20 Commentary on the Book of Proverbs
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Psalms, Hymns, and Spiritual Songs: the Master Musician's Melodies
Psalms, Hymns, and Spiritual Songs: The Master Musician’s Melodies Bereans Sunday School Placerita Baptist Church 2006 by William D. Barrick, Th.D. Professor of OT, The Master’s Seminary Psalm 81 — Celebrate the Feast Day! 1.0 Introducing Psalm 81 y In the early 1960’s excavators uncovered a manuscript including Psalms 81– 85 at Masada, the Jewish fortress on the west side of the Dead Sea that was destroyed around A.D. 73. y Psalms 50, 81, and 95 are the three festival psalms in the Psalter. y Most commentators identify the Feast of Tabernacles with the festival celebration in Psalm 81 (Leviticus 23:33-36, 39-43; Deuteronomy 16:13-15). y According to the rabbis, the following psalms were sung in the daily services of the Temple: 9 1st day (Sunday): Psalm 24 9 2nd day (Monday): Psalm 48 9 3rd day (Tuesday): Psalm 82 9 4th day (Wednesday): Psalm 94 9 5th day (Thursday): Psalm 81 9 6th day (Friday): Psalm 93 9 7th day (Saturday): Psalm 92 y Within the collection of Asaph psalms (Psalms 79–83), Psalm 81 presents God’s response to the laments of Psalms 79 and 80. 2.0 Reading Psalm 81 (NAU) 81:1 A Psalm of Asaph. Sing for joy to God our strength; Shout joyfully to the God of Jacob. 81:2 Raise a song, strike the timbrel, The sweet sounding lyre with the harp. 81:3 Blow the trumpet at the new moon, Psalms, Hymns, and Spiritual Songs 2 Barrick, Placerita Baptist Church 2006 At the full moon, on our feast day. -
Complete Song Book (2013 - 2016)
James Block Complete Song Book (2013 - 2016) Contents ARISE OH YAH (Psalm 68) .............................................................................................................................................. 3 AWAKE JERUSALEM (Isaiah 52) ................................................................................................................................... 4 BLESS YAHWEH OH MY SOUL (Psalm 103) ................................................................................................................ 5 CITY OF ELOHIM (Psalm 48) (Capo 1) .......................................................................................................................... 6 DANIEL 9 PRAYER .......................................................................................................................................................... 7 DELIGHT ............................................................................................................................................................................ 8 FATHER’S HEART ........................................................................................................................................................... 9 FIRSTBORN ..................................................................................................................................................................... 10 GREAT IS YOUR FAITHFULNESS (Psalm 92) ............................................................................................................. 11 HALLELUYAH -
The Book of Psalms “Bless the Lord, O My Soul, and Forget Not All His Benefits” (103:2)
THE BOOK OF PSALMS “BLESS THE LORD, O MY SOUL, AND FORGET NOT ALL HIS BENEFITS” (103:2) BOOK I BOOK II BOOK III BOOK IV BOOK V 41 psalms 31 psalms 17 psalms 17 psalms 44 psalms 1 41 42 72 73 89 90 106 107 150 DOXOLOGY AT THESE VERSES CONCLUDES EACH BOOK 41:13 72:18-19 89:52 106:48 150:6 JEWISH TRADITION ASCRIBES TOPICAL LIKENESS TO PENTATEUCH GENESIS EXODUS LEVITICUS NUMBERS DEUTERONOMY ────AUTHORS ──── mainly mainly (or all) DAVID mainly mainly mainly DAVID and KORAH ASAPH ANONYMOUS DAVID BOOKS II AND III ADDED MISCELLANEOUS ORIGINAL GROUP BY DURING THE REIGNS OF COLLECTIONS DAVID HEZEKIAH AND JOSIAH