Monday Night Dramas
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Bohemian Rhapsody a Peter Jsme Se Bohužel Nikdy Nesetkali,“ Pro- Ců, Který Dodnes Žije V Srdcích Tolika Lidí
Rudý Speciál 1 Je důležité míti film! Ano, je. A jsem šťastný, že mohu říct: Máme lidmi, kteří se o muziku zajímají, ale i mezi geniální hudba Queen stále funguje a líbí se. krát čistě zásluhou filmu Bohemian Rhapso- film a je skvělý! Dlouho jsme film neměli, generací, která do kina prakticky necho- Buďme za to vděční. Vděčni Queen a filmu. dy. Naší snahou bylo přinést kompletní a ob- nedá se říct, že nám chyběl, ale tak nějak dí. Nadšená reakce mojí mámy, která byla jektivní informace o přípravách, natáčení byla škoda, že není. Máme film, ke kterému v kině naposledy snad na Troškově Slunce Když jsem při psaní tohoto časopisu a vyhle- a ohlasech na film. Zvláštní dilema bylo, jak můžeme mít výhrady, ale rozhodně se nám seno, že „Freddie je boží“, mluví za vše. Zájem dávání informací postupoval víc do hloubky se postavit k osobě režiséra Bryana Singera, líbí! Máme film, na který jsme dlouho čeka- o skupinu je neuvěřitelný. Queen se prodrali a odkrýval pozadí natáčení a jeho příprav, který film nedokončil a následně byl produ- li, a naše očekávání byla různá. Máme film, do současných hitparád. Teenageři je hltají. žasl jsem. S jakými detaily si filmaři dokázali centy, ale i Brianem a Rogerem, od svého který je neskutečně úspěšný a rozpoutal fan- Ovládli i Spotify! Mainstreamová média se vyhrát, jak velmi zodpovědně řešili každou díla zcela odstřižen. Lze jen spekulovat, co tastickou queenmánii. Máme film, který, jak snaží na zájmu přiživit a tak trochu z vody scénu, aby odpovídala skutečnosti. To mě bylo skutečnou příčinou, zda-li nenadálé to tak vypadá, se stane sám o sobě součástí vaří reportáže, jen aby zaznělo magické na filmu fascinuje. -
King Lear − Learning Pack
King Lear − Learning Pack Contents About This Pack ................................................................1 Background Information ..................................................2 Teaching Information ........................................................3 Adaptation Details & Plot Synopsis..................................5 Find Out More...................................................................12 1 King Lear − Learning Pack About This learning pack supports the Donmar Warehouse production of King Lear, directed by Michael Grandage, which opened on 7th December 2010 in London. Our packs are designed to support viewing the recording on the National Theatre Collection. This pack provides links to the UK school curriculum and other productions in the Collection. It also has a plot synopsis with timecodes to allow you to jump to specific sections of the play. 1 King Lear − Learning Pack Background Information Recording Date – 3rd February, 2011 Location – Donmar Warehouse, London Age Recommendation – 12+ Cast Earl of Kent .................................................. Michael Hadley Early of Gloucester ...........................................Paul Jesson Edmund ...........................................................Alec Newman King Lear ......................................................... Derek Jacobi Goneril................................................................Gina McKee Regan ............................................................Justine Mitchell Cordelia .............................................Pippa -
Shakespeare on Film, Video & Stage
William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994. -
To Download The
