DOCSLIB.ORG

No More a Lot Of

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
No More a Lot Of “Confidence breeds beauty.” ESTEE LAUDER, BUSINESSWOMAN CAREER IN BEAUTY INDUSTRY? WHY NOT sabella Dymalovski, founder of a natural No More skincare line for girls in Australia is a I successful teen entrepreneur. She con- verted her passion for organic beauty by founding her own skincare line. Today, she is an inspiration for girls who want to Dont’s, create a niche for themselves in the beauty Isabella Dymalovski industry. Jhelum Biswas both love beauty but I spent my Bose, founder-owner of a childhood hearing that my pursuit A lot of wellness brand, was told is silly, not smart.” She proved her in her teens Jhelum Biswas Bose mettle by founding her that her love for own wellness and skin- beauty is frivo- Cosmetics industry is care brand and lous. “My mom a lucrative one and not becoming an author owns a salon; we a frivolous pursuit of a book on beauty. There are so many things that make a person success- ful, however grooming does play a significant role – it reflects self-care. When someone puts in effort, thought and care into how to present their own self, it shows their attitude “I was told pageants are not intelligent.” towards everything they do. Sushmita Sen and other beauty queens faced RAGINI SINGH, VP Creative of a fashion e-portal this prejudice. But they proved everyone wrong and how..... ushmita Sen won the Miss Universe crown for India in BLONDE JOKES ARE PASSE... 1994 when she was 18 – she was the first ever Indian woman BLONDE JOKES ARE PASSE... GROOMING AND EDUCATION CAN GO HAND-IN-HAND to achieve this feat. Did it take just physical beauty to ntelligent women follow images Getty Photo: ost girls have had their share of have a closed mindset of equating investment reach where she did? No, it was more wholesome – it was glamorous careers with S experiences of being told to spend in personality development with non-serious about grit, personality and loads of talent. “Modelling or partic- aplomb. If some young ipating in a beauty pageant is as hardworking a field as software I more time on taking care of their attitude towards career building. If you get an off- women aspire for a model- M engineering,” says the former Miss Universe and acclaimed upcoming exam vis-a-vis their appearance. So, is hand remark from any such person, engage in a ling or acting career, they actor. Sen learnt how to groom herself and had her share of strug- investing some time and energy in skincare, conversation positively: give them examples of gles to enter the beauty pageant. In fact, the outfit she wore for should not be jeered at and haircare, etc. waste of time? Well, if you are women doctors, engineers, politicians, entrepre- the Miss Universe finale round wasn’t a designer one and was assumed to be bird-brained. spending hours in front of the mirror when neurs who focus on their grooming and gain confi- stitched in a local tailor’s shop in Delhi! One can pursue an academic career while nurturing dreams of you need to study and participate in a sport, dence from it to better their careers. Chances are becoming the next ‘Miss India’ too. Roshmitha then it is likely to bother your parents and you will be heard. Harimurthy, winner of Miss Diva Universe 2016 teachers. However, if you are giving suffi- says, “Beauty pageant contestants are talent- cient time to your school curriculum and ed in their own right and display great person- alongside taking good care of your ality skills. That is an achieve- skin and hair health and physical ment in itself.” Check these fitness, there is no reason statistics that reinforces why it will upset your what Harimurthy said: STUDENT SPEAK elders and teachers. around 45 per cent of On the other hand, “Pageants are no longer just about beauty contestants in there will be some clothes and pretty looking ladies, it’s major pageants are relatives and neigh- also about all round personal develop- practicing doctors, 15 bours who will ment. Models teach you to stand with per cent are MBAs and 10 per cent are your head high and face the world as if teachers. you are the queen. I salute their confidence.” SHARANYA PATNAIK, student, Mothers International School, New Delhi IS THE MODELLING Former Model INDUSTRY VAIN? Miss World Sonalika Sahay pass snide “Who has given anyone the right to shame a Manushi ccording to Sen, this mindset is is a hotel remarks if profession or contest? Beauty pageants are Chillar is a far from true. “There is far too management they notice medical like launching pads for youngsters who want to do much responsibility for the graduate and ex-air you applying a A student who something for the society. It’s no fun, it’s more work. hostess. She also face mask or model because she is the face of your scored well launched a fashion buying good SONIA SARKAR, student, Amity International society,” she opines. All professions throughout e-portal that she quality hair oil School , Delhi including modelling or being a beauty her school eventually sold off as few people entrepreneur needs consistent hard and college to an investor in our society work. And every success life story is the result of sweat and will power. nce upon a time, the word ‘female’ was women choose hot pink or red? No. The colour which added before the word ‘athlete’ while came out top, for both men and women, was blue. talking about women in sports. Now, Give me Usually, cultural norms