Kraftwerk Autobahn Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Kraftwerk Autobahn mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock Album: Autobahn Country: Germany Released: 1974 Style: Krautrock, Experimental MP3 version RAR size: 1274 mb FLAC version RAR size: 1122 mb WMA version RAR size: 1533 mb Rating: 4.1 Votes: 438 Other Formats: DMF VOX AUD WAV AIFF MP1 ADX Tracklist A Autobahn 22:30 B1 Kometenmelodie 1 (Comet Melody 1) 6:20 B2 Kometenmelodie 2 (Comet Melody 2) 5:44 B3 Mitternacht (Midnight) 4:40 B4 Morganspaziergang (Morning Walk) 4:00 Companies, etc. Phonographic Copyright (p) – Phonogram, Inc. Copyright (c) – Phonogram, Inc. Manufactured By – Phonogram, Inc. Distributed By – Phonogram, Inc. Engineered At – Conny's Studio Lacquer Cut At – Masterdisk Pressed By – Columbia Records Pressing Plant, Santa Maria Published By – Intersong USA, Inc. Credits Engineer – Konrad Plank* Lacquer Cut By – G.K.* Mastered By – Gilbert Kong Music By, Concept By, Producer [Production] – Florian Schneider, Ralf Hütter Painting [Coverpainting] – Emil Schult Percussion – Wolfgang Flür Photography By [Backcoverphoto] – Barbara Niemöller Violin, Guitar – Klaus Roeder* Vocals, Electronics – Florian Schneider, Ralf Hütter Written-By – F. Schneider*, R. Hütter* Notes Back cover reads: R. Hütter Labels read: R. Hũtter Track B4 reads: "Morganspaziergang (Morning Walk)" on the label. Track B4 reads: "Morgenspaziergang (Morning Walk)" on the back cover. Engineered at: Conny's Studio & Mobile Equipment All songs published by Intersong-USA Inc. (ASCAP) (P),(C) 1974 Phonogram, Inc. Manufactured and distributed by Phonogram, Inc. Vinyl mastering company and credit derived from run out info. Barcode and Other Identifiers Matrix / Runout (Runout side A, variant 1): VEL-2003-CS6 MASTERDISK G.K. Matrix / Runout (Runout side B, variant 1): VEL-2003-CS5 MASTERDISK G.K. Matrix / Runout (Runout side A, variant 2): VEL-2003-A-CS6 MASTERDISK G.K. Matrix / Runout (Runout side B, variant 2): VEL-2003-B-CS6 MASTERDISK G.K. Matrix / Runout (Stamped side A (/ S G.K. etched), variant 3): VEL-2003-A-CS6 / S MASTERDISK G.K. Matrix / Runout (Stamped side B ( S G.K. B 13 etched), variant 3): VEL-2003-B-CS6 S MASTERDISK G.K. B 13 Rights Society: ASCAP Other versions Category Artist Title (Format) Label Category Country Year 6305 231 D, Autobahn (LP, Philips, 6305 231 D, Kraftwerk Germany 1974 6305 231 Album) Philips 6305 231 Autobahn (LP, PCSO.240070 Kraftwerk Album, Promo, Parlophone PCSO.240070 Australia Unknown RE) Autobahn (CD, CP32-5609 Kraftwerk EMI CP32-5609 Japan 1988 Album) Autobahn (LP, 6305 231 Kraftwerk Philips 6305 231 Canada 1974 Album) Autobahn (LP, BT-8103 Kraftwerk Album, Promo, Philips BT-8103 Japan 1979 RE) Related Music albums to Autobahn by Kraftwerk Kraftwerk - Frühwerke (Early Works) Spirit - Farther Along Kraftwerk - Computer World Kraftwerk - The Man-Machine Kraftwerk - Trans Europe Express Kraftwerk - Somewhere In Europe Kraftwerk - Radio-Activity Kraftwerk - The Mix Kraftwerk - Kraftwerk 2 Kraftwerk - The Catalogue.

