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The Index to the Library Chronicle: Subject Index
10/21/2020 The Index to the Library Chronicle: Subject Index Libraries Home | Mobile | My Account | Renew Items | Sitemap | Help The Index to the Library Chronicle: Subject Index A B C D E F G H I J K L M N O P Q R S T U V W X Y Z Introduction Author Index Italicized page numbers refer to photographs and illustrations. A ^-top-^ "A" (Zukofsky), N.S. nos.38/39 (1987):77-105 A.D. Peters Agency. See Peters (A.D.) Agency A Tutti I Fedeli D'Amore (Alighieri), v.23, nos.2/3 (1993):132 Abbeychurch (Yonge), v.23, no.1 (1993):17-19 Abbott, Claude Colleer, Further Letters of Gerard Manley Hopkins, N.S. nos.46/47 (1989):69 ABC of Reading (Pound), v.20, nos.1/2 (1990):14-16, 17 Abernethy, Milton A. Contempo editorship, N.S. no.27 (1984):20-44; v.25, no.3 (1995):111-31, 119-20 photograph of, v.20, no.4 (1991):83 Pound's Draft of XXX Cantos and, v.25, no.3 (1995):126, 127-31 Abril, Manuel, line-drawing, N.S. no.13 (1980):23 Across the River and Into the Trees (Hemingway), N.S. no.30 (1985):16-28 Act Without Words (Beckett), N.S. no.28 (1984):97-104, 103, 115 Acton, Harold, N.S. no.1 (1970):25 Actors. See individual actors Actresses. See individual actresses L'Adamo, sacra rapresentazione (Andreini), v.23, nos.2/3 (1993):126 Adams, Ansel, N.S. no.19 (1982):118, N.S. no.19 (1982):121 Adams, Maude, N.S. -
Kayaks Quyanaasinaq
FREE ADMISSION November 25 – December 23 Looking for something to do with your friends and family this holiday season? If you’re a current member, you already enjoy free admission to the Alutiiq Museum. Now, thanks to the generous support of KeyBank, everyone gets in for free between November 25 and December 23! Add a little local culture to your holidays with a visit to the Alutiiq Museum, a gift to our community from KeyBank. The Quarterly Newsletter of the Alutiiq Museum Volume 20, Issue 4 | Spring 2016 New Exhibit Features Qayat - Kayaks rom driftwood, animal skins, tendon and baleen, Alutiiq people Ethnology the boat is a rare, complete example of the graceful, light, Fcreated qayat that were expertly designed for Kodiak’s notoriously and flexible Alutiiq qayaq. windy waters. Working with stone and bone tools, and using the Adjacent to the historic vessel is a qayaq frame. Carved by Alfred proportions of the human body as a measuring guide, men built boats Naumoff in 2014, this piece illustrates the internal framework of that permitted swift, secure travel through ocean waters. For the traditional boats. Pieces of a qayaq were never nailed together, but Alutiiq, qayat were a lifeline. They allowed people to harvest fish and carefully lashed to allow the boat to bend in the waves. Naumoff is sea mammals from the ocean, to travel and trade over great distances, one of just a handful of contemporary Alutiiq kayak builders, and his and to carry supplies home. In coastal Alaska, the qayaq remains a knowledge has been informed by studies of historic boats. -
Solutions for the Chora of Metaponto Publication Series
Preserving an Evolving Collection: “On-The-Fly” Solutions for The Chora of Metaponto Publication Series Jessica Trelogan Maria Esteva Lauren M. Jackson Institute of Classical Archaeology Texas Advanced Computing Center Institute of Classical Archaeology University of Texas at Austin University of Texas at Austin University of Texas at Austin 3925 W. Braker Lane J.J. Pickle Research Campus 3925 W. Braker Lane +1 (512) 232-9317 +1 (512) 475-9411 +1 (512) 232-9322 [email protected] [email protected] [email protected] ABSTRACT research in this way, complex technical infrastructures and As digital scholarship continues to transform research, so it services are needed to support and provide fail-safes for data and changes the way we present and publish it. In archaeology, this multiple, simultaneous functions throughout a project’s lifecycle. has meant a transition from the traditional print monograph, Storage, access, analysis, presentation, and preservation must be representing the “definitive” interpretation of a site or landscape, managed in a non-static, non-linear fashion within which data to