5. Minor Types of Word Building
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The Serial Interaction of Stress and Syncope John J
University of Massachusetts Amherst ScholarWorks@UMass Amherst Linguistics Department Faculty Publication Series Linguistics January 2008 The serial interaction of stress and syncope John J. McCarthy University of Massachusetts, Amherst, [email protected] Follow this and additional works at: https://scholarworks.umass.edu/linguist_faculty_pubs Part of the Morphology Commons, Near Eastern Languages and Societies Commons, and the Phonetics and Phonology Commons Recommended Citation McCarthy, John J., "The es rial interaction of stress and syncope" (2008). Natural Language and Linguistic Theory. 90. Retrieved from https://scholarworks.umass.edu/linguist_faculty_pubs/90 This Article is brought to you for free and open access by the Linguistics at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Linguistics Department Faculty Publication Series by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. Nat Lang Linguist Theory (2008) 26: 499–546 DOI 10.1007/s11049-008-9051-3 ORIGINAL PAPER The serial interaction of stress and syncope John J. McCarthy Received: 7 November 2007 / Accepted: 12 April 2008 / Published online: 26 August 2008 © Springer Science+Business Media B.V. 2008 Abstract Many languages respect the generalization that some or all unstressed vow- els are deleted. This generalization proves elusive in classic Optimality Theory, how- ever. The source of the problem is classic OT’s parallel evaluation, which requires that the effects of stress assignment and syncope be optimized together. This article argues for a version of OT called Harmonic Serialism, in which the effects of stress assignment and syncope can and must be evaluated sequentially. The results are po- tentially applicable to other domains where process interaction is best understood in derivational terms. -
Chapter One Phonetic Change
CHAPTERONE PHONETICCHANGE The investigation of the nature and the types of changes that affect the sounds of a language is the most highly developed area of the study of language change. The term sound change is used to refer, in the broadest sense, to alterations in the phonetic shape of segments and suprasegmental features that result from the operation of phonological process es. The pho- netic makeup of given morphemes or words or sets of morphemes or words also may undergo change as a by-product of alterations in the grammatical patterns of a language. Sound change is used generally to refer only to those phonetic changes that affect all occurrences of a given sound or class of sounds (like the class of voiceless stops) under specifiable phonetic conditions . It is important to distinguish between the use of the term sound change as it refers tophonetic process es in a historical context , on the one hand, and as it refers to phonetic corre- spondences on the other. By phonetic process es we refer to the replacement of a sound or a sequenceof sounds presenting some articulatory difficulty by another sound or sequence lacking that difficulty . A phonetic correspondence can be said to exist between a sound at one point in the history of a language and the sound that is its direct descendent at any subsequent point in the history of that language. A phonetic correspondence often reflects the results of several phonetic process es that have affected a segment serially . Although phonetic process es are synchronic phenomena, they often have diachronic consequences. -
Syllable Structure Into Spanish, Italian & Neapolitan
Open syllable drift and the evolution of Classical Latin open and closed syllable structure into Spanish, Italian & Neapolitan John M. Ryan, University of Northern Colorado ([email protected]) Introduction, Purpose, and Method 1. the distribution of open and closed syllables in terms of word position; 2. what factors, both phonological (e.g,, coda deletion, apocope, syncope, Syllable structure is the proverbial skeleton degemination,) and extra-phonological (e.g., raddoppiamento sintattico or template upon which the sounds of a given and other historical morphosyntactic innovations as the emergence of language may combine to make sequences articles), might explain the distribution of the data. and divisions that are licit in that language. 3. whether the data support or weaken the theory of ‘open syllable drift’ Classical Latin (CL) is known to have exhibited proposed by Lausberg (1976) and others to have occurred in late Latin both open and closed syllable structure in word or early Proto Romance. final position, as well as internally. The daughter Figure 1 shows the breakdown of words, syllables and syllable/word ratio languages of Spanish, Italian and Neapolitan, for all four texts of the study: however, have evolved to manifest this dichotomy to differing due to both phonological and extra-phonological realities. Figure 1 Purpose: to conduct a comparative syllabic analysis of The Lord’s Prayer in Classical Latin (CL), modern Spanish, Italian and Neapolitan in order to determine: Data and Discussion 4) Historical processes producing reversal effects on CL open and closed syllable structure 1) Polysyllabic word-final position in The Lord’s Prayer Figure 5 shows five phonological Figure 5 Figure 2 shows that in word-final position, Latin overwhelmingly favors closed processes affecting the evolution of LATIN syllables at 72%, while Spanish only slightly favors open syllables at 55%. -