shape colour preferences, Beauty is not O she is an athlete. Period. This so pink became the appropriate colour for a change has been recent after women lived baby girl and blue for a baby boy, and they with the ‘female athlete’ tag for decades. grew up wearing these colours until it became This Women’s Day is a time to celebrate a habit – shaped by gender-based cultural one idea - it’s this cultural shift and recognition after mores. However, surveys have shown girls years of battle. Gender equality — the BLUE love blue as much as men or even more, theme for this Women’s Day — is still to despite the societal conditioning. What’s the be achieved, from pay gap to fashion new verdict: EVERYONE wears blue! While on one hand, soci- notions and beauty ideals seeped in exclusivity and “I’m a girl” WHO WEARS THE PANTS? ety throws jibes and patriarchy. However, women have insults at women in the taken many strides and the world is Women and beauty industry, the taking note and trying to listen. So, other side has been there are women declaring they men, both about promoting stan- love blue and not just pink and A symbol of power darised beauty ideals of young women becoming sports and taking charge, fashion entrepreneurs and so on. To pants for a very long being thin and having them, three cheers! time was supposed hairless perfect bodies to be a men’s thing. that have impacted the Men like blue, In fact, many US confidence of women so do girls cities in the 19th and 20th cen- arbie doll has had iconic brand has introduced a Barbie from this collection A 2007 research conducted at the turies, had passed typical features of a line with Barbie staying pret- also has vitiligo – (a skin Newcastle University in the UK asked legislation bar- slim body, long ty but with different types of condition that causes the people about their ring women from B blonde hair and a pretty pout disabilities. Barbie’s loss of skin colour in blotch- favourite colour. wearing for a long time. The toy girl Toymaker Mattel worked on es). It’s a step forward Did most of the trousers. Photo: Getty images was criticised by people a doll that uses a wheel- towards embracing Eventually women endorsing values of chair and another one with inclusiveness SPORTS FASHION BY WOMEN entered the work- unhealthy beauty stereo- a prosthetic leg. One more in beauty. force and started types. Gradually Barbie A company CEO at the age of 13 and ed with fashion ventures but sports wearing pants, and We reimagined Barbie moved beyond blondeness a self-made millionaire by 15, Rachel fashion for long has been the turf of in the process and was available in various to include changing val- Zietz — through her hugely success- men. Not anymore. Women entrepre- paved the way for a skin tones, body types, eye ues of beauty and fashion to ful online sportswear company in the neurs, especially young girls, are more equal world – colours, hair colours and make it more inclusive US — is an achiever in her own right. venturing in this territory and mak- at least sartorially. It hairstyles. Now, with debate The Florida girl’s business turnover ing meaningful businesses and creat- has been a long jour- KIM CULMONE, on inclusive beauty ideals was around $2 million in 2018. ing everything from tennis racquets ney. And now every- global head of and also to accommodate Women have always been associat- to soccer wear and more. one wears pants! design for Barbie people with disabilities, the.
Load more

Recommended publications
  • Exploring the Relationship Between Skin Tone and Self-Esteem Among Females in South Asian Families in India: a Multigenerational Comparison
    Exploring the Relationship between Skin Tone and Self-Esteem Among Females in South Asian Families in India: A Multigenerational Comparison by Priya Lena Sharda A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Graduate Department of Social Justice Education Ontario Institute for Studies in Education University of Toronto © Copyright by Priya Lena Sharda, 2020 i Exploring the Relationship Between Skin Tone and Self-Esteem Among Females in South Asian Families in India: A Multigenerational Comparison Priya Lena Sharda Doctor of Philosophy Graduate Department of Social Justice Education University of Toronto 2020 Abstract Colourism or skin colour stratification is a persistent dilemma for people in India. Socially and culturally constructed definitions of beauty based on skin tone, represent Western realities and continue to sustain beauty ideals that shape the beliefs and practices around fair skin for women. The study of skin tone and its relationship to self-esteem is essential in expanding upon the limited research examining the intersections between body image and the sociocultural experiences of South Asian Indian women. Against the backdrop of Western hegemony, the research discusses how a fair skin beauty ideal impacts different generations of women in New Delhi. More specifically, investigating the relationship between skin tone and self-esteem among women in South Asian families through a multigenerational comparison, provides a deeper understanding of how skin tone bias is perpetuated, while reinforcing and normalizing white heteropatriarchy. Skin tone bias is disseminated through the family, culture and media. The narratives highlight how skin tone bias manifests itself among adult women in different South Asian family units according to their life stage and membership in the family.