Copy Link

Recommended publications

Kraftwerk Electric Cafe (English Version) Mp3, Flac, Wma
Kraftwerk Electric Cafe (English Version) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Electric Cafe (English Version) Country: Germany Released: 1986 Style: Electro MP3 version RAR size: 1912 mb FLAC version RAR size: 1919 mb WMA version RAR size: 1808 mb Rating: 4.4 Votes: 925 Other Formats: MP4 AU MMF XM MP3 ADX AAC Tracklist A1 Boing Boom Tschak A2 Techno Pop A3 Musique Non Stop B1 The Telephone Call B2 Sex Object B3 Electric Cafe Credits Engineer – Bill Miranda*, Henning Schmitz, Joachim Dehmann Mastered By – Bob Ludwig Mixed By – François Kevorkian, Ron St. Germain Performer – Florian Schneider, Karl Bartos, Ralf Hutter*, Wolfgang Flur* Other versions Category Artist Title (Format) Label Category Country Year 1C 064-24 0654 Kling Klang, 1C 064-24 0654 Electric Cafe (LP, 1, 064-24 0654 Kraftwerk EMI, EMI, 1, 064-24 0654 Germany 1986 Album, Gat) 1, 24 0654 1 EMI 1, 24 0654 1 31C 064 31C 064 Electric Cafe (LP, 240644, 31C Kraftwerk EMI, EMI 240644, 31C Brazil 1987 Album, Gat) 264 240644 264 240644 Electric Cafe (LP, 074 24 0644 1 Kraftwerk EMI 074 24 0644 1 Spain 1986 Album, Gat) Warner Electric Cafe (Cass, 9 25525-4 Kraftwerk Bros. 9 25525-4 US 1986 Album, SR) Records Electric Cafe (Cass, 534 Kraftwerk B.W. 534 Poland Unknown Album, Unofficial) Comments about Electric Cafe (English Version) - Kraftwerk Olma A "funny thing" with this cassette when I purchased it new back in 1987, was that the tape inside the casing was reversed so that the tape was playing backwards. Probably some manufacturing error.
[Show full text]
Cool Mit Zertifikat Musiker Vor 40 Jahren Erfand Die Gruppe Kraftwerk Den Elektropop
Cool mit Zertifikat Musiker Vor 40 Jahren erfand die Gruppe Kraftwerk den Elektropop. Eine Tournee durch führende Museen soll sie in die Liga ernsthafter Kunst heben. Von Thomas Hüetlin eltsame Stadt, Düsseldorf. Sie gilt als Nichts scheint zu geringfügig. der elektronischen Popmusik im Düssel - fröhlich, aber wenn in diesen Tagen Nicht einmal ein Lokal in der Düssel - dorf der Siebziger- und Achtzigerjahre. Sdie Rede auf einen Mann namens dorfer Lorettostraße. Stolz leuchtete im Wenn das neue Gaskraftwerk im Hafen Ralf Hütter kommt, vergeht einigen das Oktober noch der Name „Kraftwerk“ in nächstes Jahr in Betrieb genommen wer - Lachen. Neonschrift an der Fassade. Wieder kamen den soll, scheide ein Name von vornherein Hütter ist der letzte Mann der Gruppe Hütters Anwälte. Einstweilige Verfügung. aus: Kraftwerk. Kraftwerk, der noch zur Originalbesetzung Nun glimmt einsam der Buchstabe K an „Geschichten über Kraftwerk haben et - gehört, und er ist bekannt dafür, alles zu der Wand. was Scientologymäßiges“, sagt Rüdiger tun, um den Namen Kraftwerk sauber und Die Neigung Hütters, die Gesetze zu be - Esch. „Die meisten Beteiligten schweigen, rein zu halten. mühen, sei in Düsseldorf so etwas wie ein weil sie wissen, dass ihr Chef oder Ex- R E Wolfgang Flür zum Beispiel, Mitglied Running Gag – bis hin zu den Mitarbeitern Chef es nicht gern sieht, wenn sie reden.“ H C T T bei Kraftwerk von 1973 bis 1986, besaß die der Stadtwerke, erzählt Rüdiger Esch, Bas - Auch Hütter redet nicht. Ein Interview Ö B R E Frechheit, einen Auftritt von sich mit dem sist der Band Die Krupps und Verfasser mit dem #" lehnt er ab.
