The Index to the Library Chronicle: Subject Index

Total Page:16

File Type:pdf, Size:1020Kb

The Index to the Library Chronicle: Subject Index 10/21/2020 The Index to the Library Chronicle: Subject Index Libraries Home | Mobile | My Account | Renew Items | Sitemap | Help The Index to the Library Chronicle: Subject Index A B C D E F G H I J K L M N O P Q R S T U V W X Y Z Introduction Author Index Italicized page numbers refer to photographs and illustrations. A ^-top-^ "A" (Zukofsky), N.S. nos.38/39 (1987):77-105 A.D. Peters Agency. See Peters (A.D.) Agency A Tutti I Fedeli D'Amore (Alighieri), v.23, nos.2/3 (1993):132 Abbeychurch (Yonge), v.23, no.1 (1993):17-19 Abbott, Claude Colleer, Further Letters of Gerard Manley Hopkins, N.S. nos.46/47 (1989):69 ABC of Reading (Pound), v.20, nos.1/2 (1990):14-16, 17 Abernethy, Milton A. Contempo editorship, N.S. no.27 (1984):20-44; v.25, no.3 (1995):111-31, 119-20 photograph of, v.20, no.4 (1991):83 Pound's Draft of XXX Cantos and, v.25, no.3 (1995):126, 127-31 Abril, Manuel, line-drawing, N.S. no.13 (1980):23 Across the River and Into the Trees (Hemingway), N.S. no.30 (1985):16-28 Act Without Words (Beckett), N.S. no.28 (1984):97-104, 103, 115 Acton, Harold, N.S. no.1 (1970):25 Actors. See individual actors Actresses. See individual actresses L'Adamo, sacra rapresentazione (Andreini), v.23, nos.2/3 (1993):126 Adams, Ansel, N.S. no.19 (1982):118, N.S. no.19 (1982):121 Adams, Maude, N.S. no.36 (1986):70 Adding Machine (Rice), v.25, no.1 (1994):6, 15-20, 17-18, 148 Addison, Joseph, N.S. no.7 (1974):59-60 Adler, Morton, How to Read a Book, v.20, nos.1/2 (1990):14-16 Adolpho Betti Collection. See Betti (Adolpho) Collection African Americans. See also Harlem Renaissance; and specific African Americans bebop aesthetic and black intellectual tradition, v.24, nos.1/2 (1994):105-17 correspondence of Fannie Hurst and Zora Neale Hurston, N.S. no.35 (1986):21-43 exhibit on Blacks at the University of Texas, N.S. no.23 (1983):9-10 Harlem Renaissance, v.22, no.4 (1992):51-83; v.24, nos.1/2 (1994):105-17 jazz and African-American literature, v.24, nos.1/2 (1994):47-51 New Negro Movement, v.24, nos.1/2 (1994):105-17 photographic archive in Barker Texas History Center, N.S. nos.38/39 (1987):13-15, 14 African Palimpsest (Zabus), v.27, no.3 (1997):113 Afrikaaner literature, N.S. no.4 (1972):31-37 "Afternoons in East Austin: Drawings by Edgar Dorsey Taylor" (exhibit), v.20, no.3 (1990):8-12, 9-12 Agee, James legacy.lib.utexas.edu/libchron/sub.html 1/104 10/21/2020 The Index to the Library Chronicle: Subject Index film criticism, v.25, no.2 (1994):110-12 Let Us Now Praise Famous Men, v.25, no.2 (1994):103-10, 104, 107, 112, 119 Letters of James Agee to Father Flye, v.25, no.2 (1994):95 musical-literary style and sonata form of writing, v.25, no.2 (1994):91-119 Noa, Noa, v.25, no.2 (1994):113-18, 116-17 photograph of, v.25, no.2 (1994):90 "Plans for Work: October, 1937," v.25, no.2 (1994):101-03 poetry, v.25, no.2 (1994):97-100 Agee (James) Collection, v.25, no.2 (1994):90-119 Agee, Mia, v.25, no.2 (1994):90 Aida (Ghislanzoni), v.23, nos.2/3 (1993):63-65, 64 Aida (Verdi), v.23, nos.2/3 (1993):63-65, 64 Aiken, Conrad childhood, v.23, no.1 (1993):101-02 divorce from Jessie McDonald, v.23, no.1 (1993):108-09 photograph of, v.23, no.1 (1993):103 relationship with