    [Show full text]
  • Clare M. Wilkinson-Weber
    Clare M. Wilkinson-Weber TAILORING EXPECTATIONS How film costumes become the audience’s clothes ‘Bollywood’ film costume has inspired clothing trends for many years. Female consumers have managed their relation to film costume through negotiations with their tailor as to how film outfits can be modified. These efforts have coincided with, and reinforced, a semiotic of female film costume where eroticized Indian clothing, and most forms of western clothing set the vamp apart from the heroine. Since the late 1980s, consumer capitalism in India has flourished, as have films that combine the display of material excess with conservative moral values. New film costume designers, well connected to the fashion industry, dress heroines in lavish Indian outfits and western clothes; what had previously symbolized the excessive and immoral expression of modernity has become an acceptable marker of global cosmopolitanism. Material scarcity made earlier excessive costume display difficult to achieve. The altered meaning of women’s costume in film corresponds with the availability of ready-to-wear clothing, and the desire and ability of costume designers to intervene in fashion retailing. Most recently, as the volume and diversity of commoditised clothing increases, designers find that sartorial choices ‘‘on the street’’ can inspire them, as they in turn continue to shape consumer choice. Introduction Film’s ability to stimulate consumption (responding to, and further stimulating certain kinds of commodity production) has been amply explored in the case of Hollywood (Eckert, 1990; Stacey, 1994). That the pleasures associated with film going have influenced consumption in India is also true; the impact of film on various fashion trends is recognized by scholars (Dwyer and Patel, 2002, pp.
    [Show full text]
  • A Facilitator's Guide for Ngo Screenings
    GIRL RISING A FACILITATOR’s Guide FOR NGO SCREENINGS TaBLE OF CONTENT SECTION 1 GIRL RISING CAMPAIGN 3 SECTION 4 DISCUSSION QUESTIONS 14 • About the Girl Rising Film 4 SECTION 5 CALL TO ACTION 22 • Special NGO Edition 4 ANNEXURES 23 SECTION 2 FOR THE FACILITATOR 8 1. Background on Making of • Objective of the Guide 8 Girl Rising: The Story behind • For the Facilitator 9 the Stories 23 • Facilitation Tips 10 2. About Empowering Next • The Dos and Don’ts of Generations to Advance Girls’ Facilitating 10 Education (ENGAGE) 25 3. Partnership with Save the SECTION 3 PLANNING FOR THE Children 26 SCREENING 13 • How to use the Girl Rising NGO Special Edition 13 • Who is the audience? 13 SECTION 1 GIRL RISING CAMPAIGN The Girl Rising India Campaign aims to reach girls and boys, their families, communities, and other decision-makers to raise awareness about the power and benefit of girls’ education. Through powerful story-telling, the campaign aims to generate public dialogue on gender and education issues as well as spark community-led change as individuals who are motivated by these stories choose to address barriers to girls’ education in their own communities. The Campaign’s vision is to change the way the girl child is valued in the society, to increase access to equitable, quality education for girls, reduce gender disparity in education in India through the medium of storytelling and films, and thereby increase investment in girls education and investment programs. 3 ABOUT THE GIRL RISING With this in mind, the film helps focus the audience on three very important facets.
