Multimedia Library Feature Films: Balkan
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Domestic Train Reservation Fees
Domestic Train Reservation Fees Updated: 17/11/2016 Please note that the fees listed are applicable for rail travel agents. Prices may differ when trains are booked at the station. Not all trains are bookable online or via a rail travel agent, therefore, reservations may need to be booked locally at the station. Prices given are indicative only and are subject to change, please double-check prices at the time of booking. Reservation Fees Country Train Type Reservation Type Additional Information 1st Class 2nd Class Austria ÖBB Railjet Trains Optional € 3,60 € 3,60 Bosnia-Herzegovina Regional Trains Mandatory € 1,50 € 1,50 ICN Zagreb - Split Mandatory € 3,60 € 3,60 The currency of Croatia is the Croatian kuna (HRK). Croatia IC Zagreb - Rijeka/Osijek/Cakovec Optional € 3,60 € 3,60 The currency of Croatia is the Croatian kuna (HRK). IC/EC (domestic journeys) Recommended € 3,60 € 3,60 The currency of the Czech Republic is the Czech koruna (CZK). Czech Republic The currency of the Czech Republic is the Czech koruna (CZK). Reservations can be made SC SuperCity Mandatory approx. € 8 approx. € 8 at https://www.cd.cz/eshop, select “supplementary services, reservation”. Denmark InterCity/InterCity Lyn Recommended € 3,00 € 3,00 The currency of Denmark is the Danish krone (DKK). InterCity Recommended € 27,00 € 21,00 Prices depend on distance. Finland Pendolino Recommended € 11,00 € 9,00 Prices depend on distance. InterCités Mandatory € 9,00 - € 18,00 € 9,00 - € 18,00 Reservation types depend on train. InterCités Recommended € 3,60 € 3,60 Reservation types depend on train. France InterCités de Nuit Mandatory € 9,00 - € 25,00 € 9,00 - € 25,01 Prices can be seasonal and vary according to the type of accommodation. -
Theatre Festivals in Macedonia, And, on the Other, the Presence of the Macedonian Theatre Production and Theatre Artists at Different Theatre Festivals in Slovenia
38 UDC 792.079(497.7+497.4) The paper offers two perspectives for analysing this specific cultural collaboration based on statistical analyses of the data collected during the bilateral research project between Macedonia and Slovenia in the field of the theatre. On the one hand, the authors analyse the presence of the Slovenian theatre productions at the various theatre festivals in Macedonia, and, on the other, the presence of the Macedonian theatre production and theatre artists at different theatre festivals in Slovenia. In the conclusion, they present the combined results of the bilateral research, emphasising the most frequent exchange habits found in the Macedonian and Slovenian theatre festivals during the last 25 years. The total sum reveals a discrepancy in the bilateral collaboration: 69 Slovenian productions participated in the Macedonian theatre festivals; 33 Macedonian productions in the Slovenian theatre festivals and 13 Macedonian productions in various theatres in Slovenia. The international festivals Ex Ponto (Slovenia) and MOT (Macedonia) played a crucial role in this relation. Keywords: theatre, festival, collaboration, production, Macedonia, Slovenia The Theatre Bridge between Macedonia and 39 Slovenia: Theatre Festivals Zala Dobovšek and Sasho Dimoski Introduction: A post-Yugoslav theatre bridge Being part of the former Yugoslav federation for a long period of time, Macedonia and Slovenia have built a strong cultural collaboration, both bilaterally and with the other federal republics. Since 1991, the year when both -
UNDER ORDERS: War Crimes in Kosovo Order Online
UNDER ORDERS: War Crimes in Kosovo Order online Table of Contents Acknowledgments Introduction Glossary 1. Executive Summary The 1999 Offensive The Chain of Command The War Crimes Tribunal Abuses by the KLA Role of the International Community 2. Background Introduction Brief History of the Kosovo Conflict Kosovo in the Socialist Federal Republic of Yugoslavia Kosovo in the 1990s The 1998 Armed Conflict Conclusion 3. Forces of the Conflict Forces of the Federal Republic of Yugoslavia Yugoslav Army Serbian Ministry of Internal Affairs Paramilitaries Chain of Command and Superior Responsibility Stucture and Strategy of the KLA Appendix: Post-War Promotions of Serbian Police and Yugoslav Army Members 4. march–june 1999: An Overview The Geography of Abuses The Killings Death Toll,the Missing and Body Removal