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Theatre Festivals in Macedonia, And, on the Other, the Presence of the Macedonian Theatre Production and Theatre Artists at Different Theatre Festivals in Slovenia
38 UDC 792.079(497.7+497.4) The paper offers two perspectives for analysing this specific cultural collaboration based on statistical analyses of the data collected during the bilateral research project between Macedonia and Slovenia in the field of the theatre. On the one hand, the authors analyse the presence of the Slovenian theatre productions at the various theatre festivals in Macedonia, and, on the other, the presence of the Macedonian theatre production and theatre artists at different theatre festivals in Slovenia. In the conclusion, they present the combined results of the bilateral research, emphasising the most frequent exchange habits found in the Macedonian and Slovenian theatre festivals during the last 25 years. The total sum reveals a discrepancy in the bilateral collaboration: 69 Slovenian productions participated in the Macedonian theatre festivals; 33 Macedonian productions in the Slovenian theatre festivals and 13 Macedonian productions in various theatres in Slovenia. The international festivals Ex Ponto (Slovenia) and MOT (Macedonia) played a crucial role in this relation. Keywords: theatre, festival, collaboration, production, Macedonia, Slovenia The Theatre Bridge between Macedonia and 39 Slovenia: Theatre Festivals Zala Dobovšek and Sasho Dimoski Introduction: A post-Yugoslav theatre bridge Being part of the former Yugoslav federation for a long period of time, Macedonia and Slovenia have built a strong cultural collaboration, both bilaterally and with the other federal republics. Since 1991, the year when both -
Official Program 2013
а 22-26 august ниј о д е к а ид, М ид, р Ohrid, Macedonia | Ох | Macedonia Ohrid, ohrid choir festival охридски хорски фестивал2013 2nd Competition Concert | 2. Натпреварувачки концерт FRIDAY | ПЕТОК Diamont Hall, Hotel Inex Gorica | Дијамантска Сала, Хотел Инекс Горица 19.00 - 19.15 Mixed Youth Choir “Josip Kaplan” - Croatia 19.15 - 19.30 Gdansk University Choir - Poland 1st Concert of Sacred Music | 1. Концерт на духовна музика 19.30 - 19.45 Choir of Maritime University of Szczecin - Poland Church of St. Sophia | Црква Св. Софија 19.45 - 20.00 Youth Choir of Šabac Singing Society - Serbia 10.00 - 10.10 The Academic Choir of Adam Mickiewicz University - Poland 10.10 - 10.20 The Bialystok Technical University Choir - Poland SATURDAY | САБОТА 10.20 - 10.30 Youth Choir “Canto” School of Music Czesław Niemen - Poland 10.30 - 10.40 Youth Female Chamber Choir “Cantilena” by the museum of school of K. May of Saint-Petersburg Institute of 3rd Competition Concert | 3. Натпреварувачки концерт Informatics and Automation of Russian Science Academy - Russia Diamont Hall, Hotel Inex Gorica | Дијамантска Сала, Хотел Инекс Горица 10.40 - 10.50 Chamber Choir of Bulgarian Academy of Science - Bulgaria 10.00 - 10.15 Children’s Chamber Choir “Solovushko” - Russia 10.50 - 11.00 Butelion Classics Chorus - Macedonia 10.15 - 10.30 “Saulainė” - Lithuania 10.30 - 10.45 Valmiera Music School Choir “SolLaRe” - Latvia 2nd Concert of Sacred Music | 2. Концерт на духовна музика 10.45 - 11.00 Break Church of St. Sophia | Црква Св. Софија 11.00 - 11.15 Children’s Choir “Trallala” - Czech Republic 11.30 - 11.40 Valmiera Music School Choir “SolLaRe” - Latvia 11.15 - 11.30 Children’s Choir “The Stars” - Serbia 11.40 - 11.50 Children’s Choir Pražská kantiléna - Czech Republic 11.50 - 12.00 Female vocal ensemble “Making waves” - Ukraine 4th Competition Concert | 4. -
