DOCSLIB.ORG

The Accident Waiting to Happen

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Accident Waiting to Happen THE ACCIDENT WAITING TO HAPPEN THINKING WHAT’S THOUGHT-PROVOKING! THE ACCIDENT Series Editor: Jalal Toufic WAITING — Jalal Toufic, The Dancer’s Two Bodies — Matthew Gumpert, The Accident Waiting to Happen TO HAPPEN Matthew Gumpert Series: Thinking What’s Thought-Provoking! THINKING WHAT’S Matthew Gumpert THOUGHT-PROVOKING! The Accident Waiting to Happen © 2015 Matthew Gumpert; Sharjah Art Foundation What is thought-provoking? It would seem that one Series Editor: Jalal Toufic should be able to easily and straightforwardly answer: Publishing and Distribution: Karen Marta what provokes thought (or that concerning which Editorial Coordinators: Dustin Cosentino, Ahmad Makia a psychotic or schizophrenic could at some point Design: Hani Charaf feel theft of thought). In which case, if no thought is First published by Sharjah Art Foundation. provoked, and ends up being produced, then what Sharjah Art Foundation we assumed to be thought-provoking (for example, Arts Area the atomic bomb) would turn out not to be thought- PO BOX 19989, Sharjah United Arab Emirates provoking (Gertrude Stein: “They asked me what I www.sharjahart.org thought of the atomic bomb. I said I had not been able to take any interest in it. They think they are interested ISBN 978-9948-22-973-5 about the atomic bomb but they really are not not All text © the authors. The chapter “Pretext: Notes on 9/11,” excerpted any more than I am. Really not. They may be a little from “The End of Meaning: Studies in Catastrophe,” is printed with kind permission from Cambridge Scholars Publishing, 2012. scared, I am not so scared … and if you are not scared the atomic bomb is not interesting”1)—unless its failure Pages 34-5: Pieter Bruegel the Elder, Landscape with the Fall of Icarus, ca. 1528-1569. Oil on canvas, mounted on wood. Musées royaux des Beaux-Arts to provoke thought were to strike us as a thought- de Belgique, Brussels. Photo © SCALA, Florence. provoking anomaly and paradox (Heidegger: “Most thought-provoking is that we are still not thinking—not Pages 36-7: Thomas Hoepker, Young People on the Brooklyn Waterfront on September 11, 2001. Photo © Magnum Photos. even yet, although the state of the world is becoming constantly more thought-provoking”2). What is most All rights reserved. thought-provoking may be the following conjunction: This book is also available for download free of charge as a PDF file from some thing or happening that most people assume and the website of the Sharjah Art Foundation (www.sharjahart.org), as well as from the series editor’s website (www.jalaltoufic.com). declare to be thought-provoking even while continuing to be thoughtless is said by some thoughtful writer or thinker, who is “a great deal more reliable in his i diagnosis than most,”3 not to be actually thought- may occasionally draw from a thinker the impulsive provoking; and yet the absence of a provocation of and futile protest, “Think, you thoughtless thought- thought with regard to it is experienced as anomalous provoking artist!” through making some of them self- and paradoxical by, and provokes further thought in reflexive thoughtful thought-provoking artists, ones some other thinker and/or the birth of thought in a who are themselves provoked into thinking by their previously thoughtless person. thought-provoking work.5 In order for those who are A substantial number of the videos, installations, and paradoxically not provoked into thinking even by paintings said to be thought-provoking nonetheless what is thought-provoking, for example, the results do not provoke thought in the artist who made of the double-slit experiment, the Shoah, Resnais/ them—as well as in most if not all others. How to Duras’ Hiroshima mon amour, or the “most thought- account for this anomaly? Would the persistence of provoking … that we [including the author of the thoughtlessness on the part of the one who made a quote, Heidegger] are still not thinking … although reportedly thought-provoking work indicate that the the state of the world is becoming constantly more latter was not actually thought-provoking? Are some thought-provoking,” they would have to be initiated if not most of those reputed to have made thought- into thought. Given that, with the exception of those provoking artworks, to which they were exposed at who died before physically dying; the rare pubescent least while making them if not following their premiere girls whose portraits were made;6 and those whose or publication or launch, refractory or immune to movement projected them as subtle dancers into the thought, doomed to thoughtlessness, seeing that dance realm, with its altered bodies, movement, space, they persist in being thoughtless? Or have we not left time, music, and silence,7 there is so little initiation in yet or resumed living in an age where what is “most this period that is to a large