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Excesss Karaoke Master by Artist
XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not -
Treble Culture
OUP UNCORRECTED PROOF – FIRSTPROOFS, Mon Jul 09 2007, NEWGEN P A R T I FREQUENCY-RANGE AESTHETICS ooxfordhb-9780199913657-part-1.inddxfordhb-9780199913657-part-1.indd 4411 77/9/2007/9/2007 88:21:53:21:53 AAMM OUP UNCORRECTED PROOF – FIRSTPROOFS, Mon Jul 09 2007, NEWGEN ooxfordhb-9780199913657-part-1.inddxfordhb-9780199913657-part-1.indd 4422 77/9/2007/9/2007 88:21:54:21:54 AAMM OUP UNCORRECTED PROOF – FIRSTPROOFS, Mon Jul 09 2007, NEWGEN CHAPTER 2 TREBLE CULTURE WAYNE MARSHALL We’ve all had those times where we’re stuck on the bus with some insuf- ferable little shit blaring out the freshest off erings from Da Urban Classix Colleckshun Volyoom: 53 (or whatevs) on a tinny set of Walkman phone speakers. I don’t really fi nd that kind of music off ensive, I’m just indiff er- ent towards it but every time I hear something like this it just winds me up how shit it sounds. Does audio quality matter to these kids? I mean, isn’t it nice to actually be able to hear all the diff erent parts of the track going on at a decent level of sound quality rather than it sounding like it was recorded in a pair of socks? —A commenter called “cassette” 1 . do the missing data matter when you’re listening on the train? —Jonathan Sterne (2006a:339) At the end of the fi rst decade of the twenty-fi rst century, with the possibilities for high-fi delity recording at a democratized high and “bass culture” more globally present than ever, we face the irony that people are listening to music, with increasing frequency if not ubiquity, primarily through small plastic -
Martin Amis Appointed Professor of Creative Writing Features Letter from the President News
The free magazine for The University of Manchester 5 March 2007 Uni LifIessue 7 Volume 4 Martin Amis appointed Professor of Creative Writing Features Letter from the President News News Manchester’s students Martin Amis appointed most wanted page 3 Martin Amis, arguably the leading novelist of his generation, has been appointed Professor of Creative Writing at The University of Manchester. He will be in position in time for the launch of the Centre for New Writing, due to open in September. Amis will run postgraduate seminars at at Manchester has long been one of the best in the the Centre and will also participate in country, but the foundation of the Centre and the appointments of Martin Amis and Patricia Duncker Research four public events each year, including mean that we will continue to attract – and provide Village found near a two week summer school where a terrific apprenticeship for – talented new Stonehenge writers will teach MA students from the novelists, poets and critics. Martin and Patricia are UK and abroad. both writers who are interested in the broad swim page 7 of contemporary culture, so the Centre will be a He will be based in the School of Arts Histories and prominent platform for the best new creative and Cultures, also home to the leading literary theorist critical writing being produced in the UK.” When the new University of Manchester was We now face the major, unavoidable challenge of and critic, Professor Terry Eagleton. founded in October 2004, it was on the firm addressing these two deficits – one structural, -
Album Review: Enter Shikari – the Mindsweep | Nouse
Nouse Web Archives Album Review: Enter Shikari – The Mindsweep Page 1 of 3 News Comment MUSE. Politics Business Science Sport Roses Freshers Muse › Music › News Features Reviews Playlists Album Review: Enter Shikari – The Mindsweep Ellie Langford takes the hardcore rock group’s latest record for a spin By Eleanor Langford, Music Editor (2016/17) Tuesday 3 March 2015 Rating: ★★☆☆☆ Enter Shikari are well known for their outspoken politics and brazen verbosity – neatly slotted in-between pleasingly uncomfortable drops and a medley of post-hardcore-electronic mania. Their latest release The Mindsweep does not disappoint in this department. It is no surprise that the Hertforshire quartet show innovation and talent in every track, their raw individuality the mark that separates them from the crowd. The album starts with the clear intent to incite a revolution with the rousing opening “This is an appeal”. The track, ‘The Appeal & The Mindsweep I’, cleverly combines inspiring spoken word and angry hardcore drops whilst setting up the expected political theme of the album. “This pseudo-intellectual rap expresses strong concern about the rate and implications of human discovery, but without the album’s early angry punch ” The following three tracks follow in a provocative mix and begin to delve into the woes of the world, but not too clearly. ‘The One True Colour’, with its uncomfortable cyclical sound, moves past innovative and creative to plain confusing. The third and most played track of the album ‘The Anaesthetist’ is notable in http://nouse.co.uk/2015/03/03/album-review-enter-shikari-the-mindsweep Archived 11 Dec 2018 09:21:53 Nouse Web Archives Album Review: Enter Shikari – The Mindsweep Page 2 of 3 its cause. -