M.D. Armstrong, v.23, no.1 (1993):101, 102, 105-07, 111, 117 Aiken, Jessie. See McDonald, Jessie Aitken Library, N.S. no.7 (1974):59-63 Albee, Edward correspondence with Bob Livingston, v.20, no.3 (1990):82-85, 93 correspondence with Harry Joe Brown, v.20, no.3 (1990):76-82, 93 HRHRC holdings generally, v.20, no.3 (1990):94-95; v.25, no.1 (1994):115 Adrienne Kennedy and, v.25, no.1 (1994):109-10, 139 Malcolm, v.25, no.1 (1994):140 photographs of, v.20, no.3 (1990):74; v.25, no.1 (1994):81 Who's Afraid of Virginia Woolf?, v.20, no.3 (1990):84 Zoo Story, v.20, no.3 (1990):75-93, 79, 92 Albert Davis Collection. See Davis (Albert) Collection Albert-Birot, Pierre friendship with Gino Severini, N.S. no.35 (1986):51-53 friendship with Guillaume Apollinaire, N.S. no.35 (1986):53-56 Modernism and, N.S. no.35 (1986):45-59 self-portrait of, N.S. no.35 (1986):44 SIC publishing archive, N.S. no.35 (1986):44-59; v.22, no.4 (1992):14 sketches, N.S. no.35 (1986):49, 52 writings, N.S. no.35 (1986):45, 48-51, 54-56, 55 Alberti, Leon-Battista, Della pittura; Della statua, v.23, nos.2/3 (1993):48 Album Musical de Michoacan (Domínguez), v.22, no.3 (1992):108 Albumen prints creation of, N.S. nos.44/45 (1989):136-38, 137 Robinson's "Bringing Home the May," N.S. nos.44/45 (1989):135-47, 137, 142, 145- 46 Alcide al bivio... (Metastasio), v.23, nos.2/3 (1993):128 Aldine Collection, N.S. no.37 (1986):6, 7-8, 8; v.23, nos.2/3 (1993):28-34 Aldine Press, v.23, nos.2/3 (1993):33 Aldington, Richard as biographer of Lawrence of Arabia, v.20, no.3 (1990):20 correspondence, N.S. no.7 (1974):21-26; N.S. no.40 (1987):100-101 photograph of, N.S. no.40 (1987):101 Alfred A. Knopf, Inc. Archive. See Knopf (Alfred A.) Inc. Archive Alfred Cortot Collection. See Cortot (Alfred) Collection Alice's Adventures in Wonderland (Carroll) book cover, N.S. no.2 (1970):39 legacy.lib.utexas.edu/libchron/sub.html 2/104 10/21/2020 The Index to the Library Chronicle: Subject Index HRHRC holdings, N.S. nos.32/33 (1985):23-87 illustrations from, N.S. no.2 (1970):43; N.S. nos.32/33 (1985):13, 32, 69, 76, 83 title page, N.S. no.2 (1970):39; N.S. nos.32/33 (1985):22 translations/editions, N.S. no.2 (1970):39-45 Alighieri, Dante A Tutti I Fedeli D'Amore, v.23, nos.2/3 (1993):132 Dante con l'esposizione di Cristoforo Landino, et d'Alessandro Vellutello, sopra la sua Commedia, v.23, nos.2/3 (1993):46 Divine Comedy, N.S. no.35 (1986):101; v.20, nos.1/2 (1990):118; v.23, nos.2/3 (1993):15, 24-25, 30, 46, 59, 88, 132, 163, 164 Francesca da Rimini, v.23, nos.2/3 (1993):131-33, 132 All My Pretty Ones (Sexton), v.22, nos.1/2 (1992):191-221, 193 All Strange Away (Beckett), N.S. no.28 (1984):133-36, 136 All That Fall (Beckett), N.S. no.28 (1984):93-95, 95 Allegory on Gluttony (Bosse), v.26, no.3 (1996):24, 25 Allegory on Lechery and Lust (Franco), v.26, no.3 (1996):23 Allen, Frederick Lewis, v.24, nos.1/2 (1994):50 Allinson, Adrian, v.23, no.1 (1993):59 Altaroche, Marie-Michel, N.S. no.17 (1981):67 Alvarez, José Sixto, v.20, no.3 (1990):13 Amado, Jorge, N.S. no.22 (1983):23-30, 25; v.26, nos.1/2 (1995):91-96 Amateur Photographer, v.24, nos.3/4 (1994):44-45 Amateur Photographer & Cinematographer, v.24, nos.3/4 (1994):46 Amateur Photographer & Photographic News, v.24, nos.3/4 (1994):49, 50, 53 Amateur Photographer & Photography, v.24, nos.3/4 (1994):38 Amateur Photographer's