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The Index to the Library Chronicle: Subject Index

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The Index to the Library Chronicle: Subject Index

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Introduction Author Index

Italicized page numbers refer to photographs and illustrations.

A ^-top-^

"A" (Zukofsky), N.S. nos.38/39 (1987):77-105 A.D. Peters Agency. See Peters (A.D.) Agency A Tutti I Fedeli D'Amore (Alighieri), v.23, nos.2/3 (1993):132 Abbeychurch (Yonge), v.23, no.1 (1993):17-19 Abbott, Claude Colleer, Further Letters of Gerard Manley Hopkins, N.S. nos.46/47 (1989):69 ABC of Reading (Pound), v.20, nos.1/2 (1990):14-16, 17 Abernethy, Milton A.
Contempo editorship, N.S. no.27 (1984):20-44; v.25, no.3 (1995):111-31, 119-20 photograph of, v.20, no.4 (1991):83 Pound's Draft of XXX Cantos and, v.25, no.3 (1995):126, 127-31
Abril, Manuel, line-drawing, N.S. no.13 (1980):23 Across the River and Into the Trees (Hemingway), N.S. no.30 (1985):16-28 Act Without Words (Beckett), N.S. no.28 (1984):97-104, 103, 115 Acton, Harold, N.S. no.1 (1970):25 Actors. See individual actors Actresses. See individual actresses L'Adamo, sacra rapresentazione (Andreini), v.23, nos.2/3 (1993):126 Adams, Ansel, N.S. no.19 (1982):118, N.S. no.19 (1982):121 Adams, Maude, N.S. no.36 (1986):70 Adding Machine (Rice), v.25, no.1 (1994):6, 15-20, 17-18, 148 Addison, Joseph, N.S. no.7 (1974):59-60 Adler, Morton, How to Read a Book, v.20, nos.1/2 (1990):14-16 Adolpho Betti Collection. See Betti (Adolpho) Collection African Americans. See also Harlem Renaissance; and specific African Americans bebop aesthetic and black intellectual tradition, v.24, nos.1/2 (1994):105-17 correspondence of Fannie Hurst and Zora Neale Hurston, N.S. no.35 (1986):21-43 exhibit on Blacks at the University of Texas, N.S. no.23 (1983):9-10 Harlem Renaissance, v.22, no.4 (1992):51-83; v.24, nos.1/2 (1994):105-17 jazz and African-American literature, v.24, nos.1/2 (1994):47-51 New Negro Movement, v.24, nos.1/2 (1994):105-17 photographic archive in Barker Texas History Center, N.S. nos.38/39 (1987):13-15, 14
African Palimpsest (Zabus), v.27, no.3 (1997):113 Afrikaaner literature, N.S. no.4 (1972):31-37 "Afternoons in East Austin: Drawings by Edgar Dorsey Taylor" (exhibit), v.20, no.3 (1990):8-12, 9-12 Agee, James