an online, open, and interactive model in which data collections evolve into a collection as research progresses. In this context, have become central. Online representations of archaeological data curation happens while research is ongoing, rather than at the research must achieve transparency, exposing the connections tail end of the project, as is often the case. Such data curation may between fieldwork and research methods, data objects, metadata, be accomplished within a distributed computational environment, and derived conclusions. Accomplishing this often requires as researchers use storage, networking, database, and web multiple platforms that can be burdensome to integrate and publication services available across one or multiple institutions. -
Iaea Tecdoc Series Tecdoc Iaea @
IAEA-TECDOC-1803 IAEA-TECDOC-1803 IAEA TECDOC SERIES Trends of Synchrotron Radiation Applications in Cultural Heritage, Forensics and Materials Science Forensics Applications in Cultural Heritage, of Synchrotron Radiation Trends IAEA-TECDOC-1803 Trends of Synchrotron Radiation Applications in Cultural Heritage, Forensics and Materials Science @ TRENDS OF SYNCHROTRON RADIATION APPLICATIONS IN CULTURAL HERITAGE, FORENSICS AND MATERIALS SCIENCE The following States are Members of the International Atomic Energy Agency: AFGHANISTAN GEORGIA OMAN ALBANIA GERMANY PAKISTAN ALGERIA GHANA PALAU ANGOLA GREECE PANAMA ANTIGUA AND BARBUDA GUATEMALA PAPUA NEW GUINEA ARGENTINA GUYANA PARAGUAY ARMENIA HAITI PERU AUSTRALIA HOLY SEE PHILIPPINES AUSTRIA HONDURAS POLAND AZERBAIJAN HUNGARY PORTUGAL BAHAMAS ICELAND QATAR BAHRAIN INDIA REPUBLIC OF MOLDOVA BANGLADESH INDONESIA ROMANIA BARBADOS IRAN, ISLAMIC REPUBLIC OF RUSSIAN FEDERATION BELARUS IRAQ RWANDA BELGIUM IRELAND SAN MARINO BELIZE ISRAEL SAUDI ARABIA BENIN ITALY SENEGAL BOLIVIA, PLURINATIONAL JAMAICA SERBIA STATE OF JAPAN SEYCHELLES BOSNIA AND HERZEGOVINA JORDAN SIERRA LEONE BOTSWANA KAZAKHSTAN SINGAPORE BRAZIL KENYA SLOVAKIA BRUNEI DARUSSALAM KOREA, REPUBLIC OF SLOVENIA BULGARIA KUWAIT SOUTH AFRICA BURKINA FASO KYRGYZSTAN SPAIN BURUNDI LAO PEOPLE’S DEMOCRATIC SRI LANKA CAMBODIA REPUBLIC SUDAN CAMEROON LATVIA SWAZILAND CANADA LEBANON SWEDEN CENTRAL AFRICAN LESOTHO SWITZERLAND REPUBLIC LIBERIA SYRIAN ARAB REPUBLIC CHAD LIBYA TAJIKISTAN CHILE LIECHTENSTEIN THAILAND CHINA LITHUANIA THE FORMER YUGOSLAV -
Analog, the Sequel: an Analysis of Current Film Archiving Practice and Hesitance to Embrace Digital Preservation by Suzanna Conrad
ANALOG, THE SEQUEL: AN ANALYSIS OF CURRENT FILM ARCHIVING PRACTICE AND HESITANCE TO EMBRACE DIGITAL PRESERVATION BY SUZANNA CONRAD ABSTRACT: Film archives preserve materials of significant cultural heritage. While current practice helps ensure 35mm film will last for at least one hundred years, digi- tal technology is creating new challenges for the traditional means of preservation. Digitally produced films can be preserved via film stock; however, digital ancillary materials and assets in many cases cannot be preserved using traditional analog means. Strategy and action for preserving this content needs to be addressed before further content is lost. To understand the current perspective of the film archives, especially in regards to the film industry’s marked hesitation to embrace digital preservation, the Academy of Motion Picture Arts and Sciences’ paper “The Digital Dilemma: Strategic Issues in Archiving and Accessing Digital Motion Picture Materials” was closely evaluated. To supplement this analysis, an interview was conducted with the collections curator at the Academy Film Archive, who explained the archives’ current approach to curation and its hesitation to move to digital technologies for preservation. Introduction Moving images are a vital part of our cultural heritage. The music, film, and broadcasting industries, as well as academic and cultural institutions, have amassed a “legacy of primary source materials” of immense value. These sources make the last one hundred years understandable as an era of the “media of the modernity.”1 Motion pictures and films were established as vital archival records as early as the 1930s with the National Archives Act, which included motion pictures in the definition of “objects of archival interest.”2 As cultural artifacts, moving images deserve archival care and preservation.3 However, the art of preserving moving images and film can at times be daunting. -