Annual, v.24, nos.3/4 (1994):9 Ambrose Vollard (Picasso), v.23, no.4 (1993):83, 87 America Settentrionale e Meridionale (Turin), v.23, nos.2/3 (1993):68 American Annual of Photography, v.24, nos.3/4 (1994):54 American Annual of Photography and Photographic Times Almanac, v.24, nos.3/4 (1994):cover, 55 American Ballet Theatre, v.20, no.4 (1991):10 American Indians, N.S. no.7 (1974):81-85 American Mercury, v.26, nos.1/2 (1995):39-49, 42 American Photographer, v.24, nos.3/4 (1994):32 American Photography, v.24, nos.3/4 (1994):61, 62, 63 American Poetry: The Nineteenth Century, v.25, no.4 (1995):6 American Poetry Review, v.22, nos.1/2 (1992):6 American Short Fiction, v.25, no.2 (1994):21 American theater. See Theater arts Ametller, Blas, Poesías, N.S. no.5 (1972):45 Ametrallando (Flores), v.22, no.3 (1992):82 Amulet, N.S. nos.44/45 (1989):88, 101-02, 103 Anashim aherim: mivhar (Other People) (Oz), v.27, no.3 (1997):157 Anatolian rugs. See Persian and Anatolian textile collection Anderson, Margaret, v.20, no.4 (1991):80 Anderson, Maxwell biography, v.25, no.1 (1994):25-26 High Tor, v.25, no.1 (1994):25, 35, 37-38 HRHRC holdings, v.25, no.1 (1994):25-38, 29-30, 33, 36, 115, 116 letters to, v.25, no.1 (1994):28-31, 29-30 Lost in the Stars, v.25, no.1 (1994):26-32, 29-30, 33 photographs of, v.25, no.1 (1994):33, 36 portrait of, v.25, no.1 (1994):116 legacy.lib.utexas.edu/libchron/sub.html 3/104 10/21/2020 The Index to the Library Chronicle: Subject Index Winterset, v.25, no.1 (1994):34-35, 36 Andreini, Giovanni Battista, Adamo, sacra rapresentazione, v.23, nos.2/3 (1993):126 Andrews, Wayne, v.22, no.4 (1992):14 Anew (Zukofsky), N.S.
Recommended publications
  • Rentmeister Book Collection
    Rentmeister Book Collection Contents Utah 2 Geology; Land Use ..................................................................................... 2 History ........................................................................................................ 2 Miscellaneous ............................................................................................. 7 County, Local, and Regional Utah Histories, Guidebooks, etc. ................. 8 Native Americans 17 The West 22 General ...................................................................................................... 22 Arizona ..................................................................................................... 32 California .................................................................................................. 32 Idaho ......................................................................................................... 34 Montana .................................................................................................... 34 Nevada ...................................................................................................... 35 New Mexico ............................................................................................. 35 Wyoming .................................................................................................. 35 The West (Time-Life Books Series) ........................................................ 36 Church of Jesus Christ of Latter-day Saints 39 Bibliography ............................................................................................