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CHAPTER 14 Choral Societies and National Mobilization in Nineteenth-Century Bulgaria Ivanka Vlaeva Compared with the histories of many national movements in nineteenth- century Europe, in Bulgaria the industrial revolution was delayed and mod- ern culture arrived late. Lagging behind most other Europeans, the Bulgarian population had to compensate for its lack of modern cultural development. Thus, one important characteristic of Bulgarian culture is its evolution at accelerated rates. Before liberation in 1878, for almost five centuries the Bulgarian lands were under Ottoman rule, without their own governmental and religious institu- tions. Foreign rule, a feudal economy, a weak middle class, and the absence of national cultural institutions were serious obstacles to the development of a new culture on the western European model. The most important aims for the Bulgarians (led by educators, intellectuals, and revolutionists) were to struggle politically against Ottoman governance, economically for new industrial pro- cesses in the Ottoman Empire, and culturally for a national identity. The lead- ers of the revolutionary movement called for a struggle not against the Turkish people, but against Ottoman rulers and foreign clerks.1 These historical processes resemble those elsewhere in Europe, especially in the central and southeastern regions. Nineteenth-century Bulgarian culture therefore needs to be considered along with that of the Balkans more gener- ally because of the cultural similarities, interactions, and fluctuations in this region.2 The establishment of a new economy and the fight for modern educa- tion were among the main priorities in Bulgarian communities. The eighteenth and nineteenth centuries are the so-called Revival period in Bulgarian cultural development, strongly influenced by the ideas of the Enlightenment. -
Shakespearean Hypertexts... 315
Shakespearean hypertexts... 315 SHAKESPEAREAN HYPERTEXTS IN COMMUNIST BULGARIA1 Alexander Shurbanov Sofia University Since the first days of the reception of Shakespeare’s work in Bulgaria during the second half of the nineteenth century down to the present time two of his tragedies, Romeo and Juliet and Hamlet, have held an unrivalled sway on the national stage and over the people’s minds. Another one, Othello, was produced very frequently in the beginning, though often by non-Bulgarian troupes, and yet another, Macbeth, was a set text at the schools for many decades but rarely took the fancy of theatre directors and audiences. It is hardly surprising then that these plays, and especially the first two, have penetrated more deeply than the others into the nation’s consciousness. Their cultural diffusion can be gauged by the number of references to their characters and stories in all kinds of public discourse. One can often hear remarks like “He’s a real Hamlet/ Othello/ Romeo” or “She’s a true Ophelia/ Desdemona/ Juliet”. Adjectives and abstract nouns have been derived from some of these names to refer to the central quality they stand for, such as ‘hamletovshtina’ (‘hamletism’), meaning an inability to overcome hesitation. A few quotations from the plays, such as “Something is rotten in the state of Denmark” and “To be, or not to be: Ilha do Desterro Florianópolis nº 49 p. 315-338 jul./dez. 2005 316 Alexander Shurbanov that is the question”, are frequently adduced in various contexts and discourses. Such wide spread of the appropriation process could not leave the nation’s literature unaffected. -
Vi Festiwal Between
DIRECTORS FROM EASTERN EUROPE: A BOOK LAUNCH Tomasz Wiśniewski and Katarzyna Kręglewska in conversation with KALINA STEFANOVA (Bulgaria) and MARVIN CARLSON (USA) Thursday, 13 May 2021, 16.00 CET Guests include: Noémi Herczog (Hungary), Maria Zarnescu (Romania), Michal Zahálka (Czech Republic), and Octavian Saiu (Romania) Link: https://fb.me/e/18qcchVqi Kalina Stefanova is author/editor of 16 books: 14 books on theatre, some of them launched in New York, London, and Wroclaw, and two books of fiction, published in nine countries, and in two editions in China. She was a Fulbright Visiting Scholar at New York University and has been a Visiting Scholar at the University of Cape Town, South Africa, Meiji University, Japan, and the Shanghai Theatre Academy, China, among others. In 2016, she was appointed Visiting Distinguished Professor of the Arts School of Wuhan University, China, as well as Distinguished Researcher of the Chinese Arts Criticism Foundation of Wuhan University. She served as IATC’s Vice President (2001/2006) and as its Director Symposia (2006-2010). In 2007, she was the dramaturg of the highly acclaimed production of Pentecost by David Edgar, directed by Mladen Kiselov, at the Stratford Festival of Canada. Since 2001, she has regularly served as an evaluation expert for cultural and educational programs of the European Commission. Currently she teaches at the National Academy for Theatre and Film Arts, Sofia. Marvin Carlson is a theatre, drama, and performance studies scholar. He is a Distinguished Professor of Theatre, Comparative Literature and Middle Eastern Studies and holder of the Sidney E. Cohn Chair at the Graduate Center of the City University of New York. -
