e-Keltoi: Journal of Interdisciplinary Celtic Studies Volume 8 Religion and Ideology Article 1 10-24-2012 A Celtic Invocation: Cétnad nAíse Ernst F. Tonsing California Lutheran University Follow this and additional works at: https://dc.uwm.edu/ekeltoi Part of the Celtic Studies Commons, English Language and Literature Commons, Folklore Commons, History Commons, History of Art, Architecture, and Archaeology Commons, Linguistics Commons, and the Theatre History Commons Recommended Citation Tonsing, Ernst F. (2012) "A Celtic Invocation: Cétnad nAíse," e-Keltoi: Journal of Interdisciplinary Celtic Studies: Vol. 8 , Article 1. Available at: https://dc.uwm.edu/ekeltoi/vol8/iss1/1 This Article is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in e-Keltoi: Journal of Interdisciplinary Celtic Studies by an authorized administrator of UWM Digital Commons. For more information, please contact open-
[email protected]. A Celtic Invocation: Cétnad nAíse Ernst F. Tonsing, California Lutheran University Abstract Very little has been written about the baffling text of the Celtic invocation, the Cétnad nAíse, for the reason that it is abstruse, and the allusions in it resist sure explication. Despite the obstacles to interpreting the Cétnad nAíse, however, a close examination of the poem can yield some clues as to its sources, purpose, and, perhaps, authorship. To do this, the lines of the prayer will be treated in three groups: the four "invocations," the "petitions," and the "I am" sayings. It can be concluded that, contrary to some analysts, the content of the poem is derived mostly from pagan, Irish sources and that the Christian elements in it are sparse.