    [Show full text]
  • Guidelines for the Field Collection of Archaeological Materials
    Guidelines for the Field Collection of Archaeological Materials and Standard Operating Procedures for Curating Department of Defense Archaeological Collections (Final Draft) Prepared for the Legacy Resource Management Program Office Legacy Project No. 98-1714 Mandatory Center of Expertise for the Curation and Management of Archaeological Collections Form Approved REPORT DOCUMENTATION PAGE OMB No. 0704-0188 Public reporting burden for this collection of information is estimated to average 1 hour per response, including the time for reviewing instructions, searching existing data sources, gathering and maintaining the data needed, and completing and reviewing the collection of information. Send comments regarding this burden estimate or any other aspect of this collection of information, including suggestions for reducing this burden, to Washington Headquarters Services, Directorate for Information Operations and Reports, 1215 Jefferson Davis Highway, Suite 1204, Arlington, VA 22202-4302, and to the Office of Management and Budget, Paperwork Reduction Project (0704-0188), Washington, DC 20503. 1. AGENCY USE ONLY (Leave blank) 2. REPORT DATE 1999 3. REPORT TYPE AND DATES COVERED 4. TITLE AND SUBTITLE 5. FUNDING NUMBERS Guidelines for the Field Collection of Archaeological Materials and Standard Operating Procedures for Curation Department of Defense Archaeological Collections 6. AUTHORS Suzanne Griset and Marc Kodack 7. PERFORMING ORGANIZATION NAME(S) AND ADDRESS(ES) PERFORMING ORGANIZATION REPORT NUMBER U.S. Army Corps of Engineers, St. Louis District 1222 Spruce Street (CEMVS-ED-Z) St. Louis, Missouri 63103-2833 9. SPONSORING/MONITORING AGENCY NAME(S) AND ADDRESS(ES) 10. SPONSORING/MONITORING AGENCY Legacy Resource Management Program Office REPORT NUMBER Office of Deputy Under Secretary of Defense (Environmental Security) Legacy Project No.
    [Show full text]
  • Mining and Rollo Jamison Museums
    Inspire! Grants for Small Museums Sample Application IGSM-245744-OMS -20 Project Category: Collections Stewardship and Public Access Mining and Rollo Jamison Museums Amount awarded by IMLS: $48,255 Amount of cost share: $0 The project description can be viewed in the IMLS Awarded Grants Search: https://www.imls.gov/grants/awarded/igsm-245744-oms-20 Attached are the following components excerpted from the original application. Narrative . Schedule of Completion Please note that the instructions for preparing applications for the FY2021 Inspire! Grants for Small Museums grant program differ from those that guided the preparation of FY2020 applications. Be sure to use the instructions in the Notice of Funding Opportunity for the grant program and project category to which you are applying. City of Platteville, The Mining & Rollo Jamison Museums Project Category: Collections Stewardship and Public Access 1. Project Justification The Mining & Rollo Jamison Museums are seeking $48,255 from the IMLS Inspire! Grants for Small Museums to support a two-year project entitled Improving Collections Care and Public Access at The Mining & Rollo Jamison Museums. The project will use best practices in collections stewardship as instituted by the American Alliance for Museums and improve the long-term preservation and accessibility of our collections. The project will address overcrowding, lack of organization, a backlog of uncatalogued Board accessioned artifacts, and less-than-ideal storage conditions. It will improve intellectual control of the collection to provide greater accessibility for museum staff, researchers, students, and the public. This project will advance critical work started under IMLS Museums for America (MFA) funding in 2017 (MA-31-17-0557-17 Final Report, Supportingdoc3.pdf).
    [Show full text]
  • THE MINT MUSEUM INSTITUTIONAL ARCHIVES AR2013.1 Mayberry History Collection Finding Aid Prepared by Kathryn A
    THE MINT MUSEUM INSTITUTIONAL ARCHIVES AR2013.1 Mayberry History Collection Finding aid prepared by Kathryn A. Oosterhuis (Revision by Ellen Show) This finding aid was produced using the Archivists' Toolkit January 18, 2017 Describing Archives: A Content Standard The Mint Museum Archives 1/04/2014 2730 Randolph Road Charlotte, North Carolina, 28207 [email protected] THE MINT MUSEUM INSTITUTIONAL ARCHIVES AR2013.1 Table of Contents Summary Information ................................................................................................................................. 3 HISTORY OF THE MINT MUSEUM.........................................................................................................4 Arrangement note...........................................................................................................................................4 Administrative Information .........................................................................................................................4 Related Materials ........................................................................................................................................ 5 Controlled Access Headings..........................................................................................................................5 Collection Inventory...................................................................................................................................... 6 Series 1: General Mint History..............................................................................................................
