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Boxoffice Barometer (March 6, 1961)
MARCH 6, 1961 IN TWO SECTIONS SECTION TWO Metro-Goldwyn-Mayer presents William Wyler’s production of “BEN-HUR” starring CHARLTON HESTON • JACK HAWKINS • Haya Harareet • Stephen Boyd • Hugh Griffith • Martha Scott • with Cathy O’Donnell • Sam Jaffe • Screen Play by Karl Tunberg • Music by Miklos Rozsa • Produced by Sam Zimbalist. M-G-M . EVEN GREATER IN Continuing its success story with current and coming attractions like these! ...and this is only the beginning! "GO NAKED IN THE WORLD” c ( 'KSX'i "THE Metro-Goldwyn-Mayer presents GINA LOLLOBRIGIDA • ANTHONY FRANCIOSA • ERNEST BORGNINE in An Areola Production “GO SPINSTER” • • — Metrocolor) NAKED IN THE WORLD” with Luana Patten Will Kuluva Philip Ober ( CinemaScope John Kellogg • Nancy R. Pollock • Tracey Roberts • Screen Play by Ranald Metro-Goldwyn-Mayer pre- MacDougall • Based on the Book by Tom T. Chamales • Directed by sents SHIRLEY MacLAINE Ranald MacDougall • Produced by Aaron Rosenberg. LAURENCE HARVEY JACK HAWKINS in A Julian Blaustein Production “SPINSTER" with Nobu McCarthy • Screen Play by Ben Maddow • Based on the Novel by Sylvia Ashton- Warner • Directed by Charles Walters. Metro-Goldwyn-Mayer presents David O. Selznick's Production of Margaret Mitchell’s Story of the Old South "GONE WITH THE WIND” starring CLARK GABLE • VIVIEN LEIGH • LESLIE HOWARD • OLIVIA deHAVILLAND • A Selznick International Picture • Screen Play by Sidney Howard • Music by Max Steiner Directed by Victor Fleming Technicolor ’) "GORGO ( Metro-Goldwyn-Mayer presents “GORGO” star- ring Bill Travers • William Sylvester • Vincent "THE SECRET PARTNER” Winter • Bruce Seton • Joseph O'Conor • Martin Metro-Goldwyn-Mayer presents STEWART GRANGER Benson • Barry Keegan • Dervis Ward • Christopher HAYA HARAREET in “THE SECRET PARTNER” with Rhodes • Screen Play by John Loring and Daniel Bernard Lee • Screen Play by David Pursall and Jack Seddon Hyatt • Directed by Eugene Lourie • Executive Directed by Basil Dearden • Produced by Michael Relph. -
J-Pop and the Marginalization of Mixed-Heritage Japanese Americans
POKEMON(ORACIAL): J-POP AND THE MARGINALIZATION OF MIXED-HERITAGE JAPANESE AMERICANS . A thesis submitted to the faculty of San Francisco State University 3 Q> In partial fulfillment of The Requirements for The Degree Master of Arts In Ethnic Studies by Morgan Michele Melendres Mentz San Francisco, California May 2016 Copyright by Morgan Michele Melendres Mentz 2016 CERTIFICATION OF APPROVAL I certify that I have read Pokemon(oracial): J-pop and the Marginalization of Mixed-Heritage Japanese Americans by Morgan Michele Melendres Mentz, and that in my opinion this work meets the criteria for approving a thesis submitted in partial fulfillment of the requirement for the degree: Master of Arts in Ethnic Studies at San Francisco State University. A A ' Ethnic Studies Dawn missa Mscner Professor of Africana Studies POKEMON(ORACIAL): J-POP AND THE MARGINALIZATION OF MIXED-HERITAGE JAPANESE AMERICANS Morgan Michele Melendres Mentz San Francisco, California 2016 This thesis deconstructs the use of Japanese popular cultural iconography by art and community festival spaces in Bay Area Japantowns and critiques the ways in which they reinforce traditional and new Orientalist stereotypes of the Japanese American community. Through use of Japanese popular culture these spaces create a visual narrative that promotes homogenous and monoracial stereotypes of the Nikkei community. Leveraging ethnographic observations of community gallery and festival spaces this work investigates how meaning is constructed and derived within Japantown spaces through the use of Japanese popular culture imagery. Furthermore, this thesis explores how such imagery reinforces Japanophilic delineations of the Nikkei community that distort the heterogeneous mixed-heritage make-up of the Japanese America. -
