew Bayer, Øistein J. Eide aka Boom Jinx*Written-By – Andrew Bayer, Christian Burns Every Other Way Backing Vocals [Background Vocals] – BT, Christian BurnsDrums [Live] – 1-3 11:06 Brain*Guitar [Classical], Bass, Strumstick, Programmed By, Arranged By – BTWritten-By, Lead Vocals – Jes* The Light In Things 1-4 Arranged By, Synthesizer [Analog Synthesis] – BTProgrammed By [Additional], 10:47 Remix [Additional] – Laurent Veronnez aka Airwave*Written-By – Jes* Rose Of Jericho 1-5 7:43 Percussion [Additional Glitchy] – Matt LangeProgrammed By – BT Forget Me Drums – Kevin Sawka*Mixed By – Greg CollinsVocals [End Chorus Sung By] – Kaia 1-6 9:37 TranseauVocals, Guitar, Bass, Voice [Oberheim 4 Voice], Synthesizer [Pro-one And Synthesis] – BTWritten-By, Backing Vocals [Background Vocals] – Christian -
Special Issue
ISSUE 750 / 19 OCTOBER 2017 15 TOP 5 MUST-READ ARTICLES record of the week } Post Malone scored Leave A Light On Billboard Hot 100 No. 1 with “sneaky” Tom Walker YouTube scheme. Relentless Records (Fader) out now Tom Walker is enjoying a meteoric rise. His new single Leave } Spotify moves A Light On, released last Friday, is a brilliant emotional piano to formalise pitch led song which builds to a crescendo of skittering drums and process for slots in pitched-up synths. Co-written and produced by Steve Mac 1 as part of the Brit List. Streaming support is big too, with top CONTENTS its Browse section. (Ed Sheeran, Clean Bandit, P!nk, Rita Ora, Liam Payne), we placement on Spotify, Apple and others helping to generate (MusicAlly) love the deliberate sense of space and depth within the mix over 50 million plays across his repertoire so far. Active on which allows Tom’s powerful vocals to resonate with strength. the road, he is currently supporting The Script in the US and P2 Editorial: Paul Scaife, } Universal Music Support for the Glasgow-born, Manchester-raised singer has will embark on an eight date UK headline tour next month RotD at 15 years announces been building all year with TV performances at Glastonbury including a London show at The Garage on 29 November P8 Special feature: ‘accelerator Treehouse on BBC2 and on the Today Show in the US. before hotfooting across Europe with Hurts. With the quality Happy Birthday engagement network’. Recent press includes Sunday Times Culture “Breaking Act”, of this single, Tom’s on the edge of the big time and we’re Record of the Day! (PRNewswire) The Sun (Bizarre), Pigeons & Planes, Clash, Shortlist and certain to see him in the mix for Brits Critics’ Choice for 2018. -
Electronic Dance Music Past, Present, and Future
Electronic Dance Music Past, Present, and Future Brett Painter CIS3003 3/9/13 Abstract This report examines many of the important aspects of the new culture closely associated with Electronic Dance Music. It is meant to explore and inform about the practices and realities happening within our youth culture. Table of Contents List of Images 1 Introduction 3 Understanding the Culture of Electronic Dance Music 3 A Little Insight 3 History of Electronic Dance Music 4 Climb to the Top 4 1 Current Status of Electronic Dance Music 5 An Explorative Look 5 What to Expect 6 Drug Use and EDM Controversy 7 Dangers and Drug Use 7 Celebrity Controversy 7 Progression of EDM 7 Business of EDM 7 Appendix 8 List of Images 1. Swedish House Mafia Performing Live 5 2. Tomorrowland 2012 6 Electronic Dance Music Past, Present, and Future Introduction To those who have ever felt lost, alone, or even bored, there is a deeper intrinsic yearn to alleviate the skewed equilibrium found in their every day life. For some, it seems as if they have found the solution. For many, they have now seen the light, in a literal and metaphorical sense. When one stares in awe at the blood pumping, top notch production stage and lighting found on most festival stages, all else melts away. Worries, hopes, fears, all washed away in the moment. For most, this is a way of life. This report is intended to enlighten the reader on the culture of Electronic Dance Music, as it is rapidly becoming a prominent part of youth culture. -