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film criticism, v.25, no.2 (1994):110-12 Let Us Now Praise Famous Men, v.25, no.2 (1994):103-10, 104, 107, 112, 119 Letters of James Agee to Father Flye, v.25, no.2 (1994):95 musical-literary style and sonata form of writing, v.25, no.2 (1994):91-119 Noa, Noa, v.25, no.2 (1994):113-18, 116-17 photograph of, v.25, no.2 (1994):90 "Plans for Work: October, 1937," v.25, no.2 (1994):101-03 poetry, v.25, no.2 (1994):97-100
Agee (James) Collection, v.25, no.2 (1994):90-119 Agee, Mia, v.25, no.2 (1994):90 Aida (Ghislanzoni), v.23, nos.2/3 (1993):63-65, 64 Aida (Verdi), v.23, nos.2/3 (1993):63-65, 64 Aiken, Conrad childhood, v.23, no.1 (1993):101-02 divorce from Jessie McDonald, v.23, no.1 (1993):108-09 photograph of, v.23, no.1 (1993):103 relationship with M.D. Armstrong, v.23, no.1 (1993):101, 102, 105-07, 111, 117
Aiken, Jessie. See McDonald, Jessie Aitken Library, N.S. no.7 (1974):59-63 Albee, Edward correspondence with Bob Livingston, v.20, no.3 (1990):82-85, 93 correspondence with Harry Joe Brown, v.20, no.3 (1990):76-82, 93 HRHRC holdings generally, v.20, no.3 (1990):94-95; v.25, no.1 (1994):115 Adrienne Kennedy and, v.25, no.1 (1994):109-10, 139 Malcolm, v.25, no.1 (1994):140 photographs of, v.20, no.3 (1990):74; v.25, no.1 (1994):81 Who's Afraid of Virginia Woolf?, v.20, no.3 (1990):84 Zoo Story, v.20, no.3 (1990):75-93, 79, 92
Albert Davis Collection. See Davis (Albert) Collection Albert-Birot, Pierre friendship with Gino Severini, N.S. no.35 (1986):51-53 friendship with Guillaume Apollinaire, N.S. no.35 (1986):53-56 Modernism and, N.S. no.35 (1986):45-59 self-portrait of, N.S. no.35 (1986):44 SIC publishing archive, N.S. no.35 (1986):44-59; v.22, no.4 (1992):14 sketches, N.S. no.35 (1986):49, 52 writings, N.S. no.35 (1986):45, 48-51, 54-56, 55
Alberti, Leon-Battista, Della pittura; Della statua, v.23, nos.2/3 (1993):48 Album Musical de Michoacan (Domínguez), v.22, no.3 (1992):108 Albumen prints creation of, N.S. nos.44/45 (1989):136-38, 137 Robinson's "Bringing Home the May," N.S. nos.44/45 (1989):135-47, 137, 142, 145- 46
Alcide al bivio... (Metastasio), v.23, nos.2/3 (1993):128 Aldine Collection, N.S. no.37 (1986):6, 7-8, 8; v.23, nos.2/3 (1993):28-34 Aldine Press, v.23, nos.2/3 (1993):33 Aldington, Richard as biographer of Lawrence of Arabia, v.20, no.3 (1990):20 correspondence, N.S. no.7 (1974):21-26; N.S. no.40 (1987):100-101 photograph of, N.S. no.40 (1987):101
Alfred A. Knopf, Inc. Archive. See Knopf (Alfred A.) Inc. Archive Alfred Cortot Collection. See Cortot (Alfred) Collection Alice's Adventures in Wonderland (Carroll) book cover, N.S. no.2 (1970):39