Las Cruces Transportation July 9 - 15, 2021 YOUR RIDE. YOUR WAY. Las Cruces Shuttle – Taxi Charter – Courier Veteran Owned and Operated Since 1985. Cecily Strong and Keegan-Michael Key star in “Schmigadoon!,” premiering Friday on Apple TV+. Call us to make a reservation today! We are Covid-19 Safe-Practice Compliant Call us at 800-288-1784 or for more details 2 x 5.5” ad visit www.lascrucesshuttle.com PHARMACY Providing local, full-service pharmacy needs for all types of facilities. • Assisted Living • Hospice • Long-term care • DD Waiver • Skilled Nursing and more It’s singing! It’s dancing! Call us today! 575-288-1412 Ask your provider if they utilize the many benefits of XR Innovations, such as: Blister or multi-dose packaging, OTC’s & FREE Delivery. It’s ‘Schmigadoon!’ Learn more about what we do at www.rxinnovationslc.net2 x 4” ad 2 Your Bulletin TV & Entertainment pullout section July 9 - 15, 2021 What’s Available NOW On “The Mighty Ones” “Movie: Exit Plan” “McCartney 3,2,1” “This Way Up” This co-production of Germany, Denmark and Paul McCartney is among the executive A flood, a home makeover and a new feathery The second season of this British comedy from Norway stars Nicolaj Coster-Waldau (“Game of producers of this six-episode documentary friend are ahead for offbeat pals Rocksy, Twig, writer, creator and star Aisling Bea finds her Thrones”) as Max, an insurance adjuster in the series that features intimate and revealing Leaf and Very Berry in their unkempt backyard character of Aine getting back up to speed midst of an existential crisis, who checks into a examinations of musical history from two living domain as this animated comedy returns for following her nervous breakdown, leaving rehab secret hotel that specializes in elaborate assisted legends — McCartney and acclaimed producer its second season. -
Polly Bennett Movement Director and Choreographer
Polly Bennett Movement Director and Choreographer www.pollybennettmovement.com Theatre Credits: PETER GYNT Jonathan Kent National Theatre RUTHERFORD AND SON Polly Findlay National Theatre VENICE PRESERVED Prasanna Puwanarajah Royal Shakespeare Company SWEAT Lynette Linton Donmar / West End WHITE TEETH Indhu Rubasingham Kiln MAYDAYS Owen Horsley Royal Shakespeare Company THE VILLAGE Nadia Fall Stratford East THE LEHMAN TRILOGY Sam Mendes National Theatre, West End and Broadway AS YOU LIKE IT Max Webster Regent’s Park Open Air Theatre THE INHERITANCE Stephen Daldry Young Vic THE GREAT WAVE Indu Rubasingham National Theatre NIGHTSCHOOL Edward Stambollouian Harold Pinter Theatre CIRCLE MIRROR TRANSFORMATION Bijan Sheibani HOME Manchester TELL ME THE TRUTH ABOUT LOVE Bijan Sheibani Sage Theatre, Newcastle SALOME Owen Horsley RSC TOUCH Vicky Jones Soho Theatre TRIBES Kate Hewitt Sheffield Crucible WOYZECK Joe Murphy Old Vic JUNKYARD Jeremy Herrin Bristol Old Vic Rose Theatre, Kingston Clwyd Theatr Cymru TRAVESTIES Patrick Marber Menier Chocolate Factory West End, Apollo Theatre Roundabout Theatre, New York HENRY V Owen Horsley Shanghai Dramatic Arts Centre A STREETCAR NAMED DESIRE Sarah Frankcom Royal Exchange Theatre BLUSH Edward Stambollouian Underbelly, Soho Theatre THE DEEP BLUE SEA Carrie Cracknell National Theatre DOCTOR FAUSTUS Jamie Lloyd Duke of York's Theatre PEOPLE, PLACES AND THINGS Jeremy Herrin National Theatre St Ann’s Warehouse, off-Broadway Wyndhams Theatre THE MAIDS Jamie Lloyd Trafalgar Studios A MIDSUMMER NIGHT'S DREAM Erica -
Theater in England Syllabus 2010