    [Show full text]
  • Girl Rising India
    GIRL RISING INDIA Building a Movement for Girls Through Powerful Storytelling Girl Rising uses the power of storytelling to inspire, shift attitudes and change behavior. In India, Girl Rising’s powerful media tools have made meaningful strides towards increasing the agency of girls and women, and inspiring community members to support the movement for gender equality. Girl Rising Film Comes To India After a close consultation with Prime Minister Narendra Modi and a partnership with the Ministry of Women and Child Development, the Girl Rising film was launched in India in August 2015 as Woh Padhegi, Woh Udegi (She Learns, She Rises) on Star television, which has a network of 450 million viewers across the country and a reach of 100+ countries. The film harnessed the talents of India’s biggest Bollywood stars including Priyanka Chopra, Freida Pinto, Parineeti Chopra, Kareena Kapoor Khan, Madhuri Dixit, Sushmita Sen, Amitabh Bachchan, Nandita Das, Farhan Akhtar, and Alia Bhatt, all of whom lent their voices to the film. Celebrities promoted the launch through their social media networks, and #IAMGirlRising trended No. 1 on Twitter India. Film Screenings To stir important conversations about girls’ education among corporations, communities, universities and neighborhoods, a screenings program was launched soon after the television broadcast of the film. Under this program, Woh Padhegi, Woh Udegi was re-purposed for NGO and corporate audiences. Each version consisted of 3 stories from Woh Padhegi, Woh Udegi and was complemented by a screenings toolkit that contained resources including discussion guides, Director’s Q&A, and promotional materials to help steer conversations around barriers to education.
    [Show full text]
  • THE BUCHAREST UNIVERSITY of ECONOMIC STUDIES The
    THE BUCHAREST UNIVERSITY OF ECONOMIC STUDIES The Faculty of International Business and Economics The Department of Modern Languages and Business Communication of ASE Iuliu Hațieganu University of Medicine and Pharmacy Cluj- Napoca 7th International Conference: Synergies in Communication Bucharest, Romania, 22 - 23 November 2018 BEHIND THE SCREENS: A STUDY OF THE FILMS OF THREE INDIAN WOMEN DIRECTORS Minouti NAIK1 Abstract Indian films, even after 76 years of independence and 105 years of Indian Cinema, are a predominantly male domain. The percentage of women film makers, in the industry, is a mere 9.1%. Despite this, the films directed by women have compelled audiences to take notice, because of the wide spectrum of issues they have touched upon. Three women directors, whose movies have left an indelible mark on the audiences, include Tanuja Chandra, Meghna Gulzar and Gauri Shinde. This paper analyses the work of these three women directors, for the uniqueness of their themes and the characters they have sketched, and attempts to find out, what has led to their films being etched deeply, into the consciousness of their audience. This will be analysed against the backdrop of the realities of the society from which these films emerge, and as a reflection of the gender dynamics existing in Indian society. Keywords: Indian cinema, women, themes, characters, uniqueness 1. Introduction Men have sight, women insight. - Victor Hugo Victor Hugo‟s observation, penned down in his memoirs, might be an apt point to begin with, when one reflects upon films made by Indian women filmmakers. Despite films forming a very important facet of the Indian society and the fact that India completed 105 years of cinema, this year, the number of women making films in India is very small.
    [Show full text]
  • 278 | ASIA ONE | AUGUST-SEPTEMBER 2019 Q & a LARA DUTTA BHUPATHI Reigning the Universe with Her Wit, Grit & Charm
    278 | ASIA ONE | AUGUST-SEPTEMBER 2019 Q & A LARA DUTTA BHUPATHI Reigning the Universe with her Wit, Grit & Charm A lethal mix of beauty and brains, Ms. Lara Dutta Bhupathi is one such famous personality whose popularity has no bounds. Besides conquering the universe as an international beauty queen, she has also tasted immense success as an actress especially renowned for super hit films like No Entry, Housefull and others. She has recently donned the garb of an entrepreneur with her skin care line ‘Arias’. Skin care and grooming have always been a significant part of her journey to name and fame and thus the prospect of starting her own line came quite naturally to her. Made for the modern woman, Arias is curated by her and currently includes 11 products. AsiaOne wishes her immense success in all her endeavours! BY RICHA SANG bollywood interview Q & A You are renowned all across the What has been your childhood grew up at different Air Force camps globe as Miss Universe 2000. It is ambition? Did you always wanted L but it gave me the opportunity to adapt indeed a matter of great pride for all to become a beauty queen? Do you to various different places, different of us. Please describe your emotions think your upbringing has a role in A people. I mean every couple of years post winning the crown and your your success? if I had to move schools; so you learn odyssey thereafter as Miss Universe. Sure, I think as a child, I had a very R to make friends much more easily.