    [Show full text]
  • Guidelines for Repository Collections
    GUIDELINES FOR REPOSITORY COLLECTIONS March 20, 2018 I. Introduction The Phoebe A. Hearst Museum of Anthropology (PAHMA) curates collections for which it does not hold title. Typically, these collections consist of archaeological material systematically collected from state, federal, tribal or private lands. All collections held under a repository agreement may be used for research, exhibit, and instruction. In every case, PAHMA makes a commitment to ensure the safe storage of these collections and their availability for study, in accordance with regulations at 36 CFR Part 79 concerning the Curation of ​ Federally Owned and Administered Archaeological Collections, where applicable, and other relevant ​ codes of best practice. II. Definition of Collection Documentation PAHMA requires that collection documentation--including, but not limited to, field records, photographs, maps, drawings, analytical results, draft reports, and digital documentation--be submitted together with the objects. Identification of Ownership PAHMA does not assume “possession” or “control” of deposited material, as those terms are defined by the Native American Graves Protection and Repatriation Act (NAGPRA) in its regulations at 43 CFR 10.2, nor otherwise assume title to the collections on repository. PAHMA can establish curation agreements for collections from public, private, or tribal lands. It is the responsibility of the controlling entity to identify separate collection materials by owner, prior to deposit of the collections with PAHMA for curation. III. Curation Requirements Controlling Entity Must: 1. Submit a formal request to PAHMA prior to the start of the project. ​ A curation request must be submitted for each project by the Principal Investigator (PI) and/or controlling entity during the planning phase of the project.
    [Show full text]
  • Ohio Historical Society
    OHIO HISTORY CONNECTION ARCHAEOLOGY COLLECTIONS ACQUISITION PROCEDURES The mission of the Ohio History Connection is to help people connect with Ohio’s past in order to understand the present and create a better future. We preserve Ohio’s collective memory and are committed to the authenticity of the ‘real stuff’ of history – the objects, documents, sites and structures that are physical evidence of our heritage. The Ohio History Connection accepts archaeological collections that have educational and/or research potential and that fulfill the Ohio History Connection’s collecting guidelines. Potential donors should notify the Ohio History Connection of their intent to donate a collection. Important information to include is the nature of the collection (composition, number of objects), when, where, and by whom it was assembled, and whether supporting documentation (field notes, photographs, catalogs, etc.) accompanies the material. The Ohio History Connection will also curate collections resulting from cultural resource management (CRM) projects required by federal and/or state laws, a service for which the Ohio History Connection will normally assess a fee. The following procedures outline the steps in the acquisition/donation process. CURATION REQUEST Government agencies, public institutions, CRM contractors, and publicly funded researchers can request curation by submitting a completed Archaeology Collections Referral Form/Donor (see Appendices) and the requisite documentation to the archaeology staff. This requirement may be waived for private donors, at the discretion of the archaeology staff. After reviewing the data provided, the archaeology staff may request additional information, recommend curation, or reject the collection. Recommendations may address individual archaeological sites in multi- site collections and particular objects from individual sites.
    [Show full text]
  • Developing Cultural Heritage Preservation Databases Based on Dublin Core Data Elements
    Developing cultural heritage preservation databases based on Dublin Core data elements Fenella G. France Art Preservation Services Tel: +1 212 722 6300 x4 [email protected] Michael B. Toth R.B. Toth Associates Tel: +1 703 938 4499 [email protected] Abstract: Preserving our cultural heritage – from fragile historic textiles such as national flags to heavy and seemingly solid artifacts recovered from 9/11 – requires careful monitoring of the state of the artifact and environmental conditions. The standard for a web-accessible textile fiber database is established with Dublin Core elements to address the needs of textile conservation. Dynamic metadata and classification standards are also incorporated to allow flexibility in recording changing conditions and deterioration over the life of an object. Dublin core serves as the basis for data sets of information about the changing state of artifacts and environmental conditions. With common metadata standards, such as Dublin Core, this critical preservation knowledge can be utilized by a range of scientists and conservators to determine optimum conditions for slowing the rate of deterioration, as well as comparative use in the preservation of other artifacts. Keywords: Preservation, cultural heritage, Dublin Core, conservation, deterioration, environmental parameters, preservation vocabularies, textiles, fiber, metadata standards, digital library. 1. Introduction Preserving our cultural heritage for future generations is a critical aspect of the stewardship of historical objects. This requires careful monitoring of the state of the artifact and environmental conditions, and standardized storage of this information to support a range of professionals who play a role in the preservation, storage and display of the artifact – including conservators, scientists, curators, and other cultural heritage professionals.