Культура І Мистецтво Великої Британії Culture and Art of Great Britain
НАЦІОНАЛЬНА АКАДЕМІЯ ПЕДАГОГІЧНИХ НАУК УКРАЇНИ ІНСТИТУТ ПЕДАГОГІКИ Т.К. Полонська КУЛЬТУРА І МИСТЕЦТВО ВЕЛИКОЇ БРИТАНІЇ CULTURE AND ART OF GREAT BRITAIN Навчальний посібник елективного курсу з англійської мови для учнів старших класів профільної школи Київ Видавничий дім «Сам» 2017 УДК 811.111+930.85(410)](076.6) П 19 Рекомендовано до друку вченою радою Інституту педагогіки НАПН України (протокол №11 від 08.12.2016 року) Схвалено для використання у загальноосвітніх навчальних закладах (лист ДНУ «Інститут модернізації змісту освіти». №21.1/12 -Г-233 від 15.06.2017 року) Рецензенти: Олена Ігорівна Локшина – доктор педагогічних наук, професор, завідувачка відділу порівняльної педагогіки Інституту педагогіки НАПН України; Світлана Володимирівна Соколовська – кандидат педагогічних наук, доцент, заступник декана з науково- методичної та навчальної роботи факультету права і міжнародних відносин Київського університету імені Бориса Грінченка; Галина Василівна Степанчук – учителька англійської мови Навчально-виховного комплексу «Нововолинська спеціалізована школа І–ІІІ ступенів №1 – колегіум» Нововолинської міської ради Волинської області. Культура і мистецтво Великої Британії : навчальний посібник елективного курсу з англійської мови для учнів старших класів профільної школи / Т. К. Полонська. – К. : Видавничий дім «Сам», 2017. – 96 с. ISBN Навчальний посібник є основним засобом оволодіння учнями старшої школи змістом англомовного елективного курсу «Культура і мистецтво Великої Британії». Створення посібника сприятиме подальшому розвиткові у -
Japan's Powder Paradise
tokyo FEBRUARY 2012 weekenderJapan’s premier English language magazine Since 1970 HOKKAIDO JAPAN’S POWDER PARADISE LOVE IS IN THE AIR TWELVE DATE TIPS FOR 2012 VALENTINE’S RESTAURANT GUIDE EDUCATION SPECIAL CAN JAPAN EMBRACE THE 4 F’S? A PIONEERING INTERNATIONAL SCHOOL AGENDA INTERVIEW PLUS! All The Biggest Live Weekender Q&A with WIN Great Prizes with Shows this Month German Ambassador our Readers Survey IN THIS ISSUE: The Latest APAC news from the Asia Daily Wire, People Parties & Places, Hit the Ice in Tokyo and much more... FEBRUARY, 2012 CONTENTS ON PISTE IN HOKKAIDO Weekender heads north to Hokkaido’s winter wonderland. VALENTINE’S DAY PEOPLE, PARTIES, PLACES AGENDA Twelve date ideas for 2012 and Tokyo’s longest running society columnist The best live shows coming up a gorgeous Grand Marnier recipe. hangs out with the Jacksons. in Tokyo this month. 11 Asia Daily Wire 22 Hoshino Resort Tomamu 36 American Apparel A roundup of all the top APAC news of the Exploring one of Hokkaido’s most After a great 2011, the LA based fashion past month. luxurious ski resorts. basics brand is expanding in Japan. 12 German Ambassador Interview 31 Education Special 38 Bill Hersey Q&A with Volker Stanzel, Ambassador of Weekender asks, can Japan embrace the Tokyo’s Longest Running Society Column the Federal Republic of Germany. 4 F’s instead of the 3 R’s? Printed in Weekender For 42 Years! 16 Tokyo Restaurant Guide 32 ISAK 43 Win a Skincare Set Worth ¥30,000 Special guide to Tokyo’s top restaurants An international school with a difference. -
A Life in Stasis: New Album Reviews
A Life In Stasis: New Album Reviews Music | Bittles’ Magazine: The music column from the end of the world With the Olympics failing to inspire, it can seem as if the only way to spend the long summer months is by playing endless rounds of tiddlywinks, or consuming copious amounts of Jammy Dodgers. But, that doesn’t have to be the case. There is a better way! For instance, you can take up ant farming, as my good friend Jeffrey has recently done, or immerse yourself in the wealth of fantastic new music which has recently come out. Personally, I would recommend the latter. By JOHN BITTLES In the following column we review some of the best new albums hitting the shelves over the coming weeks. We have the shadowy electronica of Pye Corner Audio, pop introspection by Angel Olsen, the post dubstep blues of Zomby, some sleek house from Komapkt, Kornél Kovács and Foans, the experimental genius of Gudrun Gut and Momus, and lots more. So, before someone starts chucking javelins in my direction, we had better begin… Back in 2012 Sleep Games by Pye Corner Audio quickly established itself as one of the most engaging and enthralling albums of modern times. On the record, ghostly electroncia, John Carpenter style synths, and epic, ambient soundscapes converged to create a body of work which still sounds awe-inspiringly beautiful today. After the melancholy acid of his Head Technician reissue last month, Martin Jenkins returns to his Pye Corner Audio alias late August with the haunted landscapes of the Stasis LP. -