Festivalul Naţional De Teatru
THE NATIONAL THEATRE FESTIVAL, 27th Edition 20 – 30 OCTOBER 2017 EDITION HELD UNDER THE HIGH PATRONAGE OF THE PRESIDENT OF ROMANIA THE PROGRAM OF ALL THE PERFORMANCES AND EVENTS Friday, 20 October PERFORMANCES 18:00 The Comedy Theatre Studio Hall Don Juan Adapted after Molière Directed by: Andrei şi Andreea Grosu Set Design: Vladimir Turturica Produced by: The Comedy Theatre, Bucharest Length: 1 h 20 min no intermission English surtitles 18:00 The Small Theatre Spring Awakening By Frank Wedekind Translated by: Victor Scoradeţ Adaptation, directing and set design by: Vlad Cristache Produced by: The Small Theatre, Bucharest Length: 3 h 30 min with intermission English surtitles Suitable for ages 16 and older. OFFICIAL OPENING 20:00 “I. L. Caragiale” National Theatre of Bucharest Big Hall Hamlet | Collage After William Shakespeare Translated by: Mikhail Lozinsky şi Boris Pasternak Adapted and directed by: Robert Lepage Set Design: Carl Fillion Costumes: François St-Aubin Produced by: Theatre of Nations, Moscow, Russia Length: 2 h 10 min no intermission 1 Str. George Enescu 2-4, Sector 1, cod 010305 Bucuresti Telefon: 021.315.36.36, 021.313.42.78, 021.311.32.14; Fax: 021.315.00.48 Mail: [email protected], www.fnt.ro BCR Sector 1 – Cod IBAN RO86RNCB0072049712860001 In Russian with Romanian and English surtitles 20:00 ACT Theatre An Intervention by Mike Bartlett Translated by: Ionuţ Grama Directed by: Radu Iacoban Set Design: Cezarina Iulia Popescu Produced by: ACT Theatre, Bucharest Length: 1 h 30 min no intermission English surtitles Suitable -
ARTICOLE DIN Publicaţii PERIODICE Cultură Anul XVIII/Nr.9 2017
BIBLIOTECA NAÕIONALÅ A ROMÂNIEI BIBLIOGRAFIA NAÕIONALÅ ROMÂNÅ ARTICOLE DIN PUBLICAţII PERIODICE CULTURă anul XVIII/nr.9 2017 EDITURA BIBLIOTECII NAÕIONALE A ROMÂNIEI BUCUREØTI BIBLIOTECA NAŢIONALĂ A ROMÂNIEI BIBLIOGRAFIA NA ŢIONALĂ ROMÂNĂ Articole din publicaţii periodice. Cultură Bibliografie elaborată pe baza publicaţiilor din Depozitul Legal Anul XVIII Nr. 9/2017 Editura Bibliotecii Naţionale a României BIBLIOGRAFIA NAŢIONALĂ ROMÂNĂ SERII ŞI PERIODICITATE Cărţi.Albume.Hărţi : bilunar Documente muzicale tipărite şi audiovizuale : anual Articole din publicaţii periodice. Cultură : lunar Publicaţii seriale: anual Românica: anual Teze de doctorat: semestrial Articole din bibliologie și știința informării: semestrial ©Copyright 2017 Toate drepturile sunt rezervate Editurii Bibliotecii Naţionale a României. Nicio parte din această lucrare nu poate fi reprodusă sub nicio formă, prin mijloc mecanic sau electronic sau stocat într-o bază de date, fără acordul prealabil, în scris, al redacţiei. Colectiv de redacţie: Roxana Pintilie Mihaela Vazzolla Anişoara Vlad Nicoleta Ştefan Florentina Cătuneanu Silvia Căpățână Corina Niculescu Coperta: Constantin Aurelian Popovici ARTICOLE DIN PUBLICAŢII PERIODICE. CULTURĂ 3 Cuprins 0 GENERALITĂȚI ............................................................................................... 6 004 Știința și tehnologia calculatoarelor. Calculatoare. Prelucrarea și procesarea datelor. Informatică aplicată. Internet. Web semantic. Inteligență artificială. Realitate virtuală ....................................... -
EAST-CENTRAL EUROPEAN & BALKAN SYMPHONIES from the 19Th Century to the Present Composers