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HRHRC holdings, N.S. nos.32/33 (1985):23-87 illustrations from, N.S. no.2 (1970):43; N.S. nos.32/33 (1985):13, 32, 69, 76, 83 title page, N.S. no.2 (1970):39; N.S. nos.32/33 (1985):22 translations/editions, N.S. no.2 (1970):39-45
Alighieri, Dante
A Tutti I Fedeli D'Amore, v.23, nos.2/3 (1993):132 Dante con l'esposizione di Cristoforo Landino, et d'Alessandro Vellutello, sopra la sua Commedia, v.23, nos.2/3 (1993):46 Divine Comedy, N.S. no.35 (1986):101; v.20, nos.1/2 (1990):118; v.23, nos.2/3 (1993):15, 24-25, 30, 46, 59, 88, 132, 163, 164 Francesca da Rimini, v.23, nos.2/3 (1993):131-33, 132
All My Pretty Ones (Sexton), v.22, nos.1/2 (1992):191-221, 193 All Strange Away (Beckett), N.S. no.28 (1984):133-36, 136 All That Fall (Beckett), N.S. no.28 (1984):93-95, 95 Allegory on Gluttony (Bosse), v.26, no.3 (1996):24, 25 Allegory on Lechery and Lust (Franco), v.26, no.3 (1996):23 Allen, Frederick Lewis, v.24, nos.1/2 (1994):50 Allinson, Adrian, v.23, no.1 (1993):59 Altaroche, Marie-Michel, N.S. no.17 (1981):67 Alvarez, José Sixto, v.20, no.3 (1990):13 Amado, Jorge, N.S. no.22 (1983):23-30, 25; v.26, nos.1/2 (1995):91-96 Amateur Photographer, v.24, nos.3/4 (1994):44-45 Amateur Photographer & Cinematographer, v.24, nos.3/4 (1994):46 Amateur Photographer & Photographic News, v.24, nos.3/4 (1994):49, 50, 53 Amateur Photographer & Photography, v.24, nos.3/4 (1994):38 Amateur Photographer's Annual, v.24, nos.3/4 (1994):9 Ambrose Vollard (Picasso), v.23, no.4 (1993):83, 87 America Settentrionale e Meridionale (Turin), v.23, nos.2/3 (1993):68 American Annual of Photography, v.24, nos.3/4 (1994):54 American Annual of Photography and Photographic Times Almanac, v.24, nos.3/4 (1994):cover, 55 American Ballet Theatre, v.20, no.4 (1991):10 American Indians, N.S. no.7 (1974):81-85 American Mercury, v.26, nos.1/2 (1995):39-49, 42 American Photographer, v.24, nos.3/4 (1994):32 American Photography, v.24, nos.3/4 (1994):61, 62, 63 American Poetry: The Nineteenth Century, v.25, no.4 (1995):6 American Poetry Review, v.22, nos.1/2 (1992):6 American Short Fiction, v.25, no.2 (1994):21 American theater. See Theater arts Ametller, Blas, Poesías, N.S. no.5 (1972):45 Ametrallando (Flores), v.22, no.3 (1992):82 Amulet, N.S. nos.44/45 (1989):88, 101-02, 103 Anashim aherim: mivhar (Other People) (Oz), v.27, no.3 (1997):157 Anatolian rugs. See Persian and Anatolian textile collection Anderson, Margaret, v.20, no.4 (1991):80 Anderson, Maxwell biography, v.25, no.1 (1994):25-26 High Tor, v.25, no.1 (1994):25, 35, 37-38 HRHRC holdings, v.25, no.1 (1994):25-38, 29-30, 33, 36, 115, 116 letters to, v.25, no.1 (1994):28-31, 29-30 Lost in the Stars, v.25, no.1 (1994):26-32, 29-30, 33 photographs of, v.25, no.1 (1994):33, 36 portrait of, v.25, no.1 (1994):116

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Winterset, v.25, no.1 (1994):34-35, 36
Andreini, Giovanni Battista, Adamo, sacra rapresentazione, v.23, nos.2/3 (1993):126 Andrews, Wayne, v.22, no.4 (1992):14 Anew (Zukofsky), N.S. no.23 (1983):44-49 Anglican Sisterhoods, v.23, no.1 (1993):10, 11-31, 15, 26 Anglicus, Bartholomaeus, De proprietatibus rerum, N.S. no.10 (1978):25 Annotation description, v.20, nos.1/2 (1990):167-69 Piers Ploughman, v.20, nos.1/2 (1990):167-83
Anthony's Photographic Bulletin, v.24, nos.3/4 (1994):68 Anzilotti, Rolando, v.23, nos.2/3 (1993):101 Aperture, v.24, nos.3/4 (1994):71 Apes of God (Lewis), N.S. no.14 (1980):cover Apocalypse (Lawrence), N.S. no.34 (1986):39-51 Apollinaire, Guillaume
Calligrames, v.21, nos.1/2 (1991):89 correspondence with Henri-Pierre Roché, v.21, nos.1/2 (1991):86-89, 86 friendship with Pierre Albert-Birot, N.S. no.35 (1986):53-56 portrait of, v.21, nos.1/2 (1991):89
Applied Photography, v.24, nos.3/4 (1994):72 Arabia, T.E. Lawrence's scenes of, N.S. nos.38/39 (1987):25-39 Arabic Collection, v.27, no.3 (1997):155-56 "Architectural Views of Old London" (exhibit catalog), N.S. no.15 (1981):6-48 Architecture
London photographs, N.S. no.15 (1981):6-48 Marshall-Walton Papers, N.S. no.9 (1978):61-65, 62-63 military architecture, N.S. nos.38/39 (1987):17-25 of Trost, N.S. no.16 (1981):78-92
Archives. See names of specific archives Arensberg, Louise, v.21, nos.1/2 (1991):80-81, 81 Arensberg, Walter, v.21, nos.1/2 (1991):80-81, 81 Argentina, Bebop tradition in, v.24, nos.1/2 (1994):204-06 Arikha, Avigdor, N.S. no.28 (1984):87 Ariosto, Ludovico, Orlando Furioso, N.S. no.48 (1989):11-12; v.20, nos.1/2 (1990):61-85; v.23, nos.2/3 (1993):36, 38-42, 40 Arise Young Men (Oe), v.27, no.3 (1997):56 Arlen, Richard, N.S. no.19 (1982):141 Armadillo in the Grass, v.26, nos.1/2 (1995):232, 233-34 Armstrong, Jessie. See McDonald, Jessie Armstrong, Martin Donisthorpe career, v.23, no.1 (1993):102-16 Desert, a Legend, v.23, no.1 (1993):110 family life, v.23, no.1 (1993):112, 116-17 life and work, v.23, no.1 (1993):99-117 photograph of, v.23, no.1 (1993):98 relationship with Conrad Aiken, v.23, no.1 (1993):101-02, 105, 111, 117 Sleeping Fury, v.23, no.1 (1993):6 World War I, v.23, no.1 (1993):102-03
Arnshtam, Alexander, N.S. no.9 (1978):34 Arp, Jean, N.S. no.28 (1984):21 Art. See also Bookbinding; Caricatures; Photography; and specific artists conservation and treatment procedures for paintings, N.S. nos.44/45 (1989):79-85, 83- 84 cubism, N.S. no.12 (1979):16-18