FROM CONFINEMENT to CONTAINMENT in the Series Asian American History and Culture, Edited by Cathy Schlund-Vials, Shelley Sang-Hee Lee, and Rick Bonus
FROM CONFINEMENT TO CONTAINMENT In the series Asian American History and Culture, edited by Cathy Schlund-Vials, Shelley Sang-Hee Lee, and Rick Bonus. Founding editor, Sucheng Chan; editors emeriti, David Palumbo-Liu, Michael Omi, K. Scott Wong, and Linda Trinh Võ. ALSO IN THIS SERIES: Patricia P. Chu, Where I Have Never Been: Migration, Melancholia, and Memory in Asian American Narratives of Return Cynthia Wu, Sticky Rice: A Politics of Intraracial Desire Marguerite Nguyen, America’s Vietnam: TheLongue Durée of U.S. Literature and Empire Vanita Reddy, Fashioning Diaspora: Beauty, Femininity, and South Asian American Culture Audrey Wu Clark, The Asian American Avant-Garde: Universalist Aspirations in Modernist Literature and Art Eric Tang, Unsettled: Cambodian Refugees in the New York City Hyperghetto Jeffrey Santa Ana, Racial Feelings: Asian America in a Capitalist Culture of Emotion Jiemin Bao, Creating a Buddhist Community: A Thai Temple in Silicon Valley Elda E. Tsou, Unquiet Tropes: Form, Race, and Asian American Literature Tarry Hum, Making a Global Immigrant Neighborhood: Brooklyn’s Sunset Park Ruth Mayer, Serial Fu Manchu: The Chinese Supervillain and the Spread of Yellow Peril Ideology Karen Kuo, East Is West and West Is East: Gender, Culture, and Interwar Encounters between Asia and America Kieu-Linh Caroline Valverde, Transnationalizing Viet Nam: Community, Culture, and Politics in the Diaspora Lan P. Duong, Treacherous Subjects: Gender, Culture, and Trans-Vietnamese Feminism Kristi Brian, Reframing Transracial Adoption: Adopted Koreans, White Parents, and the Politics of Kinship Belinda Kong, Tiananmen Fictions outside the Square: The Chinese Literary Diaspora and the Politics of Global Culture Bindi V. -
Schubert Và Rất Nhiều Những Bản Nhạc Vượt Lên Trên Mọi Hàng Rào Ngôn Ngữ Khác?
NHỮNG CA KHÚC NHẠC NGOẠI QUỐC LỜI VIỆT Tập Một HOÀI NAM (Biên Soạn) Trình Bày: T.Vấn Ấn Bản Điện Tử do T.Vấn & Bạn Hữu Thực Hiện ©Tủ Sách T.Vấn & Bạn Hữu 2017 ©Hoài Nam 2017 ■Tất cả những hình ảnh sử dụng trong bài đều chỉ nhằm mục đích minh họa và chúng hoàn toàn thuộc về quyền sở hữu theo luật quốc tế hiện hành của các tác giả hợp pháp của những hình ảnh này.■ Mục Lục Tựa 01-Dẫn Nhập 5 02- Fur Elise (Khi tình yêu tới) 17 03- Sérénade (Dạ Khúc ) 31 04- Tristesse (Nhạc buồn Chopin) 47 05- Célèbre Valse (Mối tình xa xƣa) 61 06- Blue Danube (Dòng Sông Xanh) 75 07- Waves of the Danube (Sóng Nƣớc Biếc) 86 08- Come Back to Sorrento (Trở về mái nhà xƣa) 91 09- Serenata (Chiều tà) 100 10- La Paloma (Cánh buồm xa xƣa) 108 11- La Cumparsita (Vũ nữ thân gầy) 123 12- Ole Guapa (Mộng Vàng) 136 13- Blue Tango (Tango Xanh) 143 14- Bésame Mucho (Yêu nhau đi) 152 15- Quizas (Qui Sait - Nào biết nào hay) 169 16- Cherry Pink (Cánh bƣớm vƣờn xuân) 176 17- Les Feuilles Mortes (Autumn Leaves – Những chiếc lá úa) 186 18- La Vie en Rose (Cuộc đời hồng) 203 19- One Day (Khúc hát thanh xuân) 222 20- Sombre Dimanche (Chủ nhật buồn) 234 21- Donna Donna 245 22- Scarborough Fair (Giàn thiên lý đã xa) 257 23- Green Sleeves (Vai Áo Màu Xanh) 272 24- Those Were the Days (Tình ca du mục – Nhƣ lá thu vàng) 287 25- Moscow Nights (Chiều Mạc-tƣ-khoa) 310 26- Shina No Yoru (China Night – Chiều Tô Châu) 325 27- Meigui Megui Wo Ai Ni (Rose Rose I Love You – Cánh hồng Trung Quốc) 345 28- Tennessee Waltz (Điệu Luân Vũ Dang Dở) 365 1 | H o à i N a m TỰA Người yêu nhạc – dù mang bất cứ quốc tịch nào, có màu da màu tóc nào - lại không từng nghe và say mê những bản nhạc bất hủ như: Come back to Sorrento (Về mái nhà xưa), One Day, When we were young (Khúc hát thanh xuân), Fur Elise (Khi tình yêu tới), Ave Maria – Schubert và rất nhiều những bản nhạc vượt lên trên mọi hàng rào ngôn ngữ khác? Nghe đi nghe lại những bản nhạc hay, vẫn chưa đủ. -
