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Lost Prince Pack Latest
Miranda Richardson Miranda Richardson Miranda Richardson portrays Queen Mary, the Stranger,The Crying Game, Enchanted April, Damage, emotionally repressed mother of Prince John.A Empire Of The Sun,The Apostle and Spider (Official fundamentally inhibited character, she is a loving Selection, Cannes 2002), as well as the mother but has great difficulty communicating with unforgettable Queenie in the BBC’s Blackadder. She her son. says:“Mary had an absolute belief in the idea of duty. She thought that her husband’s word was the The actress, one of Britain’s most gifted screen law and believed in the divine right of kings. performers, immersed herself in research for the Although that view seems old-fashioned to us now, role and emerged with a clearer, more sympathetic she thought it could not be questioned. Ultimately, I idea about this often-maligned monarch. think this film understands Mary. It portrays her most sympathetically.” ‘’When people hear I’m playing Mary, they say, ‘Wasn’t she a dragon?’ But I’ve learnt from my For all that, Mary’s rigid adherence to the research that she wasn’t just a crabby old bag. She Edwardian code of ethics created a barrier may never have laughed in public, but that was between her and her independent-minded son, because she was shy. She felt she wasn’t able to Johnnie.“She loved him as fully as she could,” express her emotions in public.” Richardson reflects.“She knew that he was a free spirit who was able to be himself. Mary could never Miranda has gained a towering reputation for a be herself because she was always so serious, number of films, including Tom And Viv, Dance With A dedicated, dutiful and aware of her destiny. -
BFI Film Fund
BFI FILM FUND FILMS 2013/14 20,000 DAYS ON EARTH 45 YEARS ’71 ALAN PARTRIDGE: ALPHA PAPA BELLE BROKEN BROOKLYN BYPASS CATCH 05 ME DADDY CALVARY THE COMEDIAN CUBAN FURY DARK HORSE THE DOUBLE THE DUKE OF BURGUNDY ELECTRICITY EXHIBITION THE FALLING FRANK FOR ISSUE 1 THOSE IN PERIL GET SANTA GONE TOO FAR THE GOOB SPRING/SUMMER 2014 HALF OF A YELLOW SUN HOW I LIVE NOW HYENA 06 04 MIKE LEIGH INREALLIFE THE INVISIBLE WOMAN JIMMY’S HALL THE On Cannes and filmmaking 05 STEPHEN BERESFORD AND LAST DAYS ON MARS THE LAST PASSENGER THE LOUISE OSMOND LOBSTER LE WEEK-END MISTER JOHN MR. TURNER Bringing real life to the big screen ROBOT OVERLORDS A PERVERT’S GUIDE TO IDEOLOGY 06 PETER STRICKLAND On experience, insecurity and PHILOMENA PRIDE QUEEN & COUNTRY REMAINDER THE not knowing 08 RIOT CLUB SECOND COMING THE SELFISH GIANT SHELL 08 DREAM WORLD SLOW WEST SPIKE ISLAND THE SPIRIT OF ’45 A STORY Creating Carol Morley’s The Falling 10 HOME SWEET HOME OF CHILDREN & FILM THE STUART HALL PROJECT Filmmaking outside the big smoke SUFFRAGETTE SUNSET SONG SUNSHINE ON LEITH UNDER THE SKIN WELCOME TO THE PUNCH X PLUS Y 10 CoveR image: CaRol moRley, Photo By Paul maRC mitChell BFI Film Fund Welcome... to the first edition of BFI Film Fund Filmmakers, an up close and personal look at a number of filmmakers who have recently been As the largest public film fund in the UK, the BFI Lottery Film Fund develops, supports and supported by the BFI Film Fund, and films that are just coming into view. -
THE MODERATE SOPRANO Glyndebourne’S Original Love Story by David Hare Directed by Jeremy Herrin