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Italian art, v.23, nos.2/3 (1993):137-52 Mexican art, N.S. no.5 (1972):32, 33-34; N.S. no.9 (1978):9 Molino Campos paintings, N.S. no.3 (1971):62-67, 62, 64-65, 67 Russian art books, N.S. no.9 (1978):28, 29-37, 32, 34-35, 37 South American art, N.S. no.9 (1978):9 Southwestern art, N.S. no.10 (1978):7-8 surrealism, N.S. no.16 (1981):17-41, 37
Art and Photography, v.24, nos.3/4 (1994):75 Art Collection, Italian art, v.23, nos.2/3 (1993):137-52 Art-Union, v.24, nos.3/4 (1994):30 ARTnews, v.24, nos.3/4 (1994):370 Arts et Métiers Graphiques, v.25, no.2 (1994):20 Arturo Taracena Flores Collection. See Taracena Flores (Arturo) Collection ASCAP Award, to Library Chronicle, N.S. no.34 (1986):13-14; N.S. no.41 (1987):15 Ascham, Roger, English Works, v.21, nos.3/4 (1991):14-39, 34 Asian Collections, v.27, no.3 (1997):61-67 Asociación de Literatura Feminina Hispánica papers, v.20, no.3 (1990):18 Astrologia, v.23, nos.2/3 (1993):21 Astronomy, N.S. no.2 (1970):12-13, 13 Atlantic Monthly, N.S. no.40 (1987):67, 70, 72-87 Auden, W.H., v.25, no.3 (1995):76, 83-86, 85 Aungerville, Richard. See De Bury, Richard Auric, Georges correspondence with Henri-Pierre Roché, v.21, nos.1/2 (1991):52-55 drawing by Jean Cocteau, v.21, nos.1/2 (1991):54 music for A Midsummer Night's Dream, v.23, no.4 (1993):63, 66 photograph of, v.21, nos.1/2 (1991):53 portrait of, v.23, no.4 (1993):62
Austin, Mary, N.S. no.6 (1973):82-85 Australia
Joseph Furphy in, N.S. nos.42/43 (1988):103-19 Alice Henry in, N.S. nos.42/43 (1988):121-41 Grattan (C. Hartley) Collection, N.S. nos.42/43 (1988):27-32, 51-75 Grattan's interest in, N.S. nos.42/43 (1988):11-101, 121-41 HRHRC holdings, N.S. nos.42/43 (1988):7-201 literary publications, N.S. nos.42/43 (1988):39-49 Milutinovic (Iris Osborne) Collection, N.S. nos.42/43 (1988):143-59 painters, N.S. nos.42/43 (1988):181-201 Stead's Man Who Loved Children, N.S. nos.42/43 (1988):161-77 University of Texas and, N.S. nos.42/43 (1988):7-9
Australia (Grattan), N.S. nos.42/43 (1988):6 Australian Studies Center, N.S. nos.42/43 (1988):7-9, 79 Authors' Syndicate, N.S. no.35 (1986):60-87, 60 Authorship, stages in authorship-publishing relationship, v.20, nos.1/2 (1990):116-17, 119 Autographs, Juliette's door, N.S. no.5 (1972):35-37, 36 Automatic writing, N.S. no.8 (1974):26, 27 Avant-garde, and Brakhage, N.S. no.17 (1981):84, 85-103 Awful Rowing Toward God (Sexton), v.22, nos.1/2 (1992):183, 188, 223-35 Ayckbourn, Alan, v.27, nos.1/2 (1996):8 Ayid al-Majid, Ismail, v.27, no.3 (1997):152 Aztec languages. See Nahuatl