[Show full text]
Dai Kraftwerk All'arte Contemporanea: Emil Schult L' “Andy Warhol Tedesco” a Palazzo Ducale
1 Dai Kraftwerk all’arte contemporanea: Emil Schult l’ “Andy Warhol tedesco” a Palazzo Ducale di Redazione 17 Luglio 2018 – 17:03 Genova. Uno dei padri fondatori della musica elettronica, e artista multimediale, Emil Schult, componente dei celebri Kraftwerk, sarà venerdì 20 luglio a palazzo Ducale, nella sala del Munizioniere, per presentare la sua performace Transhuman Art Critics con Emma Nilsson. L’appuntamento è alle 19e30. Transhuman Art Critics, già presentato in città come Berlino, Düsseldorf, Hagen, ad eventi come il Reading Fringe Festival (UK) e persino in Cina, è una prima assoluta in Italia. Esplora l’evoluzione della musica elettronica fino a fonderla in un percorso che unisce reperti archeologici e arte digitale. L’evento è a cura di Virginia Monteverde e Paolo Tarsi e organizzato da ART Commission Events e Anitya Records, in collaborazione con Goethe- Institut Genua, Acanto Publishing, Farmhouse Studio e Ventura Edizioni. Emil Schult (1946) è un artista visivo, poeta e musicista, il cui lavoro spazia da opere nello spirito di Fluxus fino a testi e copertine di dischi che hanno cambiato la storia del pop. Durante i suoi studi all’Accademia d’Arte di Düsseldorf si forma con Dieter Roth, Joseph Beuys e Gerhard Richter, personalità di grande rilievo che hanno sostenuto l’approccio poetico di Schult alle arti. Negli anni Settanta costruisce strumenti elettronici ed entra a far parte dei Kraftwerk, inizialmente come componente effettivo della band, in seguito come membro esterno. E’ anche tra gli autori di “Talk” dei Coldplay e ha creato artwork per album di culto quali “Autobahn”, “Radio-Activity” e “Trans-Europe Express”.
[Show full text]
Signumclassics
143booklet 23/9/08 13:15 Page 1 ALSO AVAILABLE on signumclassics Different Trains Time for Marimba Steve Reich Daniella Ganeva The Smith Quartet SIGCD057 SIGCD064 Signum Classics are proud to release the Smith Quartet’s debut Time for Marimba explores the 20-th century Japanese repertoire for disc on Signum Records - Different Trains. The disc contains three marimba including music by five pre-eminent post-war composers. of Steve Reich’s most inspiring works: Triple Quartet for three string quartets, Reich’s personal dedication to the late Yehudi Menuhin, Duet, and the haunting Different Trains for string quartet and electronic tape. Available through most record stores and at www.signumrecords.com For more information call +44 (0) 20 8997 4000 143booklet 23/9/08 13:15 Page 3 Electric Counterpoint Electric Counterpoint Steve Reich 1. I Fast [6.51] 2. II Slow [3.22] 3. III Fast [4.33] 4. Tour de France Kraftwerk [5.25] 5. Radioactivity Kraftwerk [5.57] 6. Pocket Calculator Kraftwerk [6.44] 7. Carbon Copy Joby Burgess & Matthew Fairclough [5.14] 8. Temazcal Javier Alvarez [8.05] 9. Audiotectonics III Matthew Fairclough [3.47] Total Timings [49.55] Video: Temazcal [8.09] Powerplant Joby Burgess percussion Matthew Fairclough sound design Kathy Hinde visual artist The Elysian Quartet www.signumrecords.com 143booklet 23/9/08 13:15 Page 5 Electric Counterpoint Tour de France improvising with flute, electric guitar, cello and Carbon Copy Steve Reich (1936-) Ralf Hutter (1946-), Florian Schneider (1947-) vibraphone as the then Organisation, they Joby Burgess (1976-) and Matthew Fairclough I Fast II Slow III Fast and Karl Bartos (1952-) explored the sounds of the modern industrial (1970-) world, setting up their own studio, Kling Klang, Joby Burgess xylosynth Radioactivity which remains at a secret location in Dusseldorf.