Syncope in Crimean Tatar*
Syncope in Crimean Tatar* Darya Kavitskaya Yale University Crimean Tatar has a pervasive syncope of high vowels postlexically. The syncope of unstressed vowels only occurs when it results in a phonotactically acceptable syllable structure. Additionally, stressed high vowels delete between identical consonants with the following degemination which is attributed to a highly ranked OCP constraint. An apparent counterexample, the syncope of high vowels followed by voiceless geminates, is shown to be a matter of phonetic implementation, while the former processes have to be represented in phonology. 1. Introduction Crimean Tatar (henceforth, CT) is a West Kipchak language which belongs to the northwestern branch of Turkic (Johanson 1998:81). CT is spoken mainly in the Crimean peninsula in Ukraine, as well as in Uzbekistan, and also in small communities in Russia, Bulgaria, Romania, and Turkey. According to traditional descriptions, CT is subdivided into three dialects: Southern (or Coastal), Central, and Northern (or Steppe) (Johanson and Csato 1998). All three dialects are endangered (Southern and Northern more so than Central): the language is now extensively used mostly by the speakers older than forty, and very few children learn it as their first language. The sociolinguistic situation of CT is quite unusual. In 1944, the entire Tatar population of Crimea was deported to Central Asia (Uzbekistan, Kazakhstan, and Tajikistan), and to several locations in Russia. As a result, the speakers of CT dialects that used to be linguistically homogenous were separated, mixed, and immersed into radically different language environments. The early 1990s saw the return of Crimean Tatars to their homeland. Currently about 250,000 Crimean Tatars live in Crimea again, and another 250,000 are still in exile. -
Bleaching and Coloring*
386 Bleaching and Coloring* Patricia D. Miller Ohio State University Current studies in natural phonology have dealt with vowels in terms of three cardinal properties: palatality, labiality, and sonority. Palatality and labiality--the chromatic properties--are optimized by a minimally open, maximally constricted vocal tract; and sonority is optimized by a more open vowel tract) Thus the familiar triangle: A or, more exactly a a represents the maximal opposition of the three properties.2 And in many ways, the vowel space does seem to be triangular: ordinarily, the more sonorant a vowel is, the less color it has; and the more chromatic it is--the less sonorant. Thus, while i, e, and m are all palatal, i is more palatal than e, and e is more palatal than m; and, similarly, the degree of rounding varies for u, o, 3. The vowels #, A, and a are colorless or achromatic. They lack both palatality and labiality, and differ only in sonority.3 In this framework, the terms bleaching and coloring are almost self-explanatory: bleaching removes color, and coloring adds color. Bleaching Bleaching may remove palatality or labiality, or both simultaneously: V !lover -Labial !unstressed and/or !lax/short -Palatal] !mixed _(context) Full-scale operation of bleaching will produce linear vowel systems like those of the Caucasian languages reported to have k, A, a. If A lowers, it will produce the system 4, a like that of Kabardian (Kuipers 1960:23 et passim), or that of the child Curt4 (011er forthcoming); or, if all achromatics lower, it will give the single- vowel system, a. -
On Syncope in Old English
In: Dieter Kastovsky and Aleksander Szwedek (eds) Linguistics across historical and geographical boundaries. In honour of Jacek Fisiak on the occasion of his fiftieth birthday. Berlin: Mouton-de Gruyter, 1986, 359-66. On syncope in Old English Raymond Hickey University of Bonn Abstract. Syncope in Old English is seen to be a rule which is determined by syllable structure but furthermore to be governed by a set of restricting conditions which refer to the world-class status of the forms which may act as input to the syncope rule, and also to the inflectional or derivational nature of the suffix which are added also to the precise phonological structure of those forms which undergo syncope. A phonological rule in a language which does not operate globally is always of particular interest as the conditions which restrict its application can frequently be recognized and formulized, at the same time throwing light on the nature of conditions which can in principle apply in a language’s phonology. In Old English a syncope rule existed which clearly related to the syllable structure of the forms it did not operate on but which was also subject to a set of restricting conditions which lie outside the domain of the syllable. The examination of this syncope rule and the conditions pertaining to it is the subject of this contribution. It is first of all necessary to distinguish syncope from another phonological process with which it might be confused. This is epenthesis, which appears to have been quite widespread in late West Saxon, as can be seen in the following forms. -
Apocope in Heritage Italian
