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Monarch of the Glen
Monarch Of The Glen Monarch Of The Glen Introduction . 28 Cast and production credits . 30 Interviews with the cast Susan Hampshire plays Molly . 31 Alastair Mackenzie plays Archie . 33 Dawn Steele plays Lexie . .35 Hamish Clark plays Duncan . 37 Alexander Morton plays Golly . 39 Lloyd Owen plays Paul . 41 Paul Freeman plays Andrew . 43 New faces in the Glen Richenda Carey plays Lady Dorothy . 44 Hermione Gulliford plays Hermione . 44 Rae Hendrie plays Jessica . 45 Martin Compston plays Ewan . 46 Monarch Of The Glen Introduction Monarch Of The Glen returns to BBC One the status quo as a returning Archie was, when faced with their father’s stubborn traditionalism. Then Molly, Glenbogle’s guardian angel, looks set to spread her wings and fly in the face of expectation – into the arms of a new man. Even Golly, the very essence of the estate, whose loyalty and advice have been food and drink to Archie, is beset by his own family turmoil when his estranged daughter, Jessica, returns. Barbara McKissack, BBC Scotland’s Head of Drama, explains:“We join Glenbogle in a new era, with Archie and Lexie firmly at the helm, looking forward rather than back.Viewers have wanted that for so long and it’s lovely to see them together as the couple everyone hoped they would become. “That leaves other characters to have a different view of the world of Glenbogle and what they At last, an air of prosperity settles on the turreted, contribute to it.This has always been a place Victorian edifice of Glenbogle, but within this loch- where, behind the scenes, lots of change happens side Lairdom it is family, not fortune, that is about and where people find that they have been changed to pose problems.Although life has never been by experience – this year is no exception. -
Applause Magazine, Applause Building, 68 Long Acre, London WC2E 9JQ
1 GENE WIL Laughing all the way to the 23rd Making a difference LONDON'S THEATRE CRITI Are they going soft? PIUS SAVE £££ on your theatre tickets ,~~ 1~~EGm~ Gf1ll~ G~rick ~he ~ ~ e,London f F~[[ IIC~[I with ever~ full price ticket purchased ~t £23.50 Phone 0171-312 1991 9 771364 763009 Editor's Letter 'ThFl rul )U -; lmalid' was a phrase coined by the playwright and humourl:'t G eorge S. Kaufman to describe the ailing but always ~t:"o lh e m Broadway Theatre in the late 1930' s . " \\ . ;t" )ur ul\'n 'fabulous invalid' - the West End - seems in danger of 'e:' .m :: Lw er from lack of nourishmem, let' s hope that, like Broadway - presently in re . \ ,'1 'n - it too is resilient enough to make a comple te recovery and confound the r .: i " \\' ho accuse it of being an en vironmenta lly no-go area whose theatrical x ;'lrJ io n" refuse to stretch beyond tired reviva ls and boulevard bon-bons. I i, clUite true that the season just past has hardly been a vintage one. And while there is no question that the subsidised sector attracts new plays that, =5 'ears ago would a lmost certainly have found their way o nto Shaftes bury Avenue, l ere is, I am convinced, enough vitality and ingenuity left amo ng London's main -s tream producers to confirm that reports of the West End's te rminal dec line ;:m: greatly exaggerated. I have been a profeSSi onal reviewer long enough to appreciate the cyclical nature of the business. -
King Lear − Learning Pack