[Show full text]
Catalogue 234 Jonathan A
Catalogue 234 Jonathan A. Hill Bookseller Art Books, Artists’ Books, Book Arts and Bookworks New York City 2021 JONATHAN A. HILL BOOKSELLER 325 West End Avenue, Apt. 10 b New York, New York 10023-8143 home page: www.jonathanahill.com JONATHAN A. HILL mobile: 917-294-2678 e-mail: [email protected] MEGUMI K. HILL mobile: 917-860-4862 e-mail: [email protected] YOSHI HILL mobile: 646-420-4652 e-mail: [email protected] Further illustrations can be seen on our webpage. Member: International League of Antiquarian Booksellers, Antiquarian Booksellers’ Association of America We accept Master Card, Visa, and American Express. Terms are as usual: Any book returnable within ﬁve days of receipt, payment due within thirty days of receipt. Persons ordering for the ﬁrst time are requested to remit with order, or supply suitable trade references. Residents of New York State should include appropriate sales tax. COVER ILLUSTRATION: © 2020 The LeWitt Estate / Artists Rights Society (ARS), New York PRINTED IN CHINA 1. ART METROPOLE, bookseller. [From upper cover]: Catalogue No. 5 – Fall 1977: Featuring european Books by Artists. Black & white illus. (some full-page). 47 pp. Large 4to (277 x 205 mm.), pictorial wrap- pers, staple-bound. [Toronto: 1977]. $350.00 A rare and early catalogue issued by Art Metropole, the first large-scale distributors of artists’ books and publications in North America. This catalogue offers dozens of works by European artists such as Abramovic, Beuys, Boltanski, Broodthaers, Buren, Darboven, Dibbets, Ehrenberg, Fil- liou, Fulton, Graham, Rebecca Horn, Hansjörg Mayer, Merz, Nannucci, Polke, Maria Reiche, Rot, Schwitters, Spoerri, Lea Vergine, Vostell, etc.
[Show full text]
PRESS RELEASE the Guggenheim Museum Bilbao Will Host Eight
PRESS RELEASE The Guggenheim Museum Bilbao will host eight concerts of the German band Kraftwerk in October Between October 7 and 14, 2016 Kraftwerk will be presenting in the Guggenheim Museum Bilbao’s Atrium The Catalogue – 1 2 3 4 5 6 7 8, a series of concerts reviewing chronologically and in 3-D the career of the legendary German band Tickets will go on sale on February 9 Between October 7 and 14, 2016 the Guggenheim Museum Bilbao will host eight concerts of the German band Kraftwerk, which will mark the starting point for the celebrations of the Museum’s 20th anniversary. Over eight consecutive nights, the pioneering electronic music band will present The Catalogue – 1 2 3 4 5 6 7 8, a series of concerts that will explore chronologically the sound and visual experimentation of Kraftwerk, with spectacular visual and 3-D effects in the Museum’s Atrium. The Concerts Kraftwerk’s live concerts are a perfect synchronization between the audiovisual show, the purest digital sound, and 3-D screening. In a combination of sound and image, the band will perform more than four decades of musical and technological innovation, including new improvisations, 3-D screenings, and multimedia animations. Beginning with Autobahn and according to the chronological order of their publication, every night will be a tour of one of Kraftwerk’s studio albums that will also include additional compositions of their back catalog. The eight concerts will be as detailed below: Autobahn (1974) - October 7 Radio-Activity (1975) - October 8 Trans Europe Express (1977) - October 9 The Man-Machine (1978) - October 10 Computer World (1981) - October 11 Techno Pop (1986) - October 12 The Mix (1991) - October 13 Tour de France (2003) - October 14 Tickets Tickets can be purchased as from Tuesday, February 9, at 10 am through doctormusic.com, ticketmaster.es, Fnac, Carrefour Travel Agencies, Halcon Travel Agencies, other usual points of sell of Ticketmaster and by phone at 902 15 00 25.