extent oblivious if not thought-provoking is that we are still not thinking … averse to it, initiation into thought is also largely an although the state of the world is becoming constantly initiation into initiation. How rare is (the encounter more thought-provoking”4? As the editor of the with) thought, and hence how rare, for thoughtless book series “Thinking What’s Thought-Provoking!” people, is the experience of the rarity of thought! published by Sharjah Art Foundation, I wish to, While this rarity is the daily experience of thinkers among others things, contribute to decreasing the (Deleuze: “Having an idea is a rare event, it is a kind number of artists whose persistent thoughtlessness of celebration”8),9 it is fundamentally encountered in ii iii an initiation into thought, since thought occurs then— has to have resulted from an initiation into thought, enfolded—for a fleeting interval between the surprised and its maker has to have transmitted, whether stark realization, “I’ve never thought before!” and the intentionally or unconsciously, to the receiver not panicked apprehension, “I am on the verge of being this or that explicit thought but the enfolded “food submerged by a vertiginous and seemingly infinite for thought” and thoughts whose creative unfolding extension of thought as well as by an excessive may otherwise remain outstanding. Nicolas Abraham rapidity and proliferation of evanescent associations writes in his “Notes on the Phantom: A Complement between these thoughts, with the consequence that I to Freud’s Metapsychology” (1975), “The phantom is will not be able to catch up with, let alone accompany a formation of the unconscious that has never been any of these thoughts and their associations, thus conscious—for good reason. It passes—in a way yet missing boundless riches.” The initiate may later feel to be determined—from the parent’s unconscious to fairly relieved that many if not all of the obscurely the child’s.…13 What haunts are not the dead, but the sensed thoughts were enfolded in the incredibly gaps left within us by the secrets of others”14; I would dense fleeting interval between “I’ve never thought say in relation to initiation into thought, “What haunts before!” and “I will imminently be both blown away are … the gaps, in the form of enfolded thoughts and stupefied by the just began thought inflation,10”11 and ‘food for thought,’ left within the one who was and can later be unfolded creatively; it is in this sense initiated into thought and then passed from the that, during thought-initiation, thought is largely if latter to the reader’s or spectator’s unconscious.” It not fully the promise of thought. While the unfolding is in the process of unfolding creatively one of these of what was enfolded during the thought-initiation enfolded thoughts that the reader or spectator, now can only be done creatively, the latter, expect if functioning as a writer, filmmaker, artist, or musician, repressed, has already radically altered the intuition of undergoes the complementary two moments of the the thought initiate, guides him or her obscurely, that initiation process: “I’ve never thought before!” and “I is, not through knowing explicitly what was enfolded will imminently be both blown away and stupefied by during the initiation, but through feeling what it is a thought inflation.” A thinker is someone who was not (“That’s not it!”). Are there thought-initiating and initiated into thought; unfolded creatively at least one not just thought-provoking books, artworks, films?12 thought among the seemingly countless ones that For that to be the case, the book, artwork, or film were received, enfolded, in his initiation into thought;15 iv v transmitted to the receiver of his or her work not only 1 Gertrude Stein, “Reflection on the Atomic Bomb” (1946), first this or that thought that he received in his initiation published in Yale Poetry Review, December 1947, http://www. into thought and that he subsequently unfolded writing.upenn.edu/~afilreis/88/stein-atom-bomb.html. creatively, but also those still enfolded thoughts and 2 Martin Heidegger, What Is Called Thinking?, trans. J. Glenn “food for thought” whose creative unfolding may Gray (New York: Harper & Row, 1968), 4. otherwise remain outstanding, thus implanting in 3 That is how the doctor is described in Maurice Blanchot’s the receiver one of the conditions of initiation into Death Sentence. thought; and produced thought-provoking thoughts 4 Martin Heidegger, What Is Called Thinking?, 4. regarding something thought-provoking. This series 5 If a thoughtful artist is to include thought in his work, he or hopes to include not only thought-provoking thought she should, like the thinker, include mostly if not only thoughts regarding what’s thought-provoking, but also at that happen to be thought-provoking (for thought, alas, is not least one book that is (not only thought-provoking always itself thought-provoking)—and/or thought-initiating.