King Lear − Learning Pack Contents About This Pack ................................................................1 Background Information ..................................................2 Teaching Information ........................................................3 Adaptation Details & Plot Synopsis..................................5 Find Out More...................................................................12 1 King Lear − Learning Pack About This learning pack supports the Donmar Warehouse production of King Lear, directed by Michael Grandage, which opened on 7th December 2010 in London. Our packs are designed to support viewing the recording on the National Theatre Collection. This pack provides links to the UK school curriculum and other productions in the Collection. It also has a plot synopsis with timecodes to allow you to jump to specific sections of the play. 1 King Lear − Learning Pack Background Information Recording Date – 3rd February, 2011 Location – Donmar Warehouse, London Age Recommendation – 12+ Cast Earl of Kent .................................................. Michael Hadley Early of Gloucester ...........................................Paul Jesson Edmund ...........................................................Alec Newman King Lear ......................................................... Derek Jacobi Goneril................................................................Gina McKee Regan ............................................................Justine Mitchell Cordelia .............................................Pippa -
English 252: Theatre in England 2006-2007 * [Optional Events
English 252: Theatre in England 2006-2007 * [Optional events — seen by some] Wednesday December 27 *2:30 p.m. Guys and Dolls (1950). Dir. Michael Grandage. Music & lyrics by Frank Loesser, Book by Jo Swerling and Abe Burrows. Based on a story and characters of Damon Runyon. Designer: Christopher Oram. Choreographer: Rob Ashford. Cast: Alex Ferns (Nathan Detroit), Samantha Janus (Miss Adelaide), Amy Nuttal (Sarah Brown), Norman Bowman (Sky Masterson), Steve Elias (Nicely Nicely Johnson), Nick Cavaliere (Big Julie), John Conroy (Arvide Abernathy), Gaye Brown (General Cartwright), Jo Servi (Lt. Brannigan), Sebastien Torkia (Benny Southstreet), Andrew Playfoot (Rusty Charlie/ Joey Biltmore), Denise Pitter (Agatha), Richard Costello (Calvin/The Greek), Keisha Atwell (Martha/Waitress), Robbie Scotcher (Harry the Horse), Dominic Watson (Angie the Ox/MC), Matt Flint (Society Max), Spencer Stafford (Brandy Bottle Bates), Darren Carnall (Scranton Slim), Taylor James (Liverlips Louis/Havana Boy), Louise Albright (Hot Box Girl Mary-Lou Albright), Louise Bearman (Hot Box Girl Mimi), Anna Woodside (Hot Box Girl Tallulha Bloom), Verity Bentham (Hotbox Girl Dolly Devine), Ashley Hale (Hotbox Girl Cutie Singleton/Havana Girl), Claire Taylor (Hot Box Girl Ruby Simmons). Dance Captain: Darren Carnall. Swing: Kate Alexander, Christopher Bennett, Vivien Carter, Rory Locke, Wayne Fitzsimmons. Thursday December 28 *2:30 p.m. George Gershwin. Porgy and Bess (1935). Lyrics by DuBose Heyward and Ira Gershwin. Book by Dubose and Dorothy Heyward. Dir. Trevor Nunn. Design by John Gunter. New Orchestrations by Gareth Valentine. Choreography by Kate Champion. Lighting by David Hersey. Costumes by Sue Blane. Cast: Clarke Peters (Porgy), Nicola Hughes (Bess), Cornell S. John (Crown), Dawn Hope (Serena), O-T Fagbenie (Sporting Life), Melanie E. -
TIJANA BJELAJAC Set Designer/Artist 625
TIJANA BJELAJAC set designer/artist 625. Main Street e-mail: [email protected] New York, NY 10044 www.teeyana.com Phone: 212-518-8267 BROADWAY CREDITS: • Head Over Heels - Assistant, Set design Julian Crouch, NYC 2018 • Disney’s “Frozen” - Assistant, Set Design Christopher Oram, NYC 2017 • Turn Off The Dark, Spiderman - Assistant, Set Design George Tsypin, NYC 2011 • Disney’s “Little Mermaid” - Assistant, Set Design George Tsypin, Lunt-Fontanne Theater, NYC 2007 • Little Dog Laughed - Assistant, Set Design Allen Moyer, The Cort Theater, NYC 2006 OPERA: • The Egyptian Helen - Assistant, Set Design