B ^-top-^

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Bach, J.S., Clavier Sonaten mit Obligater Violine, N.S. nos.25/26 (1984):17 Bachmann, Edwin, N.S. nos.25/26 (1984):10, 11-23 Bacon Library subscription series, v.21, nos.3/4 (1991):150, 179-81, 180 Baker, Kate correspondence with Howarth, N.S. nos.42/43 (1988):105-06, 109, 112 Furphy and, N.S. nos.42/43 (1988):81, 98, 105-6, 109, 112
Baldwin, James, v.26, nos.1/2 (1995):147-52 Balla, Giacomo, Ricostruzione futurista dell'universo, v.23, nos.2/3 (1993):85, 86 Ballad of the Sad Cafe (McCullers), v.25, no.1 (1994):70-71, 74, 76, 77-82, 78-79, 81 "Ballet: From Court to Theatre" (exhibit), v.20, no.4 (1991):10, 10 Ballet, N.S. no.19 (1982):12, N.S. no.48 (1989):8; v.20, no.4 (1991):10, 10 Balzac Library subscription series, v.21, nos.3/4 (1991):150, 181-85, 183 Banbury, Frith, v.26, no.3 (1996):15; v.27, nos.1/2 (1996):64-68 Bangs, José Manuel, N.S. no.3 (1971):58-61, 58, 61 Bankhead, Tallulah, N.S. no.41 (1987):31 Banks, Banking, and Paper Currencies (Hildreth), N.S. nos.44/45 (1989):87-88, 93, 94, 102 Banks, Mrs. G. Linnaeus drawing of, N.S. no.37 (1986):20 Manchester Man, N.S. no.37 (1986):21-27, 25
Barber, Samuel, Four Songs for Voice and Piano, N.S. nos.46/47 (1989):146 Barker Texas History Center
Blacks at the University of Texas exhibit, N.S. no.23 (1983):9-10 Hickman Archive of black people, N.S. nos.38/39 (1987):13-15, 14 McCulloch Brothers' papers, N.S. no.41 (1987):13-15 Natchez Trace Collection, N.S. no.35 (1986):9 E.D. Taylor collection, v.20, no.3 (1990):8, 9-12 women's history resources exhibits, N.S. no.19 (1982):9-11; v.20, no.4 (1991):12-15, 13
Barnes, Djuna
"Behind the Heart," v.23, no.4 (1993):27-35 description of James Joyce, v.20, no.3 (1990):8 Nightwood, v.23, no.4 (1993):30-35, 30, photographs of, v.23, no.4 (1993):26, 33 relationship with Charles Henri Ford, v.23, no.4 (1993):27-35
Barnes, Harry Elmer, N.S. nos.42/43 (1988):15, 17 Barradas, Rafael, N.S. no.13 (1980):19-20, 22-25 Barrett, Eaton Stannard, v.23, no.1 (1993):13-14 Barrett, Wilson correspondence, N.S. no.7 (1974):19-20 financial and legal records, N.S. no.7 (1974):11-18, 15 new school interpretation of Othello, N.S. no.22 (1983):67-87 Othello and, N.S. no.22 (1983):77, 85 photographs of, N.S. no.7 (1974):10; N.S. no.22 (1983):66, 73, 82
Barry, Sebastian, v.27, nos.1/2 (1996):205-06 Barrymore, John, N.S. no.22 (1983):54-59, 58 Barrymore, Lionel, N.S. no.24 (1983):21 Bartezago, Luigi, v.23, nos.2/3 (1993):160 Bartholomew, Freddie, N.S. no.24 (1983):22 Basserman, Albert, v.26, no.3 (1996):99 Bastin, Henri, N.S. nos.42/43 (1988):cover, 195-96 Batrachomyomachia (Homer), N.S. no.7 (1974):62 Baudelaire, Charles
Fleurs du mal, N.S. no.27 (1984):47-59, 52, 55 photographic portrait of, N.S. no.14 (1980):43