    [Show full text]
  • Download Download
    Kervan – International Journal of Afro-Asiatic Studies n. 21 (2017) Item Girls and Objects of Dreams: Why Indian Censors Agree to Bold Scenes in Bollywood Films Tatiana Szurlej The article presents the social background, which helped Bollywood film industry to develop the so-called “item numbers”, replace them by “dream sequences”, and come back to the “item number” formula again. The songs performed by the film vamp or the character, who takes no part in the story, the musical interludes, which replaced the first way to show on the screen all elements which are theoretically banned, and the guest appearances of film stars on the screen are a very clever ways to fight all the prohibitions imposed by Indian censors. Censors found that film censorship was necessary, because the film as a medium is much more popular than literature or theater, and therefore has an impact on all people. Indeed, the viewers perceive the screen story as the world around them, so it becomes easy for them to accept the screen reality and move it to everyday life. That’s why the movie, despite the fact that even the very process of its creation is much more conventional than, for example, the theater performance, seems to be much more “real” to the audience than any story shown on the stage. Therefore, despite the fact that one of the most dangerous elements on which Indian censorship seems to be extremely sensitive is eroticism, this is also the most desired part of cinema. Moreover, filmmakers, who are tightly constrained, need at the same time to provide pleasure to the audience to get the invested money back, so they invented various tricks by which they manage to bypass censorship.
    [Show full text]
  • VOLVIV February 2015 No. 2 HIGHLIGHTS
    VOLVIV February 2015 No. 2 HIGHLIGHTS Kukunoor’s Dhanak bags Berlin honour India’s 175 Grams wins at Sundance Film Festival Bodhon wins two awards in US Film Festival Mardaani premieres in Poland D. Rama Naidu is no more NATIONAL DOCUMENTATION CENTRE ON MASS COMMUNICATION NEW MEDIA WING (FORMERLY RESEARCH, REFERENCE AND TRAINING DIVISION ) MINISTRY OF INFORMATION AND BROADCASTING Room No.437-442, Phase IV, Soochana Bhavan, CGO Complex, New Delhi-3 Compiled, Edited & Issued by National Documentation Centre on Mass Communication NEW MEDIA WING (Formerly Research, Reference & Training Division) Ministry of Information & Broadcasting Chief Editor L. R. Vishwanath Editor H.M.Sharma Asstt. Editor Alka Mathur CONTENTS FILM AWARDS International 1-2 FESTIVALS Berlin 1 North Carolina 2 Sundance 1-2 OBITUARIES 2-5 AWARDS/FESTIVALS Kukunoor’s Dhanak bags Berlin honour Filmmaker Nagesh Kukunoor’s Dhanak has been honoured with the Grand Prix of the Generation K plus International Jury for the best feature length film at the 65th Berlin International Film Festival. The movie which premiered at the festival, also received a special mention from kids jury at the festival. Dhanak is about a young girl in Rajasthan who is determined to restore the vision of her blind brother. The film stars Hetal Gada and Krrish Chhabria. Co-produced by Manish Mundra, Kukunoor and Elahe Hiptoola, the film had its world premiere at the Berlinale held from February 5 to 15, 2015. Screen (20 February 2015; 12) Dainik Jagran (16 February 2015) Asian Age (16 February 2015) Hindustan Times (19 February 2015) India’s 175 Grams wins at Sundance Film Festival Indian film 175 Grams directed by Bharat Mirle and Arvind Iyer is one of the five winners of the Short Film Challenge programme at the 2015 Sundance Film Festival at Park City in Utah.