Julian Crouch, Opera La Scala, Milan, Italy 2018 • The Gospel According to the Other Mary- Assistant, Set Design George Tsypin, London (ENO) 2014 • Manon Lescaut- Assistant, Set Design George Tsypin, St.Petersburg, Mallinsky Theater 2014 • William Tell - Assistant, Set Design George Tsypin, Amsterdam Opera 2013 • The Magic Flute - Associate Designer, Director Julie Taymor, Sydney Opera, Australia 2012 • La Boheme - Set Designer, Director Sharon Daniels, Boston University Theater, Boston 2007 SELECTED SCENE DESIGN WORK: • Little Shop of Horrors, Associete, Designer Julian Crouch, Dir. Michael Mayer 2019 • Course of the Starving Class, Associete, Designer Julian Crouch, Dir. Terry Kinney 2019 • Disney’s Beauty and the Beast - Director Lynne Kurdziel Formato, Misi Productions, Colombia 2019 • Musical “Ella es Colombia” - Director Luis Salgado, Misi Productions, Bogota, Colombia 2018 • The Producers - Director DJ Salisbury, Musical Theater -
FY19 Annual Report View Report
Annual Report 2018–19 3 Introduction 5 Metropolitan Opera Board of Directors 6 Season Repertory and Events 14 Artist Roster 16 The Financial Results 20 Our Patrons On the cover: Yannick Nézet-Séguin takes a bow after his first official performance as Jeanette Lerman-Neubauer Music Director PHOTO: JONATHAN TICHLER / MET OPERA 2 Introduction The 2018–19 season was a historic one for the Metropolitan Opera. Not only did the company present more than 200 exiting performances, but we also welcomed Yannick Nézet-Séguin as the Met’s new Jeanette Lerman- Neubauer Music Director. Maestro Nézet-Séguin is only the third conductor to hold the title of Music Director since the company’s founding in 1883. I am also happy to report that the 2018–19 season marked the fifth year running in which the company’s finances were balanced or very nearly so, as we recorded a very small deficit of less than 1% of expenses. The season opened with the premiere of a new staging of Saint-Saëns’s epic Samson et Dalila and also included three other new productions, as well as three exhilarating full cycles of Wagner’s Ring and a full slate of 18 revivals. The Live in HD series of cinema transmissions brought opera to audiences around the world for the 13th season, with ten broadcasts reaching more than two million people. Combined earned revenue for the Met (box office, media, and presentations) totaled $121 million. As in past seasons, total paid attendance for the season in the opera house was 75%. The new productions in the 2018–19 season were the work of three distinguished directors, two having had previous successes at the Met and one making his company debut. -
FY13 Annual Report View Report
ANNUAL REPORT 2012–13 3 Introduction 5 Metropolitan Opera Board of Directors 7 2012–13 Season Repertory & Events 14 2012–13 Artist Roster 15 The Financial Results 46 Patrons Introduction The Metropolitan Opera’s 2012–13 season featured an extraordinary number of artistic highlights, earning high praise for new productions, while the company nevertheless faced new financial challenges. The Met presented seven new stagings during the 2012–13 season, including the Met premieres of Thomas Adès’s The Tempest and Donizetti’s Maria Stuarda, the second of the composer’s trilogy of Tudor operas (with the third installment planned for a future season). All seven new productions, plus five revivals, were presented in movie theaters around the world as part of the Met’s groundbreaking Live in HD series, which continued to be an important revenue source for the Met, earning $28 million. Combined earned revenue for the Met (Live in HD and box office) totaled $117.3 million. This figure was lower than anticipated as the company continued to face a flat box office, complicated