Rentmeister Book Collection
Rentmeister Book Collection Contents Utah 2 Geology; Land Use ..................................................................................... 2 History ........................................................................................................ 2 Miscellaneous ............................................................................................. 7 County, Local, and Regional Utah Histories, Guidebooks, etc. ................. 8 Native Americans 17 The West 22 General ...................................................................................................... 22 Arizona ..................................................................................................... 32 California .................................................................................................. 32 Idaho ......................................................................................................... 34 Montana .................................................................................................... 34 Nevada ...................................................................................................... 35 New Mexico ............................................................................................. 35 Wyoming .................................................................................................. 35 The West (Time-Life Books Series) ........................................................ 36 Church of Jesus Christ of Latter-day Saints 39 Bibliography ............................................................................................ -
2015 Final Program
FINAL PROGram Practical Philosophy, or Making Conservation Work 43rd Annual Meeting May 13-16, 2015 Miami, FL Hyatt Regency Miami American Institute for Conservation of Historic and Artistic Works Board of Directors American Institute for Conservation of Historic & Artistic Works President Pamela Hatchfield Vice President Margaret Holben Ellis Practical Philosophy, or Secretary Sanchita Balachandran Treasurer Jennifer Hain Teper Director, Committees & Task Forces Sarah Stauderman Making Conservation Work Director, Communications Carolyn Riccardelli Director, Professional Education Stephanie M. Lussier Director, Specialty Groups Deborah Lee Trupin May 13-16, 2015 Miami, Florida THE GETTY CONSERVATION INSTITUTE 2015 Annual Meeting Program Committees Hyatt Regency Miami GENERAL SESSION Margaret Holben Ellis Zoe Perkins Welcome to Miami! Margo Delidow Alisha Chipman As you certainly know by now, the theme for AIC’s 43rd Sustainability: Betsy Haude, Melissa Tedone, Robin O’Hern Annual Meeting in Miami, FL May 13-16, 2015 is: Practical Year of Light : Paul Himmelstein, Paul Whitmore, James Druzik, Steven Philosophy, or Making Conservation Work. Interesting Weintraub conversations about many aspects of conservation should SPECIALTY SESSIONS be bubbling up around you, as we explore a wide range of Architecture issues, preventive, practical, and philosophical, and where Chair Jennifer Correia Vice Chair Jennifer Schork they are situated between theory and practice. Many factors, ranging from available resources to questions of public Book and Paper Chair Michelle Facini access and politics, can thwart even the best treatment plans Program Chair Fletcher Durant and noblest intentions. We hope you enjoy the presentations, Collections Care posters, and the discussions, as you catch up with your old Chair Rebecca Fifield friends and colleagues, and meet up with new ones. -
Database Preservation DPC Training Course