Volume CXXXIV, Number 21, April 28, 2017
The Student Newspaper of Lawrence University Since 1884 THELAWRENTIAN VOL. CXXXIV NO. 21 APPLETON, WISCONSIN APRIL 28, 2017 Earth Day celebrations encourage sustainability 4 p.m. on Friday, April 21. The Rikke Sponheim March for Science took place on For The Lawrentian Saturday, April 22 from 3 p.m. to 5 _______________________ p.m. in downtown Appleton. To promote environmental The closing event of the week activism, Greenfire hosted Earth was Earthfest, which was held on Week from April 17-22. The week the Main Hall Green from 1 p.m. featured various activities. Some to 4 p.m. on Sunday. There was were designed to promote enjoy- live music from several groups ing nature, but most events during and local musician Nicholas the the week focused on activism and Transparent. There were tables raising awareness for environ- organized by the Lawrence mental causes. University Gardening Society On Monday, April 17 from (LUGS), Sustainable Lawrence 6:30 p.m. to 8:30 p.m. in the Warch University Garden (SLUG), Bird Campus Center Cinema, Barbara and Nature Club, Lawrence Royal, a veterinarian based in University Women in Science Illinois, gave a presentation called and Greenfire, with activities that “Life’s a Zoo and I’m Your Vet: included flower and herb planting, Wild Health Starts with Wild rock painting and bike repairs, Education” and Matthew Gies, an Food was also provided. organic farmer, presented “From “[Earth Week is] an impor- Chicago Peregrine Falcons to tant reminder that, although Michigan Organic Hops Farming: everyday should be Earth Day, It’s Not As Far As You’d Think.” we often don’t treat it as such,” Both spoke about their occu- said Pike. -
1. Summer Rain by Carl Thomas 2. Kiss Kiss by Chris Brown Feat T Pain 3
1. Summer Rain By Carl Thomas 2. Kiss Kiss By Chris Brown feat T Pain 3. You Know What's Up By Donell Jones 4. I Believe By Fantasia By Rhythm and Blues 5. Pyramids (Explicit) By Frank Ocean 6. Under The Sea By The Little Mermaid 7. Do What It Do By Jamie Foxx 8. Slow Jamz By Twista feat. Kanye West And Jamie Foxx 9. Calling All Hearts By DJ Cassidy Feat. Robin Thicke & Jessie J 10. I'd Really Love To See You Tonight By England Dan & John Ford Coley 11. I Wanna Be Loved By Eric Benet 12. Where Does The Love Go By Eric Benet with Yvonne Catterfeld 13. Freek'n You By Jodeci By Rhythm and Blues 14. If You Think You're Lonely Now By K-Ci Hailey Of Jodeci 15. All The Things (Your Man Don't Do) By Joe 16. All Or Nothing By JOE By Rhythm and Blues 17. Do It Like A Dude By Jessie J 18. Make You Sweat By Keith Sweat 19. Forever, For Always, For Love By Luther Vandros 20. The Glow Of Love By Luther Vandross 21. Nobody But You By Mary J. Blige 22. I'm Going Down By Mary J Blige 23. I Like By Montell Jordan Feat. Slick Rick 24. If You Don't Know Me By Now By Patti LaBelle 25. There's A Winner In You By Patti LaBelle 26. When A Woman's Fed Up By R. Kelly 27. I Like By Shanice 28. Hot Sugar - Tamar Braxton - Rhythm and Blues3005 (clean) by Childish Gambino 29. -
Stefflon Don, Annie Mac, Holy Goof, Hybrid Minds, Solardo