English 252: Theatre in England 2010-2011 * [Optional events — seen by some] Monday December 27 *2:00 p.m. Sleeping Beauty. Dir. Fenton Gay. Sponsored by Robinsons. Cast: Brian Blessed (Star billing), Sophie Isaacs (Beauty), Jon Robyn (Prince), Tim Vine (Joker). Richmond Theatre *7:30 p.m. Mike Kenny. The Railway Children (2010). Dir. Damian Cruden. Music by Christopher Madin. Sound: Craig Veer. Lighting: Richard G. Jones. Design: Joanna Scotcher. Based on E. Nesbit’s popular novel of 1906, adapted by Mike Kenny. A York Theatre Royal Production, first performed in the York th National Railway Museum. [Staged to coincide with the 40 anniversary of the 1970 film of the same name, dir. Lionel Jefferies, starring Dinah Sheridan, Bernard Cribbins, and Jenny Agutter.] Cast: Caroline Harker (Mother), Marshall Lancaster (Mr Perks, railway porter), David Baron (Old Gentleman/ Policeman), Nicholas Bishop (Peter), Louisa Clein (Phyllis), Elizabeth Keates Mrs. Perks/Between Maid), Steven Kynman (Jim, the District Superintendent), Roger May (Father/Doctor/Rail man), Blair Plant(Mr. Szchepansky/Butler/ Policeman), Amanda Prior Mrs. Viney/Cook), Sarah Quintrell (Roberta), Grace Rowe (Walking Cover), Matt Rattle (Walking Cover). [The production transforms the platforms and disused railway track to tell the story of Bobby, Peter, and Phyllis, three children whose lives change dramatically when their father is mysteriously taken away. They move from London to a cottage in rural Yorkshire where they befriend the local railway porter and embark on a magical journey of discovery, friendship, and adventure. The show is given a touch of pizzazz with the use of a period stream train borrowed from the National Railway Museum and the Gentlemen’s saloon carriage from the famous film adaptation.] Waterloo Station Theatre (Eurostar Terminal) Tuesday December 28 *1:45 p.m. -
Annual Report 2010–2011 Annual Report 2010–2011 ‘…The National Theatre Must… Bulk Large in the Social and Intellectual Life of London
National Theatre Theatre National Annual Report 2010–2011 Report Annual Annual Report 2010–2011 ‘…theNationalTheatremust…bulklargeinthesocial andintellectuallifeofLondon...Itmustnotevenhave theairofappealingtoaspeciallyliteraryandculturedclass. Itmustbevisiblyandunmistakablyapopularinstitution, makingalargeappealtothewholecommunity. ItwillbeseenthattheTheatreweproposewouldbe aNationalTheatreinthissense,thatitwouldbefrom thefirstconditionally–and,intheeventofsuccess, wouldbecomeabsolutely–thepropertyofthenation.’ Preface(1904)to A National Theatre: Scheme and Estimates byWilliamArcherandHarleyGranvilleBarker,London1907 ‘It’sagreattimetobeanationaltheatre,andtorisetothe challengeoflivinguptoourname.Wewanttotellthestories thatchartthewaythenationischanging.Wewanttobring front-linereportsfromnewcommunitiesandgenerations, andwewanttoseethepresentredefinedinthecontext ofthepast.’ NicholasHytner,DirectoroftheNationalTheatre,2010 Annual Report For the 52 weeks ended 27 March 2011 03 Board and Advisers 05 Purpose, Vision and Objectives 06 John Makinson, Chairman 09 Nicholas Hytner, Director 10 Introduction 12 National Theatre Future 16 Artistic Review 19 National Theatre Productions 2010–11 23 Awards 24 NT Studio 26 Audiences 29 National Theatre Live 30 Public Engagement 34 NT Learning 38 Digital Innovation 41 Leadership 42 Sustainability 44 Development and Fundraising 46 Supporters 2010-11 56 Performers 2010-11 59 NT Associates and Committee Membership 60 NT Heads of Department; photograph captions In this document, The Royal National Theatre -
Movies That Will Get You in the Holiday Spirit
Act of Violence 556 Crime Drama A Adriana Trigiani’s Very Valentine crippled World War II veteran stalks a Romance A woman tries to save her contractor whose prison-camp betrayal family’s wedding shoe business that is caused a massacre. Van Heflin, Robert teetering on the brink of financial col- Alfred Molina, Jason Isaacs. (1:50) ’11 Ryan, Janet Leigh, Mary Astor. (NR, 1:22) lapse. Kelen Coleman, Jacqueline Bisset, 9 A EPIX2 381 Feb. 8 2:20p, EPIXHIT 382 ’49 TCM 132 Feb. 9 10:30a Liam McIntyre, Paolo Bernardini. (2:00) 56 ’19 LIFE 108 Feb. 14 10a Abducted Action A war hero Feb. 15 9a Action Point Comedy D.C. is the takes matters into his own hands About a Boy 