    [Show full text]
  • Report of the CC:DA 3R Task Force
    CC:DA/3R Task Force-ARLIS/NA/2020/1 June 30, 2020 Page 1 of 33 To: Amanda Ros, Chair From: Andrea Puccio, Chair, Art Libraries Society of North America (ARLIS/NA) Robert Maxwell, Chair, CC:DA 3R Project Task Force Subject: Proposal to add the elements “curator agent of work” and “curator agent of work of” to RDA Affected elements: related work of agent, related work of collective agent, related work of corporate body, related work of family, related work of person, related agent of work, related collective agent of work, related corporate body of work, related family of work, related person of work, curator agent, curator collective agent, curator corporate body, curator family, curator person, curator agent of, curator collective agent of, curator corporate body of, curator family of, curator person of Related documentation: Fast track proposal regarding the relationship designator curator Abstract Add the element sets “curator agent of work” and “curator agent of work of” as narrower elements to “related work of agent” and “related agent of work” to describe curators who play a role at the work level. Justification ● In 2014, a fast-track proposal was submitted by ARLIS/UK & Ireland: the Art Libraries Society to add a new relationship designator, “curator (work)”, change the label of curator to curator (item), and modify its definition. The fast-track proposal was rejected by the JSC. We believe that the release of the beta RDA Toolkit is an opportunity to revisit the issue in order to meet the needs of the art community. ● The beta RDA Toolkit currently includes the element “curator agent” defined as “An agent who conceives or manages the aggregation of an item in an exhibition or collection.” While there is a need for this existing element (for instance, for special collections), the art community believes that it is also crucial to be able to show a relationship between a curator and a work.
    [Show full text]
  • Developing a Strategic Plan for the Cambridge Historical
    Preparing the Past for the Future: Developing a Strategic Plan for the Cambridge Historical Society’s Objects Collection Heather Larson A Capstone in the Field of Museum Studies for the Degree of Master of Liberal Arts in Extension Studies Harvard University Extension School May 2018 Table of Contents Author’s Statement ........................................................................................................................ i 1. Introduction ............................................................................................................................... 1 2. Defining the Terms and Goals of the Objects Collection Strategic Plan ............................. 2 2.1 Strategic Planning ................................................................................................................ 2 2.2 Present State of the Cambridge Historical Society’s Collection .......................................... 3 3. Development of the Objects Collection Strategic Plan .......................................................... 5 3.1 Methodology ......................................................................................................................... 7 4. Elements of Collection Care ..................................................................................................... 8 4.1 Documentation ...................................................................................................................... 9 4.2 Policy .................................................................................................................................
    [Show full text]
  • M1947 Wiesbaden Central Collecting Point, 1945–1952
    M1947 RECORDS CONCERNING THE CENTRAL COLLECTING POINTS (“ARDELIA HALL COLLECTION”): WIESBADEN CENTRAL COLLECTING POINT, 1945–1952 National Archives and Records Administration Washington, DC 2008 United States. National Archives and Records Administration. Records concerning the central collecting points (“Ardelia Hall Collection”) : Wiesbaden Central Collecting Point, 1945–1952.— Washington, D.C. : National Archives and Records Administration, 2008. p. ; cm.-- (National Archives microfilm publications. Publications describing ; M 1947) Cover title. 1. Hall, Ardelia – Archives – Microform catalogs. 2. Germany (Territory under Allied occupation, 1945–1955 : U.S. Zone). Office of Military Government. Property Division – Archives – Microform catalogs. 3. Restitution and indemnification claims (1933– ) – Germany – Microform catalogs. 4. World War, 1939–1945 – Confiscations and contributions – Germany – Archival resources – Microform catalogs. 5. Cultural property – Germany (West) – Archival resources – Microform catalogs. I. Title. INTRODUCTION On 117 rolls of this microfilm publication, M1947, are reproduced the administrative records, photographs of artworks, and property cards from the Wiesbaden Central Collecting Point during the period 1945–52. The Monuments, Fine Arts, and Archives (MFAA) Section recovered Nazi-looted works of art and artifacts from various storage areas and shipped the objects to one of four U.S. central collecting points, including Wiesbaden. In order to research restitution claims, MFAA officers gathered intelligence reports, interrogation reports, captured documents, and general information regarding German art looting. The Wiesbaden records are part of the “Ardelia Hall Collection” in Records of United States Occupation Headquarters, World War II, Record Group (RG) 260. BACKGROUND The basic authority for taking custody of property in Germany was contained in Joint Chiefs of Staff (JCS) Directive 1067/6, which directed the U.S.