    [Show full text]
  • Pacific Healthcare's Mumbai Centre Appointed Official Makeover
    Pacific Healthcare’s Mumbai Centre Appointed Official Makeover, Wellness and Smile Partner for Prestigious Femina Miss India 2009 Pageant Involved in Attending to the Makeover needs for all the finalists, including India’s representatives for the Miss World and Miss Universe pageants Singapore, 6 April 2009 – Mainboard-listed Pacific Healthcare Holdings Ltd .(“PacHealth”, “the Group” or “ 太平保健”), a leading Singapore provider of integrated, multi-disciplinary specialist healthcare services, is pleased to announce that its Mumbai Cosmetic Specialist Centre, was appointed the official smile and wellness partner for the recently concluded Femina Miss India 2009 pageant. Pacific Healthcare through its 42.5% associate Birla-Pacific operates two centres under the Evolve MediSpa brand (“EVOLVE”) in the prime residential-cum-commercial districts of Phabhadevi and Walkeswar in Mumbai. Doctors and dentists from Evolve were responsible for providing dental makeover and skincare services for all the finalists for the competition. The Femina Miss World pageant is the most prestigious beauty pageant in India. The winners will represent India in the Miss World and Miss Universe competitions later in the year. Previous winners of this competition, such as Aishwarya Rai, Lara Dutta, Sushmita Sen and Priyanka Chopra are today well known International celebrities in the Bollywood film industry and beyond. In the finals held yesterday evening in Mumbai, Ms Ekta Chowdhury was crowned Miss India Universe and Ms Puja Chopra, was crowned Miss India World, Ms Shreya Kishore was crowned Miss India Earth & Ms. Dimple Patel , Miss Photogenic was crowned Miss Evolve. Dr William Chong ( 张来良), the CEO of Pacific Healthcare said: “We are proud to be associated with this prestigious event and am glad to have played a role in enhancing the natural elegance and stunning beauty of each of the participants.
    [Show full text]
  • One Hundred Eighteenth Commencement and the Inauguration of James P Clements, Phd
    ONE HUNDRED EIGHTEENTH COMMENCEMENT AND THE INAUGURATION OF JAMES P CLEMENTS, PHD FRIDAY, MAY 9, 2014 LITTLEJOHN COLISEUM 9:30 A.M. 2:30 P.M. 6:30 P.M. ORDER OF CEREMONIES (Please remain standing for the processional, posting of colors, and invocation.) POSTING OF COLORS Pershing Rifles Marcus Anderson Michael Knowles Aaron Durham Matthew Spearman INVOCATION Emily Catherine Watt, Student Representative (9:30 A.M. ceremony) Michael Allen Keane, Student Representative (2:30 P.M. ceremony) Diem Hong Nguyen, Student Representative (6:30 P.M. ceremony) INTRODUCTION OF TRUSTEES, ADMINISTRATIVE OFFICERS AND ACADEMIC DEANS Alumni Distinguished Professor Sydney A Cross PRESIDENTIAL INAUGURATION Chair of the Board of Trustees The Honorable David H Wilkins INAUGURAL ADDRESS President James P Clements CONFERRING OF DEGREES AND DELIVERY OF DIPLOMAS President James P Clements RECOGNITION AND PRESENTATION OF AWARDS Norris Medal Algernon Sydney Sullivan Award Alumni Master Teacher Award Faculty Scholarship Award Ms. Becky Bowman, Organist/Soloist Alumni Distinguished Professor Sydney A Cross, University Marshal CEREMONIAL MUSIC BOARD OF TRUSTEES Prelude David H Wilkins, Chair .............................Greenville, SC Voluntary on “Ein Fest Burg” — Gordon Young John N McCarter, Jr., Vice Chair ...............Columbia, SC Prelude in Classic Style — Gordon Young David E Dukes ............................................Columbia, SC Ms. Becky Bowman, Organist/Soloist Leon J Hendrix, Jr. ............................... Kiawah Island, SC Ronald D Lee .....................................................Aiken, SC Processional Louis B Lynn ...............................................Columbia, SC Rondeau — Joseph Mouret Patricia H McAbee ......................................Greenville, SC Various Marches E Smyth McKissick III ................................Greenville, SC Ms. Becky Bowman, Organist/Soloist Robert L Peeler ...........................................Lexington, SC National Anthem Mark S Richardson .....................................Charlotte, NC William C Smith, Jr.