555 Comedy-Drama An crackpot owner of a low-rent amusement Adventures in Love & Babysitting A park where the rides are designed with Romance-Comedy Forced to baby- when a kidnapper snatches his irresponsible playboy becomes emotion- minimum safety for maximum fun. When a sit with her college nemesis, a young young daughter during a home invasion. ally attached to a woman’s 12-year-old corporate mega-park opens nearby, D.C. woman starts to see the man in a new Scout Taylor-Compton, Daniel Joseph, son. Hugh Grant, Toni Collette, Rachel Weisz, Nicholas Hoult. (PG-13, 1:40) ’02 and his loony crew of misfits must pull light. Tammin Sursok, Travis Van Winkle, Michael Urie, Najarra Townsend. (NR, out all the stops to try and save the day. Tiffany Hines, Stephen Boss. (2:00) ’15 1:50) ’20 SHOX-E 322 Feb. -
Oedipus by Sophocles in a New Version by Frank Mcguinness
Oedipus by Sophocles in a new version by Frank McGuinness The National’s production 2 Synopsis of Oedipus 3 Sophocles – The Man and his Work 4 Ancient Greece 6 Theatre 6 The Origins of Greek Theatre 6 Theatre in the Athenian Golden Age 6 Tragedy 7 Comedy 8 Religion 9 The Growth of Democracy 10 History Timeline 11 Map of Ancient Greece 12 Creating Oedipus 13 Interview with Derek Barnes (Musical Director on Oedipus and member of the Chorus) and Christopher Saul (member of the Chorus) 13 Interview with Denni Sayers (Movement Director) 15 Interview with Jonathan Kent 17 Photo (Ralph Fiennes) by Jillian Edelstein Further Exploratory Tasks and Exercises 19 Bibliography and Further Reading 21 Further production details: This workpack is published Director NT Education Workpack writer nationaltheatre.org.uk by and copyright The Royal Jonathan Kent National Theatre Elly Green National Theatre Board South Bank Reg. No. 1247285 London SE1 9PX Editor Registered Charity No. T 020 7452 3388 Alice Massey 224223 F 020 7452 3380 Views expressed in this E educationenquiries@ Design workpack are not necessarily nationaltheatre.org.uk Rosanne Liu those of the National Theatre Clare Parker Sources for some of the dates Photographs given in this workpack differ. Jillian Edelstein In each case the most likely Catherine Ashmore date has been chosen, given the available evidence discover: National Theatre Workpack 1 The National’s production This production of Oedipus had its premiere at the National’s Olivier Theatre on 15 October 2008 Characters, in order of speaking Oedipus . .RALPH FIennes Priest. DAVID BURKE Director. JOnatHan Kent Creon . -
Barnhart, Nelson to Reassess Internal Housing Processes Administrators Have Started to Meet with Residence Hall Leadership
WEATHER, p. 2 MIT’s Oldest and THU: 57°F | 53°F Largest Newspaper Showers FRI: 65°F | 59°F Rain thetech.com SAT: 65°F | 42°F Showers Established 1881 Volume 138, Number 26 ursday, November 1, 2018 Barnhart, Nelson to reassess internal housing processes Administrators have started to meet with residence hall leadership By Patrick Wahl hart and Nelson began conducting EXECUTIVE EDITOR meetings with residence hall presi- dents Oct. , and will attend the Chancellor Cynthia Barnhart DormCon meeting tonight to dis- PhD ’ and Vice President and cuss their ndings. Dean for Student Life Suzy Nelson In an email sent to house presi- have initiated a year-long process dents Oct. , Nelson pointed to to assess and possibly amend the “negative aspects” of current hous- move-in and housing lottery sys- ing lotteries such as “rejection for tems of living groups across campus. some due to house ‘rush’” and asked e process will involve gather- the presidents to consider how the ing input from stakeholders includ- housing selection process can be ing the Undergraduate Association, used to “a rm MIT’s values on di- Dormitory Council, house presi- versity.” She wrote that over the dents, and heads of house, Matt course of the fall, “houses will think NYSSA MILLER Bauer, director of communications creatively about ways to redesign Students attend the vigil organized at the steps of the Student Center yesterday in the wake of the for the Division of Student Life, mass shooting at the Tree of Life Synagogue in Pittsburgh, Pa. wrote in an email to e T e c h . -