Fight for All Immigrants Sutter St., San Francisco, CA 94115 LOS ANGELES - United States Justice-LA
THE NATIONAL NEWSPAPER OF THE JAGL ,2017 " PAGE 2 JACL Disappointed By Decision to ,•• End DACA . NPS Awards More JA Confinement - Sites Grants. WWW.PACIFICCITIZEN.ORG633061VOL.165.No. 5 ISSN: 0030-8579 2 Sept. 8-21 , 2017 NATIONAL PACIFICO CITIZEN HOW TO REACH US JACL Disappointed By Decision to End DACA Email: [email protected] Online: www.pacificcitizen.org he JACL is deeply disappointed by the Repeal of DACA protections will create un For many in the Japanese American commu Tel: (213) 620·1767 Mall: 123 Ellison S. Onizuka St., Trwnp administration's decision to necessary chaos in the commllllities as families nity, our immigration occurred many years ago Suite 313 T end the Delayed Action on Childhood will be torn apart. Additionally, America will with our Issei generation. Our commllllity is Los Angeles, CA90012 Arrivals (DACA) program. experience significant losses to the economy. built upon their dreams. STAFF DACA has supported nearly 800,000 young The cost of workforce replacement alone is It is with this knowledge of what the Ameri Executive Editor immigrants, or Dreamers, who have worked estimated to cost American businesses $3.4 can dream has meant for our commrnrity, and the Allison Haramoto hard to fit the program's strict requirements. billi on in turnover costs. dreams of the Issei who have immigrated more Senior Editor As a nation, we have always prided ourselves The overall impactto the economy is estimated recently, that we stand with the immigrant com Digital & Social Media on protecting the innocent. In this case, we have to be $460.3 billion in lost GDP over the next munity today in opposition to DACA's repeal. -
MASARYKOVA UNIVERZITA Katedra Anglistiky a Amerikanistiky
MASARYKOVA UNIVERZITA FILOZOFICKÁ FAKULTA Katedra Anglistiky a Amerikanistiky Bakalářská diplomová práce Petra Fišerová Petra Fišerová 2012 PETRA FIŠEROVÁ 20 12 12 MASARYK UNIVERSITY FACULTY OF ARTS Department of English and American Studies English Language and Literature Petra Fišerová On the Japanese in American Cinema Bachelor‘s Diploma Thesis Supervisor: doc. PhDr. Tomáš Pospíšil, Dr. 2012 2 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. ................. Author’s signature 3 Acknowledgement: I would like to thank Dr. Mark Hollstein, whose courses at Kansai Gaidai inspired me to write this thesis. 4 Table of Contents INTRODUCTION TO THE TOPIC AND METHODOLOGY . 6 CHAPTER 1: From the 1860s Onward: Orientalism . 8 CHAPTER 2: Before 1941: Yellow Peril . 12 CHAPTER 3: 1941 – 1945: The Racism of World War II . 14 CHAPTER 4: 1945 – the 1970s: Post-War Trends . 20 CHAPTER 5: the 1970s – the 1990s : The Rise of Postmodernity and Corporate Samurais . 28 CHAPTER 6: The Brink of Our Century: Japanese Cool . 36 CHAPTER 7: The Third Millenium: Post-Racial Discourse . 45 CONCLUSION: . 47 BIBLIOGRAPHY: . 49 ABSTRACT (English): . 54 RESUMÉ (Czech): . 55 5 INTRODUCTION TO THE TOPIC AND METHODOLOGY Why do Americans expect the Japanese to be treacherous yet honorable? How could the production of Breakfast at Tiffany’s allow Mickey Rooney‘s racist portrayal of Mr. Yunioshi? What are the current stereotypes associated with Japan and the Japanese in Hollywood? This and more will be clarified on the following pages. With a special focus on the latest generation, ―On the Japanese in American Cinema‖ will list and analyze Hollywood‘s trends in portraying Japan and the Japanese from the silent era till 2012 and perhaps a few years beyond. -