Load more

Recommended publications
  • Lucy Sparrow Photo: Dafydd Jones 18 Hot &Coolart
    FREE 18 HOT & COOL ART YOU NEVER FELT LUCY SPARROW LIKE THIS BEFORE DAFYDD JONES PHOTO: LUCY SPARROW GALLERIES ONE, TWO & THREE THE FUTURE CAN WAIT OCT LONDON’S NEW WAVE ARTISTS PROGRAMME curated by Zavier Ellis & Simon Rumley 13 – 17 OCT - VIP PREVIEW 12 OCT 6 - 9pm GALLERY ONE PETER DENCH DENCH DOES DALLAS 20 OCT - 7 NOV GALLERY TWO MARGUERITE HORNER CARS AND STREETS 20 - 30 OCT GALLERY ONE RUSSELL BAKER ICE 10 NOV – 22 DEC GALLERY TWO NEIL LIBBERT UNSEEN PORTRAITS 1958-1998 10 NOV – 22 DEC A NEW NOT-FOR-PROFIT LONDON EXHIBITION PLATFORM SUPPORTING THE FUSION OF ART, PHOTOGRAPHY & CULTURE Art Bermondsey Project Space, 183-185 Bermondsey Street London SE1 3UW Telephone 0203 441 5858 Email [email protected] MODERN BRITISH & CONTEMPORARY ART 20—24 January 2016 Business Design Centre Islington, London N1 Book Tickets londonartfair.co.uk F22_Artwork_FINAL.indd 1 09/09/2015 15:11 THE MAYOR GALLERY FORTHCOMING 21 CORK STREET, FIRST FLOOR, LONDON W1S 3LZ TEL: +44 (0) 20 7734 3558 FAX: +44 (0) 20 7494 1377 [email protected] www.mayorgallery.com EXHIBITIONS WIFREDO ARCAY CUBAN STRUCTURES THE MAYOR GALLERY 13 OCT - 20 NOV Wifredo Arcay (b. 1925, Cuba - d. 1997, France) “ETNAIRAV” 1959 Latex paint on plywood relief 90 x 82 x 8 cm 35 1/2 x 32 1/4 x 3 1/8 inches WOJCIECH FANGOR WORKS FROM THE 1960s FRIEZE MASTERS, D12 14 - 18 OCT Wojciech Fangor (b.1922, Poland) No. 15 1963 Oil on canvas 99 x 99 cm 39 x 39 inches STATE_OCT15.indd 1 03/09/2015 15:55 CAPTURED BY DAFYDD JONES i SPY [email protected] EWAN MCGREGOR EVE MAVRAKIS & Friend NICK LAIRD ZADIE SMITH GRAHAM NORTON ELENA SHCHUKINA ALESSANDRO GRASSINI-GRIMALDI SILVIA BRUTTINI VANESSA ARELLE YINKA SHONIBARE NIMROD KAMER HENRY HUDSON PHILIP COLBERT SANTA PASTERA IZABELLA ANDERSSON POPPY DELEVIGNE ALEXA CHUNG EMILIA FOX KARINA BURMAN SOPHIE DAHL LYNETTE YIADOM-BOAKYE CHIWETEL EJIOFOR EVGENY LEBEDEV MARC QUINN KENSINGTON GARDENS Serpentine Gallery summer party co-hosted by Christopher Kane.
    [Show full text]
  • Inside Special Issue on the Chinese Contemporary Art Market Interviews with Liu Jianhua and Shan Shan Sheng Dialogue on Documenta 12
    December 2007 | Winter Issue Inside Special Issue on the Chinese Contemporary Art Market Interviews with Liu Jianhua and Shan Shan Sheng Dialogue on documenta 12 US$12.00 NT$350.00 china square 1 2 Contents 4 Editor’s Note 6 Contributors 8 Contemporary Chinese Art: To Get Rich Is Glorious 11 Britta Erickson 17 The Surplus Value of Accumulation: Some Thoughts Martina Köppel-Yang 19 Seeing Through the Macro Perspective: The Chinese Art Market from 2006 to 2007 Zhao Li 23 Exhibition Culture and the Art Market 26 Yü Christina Yü 29 Interview with Zheng Shengtian at the Seven Stars Bar, 798, Beijing Britta Erickson 34 Beyond Selling Art: Galleries and the Construction of Art Market Norms Ling-Yun Tang 44 Taking Stock Joe Martin Hill 41 51 Everyday Miracles: National Pride and Chinese Collectors of Contemporary Art Simon Castets 58 Superfluous Things: The Search for “Real” Art Collectors in China Pauline J. Yao 62 After the Market’s Boom: A Case Study of the Haudenschild Collection 77 Michelle M. McCoy 72 Zhong Biao and the “Grobal” Imagination Paul Manfredi 84 Export—Cargo Transit Mathieu Borysevicz 90 About Export—Cargo Transit: An Interview with Liu Jianhua 87 Chan Ho Yeung David 93 René Block’s Waterloo: Some Impressions of documenta 12, Kassel Yang Jiechang and Martina Köppel-Yang 101 Interview with Shan Shan Sheng Brandi Reddick 109 Chinese Name Index 108 Yishu 22 errata: On page 97, image caption lists director as Liang Yin. Director’s name is Ying Liang. On page 98, image caption lists director as Xialu Guo.