The Guildhall School of Music & Drama
Guildhall School Guide for prospective students Acting | Music | Technical Theatre www.gsmd.ac.uk Prepare for Peak Performance... This guide was published in May 2013 and is intended to provide general information only concerning the Guildhall School of Music & Drama. Full and up-to-date details on all programmes and services are available on the School’s website: www.gsmd.ac.uk All programmes validated The School aims to promote equality of opportunity by City University, London through educational provision so that no student or prospective student receives less favourable treatment than another on the grounds of age, gender, marital status, colour, ethnic origin, sexual orientation, disability, political or religious belief. 2 To find out more visit www.gsmd.ac.uk Acting p10 www.gsmd.ac.uk/acting Music p26 www.gsmd.ac.uk/music Technical Theatre p64 3 www.gsmd.ac.uk/technical_theatre Distinctive excellence... The modern Guildhall School is distinctive in being the only major European conservatoire which is both a music school and a drama school, and one which is pre-eminent in technical theatre, professional development and music therapy. The reputation of the teaching, and increasingly the research, across all disciplines in the School is unrivalled. Students experience working in a professional context to professional standards with an exemplary pool of outstanding artists who work with us as directors, conductors, coaches and tutors. The School’s alumni consistently succeed at the highest levels of their chosen profession. New or recently refurbished state-of-the-art facilities, including two concert halls, three theatres, spacious practice, teaching and living spaces, support and enhance the unique Guildhall experience. -
King Lear Synopsis
Study Guide for Written by Dominic Francis, Sophie Watkiss, Rosie Dalling, and Roisin McBrinn Edited by Rosie Dalling Rehearsal photography by Marc Brenner Production photography by Johan Persson This programme has been made possible by the generous support of Ruth Finch and Harold Hyam Wingate Foundation 1 Contents Section 1 Cast and Creative Team Section 2 Context Introduction to William Shakespeare Context to King Lear Plot Summary Section 3 Inside the production process The concept for the production An interview with Designer, Christopher Oram Interviews with the cast The rehearsal process Section 4 KING LEAR in performance Practical exercises based on extracts from the play Section 5 Ideas for further study Bibliography Endnotes 2 section 1 Cast and Creative Team Cast Michael Hadley Paul Jesson Alec Newman Derek Jacobi Earl of Kent Earl of Gloucester Edmund King Lear Gina McKee Justine Mitchell Pippa Bennett Tom Beard Goneril Regan Warner – Cordelia Duke of Albany Gideon Turner Stefano Braschi Ashley Zhangazha Gwilym Lee Duke of Cornwall Duke of Burgandy King of France Edgar Amit Shah Ron Cook Harry Attwell Derek Hutchinson Oswald The Fool Gentleman Old Servant 3 Creative Team MICHAEL GRANDAGE Director Michael is Artistic Director of the Donmar. For the Donmar: Red (Also New York – Tony Award), Hamlet (also Elsinore/New York), Madame de Sade, Twelfth Night, Ivanov – 2008 Critics’ Circle Award for Best Director (shared with The Chalk Garden) & 2008 Evening Standard Award for Best Director (shared with The Chalk Garden & Othello),