Targeted Killings Rape and Sexual Assault Forced Expulsions Arbitrary Arrests and Detentions Destruction of Civilian Property and Mosques Contamination of Water Wells Robbery and Extortion Detentions and Compulsory Labor 1 Human Shields Landmines 5. Drenica Region Izbica Rezala Poklek Staro Cikatovo The April 30 Offensive Vrbovac Stutica Baks The Cirez Mosque The Shavarina Mine Detention and Interrogation in Glogovac Detention and Compusory Labor Glogovac Town Killing of Civilians Detention and Abuse Forced Expulsion 6. Djakovica Municipality Djakovica City Phase One—March 24 to April 2 Phase Two—March 7 to March 13 The Withdrawal Meja Motives: Five Policeman Killed Perpetrators Korenica 7. Istok Municipality Dubrava Prison The Prison The NATO Bombing The Massacre The Exhumations Perpetrators 8. Lipljan Municipality Slovinje Perpetrators 9. Orahovac Municipality Pusto Selo 10. Pec Municipality Pec City The “Cleansing” Looting and Burning A Final Killing Rape Cuska Background The Killings The Attacks in Pavljan and Zahac The Perpetrators Ljubenic 11. -
Monitoring Facebook. Presidential Elections – Romania, November 2019
Monitoring Facebook. Presidential Elections – Romania, November 2019 A report drafted by GlobalFocus Center, Bucharest, in cooperation with MEMO98, Bratislava. Supported by Democracy Reporting International, Berlin. Monitoring Facebook. Presidential Elections – Romania, November 2019 Monitoring Facebook. Presidential Elections – Romania, November 2019 February, 2019 Bucharest, Romania This project was supported by Civitates Monitoring Facebook. Presidential Elections – Romania, November 2019 GlobalFocus Center is an independent international studies’ think tank that produces in-depth research and high-quality analysis on foreign policy, security, European aairs, good governance, and development. Our purpose is to advance expertise by functioning as a platform for cooperation and dialogue among individual experts, NGOs, think-tanks, and public institutions from Romania and foreign partners. We have built, and tested over 10 dierent countries a unique research methodology, proactively approaching the issue of malign interference by analysing societies' structural, weaponisable vulnerabilities. We are building a multi-stakeholder Stratcom platform, for identifying an optimal way of initiating and conducting unied responses to hybrid threats. Our activities are focused on fostering regional security and contributing to the reection process of EU reforms. During November 1-24, 2019, GlobalFocus Center, in cooperation with MEMO98 and Democracy Reporting International (DRI), monitored Facebook during the 10 and 24 November presidential election polls in Romania. AUTHORS GlobalFocus Center: Ana Maria Luca, Run Zamr (editor) ANALYSTS: Alexandra Mihaela Ispas, Ana Maria Teaca, Vlad Iavita, Raluca Andreescu MEMO98: Rasťo Kužel Monitoring Facebook. Presidential Elections – Romania, November 2019 Contents I. INTRODUCTION 4 II. HIGHLIGHTS 5 III. CONTEXT 6 III.1 TRUST IN MEDIA AND SOCIAL MEDIA CONSUMPTION IN ROMANIA 6 III.2 PUBLIC ATTITUDES AND TRUST IN INSTITUTIONS 7 III.3 THE NOVEMBER 2019 PRESIDENTIAL ELECTION 7 IV. -
The Bosnian Train and Equip Program: a Lesson in Interagency Integration of Hard and Soft Power by Christopher J
STRATEGIC PERSPECTIVES 15 The Bosnian Train and Equip Program: A Lesson in Interagency Integration of Hard and Soft Power by Christopher J. Lamb, with Sarah Arkin and Sally Scudder Center for Strategic Research Institute for National Strategic Studies National Defense University Institute for National Strategic Studies National Defense University The Institute for National Strategic Studies (INSS) is National Defense University’s (NDU’s) dedicated research arm. INSS includes the Center for Strategic Research, Center for Complex Operations, Center for the Study of Chinese Military Affairs, Center for Technology and National Security Policy, and Conflict Records Research Center. The military and civilian analysts and staff who comprise INSS and its subcomponents execute their mission by conducting research and analysis, publishing, and participating in conferences, policy support, and outreach. The mission of INSS is to conduct strategic studies for the Secretary of Defense, Chairman of the Joint Chiefs of Staff, and the unified com- batant commands in support of the academic programs at NDU and to perform outreach to other U.S. Government agencies