by the effects of Hurricane Sandy, the aftermath of which had a negative impact of approximately $2 million. As always, the season featured the talents of the world’s leading singers, conductors, directors, designers, choreographers, and video artists. Two directors made stunning company debuts: François Girard, with his mesmerizing production of Parsifal on the occasion of Wagner’s bicentennial, and Michael Mayer, whose bold reimagining of Verdi’s Rigoletto in 1960 Las Vegas was the talk of the opera world and beyond. Robert Lepage returned to direct the highly anticipated company premiere of Thomas Adès’s The Tempest, with the composer on the podium. -
GULDEN-DISSERTATION-2021.Pdf (2.359Mb)
A Stage Full of Trees and Sky: Analyzing Representations of Nature on the New York Stage, 1905 – 2012 by Leslie S. Gulden, M.F.A. A Dissertation In Fine Arts Major in Theatre, Minor in English Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY Approved Dr. Dorothy Chansky Chair of Committee Dr. Sarah Johnson Andrea Bilkey Dr. Jorgelina Orfila Dr. Michael Borshuk Mark Sheridan Dean of the Graduate School May, 2021 Copyright 2021, Leslie S. Gulden Texas Tech University, Leslie S. Gulden, May 2021 ACKNOWLEDGMENTS I owe a debt of gratitude to my Dissertation Committee Chair and mentor, Dr. Dorothy Chansky, whose encouragement, guidance, and support has been invaluable. I would also like to thank all my Dissertation Committee Members: Dr. Sarah Johnson, Andrea Bilkey, Dr. Jorgelina Orfila, and Dr. Michael Borshuk. This dissertation would not have been possible without the cheerleading and assistance of my colleague at York College of PA, Kim Fahle Peck, who served as an early draft reader and advisor. I wish to acknowledge the love and support of my partner, Wesley Hannon, who encouraged me at every step in the process. I would like to dedicate this dissertation in loving memory of my mother, Evelyn Novinger Gulden, whose last Christmas gift to me of a massive dictionary has been a constant reminder that she helped me start this journey and was my angel at every step along the way. Texas Tech University, Leslie S. Gulden, May 2021 TABLE OF CONTENTS ACKNOWLEDGMENTS………………………………………………………………ii ABSTRACT …………………………………………………………..………………...iv LIST OF FIGURES……………………………………………………………………..v I. -
ANNUAL REPORT and ACCOUNTS the Courtyard Theatre Southern Lane Stratford-Upon-Avon Warwickshire CV37 6BH
www.rsc.org.uk +44 1789 294810 Fax: +44 1789 296655 Tel: 6BH CV37 Warwickshire Stratford-upon-Avon Southern Lane Theatre The Courtyard Company Shakespeare Royal ANNUAL REPORT AND ACCOUNTS 2006 2007 2006 2007 131st REPORT CHAIRMAN’S REPORT 03 OF THE BOARD To be submitted to the Annual ARTISTIC DIRECTOR’S REPORT 04 General Meeting of the Governors convened for Friday 14 December EXECUTIVE DIRECTOR’S REPORT 07 2007. To the Governors of the Royal Shakespeare Company, Stratford-upon-Avon, notice is ACHIEVEMENTS 08 – 09 hereby given that the Annual General Meeting of the Governors will be held in The Courtyard VOICES 10 – 33 Theatre, Stratford-upon-Avon on Friday 14 December 2007 FINANCIAL REVIEW OF THE YEAR 34 – 37 commencing at 2.00pm, to consider the report of the Board and the Statement of Financial SUMMARY ACCOUNTS 38 – 41 Activities and the Balance Sheet of the Corporation at 31 March 2007, to elect the Board for the SUPPORTING OUR WORK 42 – 43 ensuing year, and to transact such business as may be trans- AUDIENCE REACH 44 – 45 acted at the Annual General Meetings of the Royal Shakespeare Company. YEAR IN PERFORMANCE 46 – 51 By order of the Board ACTING COMPANIES 52 – 55 Vikki Heywood Secretary to the Governors THE COMPANY 56 – 57 CORPORATE GOVERNANCE 58 ASSOCIATES/ADVISORS 59 CONSTITUTION 60 Right: Kneehigh Theatre perform Cymbeline photo: xxxxxxxxxxxxx Harriet Walter plays Cleopatra This has been a glorious year, which brought together the epic and the personal in ways we never anticipated when we set out to stage every one of Shakespeare’s plays, sonnets and long poems between April 2006 and April 2007. -