Peer to Peer and the Music Industry: the Criminalization of Sharing
Matthew David TC TC Peer to Peer and the Music Industry S S Have the music and movie industries lost the battle to Industry Music the and Peer to Peer criminalize downloading? Theory, Culture & Society Theory, This penetrating and informative book provides readers with a systematic guide to the file-sharing phenomenon. Critically combining inter-disciplinary resources Matthew David unpacks the economics, psychology and philosophy of file-sharing. The book carefully situates the reader in a field of relevant approaches including network society theory, post-structuralism and ethnographic research. It uses this to launch a fascinating enquiry into: • the rise of file-sharing, • the challenge to intellectual property law posed by new technologies, • the social psychology of cyber crime and • the response of the mass media and multi-national corporations. This is a landmark work in the sociology of popular culture and cultural criminology, it concludes with a balanced, eye-opening assessment of alternative cultural modes of participation and their relationship to cultural capitalism. It fuses a deep knowledge of the music industry and the new technologies of mass communication with a powerful perspective on how multinational corporations seek to monopolize markets, how international and state agencies defend property, while a global multitude undermine and/or reinvent both. It will be of interest to students of sociology, criminology, media and communications and cultural studies. ‘Matthew David has done a rare and valuable thing with this work. He has comprehensively exposed the inherent radicalism of peer-to-peer communication and exposed the absurdities of the various efforts to quash the practice and technologies. -
Compositions-By-Frank-Zappa.Pdf
Compositions by Frank Zappa Heikki Poroila Honkakirja 2017 Publisher Honkakirja, Helsinki 2017 Layout Heikki Poroila Front cover painting © Eevariitta Poroila 2017 Other original drawings © Marko Nakari 2017 Text © Heikki Poroila 2017 Version number 1.0 (October 28, 2017) Non-commercial use, copying and linking of this publication for free is fine, if the author and source are mentioned. I do not own the facts, I just made the studying and organizing. Thanks to all the other Zappa enthusiasts around the globe, especially ROMÁN GARCÍA ALBERTOS and his Information Is Not Knowledge at globalia.net/donlope/fz Corrections are warmly welcomed ([email protected]). The Finnish Library Foundation has kindly supported economically the compiling of this free version. 01.4 Poroila, Heikki Compositions by Frank Zappa / Heikki Poroila ; Front cover painting Eevariitta Poroila ; Other original drawings Marko Nakari. – Helsinki : Honkakirja, 2017. – 315 p. : ill. – ISBN 978-952-68711-2-7 (PDF) ISBN 978-952-68711-2-7 Compositions by Frank Zappa 2 To Olli Virtaperko the best living interpreter of Frank Zappa’s music Compositions by Frank Zappa 3 contents Arf! Arf! Arf! 5 Frank Zappa and a composer’s work catalog 7 Instructions 13 Printed sources 14 Used audiovisual publications 17 Zappa’s manuscripts and music publishing companies 21 Fonts 23 Dates and places 23 Compositions by Frank Zappa A 25 B 37 C 54 D 68 E 83 F 89 G 100 H 107 I 116 J 129 K 134 L 137 M 151 N 167 O 174 P 182 Q 196 R 197 S 207 T 229 U 246 V 250 W 254 X 270 Y 270 Z 275 1-600 278 Covers & other involvements 282 No index! 313 One night at Alte Oper 314 Compositions by Frank Zappa 4 Arf! Arf! Arf! You are reading an enhanced (corrected, enlarged and more detailed) PDF edition in English of my printed book Frank Zappan sävellykset (Suomen musiikkikirjastoyhdistys 2015, in Finnish). -
Hyperdub's Kode9 & the Spaceape Have Left Tired