and the broader national security community. Cover: President Bill Clinton addressing Croat-Muslim Federation Peace Agreement signing ceremony in the Old Executive Office Building, March 18, 1994 (William J. Clinton Presidential Library) The Bosnian Train and Equip Program The Bosnian Train and Equip Program: A Lesson in Interagency Integration of Hard and Soft Power By Christopher J. Lamb with Sarah Arkin and Sally Scudder Institute for National Strategic Studies Strategic Perspectives, No. 15 Series Editor: Nicholas Rostow National Defense University Press Washington, D.C. March 2014 Opinions, conclusions, and recommendations expressed or implied within are solely those of the contributors and do not necessarily represent the views of the Defense Department or any other agency of the Federal Government. -
International Summer Program 2006 of the University of Vienna
International Summer Program 2006 of the University of Vienna Strobl/St. Wolfgang Austria July 15 – August 12, 2006 EUROPEAN STUDIES GERMAN LANGUAGE COURSES Contents Go Europe via Austria!................................................................................................................................4 Academic Program...................................................................................................................................... 4 Program..................................................................................................................................................... 4 Topics........................................................................................................................................................ 5 Admission.................................................................................................................................................. 5 Classroom Attendance.............................................................................................................................. 5 Cancellation of Courses ............................................................................................................................ 5 Exams/Grading System ............................................................................................................................ 5 Credit Hours/ECTS Credits ....................................................................................................................... 6 JULY 17 – JULY -
FILM FESTIVAL 22Nd - 29Th November 2012
UNDER THE AUSPICES OF THE EMBASSY OF THE REPUBLIC OF SERBIA IN PRETORIA SERBIAN ARTS AND CULTURE SOCIETY AFRICA SERBIAN FILM FESTIVAL 22nd - 29th November 2012 NU METRO, MONTECASINO An author’s perspective of the world Film, as a sublimation of all arts, is a true medium, a universal vehicle with which the broader public is presented with a world view, as seen by the eye of the fi lmmaker. Nowadays, due to the global economic crisis, which is ironically producing technological and all sorts of other develop- ments, an increasing number of people are pushed to the margins of average standards of living, and fi lmmakers are given the chance to bring under their ‘protection’ millions of disillusioned people with their fi lmmaking capabilities. Art, throughout its history, has always praised but has also been heavily critical of its subject. Film is not just that. Film is that and so much more. Film is life itself and beyond life. Film is everything many of us dream about but never dare to say out loud. That is why people love fi lms. That is why it is eternal. It tears down boundaries and brings together cul- tures. It awakens curiosity and builds bridges from one far away coast to another. Film is a ‘great lie’ but an even greater truth. Yugoslavian, and today the Serbian fi lm industry has always been ‘in trend’. It might sound harsh but, unfortunately, this region has always provided ample ‘material’ for fi lms. Under our Balkan clouds there has been an ongoing battle about which people are older, which came and settled fi rst, who started it and who will be fi rst to leave and such battles have been and continue to be an inspiration to fi lm producers. -
Summer University Project Book 2009