EAST-CENTRAL EUROPEAN & BALKAN SYMPHONIES From the 19th Century to the Present A Discography of CDs and LPs Prepared by Michael Herman Composers R-Z ALEXANDER RAICHEV (1922-2003, BULGARIAN) Born in Lom. He studied composition with Assen Karastoyanov and Parashkev Hadjiev at the Sofia State Conservatory and then privately with Pancho Vladigerov. He went on for post-graduate studies at the Liszt Music Academy in Budapest where he studied composition with János Viski and Zoltán Kodály and conducting with János Ferencsik. He worked at the Music Section of Radio Sofia and later conducted the orchestra of the National Youth Theatre prior to joining the staff of the State Academy of Music as lecturer in harmony and later as professor of harmony and composition. He composed operas, operettas, ballets, orchestral, chamber and choral works. There is an unrecorded Symphony No. 6 (1994). Symphony No. 1 (Symphony-Cantata) for Mixed Choir and Orchestra "He Never Dies" (1952) Konstantin Iliev/Bulgarian A Capella Choir "Sv. Obretanov"/Sofia State Philharmonic Orchestra BALKANTON BCA 1307 (LP) (1960s) Vasil Stefanov/Bulgarian Radio Symphony Orchestra and Chorus BALKANTON 0184 (LP) (1950s) Symphony No. 2 "The New Prometheus" (1958) Vasil Stefanov/Bulgarian Radio Symphony Orchestra BALKANTON BCA 176 (LP) (1960s) Yevgeny Svetlanov/USSR State Symphony Orchestra (rec. 1965) ( + Vladigerov: Piano Concertos Nos. 3 and 4 and Marinov: Fantastic Scenes) MELODIYA D 016547-52 (3 LPs) (1965) Symphony No. 3 "Strivings" (1966) Dimiter Manolov/Sofia State Philharmonic Orchestra ( + Bulgaria-White, Green, Red Oratorio) BALKANTON BCA 2035 (LP) (1970s) Ivan Voulpe/Bourgas State Symphony Orchestra ( + Stravinsky: Firebird Suite) BALKANTON BCA 1131 (LP) (c. -
The St. Petersburg Times
NO. 619 FRIDAY, NOVEMBER 10, 2000 WWW.SPTIMES.RU CENTRAL BANK RATE Of Nudity and Smirnov Versus Plagued by the 27.65 27.72 27.70 Severed Heads Smirnov ... Sanctions Curse 27.75 27.80 Mariinsky gets new version Rival brothers in feud for Irap sees an alarming rise in 27.85 27.90 of Strauss opera. Page 10. vodka company. Page 6. fatal diseases. Page 18. 11/01 11/02 11/03 11/09 11/10 U.S. Caught in Electoral Quagmire By David Royse tally by The Associated Press. The orig- In response to the Gore campaign’s risk doing so at the expense of our Buchanan said “ineptitude” in ballot THE ASSOCIATED PRESS inal “final” margin had been reported request for a manual recount, Palm democracy.” design may have caused many TALLAHASSEE, Florida — George at 1,784. Beach County agreed to hand-count More than a thousand Gore sup- Democrats to vote for him inadver- W. Bush’s lead over Al Gore in crucial The recount, required under state ballots in three precincts Saturday. porters demonstrated outside a govern- tently. Florida shrank to fewer than 400 votes law because of the close result, was still With the outcome of the presidential ment building in downtown West Palm James A. Baker III, the former sec- on Thursday, with allegations of irregu- in progress late Thursday, some 48 race in the balance, allegations on both Beach, demanding another election in retary of state brought in by Bush to larities swirling and several thousand hours after polls closed. sides became increasingly heated. -
History the Land That Gave Birth to the Legendary Orpheus and Spartacus, Bulgaria the Shortest History Is a Country with a Long, Tumultuous and Fascinating History
© Lonely Planet Publications 31 History The land that gave birth to the legendary Orpheus and Spartacus, Bulgaria The Shortest History is a country with a long, tumultuous and fascinating history. It has been of Bulgaria by Nikolay invaded, conquered and settled by Greeks, Scythians, Romans, Byzantines Ovcharov runs quickly and Turks, all of whom left their indelible marks on the landscape. Bulgaria’s through the highpoints of medieval ‘Golden Age’, when the Bulgar Khans ruled over one of the larg- Bulgaria’s past, cramming est empires in Europe, was bright but brief, while 500 years of subsequent, a lot of interesting facts brutal Turkish domination isolated the country from the rest of Europe. into just 70 brightly More recently, Bulgaria spent four decades as a totalitarian Soviet satellite, illustrated pages. again leaving this small Balkan nation in the shadows as far as the Western world was concerned. It’s no wonder, then, that Bulgarians are so passion- ate about preserving