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"Baudelaire to Beckett" (exhibit), N.S. no.9 (1978):66, 67-73 Bauerle, James E., N.S. no.9 (1978):59-60, 60 Bayton, Lady Anne, v.23, no.1 (1993):120, 122 Beach, Sylvia photograph of, N.S. nos.20/21 (1982):21 Ulysses French translation and, N.S. nos.20/21 (1982):29-59 Ulysses page proofs and, N.S. nos.20/21 (1982):14
Beacham, Roger, This Bitterly Beautiful Land, A Texas Commonplace Book, N.S. no.5 (1972):13, 13 Beale, Mary
Earl of Rochester and, v.23, no.1 (1993):121-24 life and work, v.23, no.1 (1993):119-29 portrait of, v.23, no.1 (1993):125 portrait of Earl of Rochester, v.23, no.1 (1993):120, 123 portrait of Lady Anne Bayton, v.23, no.1 (1993):120, 122
Beat poets, v.24, nos.1/2 (1994):46-47 Beaton, Cecil, N.S. no.28 (1984):14 Beatty, Warren, v.25, no.2 (1994):cover Beavers, Louise, N.S. no.35 (1986):38 Bebop. See also Dial Records; Parker, Charlie
African-American literature and, v.24, nos.1/2 (1994):47-51 after World War II, v.24, nos.1/2 (1994):39-40, 70-77 ban on, v.24, nos.1/2 (1994):140-42 Beat poets and, v.24, nos.1/2 (1994):46-47 beginnings, v.24, nos.1/2 (1994):19-25, 34-36, 81, 138-42 at Billy Berg's in Los Angeles, v.24, nos.1/2 (1994):36, 67, 69, 141 black intellectual tradition and, v.24, nos.1/2 (1994):105-17 characteristics, v.24, nos.1/2 (1994):34 commercial success, v.24, nos.1/2 (1994):151-54 decline and death, v.24, nos.1/2 (1994):154-57 definition, v.24, nos.1/2 (1994):141-42 Dial recordings of Charlie Parker, v.24, nos.1/2 (1994):21-24, 37-40, 67-68, 79-103 exhibit, v.24, nos.1/2 (1994):26, 27-47 Langston Hughes as bop ethnographer in "Trumpet Player: 52nd Street," v.24, nos.1/2 (1994):119-35 in jazz canon, v.24, nos.1/2 (1994):157-59 at Minton's Playhouse, v.24, nos.1/2 (1994):34-35 in 1990s, v.24, nos.1/2 (1994):211-25 origin of term, v.24, nos.1/2 (1994):53 panel discussion, v.24, nos.1/2 (1994):210, 211-25, 216 Charlie Parker's career, v.24, nos.1/2 (1994):17-25, 34-43, 53-103 publicity flyer, v.24, nos.1/2 (1994):16 reactions to, v.24, nos.1/2 (1994):21, 35, 137-59 Russell as writer on, v.24, nos.1/2 (1994):44, 45-46 in South America, v.24, nos.1/2 (1994):202, 203-09, 207, 209 symposium, v.24, nos.1/2 (1994):7-225
"Bebop Revolution in Words and Music" (exhibit), v.24, nos.1/2 (1994):26, 27-47 Bebop Revolution in Words and Music (symposium), v.24, nos.1/2 (1994):7-225 Beck, Julian, v.25, no.1 (1994):117 Beckett, Samuel
Act Without Words, N.S. no.28 (1984):97-104, 103, 115 All Strange Away, N.S. no.28 (1984):133-36, 136 All That Fall, N.S. no.28 (1984):93-95, 95 catalog of works, N.S. no.28 (1984):5-187