Database preservation DPC training course Practical session (advanced) Resolution www.keep.pt Activities on DBPTK Desktop www.keep.pt Click here to start the process of create a SIARD file 1. Select the DBMS on the left sidebar 2. Test the connection to panel and fill up ensure that you have the the connection right information form 3. Click Next to continue the process Click sakila to show the tables and views for that schema Select the tables: actor, category, film, film_actor, film_category and language Select the views: film_list and nicer_but_slower_film_list Materialize the nicer_but_slower_film_list 1. Remove the last_update column from each previous selected table 2. Click Next to continue the process 2. Save the query 1. Fill up the query text area and test the query Click Next to continue the process Click Skip to continue the process 1. Select the destination folder 2. Choose compress checkbox (this will reduce the size of the SIARD file) 3. Choose to save LOBs outside the SIARD file 4. Hit Next to continue the process 1. Fill up metadata information about the SIARD file 2. Click Create to start the migration process Wait for the process to finish, this may take a while, depending on the machine specs and total size of the database Click on Cancel Activities on DBPTK Enterprise www.keep.pt Do an advanced search and save it www.keep.pt Click on Login Choose the database Click Browse 2. Click on 1. Choose a advanced and table fill up the search criteria 3. Click on save search Click on save search Hide the table film_text and the store table www.keep.pt Click on Configuration Click on Manage tables 1. -
Catazacke 20200425 Bd.Pdf
Provenances Museum Deaccessions The National Museum of the Philippines The Herbert F. Johnson Museum of Art, Cornell University New York, USA The Monterey Museum of Art, USA The Abrons Arts Center, New York, USA Private Estate and Collection Provenances Justus Blank, Dutch East India Company Georg Weifert (1850-1937), Federal Bank of the Kingdom of Serbia, Croatia and Slovenia Sir William Roy Hodgson (1892-1958), Lieutenant Colonel, CMG, OBE Jerrold Schecter, The Wall Street Journal Anne Marie Wood (1931-2019), Warwickshire, United Kingdom Brian Lister (19262014), Widdington, United Kingdom Léonce Filatriau (*1875), France S. X. Constantinidi, London, United Kingdom James Henry Taylor, Royal Navy Sub-Lieutenant, HM Naval Base Tamar, Hong Kong Alexandre Iolas (19071987), Greece Anthony du Boulay, Honorary Adviser on Ceramics to the National Trust, United Kingdom, Chairman of the French Porcelain Society Robert Bob Mayer and Beatrice Buddy Cummings Mayer, The Museum of Contemporary Art (MCA), Chicago Leslie Gifford Kilborn (18951972), The University of Hong Kong Traudi and Peter Plesch, United Kingdom Reinhold Hofstätter, Vienna, Austria Sir Thomas Jackson (1841-1915), 1st Baronet, United Kingdom Richard Nathanson (d. 2018), United Kingdom Dr. W. D. Franz (1915-2005), North Rhine-Westphalia, Germany Josette and Théo Schulmann, Paris, France Neil Cole, Toronto, Canada Gustav Heinrich Ralph von Koenigswald (19021982) Arthur Huc (1854-1932), La Dépêche du Midi, Toulouse, France Dame Eva Turner (18921990), DBE Sir Jeremy Lever KCMG, University -
Boost the Conservation Signal! by Suzy Morgan, for EMG FAIC News 10
January 2015 Vol. 40, No. 1 Inside From the Executive Director 2 AIC News 5 Annual Meeting 9 Boost the Conservation Signal! By Suzy Morgan, for EMG FAIC News 10 JAIC News 12 The uses of social media for communicating and outreach have been widely covered in the library, museum, and popular literature. Has New Publications 12 social media just been a fad, or does it have real implications for the future of conservation outreach and the changing public perception People 13 of conservators? A few recent social media “events” have shown that COLUMN conservators and allied professionals have found new and creative SPONSORED In Memoriam 13 ways to successfully utilize these tools. Many of our allies in other BY EM G professions, such as libraries, archives, and museums, have already Conservation Training Programs 15 been using these tools to promote their existing blogs and websites, and communicate Specialty Group Columns 16 with their readers in a more informal and colloquial way. This article will describe how cultural heritage professionals have been using these tools to increase awareness of Network Columns 23 conservation activities and preservation issues, both within and without the field. Grants & Fellowships 24 #5DaysOfPreservation and Going Viral In July 2014, Kevin Driedger, the author of the blog Library Preservation 2, started a social Courses, Conferences, & Seminars 25 media project that he dubbed #5DaysOfPreservation. He described his intent for the project in an email sent to ALA’s Preservation Awareness Discussion Group list: Positions, Internships & Fellowships 29 “The activities that fall under the umbrella of preservation are vast, growing, and often have characteristics specific to individuals and institutions. -