PRESS RELEASE IMAGES CAN BE DOWNLOADED HERE Twitter | @ModerateSoprano Facebook | @TheModerateSoprano Website | www.themoderatesoprano.com Playful Productions presents Hampstead Theatre’s THE MODERATE SOPRANO Glyndebourne’s Original Love Story By David Hare Directed by Jeremy Herrin LAST CHANCE TO SEE DAVID HARE’S THE MODERATE SOPRANO AS CRITICALLY ACCLAIMED WEST END PRODUCTION ENTERS ITS FINAL FIVE WEEKS AT THE DUKE OF YORK’S THEATRE. STARRING OLIVIER AWARD WINNING ROGER ALLAM AND NANCY CARROLL AS GLYNDEBOURNE FOUNDER JOHN CHRISTIE AND HIS WIFE AUDREY MILDMAY. STRICTLY LIMITED RUN MUST END SATURDAY 30 JUNE. Audiences have just five weeks left to see David Hare’s critically acclaimed new play The Moderate Soprano, about the love story at the heart of the foundation of Glyndebourne, directed by Jeremy Herrin and starring Olivier Award winners Roger Allam and Nancy Carroll. The production enters its final weeks at the Duke of York’s Theatre where it must end a strictly limited season on Saturday 30 June. The previously untold story of an English eccentric, a young soprano and three refugees from Germany who together established Glyndebourne, one of England’s best loved cultural institutions, has garnered public and critical acclaim alike. The production has been embraced by the Christie family who continue to be involved with the running of Glyndebourne, 84 years after its launch. Executive Director Gus Christie attended the West End opening with his family and praised the portrayal of his grandfather John Christie who founded one of the most successful opera houses in the world. First seen in a sold out run at Hampstead Theatre in 2015, the new production opened in the West End this spring, with Roger Allam and Nancy Carroll reprising their original roles as Glyndebourne founder John Christie and soprano Audrey Mildmay. -
Bohemian Rhapsody a Peter Jsme Se Bohužel Nikdy Nesetkali,“ Pro- Ců, Který Dodnes Žije V Srdcích Tolika Lidí
Rudý Speciál 1 Je důležité míti film! Ano, je. A jsem šťastný, že mohu říct: Máme lidmi, kteří se o muziku zajímají, ale i mezi geniální hudba Queen stále funguje a líbí se. krát čistě zásluhou filmu Bohemian Rhapso- film a je skvělý! Dlouho jsme film neměli, generací, která do kina prakticky necho- Buďme za to vděční. Vděčni Queen a filmu. dy. Naší snahou bylo přinést kompletní a ob- nedá se říct, že nám chyběl, ale tak nějak dí. Nadšená reakce mojí mámy, která byla jektivní informace o přípravách, natáčení byla škoda, že není. Máme film, ke kterému v kině naposledy snad na Troškově Slunce Když jsem při psaní tohoto časopisu a vyhle- a ohlasech na film. Zvláštní dilema bylo, jak můžeme mít výhrady, ale rozhodně se nám seno, že „Freddie je boží“, mluví za vše. Zájem dávání informací postupoval víc do hloubky se postavit k osobě režiséra Bryana Singera, líbí! Máme film, na který jsme dlouho čeka- o skupinu je neuvěřitelný. Queen se prodrali a odkrýval pozadí natáčení a jeho příprav, který film nedokončil a následně byl produ- li, a naše očekávání byla různá. Máme film, do současných hitparád. Teenageři je hltají. žasl jsem. S jakými detaily si filmaři dokázali centy, ale i Brianem a Rogerem, od svého který je neskutečně úspěšný a rozpoutal fan- Ovládli i Spotify! Mainstreamová média se vyhrát, jak velmi zodpovědně řešili každou díla zcela odstřižen. Lze jen spekulovat, co tastickou queenmánii. Máme film, který, jak snaží na zájmu přiživit a tak trochu z vody scénu, aby odpovídala skutečnosti. To mě bylo skutečnou příčinou, zda-li nenadálé to tak vypadá, se stane sám o sobě součástí vaří reportáže, jen aby zaznělo magické na filmu fascinuje. -
THE MODERATE SOPRANO Glyndebourne’S Original Love Story by David Hare Directed by Jeremy Herrin
PRESS RELEASE IMAGES CAN BE DOWNLOADED HERE Twitter | @ModerateSoprano Facebook | @TheModerateSoprano Website | www.themoderatesoprano.com Playful Productions presents Hampstead Theatre’s THE MODERATE SOPRANO Glyndebourne’s Original Love Story By David Hare Directed by Jeremy Herrin LAST CHANCE TO SEE DAVID HARE’S THE MODERATE SOPRANO AS CRITICALLY ACCLAIMED WEST END PRODUCTION ENTERS ITS FINAL FIVE WEEKS AT THE DUKE OF YORK’S THEATRE. STARRING OLIVIER AWARD WINNING ROGER ALLAM AND NANCY CARROLL AS GLYNDEBOURNE FOUNDER JOHN CHRISTIE AND HIS WIFE AUDREY MILDMAY. STRICTLY LIMITED RUN MUST END SATURDAY 30 