SUMMERUNIVERSITYPROJECT BOOK2009 Imprint ISSN 1028-0642 Université d’été, AEGEE-Europe Summer University book Publisher Summer University Coordination Team [email protected] www.aegee.org/su Editor Dea Cavallaro Booklet design Dea Cavallaro Cover Illustration Mario Giuseppe Varrenti Circulation 5000 Project Management - SUCT Katrin Tomson Dea Cavallaro Dario Di Girolamo Bojan Bedrač Percin Imrek CONTENTS Introduction pag. 7 Language Course & Language Course pag. 17 Plus Summer Course pag. 51 Travelling Summer pag. 99 University Summer Event pag. 151 Appendix pag. 175 -How to Apply pag. 177 -Index by Organizer pag. 180 -Index by Date pag. 184 INTRODUCTION “Own only what you can carry with you; know languages, know countries, know people. Let your memory be your travel bag.” Aleksandr I. Solzhenitsyn Dear reader, You are holding a special book in your hand that may open you the door to unforgettable experiences. Please, do not mistake it for one of those high gloss travel catalogues you page through before booking an all inclusive holiday. The Summer University is so much more than that; and I do sincerely hope this year you will discover the secret of one of the most fascinating projects of AEGEE. Once you lived it, you will never want to miss it again. You have the choice to experience countries and places far be- yond the typical tourism hot spots. You have the choice between such diverse topics like language, history, photography, music, sports, travel - but always under the premise of multiculturalism. You have the choice to spend 2-4 weeks with people from more than 20 (European) countries offering you the unique chance to discover the life and fascination of one or more nations by taking the perspective of its inhabitants. -
The Genealogy of Dislocated Memory: Yugoslav Cinema After the Break
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations Dissertations and Theses April 2014 The Genealogy of Dislocated Memory: Yugoslav Cinema after the Break Dijana Jelaca University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_2 Part of the Communication Commons Recommended Citation Jelaca, Dijana, "The Genealogy of Dislocated Memory: Yugoslav Cinema after the Break" (2014). Doctoral Dissertations. 10. https://doi.org/10.7275/vztj-0y40 https://scholarworks.umass.edu/dissertations_2/10 This Open Access Dissertation is brought to you for free and open access by the Dissertations and Theses at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. THE GENEALOGY OF DISLOCATED MEMORY: YUGOSLAV CINEMA AFTER THE BREAK A Dissertation Presented by DIJANA JELACA Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY February 2014 Department of Communication © Copyright by Dijana Jelaca 2014 All Rights Reserved THE GENEALOGY OF DISLOCATED MEMORY: YUGOSLAV CINEMA AFTER THE BREAK A Dissertation Presented by DIJANA JELACA Approved as to style and content by: _______________________________________ Leda Cooks, Chair _______________________________________ Anne Ciecko, Member _______________________________________ Lisa Henderson, Member _______________________________________ James Hicks, Member ____________________________________ Erica Scharrer, Department Head Department of Communication TO LOST CHILDHOODS, ACROSS BORDERS, AND TO MY FAMILY, ACROSS OCEANS ACKNOWLEDGMENTS This dissertation is about a part of the world that I call “home” even though that place no longer physically exists. I belong to that “lost generation” of youth whose childhoods ended abruptly when Yugoslavia went up in flames. -
Downloaded 4.0 License
CHAPTER 14 Choral Societies and National Mobilization in Nineteenth-Century Bulgaria Ivanka Vlaeva Compared with the histories of many national movements in nineteenth- century Europe, in Bulgaria the industrial revolution was delayed and mod- ern culture arrived late. Lagging behind most other Europeans, the Bulgarian population had to compensate for its lack of modern cultural development. Thus, one important characteristic of Bulgarian culture is its evolution at accelerated rates. Before liberation in 1878, for almost five centuries the Bulgarian lands were under Ottoman rule, without their own governmental and religious institu- tions. Foreign rule, a feudal economy, a weak middle class, and the absence of national cultural institutions were serious obstacles to the development of a new culture on the western European model. The most important aims for the Bulgarians (led by educators, intellectuals, and revolutionists) were to struggle politically against Ottoman governance, economically for new industrial pro- cesses in the Ottoman Empire, and culturally for a national identity. The lead- ers of the