COMPILED IN TIMES OF EZRA AND NEHEMIAH POSSIBLE CHRONOLOGICAL STAGES IN THE GROWTH AND COLLECTION OF THE PSALTER 1 The Book of Psalms I. Book Title The word psalms comes from the Greek word psalmoi. It suggests the idea of a “praise song,” as does the Hebrew word tehillim. It is related to a Hebrew concept which means “the plucking of strings.” It means a song to be sung to the accompaniment of stringed instruments. The Psalms is a collection of worship songs sung to God by the people of Israel with musical accompaniment. The collection of these 150 psalms into one book served as the first hymnbook for God’s people, written and compiled to assist them in their worship of God. At first, because of the wide variety of these songs, this praise book was unnamed, but eventually the ancient Hebrews called it “The Book of Praises,” or simply “Praises.” This title reflects its main purpose──to assist believers in the proper worship of God. -
Exegesis of the Psalms “Selah”
Notes ! 147 BIBLE STUDY METHODS: PSALMS The Psalms are emotional. At times, God speaks too, but most of what we read are man’s words directed toward heaven. All these words are completely inspired by God. Our issue is to determine how they function as God’s Word for us. The Psalms are not: • doctrinal teaching - No! • biblical commands on our behavior - No! • illustrations of biblical principles - No! They provide examples of how people expressed themselves to God (rightly or wrongly). They give us pause to think about (1) God, and (2) our relationships to God. They ask us to consider the “ways of God.” Exegesis of the Psalms Separate them by types. Understand their different forms and their different functions. The New Testament contains 287 Old Testament quotes. 116 are from Psalms. The 150 Psalms were written over a period of about 1000 years. Moses wrote Psalm 90 in 1400B.C. Ezra wrote Psalm 1 and Psalm 119 about 444 B.C. Our task is to view the Psalms through the lens of Salvation History. “Selah” The Psalms are poetry and songs. The music is lost to us. “Selah” was intended to signal a musical pause. It’s not necessary to read it out loud. It’s a signal to pause and meditate. Though the Psalms are different from each other, they all emphasize the spirit of the Law, not the letter. Do not use them to form doctrines, independent of New Testament writings. The Psalms are emotional poetry. They often exaggerate through the emotions of their writers. The language is picturesque. -
Melchizedek Legend of 2 (Slavonic) Enoch
JSJ/209(DS)/Orlov/23-38 1/26/00 8:33 AM Page 23 MELCHIZEDEK LEGEND OF 2 (SLAVONIC) ENOCH ANDREI ORLOV Marquette University, Milwaukee, WI USA Contemporary scholarship does not furnish a consensus concerning the possible provenance of 2 (Slavonic) Enoch.1 In the context of ambig- uity and uncertainty of cultural and theological origins of 2 Enoch, even distant voices of certain theological themes in the text become very 1 On different approaches to 2 Enoch see: I. D. Amusin, Kumranskaja Obshchina (Moscow: Nauka, 1983); F. Andersen, “2 (Slavonic Apocalypse of ) Enoch,” The Old Testament Pseudepigrapha (ed. J. H. Charlesworth; New York: Doubleday, 1985 [1983]) 1. 91-221; G. N. Bonwetsch, Das slavische Henochbuch (AGWG, 1; Berlin: Weidmannsche Buchhandlung, 1896); G. N. Bonwetsch, Die Bücher der Geheimnisse Henochs: Das sogenannte slavische Henochbuch (TU, 44; Leipzig, 1922); C. Böttrich, Weltweisheit, Menschheitsethik, Urkult: Studien zum slav- ischen Henochbuch (WUNT, R.2, 50; Tübingen: Mohr, 1992); C. Böttrich, Das slavische Henochbuch (Gütersloh: Gütersloher Verlaghaus, 1995); C. Böttrich, Adam als Mikrokosmos: eine Untersuchung zum slavischen Henochbuch (Frankfurt am Main: Peter Lang, 1995); R. H. Charles, and W. R. Morfill, The Book of the Secrets of Enoch (Oxford: Clarendon Press, 1896); J. H. Charlesworth, “The SNTS Pseudepigrapha Seminars at Tübingen and Paris on the Books of Enoch (Seminar Report),” NTS 25 (1979) 315-23; J. H. Charlesworth, The Old Testament Pseudepigrapha and the New Testament. Prolegomena for the Study of Christian Origins (SNTSMS, 54; Cambridge: Cambridge University Press, 1985); J. Collins, “The Genre of Apocalypse in Hellenistic Judaism,” Apocalypticism in the Mediterranean World and the Near East (ed. -