[Show full text]
An Exhibition Organized by Diedrich Diederichsen & Christopher Müller
Cosmic Communities: Coming Out Into Outer Space – Homofuturism, Applied Psychedelia & Magic Connectivity an exhibition organized by Diedrich Diederichsen & Christopher Müller feat. Marcus Behmer, Stefan George, Rainer Werner Fassbinder, Hans Henny Jahnn, Lutz Bacher, Hans Kayser, Ludwig Gosewitz, Jordan Belson, Hapshash and the Coloured Coat, The Fool, Rogério Duarte, The Red Krayola/Mayo Thompson, Walter de Maria, Sigmar Polke, Emil Schult, Isaac Abrams, John McCracken, Pedro Bell, Kai Althoff, Henrik Olesen, Öyvind Fahlström, Karlheinz Stockhausen, Sun Ra, Hartmut Geerken, Albert Oehlen, Jack Goldstein, Jutta Koether, Isa Genzken, Palermo, John Coltrane, Tony Conrad 2 November 2017 – 13 January 2018 In General This exhibition looks at a constellation of historical phenomena that branched out and evolved in various directions. Artists who formulated strong, almost violent, and widely impactful and inspired claims, and who in this sense still bore out the myth of the artist hero, but did so always with the commanding need to form groups, families, or even monastic orders. They sought to change the world through artisanal disciplines, “life reform”-related practices and strict internal rules–yet always in connection with liberating or covertly liberating intentions. We begin with a phenomenon in German literature in the early twentieth century: male collectives, often but not always homosexual but usually homosocial in character, that were interested in aesthetically and often magically based alternative world orders. Among these, we are here primarily addressing the special cases in which the supposed cosmic laws, the musical and mathematical harmonies of planetary orbits, and the numerical ratios that can be found in both nature and music serve as justifications for recasting interpersonal, societal, but also sexual relationships.
[Show full text]
Sendezeit: 06:46 Uhr Titel: Schrei Nach Liebe Best-Nr.: 108934-2
Sendezeit: 06:46 Uhr Titel: Schrei nach Liebe Best-Nr.: 108934-2 Album: Rock'n'Roll Realschule - Unplugged Länge: 03:54 Min Label: HOT ACTION RECORDS Interpret: Die Ärzte Ensemble: Die Ärzte ; Felsenheimer, Bela B. (voc,dr) ; Gonzáles, Rodrigo (voc,b) ; Urlaub, Farin (voc,acg) ; Markus Passlick (perc)(zusätzlich); u.a. (zusätzlich) Komponist: Bela B. Felsenheimer (1964-); Farin Urlaub (1964-) Textdichter: Bela B. Felsenheimer (1964-); Farin Urlaub (1964-) Sendezeit: 06:42 Uhr Titel: Mein Kind Best-Nr.: 0886443340268 Album: Mein Kind Länge: 04:41 Min Label: COLUMBIA Interpret: Max Prosa Solist: Max Prosa (voc,g) Komponist: Max Prosa Textdichter: Max Prosa Sendezeit: 06:38 Uhr Titel: Violent Eyes Best-Nr.: RAR23751 Album: Fortune, Shelter, Love and Cure Länge: 03:49 Min Label: Industrietonträger ohne LC Interpret: Suns of Thyme Komponist: Suns of Thyme Sendezeit: 06:25 Uhr Titel: Karl-Marx-Stadt Best-Nr.: 2778414 Album: Mit K Länge: 03:14 Min Label: VERTIGO BERLIN Interpret: Kraftklub Ensemble: Kraftklub ; Brummer, Felix ; Schumann, Karl ; Israel, Steffen ; Brummer, Till ; Marschk, Max ; u.a. Komponist: Karl Schumann ; Till Brummer ; Max Marschk ; Steffen Israel Textdichter: Felix Brummer ; Karl Schumann Sendezeit: 06:09 Uhr Titel: Das hat die Welt noch nicht gesehen Best-Nr.: 5315937 Album: Liebe ist ..., Vol. 6 Länge: 05:20 Min Label: Polystar Interpret: Söhne Mannheims Ensemble: Söhne Mannheims Komponist: Michael Herberger ; Xavier Naidoo (1971-) Textdichter: Tino Oechsler ; Henning Wehland (1971-); Marlon James ; Xavier Naidoo (1971-)
[Show full text]
Metal Machine Music: Technology, Noise, and Modernism in Industrial Music 1975-1996