revolutionary movement called for a struggle not against the Turkish people, but against Ottoman rulers and foreign clerks.1 These historical processes resemble those elsewhere in Europe, especially in the central and southeastern regions. Nineteenth-century Bulgarian culture therefore needs to be considered along with that of the Balkans more gener- ally because of the cultural similarities, interactions, and fluctuations in this region.2 The establishment of a new economy and the fight for modern educa- tion were among the main priorities in Bulgarian communities. The eighteenth and nineteenth centuries are the so-called Revival period in Bulgarian cultural development, strongly influenced by the ideas of the Enlightenment. -
Shakespearean Hypertexts... 315
Shakespearean hypertexts... 315 SHAKESPEAREAN HYPERTEXTS IN COMMUNIST BULGARIA1 Alexander Shurbanov Sofia University Since the first days of the reception of Shakespeare’s work in Bulgaria during the second half of the nineteenth century down to the present time two of his tragedies, Romeo and Juliet and Hamlet, have held an unrivalled sway on the national stage and over the people’s minds. Another one, Othello, was produced very frequently in the beginning, though often by non-Bulgarian troupes, and yet another, Macbeth, was a set text at the schools for many decades but rarely took the fancy of theatre directors and audiences. It is hardly surprising then that these plays, and especially the first two, have penetrated more deeply than the others into the nation’s consciousness. Their cultural diffusion can be gauged by the number of references to their characters and stories in all kinds of public discourse. One can often hear remarks like “He’s a real Hamlet/ Othello/ Romeo” or “She’s a true Ophelia/ Desdemona/ Juliet”. Adjectives and abstract nouns have been derived from some of these names to refer to the central quality they stand for, such as ‘hamletovshtina’ (‘hamletism’), meaning an inability to overcome hesitation. A few quotations from the plays, such as “Something is rotten in the state of Denmark” and “To be, or not to be: Ilha do Desterro Florianópolis nº 49 p. 315-338 jul./dez. 2005 316 Alexander Shurbanov that is the question”, are frequently adduced in various contexts and discourses. Such wide spread of the appropriation process could not leave the nation’s literature unaffected. -
Lucian Pintilie and Censorship in a Post-Stalinist Authoritarian Context
Psychology, 2019, 10, 1159-1175 http://www.scirp.org/journal/psych ISSN Online: 2152-7199 ISSN Print: 2152-7180 Lucian Pintilie and Censorship in a Post-Stalinist Authoritarian Context Emanuel-Alexandru Vasiliu Apollonia TV, Iași, Romania How to cite this paper: Vasiliu, E.-A. Abstract (2019). Lucian Pintilie and Censorship in a Post-Stalinist Authoritarian Context. Psy- The objective of my work is to shed light on the way in which the post-1953 chology, 10, 1159-1175. ideology of the Romanian Communist Party influenced Romanian theatre https://doi.org/10.4236/psych.2019.108075 and film director Lucian Pintilie’s career, resulting in a ban to work in Roma- Received: May 21, 2019 nia. Reacting to the imposition of the cultural revolution and against the laws Accepted: June 27, 2019 of coagulating the socialist realist work of art, Lucian Pintilie managed to Published: June 30, 2019 mark the Romanian theatrical and cinema landscape through the artistic quality of the productions and the directed films, replicated by the renown of Copyright © 2019 by author(s) and Scientific Research Publishing Inc. the imposed interdiction. This work is licensed under the Creative Commons Attribution International Keywords License (CC BY 4.0). http://creativecommons.org/licenses/by/4.0/ Lucian Pintilie, Censorship, Ideology, Theatre Open Access 1. General Presentation Ceauşescu’s Romania was a closed society, characterised by repression in all fields of human existence: limitations of ownerships rights, hard labour condi- tions and small wages, lacking freedom of movement, bureaucratic obstacles against emigration, violations of the rights of national minorities, contempt for religious faiths and the persecution of religious practices, drastic economic aus- terity, constant censorship in the field of culture, the repression of all dissident views and an omnipresent cult around the president and his family, which con- tributed to the demoralisation of the population.