NASS ANNOUNCES OVER 40 MORE ARTISTS FOR 2020 STEFFLON DON, ANNIE MAC, HOLY GOOF, HYBRID MINDS, SOLARDO, KURUPT FM, JAY1, ROYCE DA 5’9” AND EASY LIFE JOIN HEADLINERS CHASE & STATUS RTRN II JUNGLE DJ SET AND THE STREETS ALSO JUST ANNOUNCED: ALIX PEREZ (140 SET), ARLO PARKS, BARELY LEGAL, CARASEL, CRISIS MC, DARKZY & WINDOW KID, D DOUBLE E, DIMENSION, DIZRAELI, DREAD MC, EKSMAN, EMERALD B2B JAGUAR B2B ALEXISTRY, EVIL B, FELON, FRICTION, GENTLEMAN’S DUB CLUB, GOLDIE LOOKIN’ CHAIN, HEARTLESS CREW, HOLLIE COOK, HOUSE OF PHARAOHS, IC3, INJA, JAGUAR, JOSSY MITSU, JUBEI, KANINE, KOVEN, LINGUISTICS, MUNGO’S HIFI WITH EVA LAZARUS, NADIA ROSE, NATHAN DAWE, PHIBES, ROSKA, RUDE KID, SAMMY VIRJI, STARZ & DEEZA, THE BAREFOOT BANDIT, TIFFANY CALVER AND ZED BIAS. TICKETS ON SALE NOW Thursday 9 – Sunday 12 July 2020 | Shepton Mallet, Nr. Bristol Deposit scheme £30 | Camping tickets from £130 | VIP Camping from £189 www.nassfestival.com | #NASS2020 | FB:@NASSFestival IG:@NASSfestival T:@NASSfestival NASS, the UK's biggest celebration of music, street art, skate and BMX, has announced a fresh drop of over 40 artists for this year’s festival, alongside headliners Chase & Status RTRN II Jungle DJ Set (Friday) and The Streets (Saturday). These exciting new additions include Stefflon Don, Annie Mac, Holy Goof, Hybrid Minds, Solardo, Kurupt FM, Jay1, Royce da 5’9” and Easy Life. NASS returns to Shepton Mallet on Thursday 9 – Sunday 12 July 2020. Tickets are on sale NOW from nassfestival.com After an unforgettable performance in 2018, Stefflon Don returns to NASS’ mainstage. Her confident stage presence and electric wordplay is not to be missed. -
Gold & Platinum Awards June// 6/1/17 - 6/30/17
GOLD & PLATINUM AWARDS JUNE// 6/1/17 - 6/30/17 MULTI PLATINUM SINGLE // 34 Cert Date// Title// Artist// Genre// Label// Plat Level// Rel. Date// We Own It R&B/ 6/27/2017 2 Chainz Def Jam 5/21/2013 (Fast & Furious) Hip Hop 6/27/2017 Scars To Your Beautiful Alessia Cara Pop Def Jam 11/13/2015 R&B/ 6/5/2017 Caroline Amine Republic Records 8/26/2016 Hip Hop 6/20/2017 I Will Not Bow Breaking Benjamin Rock Hollywood Records 8/11/2009 6/23/2017 Count On Me Bruno Mars Pop Atlantic Records 5/11/2010 Calvin Harris & 6/19/2017 How Deep Is Your Love Pop Columbia 7/17/2015 Disciples This Is What You Calvin Harris & 6/19/2017 Pop Columbia 4/29/2016 Came For Rihanna This Is What You Calvin Harris & 6/19/2017 Pop Columbia 4/29/2016 Came For Rihanna Calvin Harris Feat. 6/19/2017 Blame Dance/Elec Columbia 9/7/2014 John Newman R&B/ 6/19/2017 I’m The One Dj Khaled Epic 4/28/2017 Hip Hop 6/9/2017 Cool Kids Echosmith Pop Warner Bros. Records 7/2/2013 6/20/2017 Thinking Out Loud Ed Sheeran Pop Atlantic Records 9/24/2014 6/20/2017 Thinking Out Loud Ed Sheeran Pop Atlantic Records 9/24/2014 www.riaa.com // // GOLD & PLATINUM AWARDS JUNE// 6/1/17 - 6/30/17 6/20/2017 Starving Hailee Steinfeld Pop Republic Records 7/15/2016 6/22/2017 Roar Katy Perry Pop Capitol Records 8/12/2013 R&B/ 6/23/2017 Location Khalid RCA 5/27/2016 Hip Hop R&B/ 6/30/2017 Tunnel Vision Kodak Black Atlantic Records 2/17/2017 Hip Hop 6/6/2017 Ispy (Feat. -
The Psytrance Party
THE PSYTRANCE PARTY C. DE LEDESMA M.Phil. 2011 THE PSYTRANCE PARTY CHARLES DE LEDESMA A thesis submitted in partial fulfilment of the requirements of the School of Humanities and Social Sciences, University of East London for the degree of Master of Philosophy August 2011 Abstract In my study, I explore a specific kind of Electronic Dance Music (EDM) event - the psytrance party to highlight the importance of social connectivity and the generation of a modern form of communitas (Turner, 1969, 1982). Since the early 90s psytrance, and a related earlier style, Goa trance, have been understood as hedonist music cultures where participants seek to get into a trance-like state through all night dancing and psychedelic drugs consumption. Authors (Cole and Hannan, 1997; D’Andrea, 2007; Partridge, 2004; St John 2010a and 2010b; Saldanha, 2007) conflate this electronic dance music with spirituality and indigene rituals. In addition, they locate psytrance in a neo-psychedelic