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correspondence generally, v.22, no.4 (1992):13 correspondence with George Devine, N.S. no.28 (1984):98-99 correspondence with George Reavey, N.S. no.28 (1984):43-44, 53, 66, 75, 81, 110-11, 125, 129, 151, 155 correspondence with Jack MacGowran, N.S. no.28 (1984):129, 141 correspondence with Jake Schwartz, N.S. no.28 (1984):90 correspondence with John Cadler, N.S. no.28 (1984):111-12 correspondence with Mary Manning Howe, N.S. no.28 (1984):43, 66, 98-99, 119 correspondence with Nancy Cunard, N.S. no.28 (1984):6, 93, 97-98 correspondence with Richard Church, N.S. no.28 (1984):43 correspondence with Susan Manning, N.S. no.28 (1984):66, 97 early life and early writings of, N.S. no.28 (1984):7-27 Echo's Bones and Other Precipitates, N.S. no.28 (1984):28, 29-30 Eh Joe, N.S. no.28 (1984):141-42, 143 "Eleuthéria," N.S. no.28 (1984):51-52, 52 Endgame, N.S. no.28 (1984):96, 97-104, 100, 102 exhibit on, N.S. no.27 (1984):8 First Love, N.S. no.28 (1984):147-49, 148 Fizzles, N.S. no.28 (1984):160, 161-74, 163, 166, 171, 173 friends of, N.S. no.28 (1984):39-42 Happy Days, N.S. no.28 (1984):124, 125-26 How It Is, N.S. no.28 (1984):119-23, 120, 123 Imagination Dead Imagine, N.S. no.28 (1984):133-34 Lucia Joyce and, N.S. nos.20/21 (1982):75-76 Krapp's Last Tape, N.S. no.28 (1984):105-10, 106-07, 109 language used in writing, N.S. no.28 (1984):49-50 Lost Ones, N.S. no.28 (1984):133-34, 139-40 Mercier and Camier, N.S. no.28 (1984):150, 151-53, 152 Molloy, Malone Dies, the Unnamable, N.S. no.28 (1984):53-64, 55-56, 59-61 Murphy, N.S. no.28 (1984):43-48, 45-47 Nobel Prize for Beckett, N.S. no.28 (1984):147 Not I, N.S. no.28 (1984):154-56 photographs of, N.S. no.28 (1984):33, 41, 42, 79, 90, 100, 123, 137, 144, 163; v.27, nos.1/2 (1996):46 Ping, N.S. no.28 (1984):133-34, 138 Play, N.S. no.28 (1984):129-30 poem by Kay Boyle, v.22, no.4 (1992):13 poems in English, N.S. no.28 (1984):111-18, 115, 117 postcard to A.J. Leventhal, v.22, no.4 (1992):15 sketch of, N.S. no.28 (1984):6 Stories and Texts for Nothing, N.S. no.28 (1984):80, 81-92, 84-85, 87, 90-91 Waiting for Godot, N.S. no.28 (1984):65-74, 67, 69, 71; v.20, nos.1/2 (1990):38, 39- 40, 59; v.27, nos.1/2 (1996):41-63, 62 Watt, N.S. no.28 (1984):75-78, 77, 79
Beckett Translating/Translating Beckett (symposium), N.S. no.27 (1984):9 "Bede manuscript," N.S. no.35 (1986):96 Bedford, Sybille, v.23, no.4 (1993):13, 15 Bedford-Jones, H., N.S. no.10 (1978):72, 73-75 Beeching, H.C., N.S. nos.46/47 (1989):41-49, 43 Beerbohm, Max exhibit on, N.S. no.11 (1979):7 frescoes, N.S. no.11 (1979):89-91, 90 watercolor of Arnold Bennett by, N.S. no.2 (1970):33
Beethoven, Ludwig van

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