Boxoffice Barometer (March 26, 1962)
“KING OF KINGS” (70mm Super Technirama Technicolor) Jeffrey Hunter, Siobhan McKenna, Hurt Hatfield, Ron Randell, Viveca Lindfors, Rita Gam, Carmen Sevilla, Brigid Bazlen, Harry Guardino, Rip Torn, Frank Thring, Guy Rolfe, with Maurice Marsac, Gregoire Aslan and Robert Ryan as John the Baptist, with thousands of extras. Presenting an epic story of the life and times of Jesus Christ. A Samuel Bronston Production. “THE FOUR HORSEMEN OF THE APOCALYPSE” ( CinemaScope-Color) Glenn Ford, Ingrid Thulin, Charles Boyer, Lee J. Cobb, Paul Henreid, Paul Lukas, Yvette Mimieux, Karl Boehm. Film ver- sion of the famed Vicente Blasco-Ibanez novel. A Julian Blaustein Production. V f “SWEET BIRD OF YOUTH” ( CinemaScope-Metrocolor) Paul Newman, Geraldine Page, Shirley Knight, Ed Begley, Rip Torn, Mildred “THE HORIZONTAL LIEUTENANT” Dunnock, Madeleine ( CinemaScope- Metrocolor) Sherwood. Film version of Jim Hutton, Paula Prentiss, Jack Carter, Jim the Tennessee Williams Backus, Charles McGraw, Myoshi Umeki. Comedy Broadway stage success. of a U.S. military “clean up” operation on a An Avon Production. Pacific island. A Euterpe Production. ' THROUGH IN 62 ! “MUTINY ON THE BOUNTY” ( Ultra Panavision- Metrocolor) Marlon Brando, Trevor Howard, Richard Harris, Hugh Griffith, Richard Hayden and Tarita. Spectacular sea adventure drama, based on trilogy of novels by Charles Nordoff and James Norman Hall. Filmed in the South Seas and on a replica of the great three masted sailing ship, HMS Bounty. An Areola Pictures Production. “A VERY PRIVATE AFFAIR” {Color) Brigitte Bardot and Marcello Mastroianni. Story of a French girl who achieves fame as a screen star. A Progefi- Cipra Production. “ALL FALL DOWN” Lva Marie Saint, Warren Beatty, Karl dalden, Lansbury, ! Angela Brandon deWilde. -
ACL Protests Use of Vested Property ·To Settle Japanese War Claims
Sdltor1al-Bu.s1neIIB Office: 258 E . 1!'t St .. Los Angeles 12. CaliL MAdison Publl.Sled .... eekly. Entered as 2nd ~Jass matter in po!'t oHIce at Ln Ar.ge]es, 0aJIL Vol. 49 No. 2 Los Angeles, Calif, Published Every Week - lOc Friday, July 10, 19S; ACL protests use of vested property 26 NOMINATED FOR 1959 JACL ·to settle Japanese war claims SCHOLARSHIPS (JACL News Sen;ce) most claims leg~slation, including tion enacted by the Congress in (TACL N"ws Servicel C.OlUMN LEFT: WASHINGTON. - 1\fjke Masaoka, the Japanese American Evacua- 1948 to compensate persons of SAN FRANCISCO. - Twenty-sis Washington representative, testi- tion Claims Act of 1948. Japanese ancestry for some of the outstanding high school graduates fiC circulation fied that the Japanese American Masaoka testified be for e the real and personal property losses have been nominated by JACL Citizens League, while favoring the House Interstate and Foreign Com- suffered as a consequence of the chapters for the 1959 Pvt. BeD keeps climbing paying of legitimate war claims, merce Subcommittee on Commerce arbitrary, mass evacuation from Frank Masaoka Memorial Scholar. objected to the use of the liquidated and Fin a n c e considering war the West Coast in the spring of ship and four matching National In preparing for the proceeds from the sale of wartime claims legislation. 1942, JACL believes in the principle JACL scholarships, National JACL recent National Board sequestrated prh'ate pI:operty of The JACL spokesman declared: of remedial legislation for the pay- Headquarters disclosed this week. German and Japanese owners as "Because many of our members ment of legitimate war claims, as The scholarships are grants 01 a:p,d Staff meeting (the the source of necessary funds. -