Praise and Lament
Psalms Praise and Lament “It is good to give thanks to the LORD And to sing Psalm 92:1 praises to Your name, O Most High” • Praise is primarily a reciting of the attributes of God and of the acts of God, and then praising God for both. • The first is descriptive praise, the second Two Types of declarative praise. The worshipper rejoices because God is the kind of God he is and Praise because he does the things he does. • This, in turn, promotes greater trust in God, as well as a thankful heart. • Originally, psalms of descriptive praise were intended to be used either as a choral response or perhaps as a solo in the normal round of public or national worship. Descriptive • The most common Hebrew verb used for Praise this kind of praise is hillel. English readers are familiar with it in its imperative form: Hallelu-Yah, “Praise Yah!” • Hymns (e.g., Ps 24; 29; 33; 100; 103; 105; 111; 113-14; 117; 135-36; 145-150) • Enthronement Psalms (e.g., Ps 47; 93; 95-99) • Songs of Zion, including pilgrim psalms (e.g., Five Types of Ps 48; 84; 87; 120-34) Descriptive Praise • Royal Psalms (e.g., Ps 2; 20-21; 45; 72; 89; 101; 110; 132; 144) • Creation psalms (e.g., Ps 8, 19:1-6; 104) • The expression “the Lord reigns” is characteristic of the enthronement psalms. • All passages that speak of a future coming of the Lord to his people or to the earth, or that speak of a future rule of the Lord over Israel or Enthronement the whole earth, are enthronement psalms. -
150 Psalms Celebration of Life Tue 3 Mar 2020, 8Pm, Adelaide Town Hall
12 150 Psalms Celebration of Life Tue 3 Mar 2020, 8pm, Adelaide Town Hall Netherlands Chamber Choir with The Norwegian Soloists’ Choir, The Tallis Scholars & The Song Company Peter Dijkstra, conductor Anthony Hunt, organ Introduction by Kerry O’Brien Andreas Hammerschmidt (ca.1611-1675) Psalm 24, Machet die Tore weit Caroline Shaw (b. 1982) Psalm 84, and the swallow (Australian premiere) Chiara Maria Cozzolani (1602-1678) Psalm 110, Dixit Dominus Alessandro Costantini (ca.1581-1657) Psalm 136, Confitemini Domino Adriano Banchieri (1568-1634) Psalm 47, Omnes gentes plaudite Urmas Sisask (b. 1960) Psalm 105, Confitemini Domino Zoltan Kodály (1882-1967) Psalm 50, Az erős Isten Vic Nees (1936-2013) Psalm 87, Fundamenta ejus Henry Purcell (1659-1695) Psalm 106, O give thanks Jakob Gallus (1550-1591) Psalm 150, Laudate Dominum Ruggiero Giovannelli (ca.1560-1625) Psalm 149, Cantate Domino Jan Tollius (ca.1550-1620?) Psalm 68, Sicut fluit cera Isidora Žebeljan (1967) Psalm 78 (Australian premiere) Aleksandr Gretchaninov (1864-1956) Psalm 135, Praise the Name of the Lord Francis Poulenc (1899-1963) Psalm 81, Exultate Deo Thomas Tallis (1505 - 1585) Spem in Alium Presenting Partner Netherlands Chamber Choir is supported by the Performing Arts Fund NL The Norwegian Soloists’ Choir is supported by Music Norway and the Norwegian Ministry of Foreign Affairs Supported by Amnesty International Commissioned works supported by the Commissioning Circle death rate in the hundreds of thousands. 26 billionaires have the same wealth as the Kerry O’Brien, speaker poorest 3.8 billion. The slow drip erosion of press freedom and fundamental human rights under the One Australian study has found that Kerry O’Brien is one of Australia’s most respected brittle and secretive banner of national income inequalities are greater now than journalists, with six Walkley awards including the Gold security, with the prosecution of Julian at any other time in the past 70 years. -