    [Show full text]
  • City of Raleigh Historic Resources and Museum Program Collection Plan
    CITY OF RALEIGH HISTORIC RESOURCES AND MUSEUM PROGRAM COLLECTION PLAN Written February 2018 Edited through April 2018 Index I. Introduction 3 II. Intellectual Framework 4 III. Analysis of Existing Collections 4 IV. Scope of Historical Objects 5 V. Connections to Other Institutions and their Collections 10 VI. Shaping the Ideal Collection 11 VII. Storage, Access, and Use of Collections 13 VIII. Strategy for Implementation 14 IX. Evaluation and Revision Process 15 2 I. Introduction a. The Purpose of the Historic Resources and Museum (HRM) Program Collection Plan i. The HRM Program was created in 2012 with the express purpose of protecting and promoting identified museums and historical resource facilities, programs, and assets within the City of Raleigh. As the municipally designated steward of Raleigh history, the HRM Program seeks to engage and inform the Raleigh community and visitors through collecting, preserving, and interpreting the past to educate, inspire, and provide perspectives for the future. b. Interpretive Goals i. Audience: The HRM Program Collection is used for interpretation, education, exhibits, research, and programing in support of the HRM Program. c. Professional Conduct and Ethical Statements i. The HRM Program and HRM Collection Plan supports, and is supported by, professional best practices and ethics as defined by the American Alliance of Museums. The American Alliance of Museums, which is a nationwide museum professional organization, has helped to develop standards and best practices for all museum professionals since 1906. Ethically, this group has adapted to the changing conditions, values, and ideas of the museum profession. ii. The HRM Program and HRM Collection Plan will comply with the Native American Graves Protection and Repatriation Act by having a complete inventory and summary of Native American objects that include human remains, funerary objects, sacred object, or object of cultural patrimony.
    [Show full text]
  • PK200-Mary Mortimer Libraryspeak a Glossary of Terms in Librarianship
    Link to Table of Contents LIBRARYSPEAK First North American Edition A Glossary of Terms in Librarianship and Information Management Compiled by: Mary Mortimer TotalRecall Publications, Inc. TotalRecall Publications, Inc. First North American Edition Copyright © 2007 Based on previous Australasian editions Copyright © by DocMatrix Pty Ltd. All rights reserved. First Published 1997, Copyright © DocMatrix Pty Ltd, 1997, 1998, 2000, 2001, 2004, 2007. Copyright © 2007 published simultaneously by TotalRecall Publications, Inc. in the United States of America, Canada, England and other countries around the world except the Pacific Rim. Except as permitted under the United States Copyright Act of 1976, no part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means electronic or mechanical or by photocopying, recording, or otherwise without the prior permission of the publisher. ISBN: 978‐1‐59095‐810‐0 UPC: 6‐43977‐85010‐2 REPRINTED UNDER SPECIAL ARRANGEMENT WITH PUBLISHER BY TOTALRECALL PUBLICATIONS, Inc. 1103 Middlecreek, Friendswood, Texas, 77546 Telephone (281)‐992‐3131 Fax (281) 482‐5390 eMail [email protected] Some or all of this publication is subject to an exclusive publishing license in Australia, New Zealand, Papua New Guinea and Hong Kong. The holder of that license reserves all its rights. Importing this publication into any of those countries may infringe those exclusive rights, placing the importer at risk of an infringement claim. Importers are recommended to seek independent legal advice to determine if importation of publications into those countries, including by way of international sale, infringe those rights. Disclaimer Notice: Judgments as to the suitability of the information herein for purchaser’s purposes are necessarily the purchaser’s responsibility.
    [Show full text]