Richard Kent Stage Designer
Richard Kent Stage Designer Richard Kent trained at the Liverpool Institute for Performing Arts (2004 - 2007) and was awarded the Phillip Holt Trust Commendation Award on graduation. Agents Rose Cobbe Assistant Florence Hyde [email protected] +44 (0) 20 3214 0957 Credits In Development Production Company Notes A MIDSUMMER NIGHT'S Singapore Repertory DREAM Theatre 2020 KERRY JACKSON The National Theatre By April de Angelis, directed by Indhu 2020 Rubasingham Theatre Production Company Notes WHEN THE CROWS VISIT Kiln Theatre Dir. Indu Rubasingham 2019 WIFE Kiln Theatre Dir. Indu Rubasingham 2019 THE MIRROR CRACK`D Wales Millennium Centre Dir. Melly Still 2019 United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes Handbagged Round House Theatre - Dir. Indu Rubasingham 2018 Washington DISCO PIGS The Irish Repertory Theatre - Dir. John Haider 2018 New York / Tara Finney Productions Heroine Hightide / Theatr Clywd Dir. Steven Atkinson 2017 DISCO PIGS Trafalgar Studios / Tara Finney Dir. John Haider 2017 Productions THE COUNTRY GIRLS Chichester Festival Theatre Dir. Lisa Blair 2017 DEAD FUNNY Nimax Theatres Dir: Terry Johnson 2016 MURDER BALLAD Soundcheck Productions Dir: Sam Yates 2016 UNFAITHFUL Emily Dobbs Productions Dir: Adam Penford 2016 WATERSHIP DOWN The Watermill Theatre Dir: Adam Penford 2016 OLIVER! Grange Park Opera Dir: Jean-Pierre van der Spuy 2016 THE WINTER'S TALE Shakespeare's Globe Dir: Michael Longhurst 2016 CYMBELINE -
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Tony Award Winners
M N 2015 TONY AWARD WINNERS BEST PLAY Disgraced by Ayad Akhtar Hand to God by Robert Askins The Curious Incident of the Dog in the Night-Time by Simon Stephens Wolf Hall Parts One & Two by Hilary Mantel and Mike Poulton BEST MUSICAL An American in Paris Fun Home Something Rotten! The Visit BEST REVIVAL OF A PLAY Skylight The Elephant Man This is Our Youth You Can’t Take it With You BEST REVIVAL OF A MUSICAL On the Town On the Twentieth Century The King and I GreatWhiteWay.com (212) 757-9117 (888) 517-0112 M N 2015 TONY AWARD WINNERS BEST LEADING ACTOR IN A PLAY Steven Boyer, Hand to God Bradley Cooper, The Elephant Man Ben Miles, Wolf hall Parts One & Two Bill Nighy, Skylight Alex Sharp, The Curious Incident of the Dog in the Night-Time BEST LEADING ACTRESS IN A PLAY Geneva Call, Hand to God Helen Mirren, The Audience Elisabeth Moss, The Heigi Chronicles Carey Mulligan, Skylight Ruth Wilson, Constellations BEST PERFORMANCE BY AN ACTOR IN A MUSICAL Michael Cerveris, Fun Home Robert Fairchild, An American in Paris Brian d’Arcy James, Something Rotten! Ken Watanabe, The King and I Tony Yazbeck, On The Town BEST PERFORMANCE BY AN ACTRESS IN A MUSICAL Kristin Chenowith, On the Twentieth Century Leanne Cope, An American in Paris Beth Malone, Fun Home Kelli O’Hara, The King and I Chita Rivera, The Visit GreatWhiteWay.com (212) 757-9117 | (888) 517-0112 M N 2015 TONY AWARD WINNERS BEST ORIGINAL SCORE (MUSIC / LYRICS) FOR THE THEATRE Music: Jeanine Tesori, Lyrics: Lisa Kron, Fun Home Music and Lyrics: Sting, The Last Ship Music and Lyrics: Wayne and Karey Kirkpatrick, Something Rotten! Music: John Kander, Lyrics: Fred Ebb, The Visit BEST BOOK OF A MUSICAL Craig Lucas, An American in Paris Lisa Kron, Fun Home Karey Kirkpatrick, John O’Farrell, Something Rotten! Terrence McNally, The Visit BEST PERFORMANCE BY AN ACTOR IN A FEATURED ROLE IN A PLAY Matthew Beard, Skylight K.