SSStttooonnnyyy BBBrrrooooookkk UUUnnniiivvveeerrrsssiiitttyyy The official electronic file of this thesis or dissertation is maintained by the University Libraries on behalf of The Graduate School at Stony Brook University. ©©© AAAllllll RRRiiiggghhhtttsss RRReeessseeerrrvvveeeddd bbbyyy AAAuuuttthhhooorrr... Metal Machine Music: Technology, Noise, and Modernism in Industrial Music 1975-1996 A Dissertation Presented by Jason James Hanley to The Graduate School in Partial Fulfillment of the Requirements for the Degree of Doctor of Philsophy in Music (Music History) Stony Brook University August 2011 Copyright by Jason James Hanley 2011 Stony Brook University The Graduate School Jason James Hanley We, the dissertation committee for the above candidate for the Doctor of Philosophy degree, hereby recommend acceptance of this dissertation. Judith Lochhead – Dissertation Advisor Professor, Department of Music Peter Winkler - Chairperson of Defense Professor, Department of Music Joseph Auner Professor, Department of Music David Brackett Professor, Department of Music McGill University This dissertation is accepted by the Graduate School Lawrence Martin Dean of the Graduate School ii Abstract of the Dissertation Metal Machine Music: Technology, Noise, and Modernism in Industrial Music 1975-1996 by Jason James Hanley Doctor of Philosophy in Music (Music History) Stony Brook University 2011 The British band Throbbing Gristle first used the term Industrial in the mid-1970s to describe the intense noise of their music while simultaneously tapping into a related set of aesthetics and ideas connected to early twentieth century modernist movements including a strong sense of history and an intense self-consciousness. This model was expanded upon by musicians in England and Germany during the late-1970s who developed the popular music style called Industrial as a fusion of experimental popular music sounds, performance art theatricality, and avant-garde composition.
[Show full text]
God, Improv & the Art of Living
God, Improv & The Art of Living – Say Yes Week Two - June 13th, 2021 PRIDE Celebration “Several Circles, 1926” Artwork by: Wassily Kandinsky 540 S. Commonwealth Avenue, Los Angeles, California 90020 Telephone 213.385.1341 – www.FCCLA.org The Gathering of the People First Congregational Church of Los Angeles is a safe place for all people, and we celebrate our diversity of race, creed, gender, religion, cultural background, sexual orientation, gender identities and expressions...We extend a warm welcome to all this morning and especially those who are worshiping with us for the first time. Your presence both enriches us and this time of celebration together ~ Prelude on the Great Organs Christoph Bull When Bach met Kraftwerk: Autobahn-Toccata (Johann Sebastian Bach, Ralf Hütter, Florian Schneider, Emil Schult; arr. C. Bull) Fugue in F Major, BWV 540/2 (Johann Sebastian Bach) What's Going On (Al Cleveland, Renaldo Benson, Marvin Gaye) Over The Rainbow (Harold Arlen, E.Y. Harburg; arr. C. Bull) Welcome Rev. Laura Vail Fregin Chiming of the Hour Words of Gathering Thomas Zamora & Raul Rojas We come together in a rainbow of hope and love. We come together filled with eXcitement for the new world we are creating. In this virtual place, with open arms, with pride and Joy, we celebrate our diversity of race, creed, gender, religion, cultural backgrounds, seXual orientations and gender identities and eXpressions! Gay, lesbian, biseXual, transgender, queer, questioning, same-gender loving, Straight, cis, old, young, disabled, athletes, people with questions, and those who know all the answers – are welcome here! No one is eXcluded from this place of grace and goodness.