languages Article Apocope in Heritage Italian Anissa Baird 1, Angela Cristiano 2 and Naomi Nagy 1,* 1 Department of Linguistics, University of Toronto, Toronto, ON M5S 3G3, Canada; [email protected] 2 Department of Classical Philology and Italian Studies, Università di Bologna, 40126 Bologna, Italy; [email protected] * Correspondence: [email protected] Abstract: Apocope (deletion of word-final vowels) and word-final vowel reduction are hallmarks of southern Italian varieties. To investigate whether heritage speakers reproduce the complex variable patterns of these processes, we analyze spontaneous speech of three generations of heritage Calabrian Italian speakers and a homeland comparator sample. All occurrences (N = 2477) from a list of frequent polysyllabic words are extracted from 25 speakers’ interviews and analyzed via mixed effects models. Tested predictors include: vowel identity, phonological context, clausal position, lexical frequency, word length, gender, generation, ethnic orientation and age. Homeland and heritage speakers exhibit similar distributions of full, reduced and deleted forms, but there are inter-generational differences in the constraints governing the variation. Primarily linguistic factors condition the variation. Homeland variation in reduction shows sensitivity to part of speech, while heritage speakers show sensitivity to segmental context and part of speech. Slightly different factors influence apocope, with suprasegmental factors and part of speech significant for homeland speakers, but only part of speech for heritage speakers. Surprisingly, for such a socially marked feature, few social factors are relevant. Factors influencing reduction and apocope are similar, suggesting the processes are related. Citation: Baird, Anissa, Angela Cristiano, and Naomi Nagy. 2021. Keywords: heritage language; apocope; vowel centralization; vowel reduction; variationist sociolin- Apocope in Heritage Italian. -
Rhythmic Syncope and Opacity in Mojeño Trinitario Françoise Rose
Rhythmic syncope and opacity in Mojeño Trinitario Françoise Rose To cite this version: Françoise Rose. Rhythmic syncope and opacity in Mojeño Trinitario. Phonological Data and Analysis, Linguistic Society of America, 2019, 1 (2), pp.1-25. 10.3765/pda.v1art2.2. hal-02275393 HAL Id: hal-02275393 https://hal.archives-ouvertes.fr/hal-02275393 Submitted on 30 Aug 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Distributed under a Creative Commons Attribution| 4.0 International License Phonological Data & Analysis Volume 1, Article 2: 1–25 (2019) pɗɑ https://doi.org/10.3765/pda.v1art2.2 Received 7 December 2017; revised 19 October 2018; accepted 29 January 2019. © 2019 Françoise Rose. Published by the Linguistic Society of America with permission of the author under a CC BY 3.0 license. Rhythmic syncope and opacity in Mojeño Trinitario Françoise Rose* Centre National de la Recherche Scientifique – [email protected] This paper presents rhythmic syncope in Mojeño Trinitario, an Arawak language spoken in lowland Bolivia. In this language, every vowel that is in a weak prosodic position can syncopate. The syncope pattern of Mojeño Trinitario is remarkable for several reasons. -
Rhythmic Syncope and Opacity in Mojeño Trinitario
Phonological Data & Analysis Volume 1, Article 2: 1–25 (2019) pɗɑ https://doi.org/10.3765/pda.v1art2.2 Received 7 December 2017; revised 19 October 2018; accepted 29 January 2019. © 2019 Françoise Rose. Published by the Linguistic Society of America with permission of the author under a CC BY 3.0 license. Rhythmic syncope and opacity in Mojeño Trinitario Françoise Rose* Centre National de la Recherche Scientifique – [email protected] This paper presents rhythmic syncope in Mojeño Trinitario, an Arawak language spoken in lowland Bolivia. In this language, every vowel that is in a weak prosodic position can syncopate. The syncope pattern of Mojeño Trinitario is remarkable for several reasons. First, it involves a regular, categorical and complete deletion rather than a statistical reduction of vowels. Second, it applies similarly to words with either of two stress patterns: iambic words, which make up the great majority of words, and trochaic ones, much less numerous. Third, a great variety of consonant sequences are the result of syncope, and syllabification applies again after syncope. Fourth, rhythmic syncope actually underapplies: almost half of the vowels that are in a position to syncopate are maintained, and vowel quality plays a statistical role in immunity to syncope. Fifth, due to a rich morphology and a set of complex phonotactic rules applying sequentially, syncope leads to extreme opacity. The data presented in this paper in a theory-neutral way contribute to the typology of rhythmic syncope. It will also be of interest to phonologists considering constraint-based vs. derivational models of phonology. Keywords: phonology; stress; prosody; rhythmic syncope; Mojeño (Arawak) 1 Introduction Mojeño is an Arawak language spoken in lowland Bolivia. -
Phonetic Explanation Without Compromise the Evolution of Mussau Syncope