With their new album ‘Black Sun’, Hyperdub’s Kode9 & the Spaceape have left tired genre pigeonholes behind, switched up their sound and conjured a bright, neon-lit sci-fi parable of futuristic house, fractured breakbeats, cryptic poetry and bleeps, where nothing is as it seems. Infl uenced by JG Ballard, Solaris, UK funky, THX1138 and Prince Far-I, it’s a dystopian funk epic that should see them reach a whole new audience. DJmag fi nds out more… Words: BEN MURPHY cience fi ction and electronic changed, became something other but still enabled through a gauze of Kode9’s gloopy, buzzing music have a chequered life, what would that be like?” wonders Spaceape. computerfunk, living colours that stretch through history together. Both are Spaceape’s oblique, cryptic lyrics, and chattering, often obsessed with the Camberwell, South London-dwelling Glaswegian hypermodern beats, a machine-gun spray of broken future, interwoven with new Kode9 (Steve Goodman) will be familiar to many rhythms and weird house music, ‘Black Sun’ is what technology and look to electronic music fans as the owner of the peerless, happens when two attuned brains with a distinct transport the reader, viewer or always one-step-ahead label Hyperdub (responsible conceptual vision of how they want their music to listener to other worlds. But for launching mavericks like Burial, Ikonika, Zomby sound — and what they want it to stand for — collide. it’s rare that beats ‘n’ and Darkstar into the world), as a globetrotting DJ “We share a lot in common and I guess that’s why, basslines are able to allude to fantasy without and producer who’s played a prominent part in the when we work together, it comes out sounding like it seeming contrived, all naff aliens and X Files recent evolutions and mutations of dance, from does,” says Spaceape on the recording of the album codswallop. -
Queens Park Music Club
Alan Currall BBobob CareyCarey Grieve Grieve Brian Beadie Brian Beadie Clemens Wilhelm CDavidleme Hoylens Wilhelm DDavidavid MichaelHoyle Clarke DGavinavid MaitlandMichael Clarke GDouglasavin M aMorlanditland DEilidhoug lShortas Morland Queens Park Music Club EGayleilidh MiekleShort GHrafnhildurHalldayle Miekle órsdóttir Volume 1 : Kling Klang Jack Wrigley ó ó April 2014 HrafnhildurHalld rsd ttir JJanieack WNicollrigley Jon Burgerman Janie Nicoll Martin Herbert JMauriceon Burg Dohertyerman MMelissaartin H Canbazerbert MMichelleaurice Hannah Doherty MNeileli Clementsssa Canbaz MPennyichel Arcadele Hannah NRobeil ChurmClements PRoben nKennedyy Arcade RobRose Chu Ruanerm RoseStewart Ruane Home RobTom MasonKennedy Vernon and Burns Tom Mason Victoria Morton Stuart Home Vernon and Burns Victoria Morton Martin Herbert The Mic and Me I started publishing criticism in 1996, but I only When you are, as Walter Becker once learned how to write in a way that felt and still sang, on the balls of your ass, you need something feels like my writing in about 2002. There were to lift you and hip hop, for me, was it, even very a lot of contributing factors to this—having been mainstream rap: the vaulting self-confidence, unexpectedly bounced out of a dotcom job that had seesawing beat and herculean handclaps of previously meant I didn’t have to rely on freelancing Eminem’s armour-plated Til I Collapse, for example. for income, leaving London for a slower pace of A song like that says I am going to destroy life on the coast, and reading nonfiction writers everybody else. That’s the braggadocio that hip who taught me about voice and how to arrange hop has always thrived on, but it is laughable for a facts—but one of the main triggers, weirdly enough, critic to want to feel like that: that’s not, officially, was hip hop. -
Mad Dogs and Englishness Popular Music and English Identities
Mad Dogs and Englishness Popular Music and English Identities EDITED BY LEE BROOKS, MARK DONNELLY AND RICHARD MILLS This ebook belongs to gabriele marino ([email protected]), purchased on 15/10/2019 BLOOMSBURY ACADEMIC Bloomsbury Publishing Inc 1385 Broadway, New York, NY 10018, USA 50 Bedford Square, London, WC1B 3DP, UK BLOOMSBURY, BLOOMSBURY ACADEMIC and the Diana logo are trademarks of Bloomsbury Publishing Plc First published in 2017 Paperback edition published 2019 Copyright © Lee Brooks, Mark Donnelly and Richard Mills, 2017 Cover design: Lee Brooks All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers. Bloomsbury Publishing Inc does not have any control over, or responsibility for, any third-party websites referred to or in this book. All internet addresses given in this book were correct at the time of going to press. The author and publisher regret any inconvenience caused if addresses have changed or sites have ceased to exist, but can accept no responsibility for any such changes. ISBN: HB: 978-1-5013-1125-3 PB: 978-1-5013-5202-7 ePDF: 978-1-5013-1126-0 ePub: 978-1-5013-1127-7 Names: Brooks, Lee. | Donnelly, Mark, 1967- | Mills, Richard, 1964- Title: Mad dogs and Englishness: popular music and English identities / edited by Lee Brooks, Mark Donnelly and Richard Mills. Description: New York, NY: Bloomsbury Academic, 2017. | Includes bibliographical references and index. Identifi ers: LCCN 2017013601 (print) | LCCN 2017017214 (ebook) | ISBN 9781501311260 (ePDF) | ISBN 9781501311277 (ePUB) | ISBN 9781501311253 (hardcover: alk.