countercultural continuum with roots stretching back to the 1960s. Others locate the trance party events, driven by fast, hypnotic, beat-driven, largely instrumental music, as post sub cultural and neo-tribal, representing symbolic resistance to capitalism and neo liberalism. My study is in partial agreement with these readings when applied to genre history, but questions their validity for contemporary practice. The data I collected at and around the 2008 Offworld festival demonstrates that participants found the psytrance experience enjoyable and enriching, despite an apparent lack of overt euphoria, spectacular transgression, or sustained hedonism. I suggest that my work adds to an existing body of literature on psytrance in its exploration of a dance music event as a liminal space, redolent with communitas, but one too which foregrounds mundane features, such as socialising and pleasure. -
Martin Luther King Jr., Cesar Chavez, and the Images of Their Movements
MIXED UP IN THE MAKING: MARTIN LUTHER KING JR., CESAR CHAVEZ, AND THE IMAGES OF THEIR MOVEMENTS A Dissertation presented to the Faculty of the Graduate School University of Missouri-Columbia In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy by ANDREA SHAN JOHNSON Dr. Robert Weems, Jr., Dissertation Supervisor MAY 2006 © Copyright by Andrea Shan Johnson 2006 All Rights Reserved The undersigned, appointed by the Dean of the Graduate School, have examined the dissertation entitled MIXED UP IN THE MAKING: MARTIN LUTHER KING JR., CESAR CHAVEZ AND THE IMAGES OF THEIR MOVEMENTS Presented by Andrea Shan Johnson A candidate for the degree of Doctor of Philosophy of History And hereby certify that in their opinion it is worthy of acceptance. __________________________________________________________ Professor Robert Weems, Jr. __________________________________________________________ Professor Catherine Rymph __________________________________________________________ Professor Jeffery Pasley __________________________________________________________ Professor Abdullahi Ibrahim ___________________________________________________________ Professor Peggy Placier ACKNOWLEDGEMENTS I owe thanks to many people for helping me in the completion of this dissertation. Thanks go first to my advisor, Dr. Robert Weems, Jr. of the History Department of the University of Missouri- Columbia, for his advice and guidance. I also owe thanks to the rest of my committee, Dr. Catherine Rymph, Dr. Jeff Pasley, Dr. Abdullahi Ibrahim, and Dr. Peggy Placier. Similarly, I am grateful for my Master’s thesis committee at Indiana University-Purdue University at Indianapolis, Dr. Annie Gilbert Coleman, Dr. Nancy Robertson, and Dr. Michael Snodgrass, who suggested that I might undertake this project. I would also like to thank the staff at several institutions where I completed research. -
The A-Z of Brent's Black Music History
THE A-Z OF BRENT’S BLACK MUSIC HISTORY BASED ON KWAKU’S ‘BRENT BLACK MUSIC HISTORY PROJECT’ 2007 (BTWSC) CONTENTS 4 # is for... 6 A is for... 10 B is for... 14 C is for... 22 D is for... 29 E is for... 31 F is for... 34 G is for... 37 H is for... 39 I is for... 41 J is for... 45 K is for... 48 L is for... 53 M is for... 59 N is for... 61 O is for... 64 P is for... 68 R is for... 72 S is for... 78 T is for... 83 U is for... 85 V is for... 87 W is for... 89 Z is for... BRENT2020.CO.UK 2 THE A-Z OF BRENT’S BLACK MUSIC HISTORY This A-Z is largely a republishing of Kwaku’s research for the ‘Brent Black Music History Project’ published by BTWSC in 2007. Kwaku’s work is a testament to Brent’s contribution to the evolution of British black music and the commercial infrastructure to support it. His research contained separate sections on labels, shops, artists, radio stations and sound systems. In this version we have amalgamated these into a single ‘encyclopedia’ and added entries that cover the period between 2007-2020. The process of gathering Brent’s musical heritage is an ongoing task - there are many incomplete entries and gaps. If you would like to add to, or alter, an entry please send an email to [email protected] 3 4 4 HERO An influential group made up of Dego and Mark Mac, who act as the creative force; Gus Lawrence and Ian Bardouille take care of business. -