JACL Support of Returning Vested Property Told in Detail
alltorfal-~ OW ....o: !58 E. 1st St .. Los Angeles 12. Calit., MAcUson 1-4471 PubU*ed weekly. EDtered as 2nd .class matter In post office at Los ADcele8. caa.,; : Vol. 49 No.4 los Angeles, Calif. Published Every Week - lOe Friday, July 24, T959- COLUMN l. EFT: lU~(. REGENTS Mature thoughts Fr.".", JACL support of returning me~ ure me-n need \ ~::J (lEAR CAMPUS OIF Chatting with one of ~RATERNITY BIA,~ the old - timers in JACL vested property told in detail the other day, it was very BERKELEY.- Uru·v. of Californ;~ J CL N S ~ I ( A ews ervice I I property in Japan itself. is it evident that JACL's pro- regents have banned fraternities WASHINGTON. _ The Jap3nese unreasonable for the Japanese in gramming at the local and sororities from having mem- American Citizens League last believe that their private propert;y bership rules which discriminate I week urged the Senate Judiciary in the United States is likewise level has been diluted to because of race. religion or na- Subcommittee on the Trading with protected from cOllfiscation, Masu- a soc i a I level for he tional or' gin. the Enemy Act to return, without oka asked. h d A policy sraTE'mf'nt adonted last discrimination, the sequestrated The JACL statement declarl~ pointed to t e prepon er- Friday said any such restrictions private property vested by the that: "To the Japanese and Gel' snce of social news in the must be eliminated by Sept. 1. United States during and. after 'I mans whose properties are still · C't' H t 1964 World War n. -
MARLON BRANDO - O “JOVEM REBELDE” E O “PADRINHO”: As Figuras De Um Ator Autor
EDUARDO BORDINHON DE MORAES MARLON BRANDO - O “JOVEM REBELDE” E O “PADRINHO”: As figuras de um ator autor Campinas 2015 i ii UNIVERSIDADE ESTADUAL DE CAMPINAS INSTITUTO DE ARTES EDUARDO BORDINHON DE MORAES MARLON BRANDO - O “JOVEM REBELDE” E O “PADRINHO”: As figuras de um ator autor Dissertação apresentada ao Programa de Pós- graduação em Artes da Cena da Universidade Estadual de Campinas como requisito parcial para a obtenção do título de Mestre em Artes da Cena, na Área de Concentração: Teatro, Dança e Performance. Orientador: MARCELO RAMOS LAZZARATTO Este exemplar corresponde à versão final de Dissertação defendida pelo aluno Eduardo Bordinhon de Moraes e orientado pelo Prof. Dr. Marcelo Ramos Lazzaratto. Campinas 2015 iii Ficha catalográfica Universidade Estadual de Campinas Biblioteca do Instituto de Artes Eliane do Nascimento Chagas Mateus - CRB 8/1350 Moraes, Eduardo Bordinhon de, 1987- M791m MorMarlon Brando - O "Jovem Rebelde" e o "Padrinho" : As figuras de um ator- autor / Eduardo Bordinhon de Moraes. – Campinas, SP : [s.n.], 2015. MorOrientador: Marcelo Ramos Lazzaratto. MorDissertação (mestrado) – Universidade Estadual de Campinas, Instituto de Artes. Mor1. Atores e atrizes de cinema. 2. Filme cinematográfico. 3. Brando, Marlon - diretor. I. Lazzaratto, Marcelo Ramos,1967-. II. Universidade Estadual de Campinas. Instituto de Artes. III. Título. Informações para Biblioteca Digital Título em outro idioma: Marlon Brando: The "young rebel" and the "godfather" : The figures of an actor-author Palavras-chave em inglês: Actor and actresses of cinema Motion picture Brando, Marlon - director Área de concentração: Teatro, Dança e Performance Titulação: Mestre em Artes da Cena Banca examinadora: Marcelo Ramos Lazzzaratto [Orientador] Verônica Fabrini Machado de Almeida Pedro Maciel Guimarães Júnior Data de defesa: 19-01-2015 Programa de Pós-Graduação: Artes da Cena iv Powered by TCPDF (www.tcpdf.org) v vi RESUMO Essa dissertação teve como objetivo estudar os procedimentos técnicos que envolvem o trabalho a interpretação para cinema. -