their history and their culture, which has survived so often against the odds. In the last years of the 20th century Bulgaria began opening up, and is one of the newest members of the EU. BEGINNINGS Excavations of caves near Pleven (in the Danubian plains in northern A Concise History of Bulgaria) and in the Balkan Mountains have indicated human habitation Bulgaria by RJ Cramp- as far back as the Upper Palaeolithic Period around 40,000 BC. However, ton is a scholarly and archaeologists now believe that the earliest permanent settlers, arriving comprehensive overview around 6000 BC, were Neolithic people who lived in caves, such as at of the country’s history Yagodina in the southern Rodopi Mountains ( p162 ) and later, between from prehistoric times up about 5500 BC and 4500 BC, in round mud huts. -
Sonatas for Violin and Piano by the Bulgarian Composers Pancho Vladigerov, Lubomir Pipkov, Dimitar Nenov, Veselin Stoyanov, and Marin Goleminov Lora V
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2007 Sonatas for Violin and Piano by the Bulgarian Composers Pancho Vladigerov, Lubomir Pipkov, Dimitar Nenov, Veselin Stoyanov, and Marin Goleminov Lora V. Lipova Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC SONATAS FOR VIOLIN AND PIANO BY THE BULGARIAN COMPOSERS PANCHO VLADIGEROV, LUBOMIR PIPKOV, DIMITAR NENOV,VESELIN STOYANOV, AND MARIN GOLEMINOV By LORA V. LIPOVA A Treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music Degree Awarded Fall Semester, 2007 The Members of the Committee approve the treatise of Lora Vaskova Lipova defended on October 18th, 2007. _________________________ Alexander Jiménez Professor Directing Treatise _________________________ Jane Piper Clendinning Outside Committee Member _________________________ Beth Newdome Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii Dedicated to Nikola Lipov iii ACKNOWLEDGEMENTS I would like to thank the following people for their help: Alexander Jiménez, the professor directing my treatise. Dr. Jiménez graciously agreed to step in as the head of my committee. His continuous support is much appreciated; Jane Piper Clendinning, the outside member of my committee. Dr. Clendinnng worked hard with me in preparing the document; Beth Newdome, member of my committee; Karen Clarke, my violin professor; Pamela Ryan, my viola professor; Filka Borisova in the National Library “Ivan Vazov” in Plovdiv, Bulgaria; all of my close friends at the Florida State University College of Music for standing beside me; and finally, my wonderful family in Bulgaria for their continuous love and support. -
Official Program
Ohrid Choir Festival 2011 is organized by Ohrid Choir 25-29 АВГУСТ Organization committee: 25-29 AUGUST Aleksandar Dimoski president Aleksandar Gjoreski data processing, web design & website maintenance Vladimir Trajanovski graphic design & layout Katerina Vasileska spare time activities Adam Pollock translation & proofreading ОХРИДСКИ ХОРСКИ Nataša Ristovska legal advisor ФЕСТИВАЛ OHRID CHOIR FESTIVAL The next Ohrid Choir Festivals 23 - 27 August 2012 2011 22 - 26 August 2013 SanedoniaTM ОФИЦИЈАЛНАПРОГРАМА | OFFICIALPROGRAM Дијамантска Сала | Хотел Инекс Горица Diamond Hall | Hotel Inex Gorica 1st Competition Concert, Friday 26.08.2011 6th Competition Concert, Saturday 27.08.2011 17.30 The Choir of the Wroclaw University of 19.15 Juventus Latvia Environmental and Life Sciences Poland 19.30 Ipavska Chamber choir Slovenia 17.45 Nilüfer Polyphonic Choir Turkey 19.45 Chór Miasta Garwolin Poland 18.00 Gaudium Poland 20.00 Break 18.15 Rondo Poland 20.15 Mixed choir Skulte Latvia 20.30 Cantare Lithuania 2nd Competition Concert , Friday 26.08.2011 7th Competition Concert, Sunday 28.08.2011 18.45 The Girls’ Chamber Choir of Jan Evangelista Purkyně University 10.00 Gamma Russia Czech Republic 10.15 Vozrozhdenie Russia 19.00 Lazarice Serbia 10.30 Vestitorii Romania 19.15 Cantica laetitia Czech Republic 10.45 Break 19.30 Break 11.00 Sonet Czech Republic 19.45 Musica viva Serbia 11.15 Matejs Latvia 20.00 University of Primorska Female Academic Choir Slovenia 8th Competition Concert, Sunday 28.08.2011 3rd Competition Concert, Saturday 27.08.2011 12.00