    [Show full text]
  • Title ID Titlename D0043 DEVIL's ADVOCATE D0044 a SIMPLE
    Title ID TitleName D0043 DEVIL'S ADVOCATE D0044 A SIMPLE PLAN D0059 MERCURY RISING D0062 THE NEGOTIATOR D0067 THERES SOMETHING ABOUT MARY D0070 A CIVIL ACTION D0077 CAGE SNAKE EYES D0080 MIDNIGHT RUN D0081 RAISING ARIZONA D0084 HOME FRIES D0089 SOUTH PARK 5 D0090 SOUTH PARK VOLUME 6 D0093 THUNDERBALL (JAMES BOND 007) D0097 VERY BAD THINGS D0104 WHY DO FOOLS FALL IN LOVE D0111 THE GENERALS DAUGHER D0113 THE IDOLMAKER D0115 SCARFACE D0122 WILD THINGS D0147 BOWFINGER D0153 THE BLAIR WITCH PROJECT D0165 THE MESSENGER D0171 FOR LOVE OF THE GAME D0175 ROGUE TRADER D0183 LAKE PLACID D0189 THE WORLD IS NOT ENOUGH D0194 THE BACHELOR D0203 DR NO D0204 THE GREEN MILE D0211 SNOW FALLING ON CEDARS D0228 CHASING AMY D0229 ANIMAL ROOM D0249 BREAKFAST OF CHAMPIONS D0278 WAG THE DOG D0279 BULLITT D0286 OUT OF JUSTICE D0292 THE SPECIALIST D0297 UNDER SIEGE 2 D0306 PRIVATE BENJAMIN D0315 COBRA D0329 FINAL DESTINATION D0341 CHARLIE'S ANGELS D0352 THE REPLACEMENTS D0357 G.I. JANE D0365 GODZILLA D0366 THE GHOST AND THE DARKNESS D0373 STREET FIGHTER D0384 THE PERFECT STORM D0390 BLACK AND WHITE D0391 BLUES BROTHERS 2000 D0393 WAKING THE DEAD D0404 MORTAL KOMBAT ANNIHILATION D0415 LETHAL WEAPON 4 D0418 LETHAL WEAPON 2 D0420 APOLLO 13 D0423 DIAMONDS ARE FOREVER (JAMES BOND 007) D0427 RED CORNER D0447 UNDER SUSPICION D0453 ANIMAL FACTORY D0454 WHAT LIES BENEATH D0457 GET CARTER D0461 CECIL B.DEMENTED D0466 WHERE THE MONEY IS D0470 WAY OF THE GUN D0473 ME,MYSELF & IRENE D0475 WHIPPED D0478 AN AFFAIR OF LOVE D0481 RED LETTERS D0494 LUCKY NUMBERS D0495 WONDER BOYS
    [Show full text]
  • Municipal Facilities[PDF,516KB,7Pages]
    HIRO CLUB NEWS ・ EVENTS Facilities Lecture on the Grass Whistle / Sun., Jun. 18 (Address / Telephone / Open Hours / Closed / / 1:00 pm - 3:00 pm / Shibafu Hiroba, Kyukei- Admission Fee / URL) jo / Fee: Free Admission is generally allowed up to 30 min. prior to closing. The Hiroshima Botanical Garden Hiroshima City Forest Park & (3-495 Kurashige, Saeki-ku 731-5156 / 922-3600 / Insectarium 9:00 am - 4:30 pm / Closed on Friday / Adults- (173 Fujigamaru, Fukuda-cho, Higashi-ku 732- ¥510, Seniors & High school students-¥170, 0036 / Forest Park: 899-8241, Insectarium: 899- Junior high and Elementary school students-Free 8964 / Forest Park: 9:00 am – 4:30 pm; (Free admission for high school students on Insectarium: 9:00 am - 4:30 pm / Closed: Forest Saturdays (except on national holidays and Park – Wednesdays; Insectarium – Wednesdays / during school holidays)) / Admission Fees for the Insectarium: Adults-¥510, http://www.hiroshima-bot.jp/) Seniors & High school students-¥170, Junior high & Elementary school students-Free (Free <Exhibitions> Exhibitions will close at 3:30 pm admission for high school students on Saturdays on their last day. (except on national holidays and during school Tenji Shiryo-kan holidays)) / Forest Park: http://www.daiichibs- Botanical Arts / Tue., May 9 – Thurs., Jun. 8 shitei.com/forest/ Insectarium: Small Bonsai / Sat., Jun. 10 - Thurs., Jun. 15 http://www.hiro-kon.jp/) Touc huu-kasou (Ophiocordyceps sinensis) / Sat., Jun. 17 – Thurs., Aug. 17 Events at the Forest Park Hiroshima Yamanohi (Mountain Day) Events Te n j i Onshitsu (hothouse exhibitions) Green Adventure / Sun., Jun. 4 / 9:00 am - African Violets & Iwatabako (Conandron 2:00 pm / Meeting place: Next to Kanri ramondioides) / Sat., May 27 – Thurs., Jun.
    [Show full text]