Phonetic explanation without compromise The evolution of Mussau syncope Juliette Blevins Max Planck Institute for Evolutionary Anthropology, Leipzig Blust (2005, 2007a, 2007b) questions the phonetic motivation of a number of well-attested sound changes. One sound change in this class is the purported case of stressed vowel syncope in Mussau, an Oceanic language (Blust 1984, 2001, 2007a). Regular syncopes typically target unstressed vowels. By contrast, loss of stressed vowels is difficult to motivate, due to their inherent prominence. Close inspection of Mussau historical phonology suggests that, at its origins, syncope was limited to unstressed vowels, with subsequent developments ob- scuring its original phonetic motivation. Under the proposed analysis, the Neo- grammarian insistence on phonetically motivated sound change is maintained. Keywords: sound change, phonetic motivation, naturalness, vowel syncope, Mussau 1. The general problem Are all sound changes phonetically motivated? The Neogrammarians believed so, and catalogued many instances where sound change was of a purely phonetic nature, triggered by the effects of surrounding sounds, accent, syllabic position, and general articulatory tendencies (Osthoff & Brugman 1878, Paul 1880). While Neogrammarian phonetic explanation was based primarily on the mechanisms of speech production, a range of students who studied in Leipzig during the latter part of the 19th century, from Baudouin de Courtenay to Gustaf E. Karsten, soon embraced perception as an additional explanatory mechanism of phonetically based sound change.1 In more recent times, further evidence has accumulated for 1. On Baudouin’s conception of misperception, see Blevins (2007a:144). Karsten, a student of Paul’s, presents an eloquent and strikingly modern exemplar-based view of sound change and analogy in which perception and misperception are central in his 1894 paper “The Psychological Basis of Phonetic Law and Analogy”. -
Slouching Toward Optimality: Coda Reduction in OT-CC John J
University of Massachusetts Amherst ScholarWorks@UMass Amherst Linguistics Department Faculty Publication Series Linguistics January 2007 Slouching toward optimality: Coda reduction in OT-CC John J. McCarthy University of Massachusetts, Amherst, [email protected] Follow this and additional works at: https://scholarworks.umass.edu/linguist_faculty_pubs Part of the Morphology Commons, Near Eastern Languages and Societies Commons, and the Phonetics and Phonology Commons Recommended Citation McCarthy, John J., "Slouching toward optimality: Coda reduction in OT-CC" (2007). Phonological Studies (Journal of the Phonological Society of Japan). 74. Retrieved from https://scholarworks.umass.edu/linguist_faculty_pubs/74 This Article is brought to you for free and open access by the Linguistics at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Linguistics Department Faculty Publication Series by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. Slouching Towards Optimality: Coda Reduction in OT-CC* John J. McCarthy University of Massachusetts Amherst Abstract. There is a well-established asymmetry in the behavior of medial consonant clusters: the first consonant in the cluster can undergo assimilation or deletion, but the second consonant in the cluster cannot. This article presents an explanation for that asymmetry based on a version of Optimality Theory with candidate chains (McCarthy (2006a)). The key idea is that a consonant can only assimilate or delete if it first loses its place features by debuccalizing, and debuccalization is only possible in coda position. Keywords: OT, coda, assimilation, candidate chain. 1. Introduction Medial consonant clusters are often simplified or assimilated: /patka/ → [paka], /pamka/ → [paŋka]. There is an interesting asymmetry in these processes: they always target the first member of the cluster for deletion or assimilation. -
Laura Bafile. Syncope, Epenthesis and Syllable Structure
SYNCOPE, EPENTHESIS AND SYLLABLE STRUCTURE: THE CASE OF SOME ITALIAN DIALECTS Laura BAFILE 1. Introduction Most Northern and Southern Italian dialects, differing from Standard Italian for what concernes prosodic structure, show among other features the weakness of unstressed nuclei. However, while in Southern dialects nuclear weakening typically results in the centralisation or in the raising of mid vowels, in most Northern dialects unstressed nuclei have often undergone the complete loss of their segmental content. Word-final vowel deletion, a process we also observe in other Romance languages, is widespread in most Northern dialects, (excluding varieties of Veneto and Liguria), while only some dialects of Piedmont and Emilia-Romagna also show the deletion of non-final unstressed vowels. Given that final /a/ has been usually preserved, the deletion of final vowels results in a typical pattern of alternation between forms ending with a consonant and forms ending with /a/ (in (1) Standard Italian (SI) corresponding forms are also reported for comparison): (1) ‘cat (m.)’ ‘she-cat (f.)’ SI gatto / gatta ‘beautiful (m.)’ ‘beautiful (f.)’ SI bello / bella The loss of final vowels produces in some words consonant sequences in final position. However, most Northern dialects only permit some kind of final clusters, and some do not permit final clusters at all. Therefore, different strategies are followed in order to avoid violation of phonotactic requirements. Few varieties, especially in the region of Friuli, show the solution of cluster reduction (see 2a), which usually regards sonorant+sonorant sequences. The insertion of a non- etymological vowel at the end of the word is typical of Southern Romagna and Northern Marche (the example in 2b refers to the dialect of Urbino).