150 Scriptures to Praise
Notes: 150 Scriptures to Praise God Daybreak Prayer 1. Exodus 15:2 7. 2 Samuel 22:50 140. 1 Peter 1:3 before his glorious presence The LORD is my strength and my Therefore I will praise you, O Praise be to the God and Father without fault and with great joy— defense; he has become my LORD, among the nations; I will of our LORD Jesus Christ! In his 25 to the only God our Savior be salvation. He is my God, and I will sing the praises of your name. great mercy he has given us new glory, majesty, power and praise him, my father’s God, and I birth into a living hope through the authority, through Jesus Christ our will exalt him. 8. 1 Kings 8:56 resurrection of Jesus Christ from LORD, before all ages, now and “Praise be to the LORD, who has the dead, … forevermore! Amen. 2. Deuteronomy 32:3 given rest to his people Israel just I will proclaim the name of the as he promised. Not one word has 141. 1 Peter 1:7 146. Revelation 5:12 LORD. Oh, praise the greatness of failed of all the good promises he These have come so that the In a loud voice they sang: “Worthy our God! gave through his servant Moses proven genuineness of your is the Lamb, who was slain, to …” faith—of greater worth than gold, receive power and wealth and 3. Judges 5:3 which perishes even though wisdom and strength and honor Hear this, you kings! Listen, you 9. -
Selah Moments Sacred Pauses Your Soul For
Selah Moments sacred pauses your soul for A JOYFUL LIFE STUDY AIMEE WALKER by All Text in this study guide is the property of AimEe Walker and THE JOYFUL LIFE COMPANY. You are welcome to share excerpts from the text, provided that full and clear credit is given to AimEe and THE JOYFUL LIFE COMPANY. © copyright 2019, the joyful life company edited by tiffany edmonds cover image BY Carolyn watson COLORING PAGE ART BY TASHA WIGINTON All scripture references throughout are English Standard Version (ESV) unless noted. www.joyfullifemagazine.com Selah Moments sacred pauses your soul for table of contents INTRODUCTION DAY 1 | An Evaluating Pause 8 DAY 2 | A Spacious Pause 13 DAY 3 | A Searching Pause 19 DAY 4 | A Solemn Pause 25 DAY 5 | A Victorious Pause 33 WEEKEND REFLECTION A Thankful Pause 38 DAY 6 | A Consecrating Pause 45 DAY 7 | A Blessed Pause 51 DAY 8 | A Meaningful Pause 57 DAY 9 | A Loving Pause 63 DAY 10 | A Still Pause 68 WEEKEND REFLECTION An Honoring Pause 74 table of contents You, Yahweh, have become my ; You take me and shield surround me with Yourself... Ps. 3:3 ESV Introduction Selah. It’s a beautiful, if not somewhat mysterious, word. A word that beckons and invites us to slow down; to linger and pause in God’s presence; to pay attention not only to our own stories, but to Him. Throughout this study, you are invited to record the names and attributes of God spoken of in each Psalm in a list you’ll find at the back of this devotional. -
Banquet Without Walls Richard Leach
Banquet without Walls Hymns on the Psalms Richard Leach Printed on recycled and acid-free paper Banquet without Walls: Hymns on the Psalms by Richard Leach Copyright © 2009 Selah Publishing Co., Inc., Pittsburgh, Pa. 15227 www.selahpub.com All rights reserved. All pieces in this collection are under copyright protection of the copyright holder listed with each hymn. Permission must be obtained from the copyright holder to reproduce—in any form or by any means, electronic, mechanical, photocopying, or otherwise—what is included in this book. All of the hymn texts and copyrights held by Selah Publishing Co. may be used by congregations enrolled in the C.C.L.I., LicenSing, or OneLicense.net programs. Typeset and printed in the United States of America. Back cover photo by Alexander Leach, 2005. First edition 2 3 4 5 6 7 8 9 13 12 11 10 09 Catalog no. 125-429 Contents Note…4 Introduction …5 Psalms…7 Indexes…156 Note To indicate on a text’s page whether it has ever been set to music, the page notes may include a choral setting or an unpublished tune. See the Publications index for information on books cited in the footnotes. 