JUNE. Audiences have just five weeks left to see David Hare’s critically acclaimed new play The Moderate Soprano, about the love story at the heart of the foundation of Glyndebourne, directed by Jeremy Herrin and starring Olivier Award winners Roger Allam and Nancy Carroll. The production enters its final weeks at the Duke of York’s Theatre where it must end a strictly limited season on Saturday 30 June. The previously untold story of an English eccentric, a young soprano and three refugees from Germany who together established Glyndebourne, one of England’s best loved cultural institutions, has garnered public and critical acclaim alike. The production has been embraced by the Christie family who continue to be involved with the running of Glyndebourne, 84 years after its launch. Executive Director Gus Christie attended the West End opening with his family and praised the portrayal of his grandfather John Christie who founded one of the most successful opera houses in the world. First seen in a sold out run at Hampstead Theatre in 2015, the new production opened in the West End this spring, with Roger Allam and Nancy Carroll reprising their original roles as Glyndebourne founder John Christie and soprano Audrey Mildmay. -
Monday Night Dramas
APRIL 2020 MONDAY NIGHT DRAMAS LIW21 has long been your home for great British programs, from epic costume dramas to riveting mysteries that keep you at the edge of your seat. Our popular Monday night line-up is about to become even more scintillating W thanks to some exciting April premieres. So get ready to tune in, stream, binge watch — and enjoy! World on Fire (Mondays at 9pm beginning April 6) a seven-part Masterpiece miniseries, follows the intertwining fates of several families in Britain, Poland, France, Germany, and the United States during the first year of World War II as daily life in Europe is about to be demolished by the Nazi invasion of Poland, the near debacle at Dunkirk, the fall of Paris, and more. Helen Hunt (Mad About You, Shakespeare Uncovered) stars as Nancy Campbell, an American radio reporter in Warsaw and Berlin trying to uncover the truth about the Nazi regime. Sean Bean (Game of Thrones) plays Douglas Bennett, a World War I veteran-turned- pacifist trying to cope with chronic shellshock while looking after his working-class family. His daughter Lois, a feisty armed services entertainer, is involved in a romance with upper-class translator Harry Chase — much to the dismay of his mother Robina, a British fascist sympathizer. COURTESY OF WALL TO MEDIA LIMITED The Windermere Children (Saturday, April 11 at 9:30pm), tells the story of a group of teenaged Holocaust survivors sent to England’s remote, picturesque Lake District for a period of rehabilitation before re-entering society. The moving drama is inspired by a remarkable true story. -
English 252: Theatre in England 2006-2007 * [Optional Events
English 252: Theatre in England 2006-2007 * [Optional events — seen by some] Wednesday December 27 *2:30 p.m. Guys and Dolls (1950). Dir. Michael Grandage. Music & lyrics by Frank Loesser, Book by Jo Swerling and Abe Burrows. Based on a story and characters of Damon Runyon. Designer: Christopher Oram. Choreographer: Rob Ashford. Cast: Alex Ferns (Nathan Detroit), Samantha Janus (Miss Adelaide), Amy Nuttal (Sarah Brown), Norman Bowman (Sky Masterson), Steve Elias (Nicely Nicely Johnson), Nick Cavaliere (Big Julie), John Conroy (Arvide Abernathy), Gaye Brown (General Cartwright), Jo Servi (Lt. Brannigan), Sebastien Torkia (Benny Southstreet), Andrew Playfoot (Rusty Charlie/ Joey Biltmore), Denise Pitter (Agatha), Richard Costello (Calvin/The Greek), Keisha Atwell (Martha/Waitress), Robbie Scotcher (Harry the Horse), Dominic Watson (Angie the Ox/MC), Matt Flint (Society Max), Spencer Stafford (Brandy Bottle Bates), Darren Carnall (Scranton Slim), Taylor James (Liverlips Louis/Havana Boy), Louise Albright (Hot Box Girl Mary-Lou Albright), Louise Bearman (Hot Box Girl Mimi), Anna Woodside (Hot Box Girl Tallulha Bloom), Verity Bentham (Hotbox Girl Dolly Devine), Ashley Hale (Hotbox Girl Cutie Singleton/Havana Girl), Claire Taylor (Hot Box Girl Ruby Simmons). Dance Captain: Darren Carnall. Swing: Kate Alexander, Christopher Bennett, Vivien Carter, Rory Locke, Wayne Fitzsimmons. Thursday December 28 *2:30 p.m. George Gershwin. Porgy and Bess (1935). Lyrics by DuBose Heyward and Ira Gershwin. Book by Dubose and Dorothy Heyward. Dir. Trevor Nunn. Design by John Gunter. New Orchestrations by Gareth Valentine. Choreography by Kate Champion. Lighting by David Hersey. Costumes by Sue Blane. Cast: Clarke Peters (Porgy), Nicola Hughes (Bess), Cornell S. John (Crown), Dawn Hope (Serena), O-T Fagbenie (Sporting Life), Melanie E. -
Theatre in England 2011-2012 Harlingford Hotel Phone: 011-442
English 252: Theatre in England 2011-2012 Harlingford Hotel Phone: 011-442-07-387-1551 61/63 Cartwright Gardens London, UK WC1H 9EL [*Optional events — seen by some] Wednesday December 28 *1:00 p.m. Beauties and Beasts. Retold by Carol Ann Duffy (Poet Laureate). Adapted by Tim Supple. Dir Melly Still. Design by Melly Still and Anna Fleischle. Lighting by Chris Davey. Composer and Music Director, Chris Davey. Sound design by Matt McKenzie. Cast: Justin Avoth, Michelle Bonnard, Jake Harders, Rhiannon Harper- Rafferty, Jack Tarlton, Jason Thorpe, Kelly Williams. Hampstead Theatre *7.30 p.m. Little Women: The Musical (2005). Dir. Nicola Samer. Musical Director Sarah Latto. Produced by Samuel Julyan. Book by Peter Layton. Music and Lyrics by Lionel Siegal. Design: Natalie Moggridge. Lighting: Mark Summers. Choreography Abigail Rosser. Music Arranger: Steve Edis. Dialect Coach: Maeve Diamond. Costume supervisor: Tori Jennings. Based on the book by Louisa May Alcott (1868). Cast: Charlotte Newton John (Jo March), Nicola Delaney (Marmee, Mrs. March), Claire Chambers (Meg), Laura Hope London (Beth), Caroline Rodgers (Amy), Anton Tweedale (Laurie [Teddy] Laurence), Liam Redican (Professor Bhaer), Glenn Lloyd (Seamus & Publisher’s Assistant), Jane Quinn (Miss Crocker), Myra Sands (Aunt March), Tom Feary-Campbell (John Brooke & Publisher). The Lost Theatre (Wandsworth, South London) Thursday December 29 *3:00 p.m. Ariel Dorfman. Death and the Maiden (1990). Dir. Peter McKintosh. Produced by Creative Management & Lyndi Adler. Cast: Thandie Newton (Paulina Salas), Tom Goodman-Hill (her husband Geraldo), Anthony Calf (the doctor who tortured her). [Dorfman is a Chilean playwright who writes about torture under General Pinochet and its aftermath. -
Shakespeare on Film, Video & Stage
William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994. -
TIJANA BJELAJAC Set Designer/Artist 625
TIJANA BJELAJAC set designer/artist 625. Main Street e-mail: [email protected] New York, NY 10044 www.teeyana.com Phone: 212-518-8267 BROADWAY CREDITS: • Head Over Heels - Assistant, Set design Julian Crouch, NYC 2018 • Disney’s “Frozen” - Assistant, Set Design Christopher Oram, NYC 2017 • Turn Off The Dark, Spiderman - Assistant, Set Design George Tsypin, NYC 2011 • Disney’s “Little Mermaid” - Assistant, Set Design George Tsypin, Lunt-Fontanne Theater, NYC 2007 • Little Dog Laughed - Assistant, Set Design Allen Moyer, The Cort Theater, NYC 2006 OPERA: • The Egyptian Helen - Assistant, Set Design Julian Crouch, Opera La Scala, Milan, Italy 2018 • The Gospel According to the Other Mary- Assistant, Set Design George Tsypin, London (ENO) 2014 • Manon Lescaut- Assistant, Set Design George Tsypin, St.Petersburg, Mallinsky Theater 2014 • William Tell - Assistant, Set Design George Tsypin, Amsterdam Opera 2013 • The Magic Flute - Associate Designer, Director Julie