Order Form Full
JAZZ ARTIST TITLE LABEL RETAIL ADDERLEY, CANNONBALL SOMETHIN' ELSE BLUE NOTE RM112.00 ARMSTRONG, LOUIS LOUIS ARMSTRONG PLAYS W.C. HANDY PURE PLEASURE RM188.00 ARMSTRONG, LOUIS & DUKE ELLINGTON THE GREAT REUNION (180 GR) PARLOPHONE RM124.00 AYLER, ALBERT LIVE IN FRANCE JULY 25, 1970 B13 RM136.00 BAKER, CHET DAYBREAK (180 GR) STEEPLECHASE RM139.00 BAKER, CHET IT COULD HAPPEN TO YOU RIVERSIDE RM119.00 BAKER, CHET SINGS & STRINGS VINYL PASSION RM146.00 BAKER, CHET THE LYRICAL TRUMPET OF CHET JAZZ WAX RM134.00 BAKER, CHET WITH STRINGS (180 GR) MUSIC ON VINYL RM155.00 BERRY, OVERTON T.O.B.E. + LIVE AT THE DOUBLET LIGHT 1/T ATTIC RM124.00 BIG BAD VOODOO DADDY BIG BAD VOODOO DADDY (PURPLE VINYL) LONESTAR RECORDS RM115.00 BLAKEY, ART 3 BLIND MICE UNITED ARTISTS RM95.00 BROETZMANN, PETER FULL BLAST JAZZWERKSTATT RM95.00 BRUBECK, DAVE THE ESSENTIAL DAVE BRUBECK COLUMBIA RM146.00 BRUBECK, DAVE - OCTET DAVE BRUBECK OCTET FANTASY RM119.00 BRUBECK, DAVE - QUARTET BRUBECK TIME DOXY RM125.00 BRUUT! MAD PACK (180 GR WHITE) MUSIC ON VINYL RM149.00 BUCKSHOT LEFONQUE MUSIC EVOLUTION MUSIC ON VINYL RM147.00 BURRELL, KENNY MIDNIGHT BLUE (MONO) (200 GR) CLASSIC RECORDS RM147.00 BURRELL, KENNY WEAVER OF DREAMS (180 GR) WAX TIME RM138.00 BYRD, DONALD BLACK BYRD BLUE NOTE RM112.00 CHERRY, DON MU (FIRST PART) (180 GR) BYG ACTUEL RM95.00 CLAYTON, BUCK HOW HI THE FI PURE PLEASURE RM188.00 COLE, NAT KING PENTHOUSE SERENADE PURE PLEASURE RM157.00 COLEMAN, ORNETTE AT THE TOWN HALL, DECEMBER 1962 WAX LOVE RM107.00 COLTRANE, ALICE JOURNEY IN SATCHIDANANDA (180 GR) IMPULSE -
SEAN PRICE Imperius Rex *VINYL COMING SOON NO EXPORT to FRANCE/UK/JAPAN/GERMANY KEY SELLING POINTS
SEAN PRICE Imperius Rex *VINYL COMING SOON NO EXPORT TO FRANCE/UK/JAPAN/GERMANY KEY SELLING POINTS • The 16-track project features all new music with features from DOOM, Prodigy, Styles P, Smif N Wessun, Rock, Method Man, Raekwon, Inspectah Deck, Junior Reid, Buckshot, Ruste Juxx, Bernadette Price & more • Production from Alchemist, Harry Fraud, Nottz, amongst others • Music videos have been created for the title track, “Imperius Rex,” “Dead or Alive” feat. Bernadette Price & “The 3 Lyrical P’s” feat. Prodigy and Styles P DESCRIPTION ARTIST: Sean Price The Sean Price legacy continues with the highly anticipated posthumous TITLE: Imperius Rex release of his 4th studio album, “Imperius Rex”. CATALOG: cd-DDM2525 LABEL: Duck Down The CD is housed inside an 84-page hard cover book packaged with rare GENRE: Hip-Hop/Rap BARCODE: 693461252523 photos spanning Sean Price’s life; exclusive fan art; and an iconic 11x17 FORMAT: CD poster featuring the album cover art. HOME MARKET: New York City RELEASE: 8/25/2017 The project features all new music with features from DOOM, Prodigy, LIST PRICE: $17.98 / AR Styles P, Smif N Wessun, Rock, Method Man, Raekwon, Inspectah Deck, Junior Reid, Buckshot, Ruste Juxx, Bernadette Price & more. Production TRACKLISTING (Click Tracks In Blue To Preview Audio) from Alchemist, Harry Fraud, Nottz, amongst others. 1. Imperius Rex 2. Dead Or Alive feat. Bernadette Price 3. Definition Of God 4. Ape In His Apex feat. Ruste Juxx 5. Apartheid feat. Buckshot & Steele 6. Lord Have Mercy feat. Rim P & Vic Spencer 7. Negus feat. DOOM & Ike Eyez 8. Church Bells feat.