The Preservation of Archaeological Records and Photographs
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Anthropology Department Theses and Dissertations Anthropology, Department of 12-2010 The Preservation of Archaeological Records and Photographs Kelli Bacon University of Nebraska at Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/anthrotheses Part of the Anthropology Commons Bacon, Kelli, "The Preservation of Archaeological Records and Photographs" (2010). Anthropology Department Theses and Dissertations. 9. https://digitalcommons.unl.edu/anthrotheses/9 This Article is brought to you for free and open access by the Anthropology, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Anthropology Department Theses and Dissertations by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. THE PRESERVATION OF ARCHAEOLOGICAL RECORDS AND PHOTOGRAPHS By Kelli Bacon A THESIS Presented to the Faculty of The Graduate College of the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Master of Arts Major: Anthropology Under the Supervision of Professor LuAnn Wandsnider Lincoln, Nebraska December 2010 THE PRESERVATION OF ARCHAEOLOGICAL RECORDS AND PHOTOGRAPHS Kelli Bacon, M.A. University of Nebraska, 2010 Advisor: LuAnn Wandsnider Substantive and organized research about archaeological records and photograph preservation, especially those written by and for archaeologists, are few. Although the Society for American Archaeology has a code of ethics regarding archaeological records preservation, and the federal government has regulations regarding the care and preservation of federally owned archaeological collections, there is a lack of resources. This is detrimental to archaeology because not all archaeologists, given the maturity of the discipline, understand how important it is to preserve archaeological records and photographs. -
The Art of Resilience Acknowledgments
The Art of 2019 Catalog Disclaimer All images of the artworks in this publication are the property of the respective artists. On the cover (clockwise from top left) Yky, Shakes p. 12 Justin Wood, March Towards Extinction p. 6 Pitsho Mafolo, Redefining Life p. 2 Adrien Segal, Trends in Water Use p. 19 The Art of The World Bank Group, Washington, DC, October 29, 2019–January 19, 2020 The ArtScience Museum and Singapore Expo Center, Singapore, May 16, 2020–May 24, 2020 artofresilience.art Table of Contents Acknowledgments p. iii Foreword p. iv Introduction p. vi Overview p. vi Why Art? p. vi The Process p. vii The Artwork p. viii Our Hope p. x Art as a Call to Action p. 1 Art-Science Collaboration as a Resource for Innovation p. 17 Engaging Communities Through Public and Participatory Arts p. 25 Guidance for Practitioners p. 33 ii :: The Art of Resilience Acknowledgments Contributors JD Talasek, Director of Cultural Programs, The Art of Resilience was conceived by the National Academy of Sciences Global Facility for Disaster Reduction and Emma Phillips Solomon, Sr. Disaster Risk Recovery (GFDRR) Labs team and the World Management Specialist, GFDRR Labs Bank Group Art Program. The exhibition Robert Soden, Sr. Disaster Risk Management features artists selected through a competitive Consultant, GFDRR Labs process. Participation was open to any emerging or established artist using his, her, Research and Catalogue Entries or their art to help build society’s resilience to Juliana Biondo, Assistant Curator and Project natural hazards. Artworks of any medium were Manager, World Bank Group Art Program accepted, and artists included any person Editorial Coordination engaged in creative endeavors.