Taymor, Sydney Opera, Australia 2012 • La Boheme - Set Designer, Director Sharon Daniels, Boston University Theater, Boston 2007 SELECTED SCENE DESIGN WORK: • Little Shop of Horrors, Associete, Designer Julian Crouch, Dir. Michael Mayer 2019 • Course of the Starving Class, Associete, Designer Julian Crouch, Dir. Terry Kinney 2019 • Disney’s Beauty and the Beast - Director Lynne Kurdziel Formato, Misi Productions, Colombia 2019 • Musical “Ella es Colombia” - Director Luis Salgado, Misi Productions, Bogota, Colombia 2018 • The Producers - Director DJ Salisbury, Musical Theater -
FY19 Annual Report View Report
Annual Report 2018–19 3 Introduction 5 Metropolitan Opera Board of Directors 6 Season Repertory and Events 14 Artist Roster 16 The Financial Results 20 Our Patrons On the cover: Yannick Nézet-Séguin takes a bow after his first official performance as Jeanette Lerman-Neubauer Music Director PHOTO: JONATHAN TICHLER / MET OPERA 2 Introduction The 2018–19 season was a historic one for the Metropolitan Opera. Not only did the company present more than 200 exiting performances, but we also welcomed Yannick Nézet-Séguin as the Met’s new Jeanette Lerman- Neubauer Music Director. Maestro Nézet-Séguin is only the third conductor to hold the title of Music Director since the company’s founding in 1883. I am also happy to report that the 2018–19 season marked the fifth year running in which the company’s finances were balanced or very nearly so, as we recorded a very small deficit of less than 1% of expenses. The season opened with the premiere of a new staging of Saint-Saëns’s epic Samson et Dalila and also included three other new productions, as well as three exhilarating full cycles of Wagner’s Ring and a full slate of 18 revivals. The Live in HD series of cinema transmissions brought opera to audiences around the world for the 13th season, with ten broadcasts reaching more than two million people. Combined earned revenue for the Met (box office, media, and presentations) totaled $121 million. As in past seasons, total paid attendance for the season in the opera house was 75%. The new productions in the 2018–19 season were the work of three distinguished directors, two having had previous successes at the Met and one making his company debut. -
The Last Kingdom
PRESS RELEASE THE LAST KINGDOM A CARNIVAL FILMS & BBC AMERICA co-production for BBC TWO An adaptation of Bernard Cornwell’s best-selling series of books by BAFTA nominated and RTS award-winning writer Stephen Butchard The Last Kingdom, a new historical 8x60 drama series launches on BBC Two and BBC America in October. Made by Carnival Films, the Golden Globe® and Emmy® award- winning producers of Downton Abbey, the show airs on BBC America on 10 October, 2015 and later the same month on BBC Two. BAFTA nominated and RTS award-winning writer Stephen Butchard, (Good Cop, Five Daughters, House of Saddam), has adapted Bernard Cornwell’s best-selling franchise “The Saxon Stories” for the screen. Cornwell is also known for his much-loved “Sharpe” novels that became the long- running TV series of the same name starring Sean Bean. The series cast is headed up by Alexander Dreymon (American Horror Story, Blood Ransom), playing Uhtred of Bebbanburg, with Emily Cox (Homeland) as Brida, Rutger Hauer (Blade Runner, Galavant) as Ravn, Matthew Macfadyen (The Enfield Haunting, Ripper Street) as Lord Uhtred, David Dawson (Peaky Blinders) as Alfred, Rune Temte (Eddie the Eagle) as Ubba, Ian Hart (Boardwalk Empire) as Beocca and Adrian Bower (Mount Pleasant) as Leofic. Set in the year 872, when many of the separate kingdoms of what we now know as England have fallen to the invading Vikings, the great kingdom of Wessex has been left standing alone and defiant under the command of King Alfred the Great. Against this turbulent backdrop lives our hero, Uhtred.