[Show full text]
Radiohead Meet the Media with Hail to the Thief
not only a label... producers, arrangers, composers, musicians. JUNE 7, 2003 Volume 21, Issue 24 £3.95 Masic euros 6.5 nicolosi productions 1,,,,A.nicolosiproduction,con Media®we 11J to rya dio M&M chart toppers this week 10 FM disappears in 'Zero First electronic Eurochart Hot 100 Singles ratings results 50 CENT Base' radio auction drama In Da Club by Cesco van Gool applicants either awarding-or denying published in UK (Interscope) them-the much sought-after terrestri- by Jon Heasman European Top 100 Albums HILVERSUM - National AC/Gold sta-al FM and AM frequency packages they EVANESCENCE tion Radio 10 FM disappeared fromhad bid for. Less than a week later, on LONDON - Music radio stations could fare less well than their speech -based Fallen Holland's terrestrial air- June 1, existing stations waves on June 1 after 15 which had secured new counterparts in the ratings under elec- (Wind Up/Epic) RADI010FM years following a dramat- licences had to move to tronic, rather than diary -based, audi- OOTSTE HITS European Radio Top 50 ic conclusion to the coun- their new positions on ence measurement systems. ROBBIE WILLIAMS try's controversial frequency allocationthe dial, while the same day existing That appears to be one of the tenta- Come Undone process-so-called "Zero Base"-on stations who had failed to win frequen- tive conclusions from the first set of (Chrysalis) May 26. cies, such as Radio 10 FM and AM out- unofficial UK radio ratings to be pub- Rupert Murdoch's Sky Radio and let Arrow Classic Rock, were ordered to lished by Nuremberg -based research European Dance Traxx RTL's Holland Media Group (HMG) cease their terrestrial transmissions.
[Show full text]
„Computer Für Das Eigenheim“ „Kraftwerks“ Musikalische Vision Eines Elektronischen Lebensstils (1981)
„Computer für das Eigenheim“ „Kraftwerks“ musikalische Vision eines elektronischen Lebensstils (1981) Andreas Greger Kraftwerk, Computerwelt, Text und Musik: Karl Bartos, Emil Schult, Ralf Hütter, Florian Schneider (1981). „There is no reason for any individual to have a computer in his home.“ Diese Einschätzung Kenneth H. Olsens, seinerzeit Präsident der Digital Equipment Corporation (lange eine der führenden amerikanischen Computerfirmen), stammt aus dem Jahr 1977. Die gesellschaftliche Vorstellung von Computern war damals eng mit Großrechnern verknüpft, die lediglich durch Spezialisten bedient werden konnten. Dieses Paradigma stellten Spielekonsolen wie „Pong“ von Atari allerdings bereits 1975 in Frage. Andere Branchengrößen wie IBM hatten weiterhin Bedenken, ob die Leistung der Großrechner auf einem Schreib- tisch Platz finden könne. Unternehmen wie Commodore oder Apple bewiesen ab 1977, dass dies möglich war, indem sie kompakte, sofort nach dem Kauf verwendbare Rechner auf den Markt brachten und sich somit an die Spitze Zeithistorische Forschungen/Studies in Contemporary History 9 (2012), S. 340-345 © Vandenhoeck & Ruprecht GmbH & Co. KG, Göttingen 2012 ISSN 1612–6033 „Computer für das Eigenheim“ 341 der Computerhersteller katapultierten. Sie setzten damit eine Entwicklung in Gang, die sich zu Beginn der 1980er-Jahre beschleunigte: IBM definierte mit dem „IBM PC 5150“ ab 1981 einen Standard im Bereich der Heimcomputer. Sony und Philips brachten die Digitalisierung im Audiobereich voran und leg- ten die technischen Spezifikationen für die Compact Disc fest.1 Im Jahr 1979 beschäftigte der Gedanke der Digitalisierung auch vier Düssel- dorfer Musiker, die sich besonders ab Mitte der 1970er-Jahre in eine themati- sche und musikalische Vorreiterposition gebracht hatten. Die Gruppe „Kraft- werk“, die 1970 aus der zwei Jahre zuvor gegründeten Gruppe „Organisation“ hervorgegangen war, hatte zu Beginn der 1970er-Jahre Alben veröffentlicht, die mit konventioneller Instrumentierung wie Schlagzeug, Violine und Flöte einge- spielt waren.
[Show full text]