La Farandula
*‘"* *•>*#«****» *******•**>**’rs< i> * i****»*****#«>#**„o,** « do en eite jueguecito de produ- cir films, como el señor Jack L. Warner, acaba de invertir tanto dinero en próx'mas producciones, FARANDULA Quiere decii que habrá cine por LA infinidad de años más. que Se rumora Anna Magna- 1 pa- - : CHISMES DE HOLLYWOOD público que en ningún otro ni, volverá a ser candidata ; % más por la film jamás filmado”. Warner ano ra los próximos Oscares, Por CARLOS PASTOR tó a ‘Gigante’ y a la actual, magnitud interpretativa que de- muestra en “Wild Wind”, “Sayonara”, como las dos más is The jira are ’ «> W y An- HOLLYWOOD, California exposas y taquilleras películas junto a Anthony Quinn en Cansado con los rumores que ya en historia Je sus estudios. En thony Franciosa. este film por años se oyen acerca de que la la de la Paramount. recientes semanas él añade, su * k' industria cinematográfica es uná ¦#> S Él compañía ha nvertido más de Joanne Woodward, ganadora industria decadente y moribun- v millón y medio de dólares, en del Oscar como Mejor Actriz IjjPalfh íbhBbPIÍÉPII da. Jack L. Warner Presidente la compra de cuatro importantes y por “Las Tres Caras de Eva”, de los estudios Warner Bros, obras, para producidas, negocios, ser son para ía 20th Century Fox, con- reconocido hombre de estas: ‘The Oark at The Top ga- siempre colmado de éxitos re- trajo el apuesto os The Stairs , que es la pieza sonantes, na levantado su voz lán, Paul Newman, actor exclu- enérgica, especie de pro- teatral de William Inge, que es- sivo de la Warner Bros., que úl- en -
Manzanar Still Matters
THE NATIONAL NEWSPAPER OF THE JACL Sept. 8-21, 2017 Manzanar Reunion attendee Harry Nakada celebrated his 93rd birthday on Aug. 16. He is pictured here with his daughter, Patti Kimura. » PAGE 6 MANZANAR » PAGE 2 STILL MATTERS JACL Disappointed The 72nd Manzanar Reunion By Decision to reminds attendees that their story End DACA. remains as relevant as ever. » PAGE 5 NPS Awards More JA Confinement Sites Grants. PHOTO: CHARLES JAMES WWW.PACIFICCITIZEN.ORG #3306 / VOL. 165, No. 5 ISSN: 0030-8579 2 Sept. 8-21, 2017 NATIONAL HOW TO REACH US JACL Disappointed By Decision to End DACA Email: [email protected] Online: www.pacificcitizen.org he JACL is deeply disappointed by the Repeal of DACA protections will create un- For many in the Japanese American commu- Tel: (213) 620-1767 Mail: 123 Ellison S. Onizuka St., Trump administration’s decision to necessary chaos in the communities as families nity, our immigration occurred many years ago Suite 313 end the Delayed Action on Childhood will be torn apart. Additionally, America will with our Issei generation. Our community is Los Angeles, CA 90012 TArrivals (DACA) program. experience significant losses to the economy. built upon their dreams. STAFF DACA has supported nearly 800,000 young The cost of workforce replacement alone is It is with this knowledge of what the Ameri- Executive Editor immigrants, or Dreamers, who have worked estimated to cost American businesses $3.4 can dream has meant for our community, and the Allison Haramoto hard to fit the program’s strict requirements. billion in turnover costs. dreams of the Issei who have immigrated more Senior Editor As a nation, we have always prided ourselves The overall impact to the economy is estimated recently, that we stand with the immigrant com- Digital & Social Media on protecting the innocent.