4 Introduction “Banquet without walls” is a phrase I wrote for the table set before us in the presence of our enemies in Psalm 23, and for the dinner tables at which Jesus welcomes outcasts. It also describes the Psalter itself, which has hosted so many singers and interpreters, in very many languages and musical styles, in countless synagogues, churches and other gatherings of God’s people, through the thousands of years since the psalms were writ- ten and collected. -
Volume 0009 Number
JOHNS HOPKINS UNIVERSITY CI RCULARS Pub/is/ied wit/i t/ie approbation of t/ze Board of Trustees VOL. JX.—.-No. 8i.] BALTIMORE, MAY, 1890. [PRICE, 10 CENTS. SCIENTIFIC NOTES. Third Annual Geological Expedition into Southern MEsozorc.—Potomac.-—Overlying the eastern flank of the Archaean belt, Maryland and Virginia. By WILLIAM B. CLARK. topographically designated the Piedmont Plateau, is the Potomac forma- tion, the basal member of the unaltered sediments constituting the Coastal The third annual geological expedition, under the direction of the writer, Plain. The deposits consist of sands, clays and gravels of varying compo- assisted by Mr. N. H. Darton, of the Pot omac Division of the U. S. Geo- sition, though the sands and gravels predominate in the lower and the clays lobical Survey, left Baltimore on the morning of April 2d for an excur- in the upper portion of the formation. The gravels are chiefly found as sion of ten days into Southern Maryland and Virginia. The party con- the shoreward facies of the basal horizon. sisted of Dr. W. B. Clark, Messrs. C. iR. Keyes, U. S. Grant, E. G. Conklin, The fossils of the Potomac are not abundant, consisting chiefly of leaf A. E. Bibbins, W. V. Metcalf, and M. M. Metcalf, of the Johns Hopkins impressions, with a few dinosaurian and molluscan remains. Marsh con- University; President J. Edgar, and Professor A M Miller, of Wilson siders that the dinosaurian forms establish the Jurassic age of the deposits, College,Chambersburg, Pa.; Messrs. W. H. Weed an~ N. H. Darton, of the while the presence of large numbers ofdicotyledenous leaves lead others to U. -
Weekly Spiritual Fitness Plan” Come from “The Whole Bible Project” Bible Studies
musicians for use in a public service. FAITH FULLY FIT Selah occurs 71 times in 39 different psalms, Saturday: Psalms 144-150 (continued) mostly in the first three books. It occurs within My Spiritual Fitness Goals for this week: Psalms as a marker of some sort of interlude. Psalm 150:3-5 - On the various musical instru- Sometimes it occurs where there is a sharp break in ments listed here, see The People’s Bible, Weekly Spiritual the thought, but at other times it appears in the Psalms 1–72, pages 35-38. There is no evidence middle of a thought. In rare cases it appears at the that dancing was done in the worship at the temple end of a psalm. Apparently it is a musical notation, or the tabernacle; rather, dancing was a natural Fitness Plan but its meaning remains obscure. It is believed to part of festive processions, such as when David be derived from a Hebrew word meaning to “lift brought the ark to Jerusalem. See 2 Samuel 6:14. up” or from one meaning to “be quiet.” Suggested interpretations include (1) an instrumental inter- Introduction & Background lude between vocal sections of the psalm, (2) a to this week’s readings: pause, (3) an increase in the loudness of the music, (4) a sign to divide the hymn into sections, (5) an Introduction to the Book of Psalms - Part 5 emphatic interjection like “amen,” or (6) a repeat sign like da capo. The first suggestion seems most Music in the Psalms: The exhortations in the likely .