    [Show full text]
  • The Economist Print Edition
    The Pop master's highs and lows Nov 26th 2009 From The Economist print edition Andy Warhol is the bellwether The Andy Warhol Foundation $100m-worth of Elvises “EIGHT ELVISES” is a 12-foot painting that has all the virtues of a great Andy Warhol: fame, repetition and the threat of death. The canvas is also awash with the artist’s favourite colour, silver, and dates from a vintage Warhol year, 1963. It did not leave the home of Annibale Berlingieri, a Roman collector, for 40 years, but in autumn 2008 it sold for over $100m in a deal brokered by Philippe Ségalot, the French art consultant. That sale was a world record for Warhol and a benchmark that only four other artists—Pablo Picasso, Jackson Pollock, Willem De Kooning and Gustav Klimt— have ever achieved. Warhol’s oeuvre is huge. It consists of about 10,000 artworks made between 1961, when the artist gave up graphic design, and 1987, when he died suddenly at the age of 58. Most of these are silk-screen paintings portraying anything from Campbell’s soup cans to Jackie Kennedy and Mao Zedong, drag queens and commissioning collectors. Warhol also created “disaster paintings” from newspaper clippings, as well as abstract works such as shadows and oxidations. The paintings come in series of various sizes. There are only 20 “Most Wanted Men” canvases, for example, but about 650 “Flower” paintings. Warhol also made sculpture and many experimental films, which contribute greatly to his legacy as an innovator. The Warhol market is considered the bellwether of post-war and contemporary art for many reasons, including its size and range, its emblematic transactions and the artist’s reputation as a trendsetter.
    [Show full text]
  • Red, Yellow, Blue Lauren Elizabeth Eyler University of South Carolina
    University of South Carolina Scholar Commons Theses and Dissertations 1-1-2013 Red, Yellow, Blue Lauren Elizabeth Eyler University of South Carolina Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the Creative Writing Commons Recommended Citation Eyler, L. E.(2013). Red, Yellow, Blue. (Master's thesis). Retrieved from https://scholarcommons.sc.edu/etd/2315 This Open Access Thesis is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. RED, YELLOW, BLUE by Lauren Eyler Bachelor of Arts Georgetown University, 2005 Submitted in Partial Fulfillment of the Requirements For the Degree of Master of Fine Arts in Creative Writing College of Arts and Sciences University of South Carolina 2013 Accepted by: Elise Blackwell, Director of Thesis David Bajo, Reader John Muckelbauer, Reader Agnes Mueller, Reader Lacy Ford, Vice Provost and Dean of Graduate Studies © Copyright by Lauren Eyler, 2013 All Rights Reserved. ii ABSTRACT Red, Yellow, Blue is a hybrid, metafictional novel/autobiography. The work explores the life of Ellis, Lotte, Diana John-John and Lauren as they wander through a variety of circumstances, which center on loss and grief. As the novel develops, the author loses control over her intentionality; the character’s she claims to know fuse together, leaving the reader to wonder if Lauren is synonymous with Ellis or if Diana is actually Lotte disguised by a signifier. Red, Yellow, Blue questions the author’s as well as the reader’s ability to understand the transformation that occurs in an individual during long periods of grief and anxiety.
    [Show full text]
  • Basquiat's Brother Sausage, Doig's Reflection
    For Immediate Release October 14, 2009 Contact: Matthew Paton Tel. +44 20 7389 2664 [email protected] Milena Sales Tel. +1 212.636.2680 [email protected] CHRISTIE’S TO UNVEIL A MAJOR BASQUIAT, A DOIG MASTERPIECE AND TWO CRUCIAL 1960’s WORKS BY WARHOL FROM ITS NEW YORK EVENING SALE IN LONDON DURING FRIEZE BASQUIAT’S BROTHER SAUSAGE, DOIG’S REFLECTION (WHAT DOES YOUR SOUL LOOK LIKE), AND WARHOL’S MOST WANTED MAN, # 3, ELLIS RUIZ B. and TUNAFISH DISASTER TO BE EXHIBITED IN LONDON OCT 14-17 London – On October 14, for the first time ever in London, a major work by Jean-Michel Basquiat, Brother Sausage (estimate: $9-12 million) and two seminal works from Andy Warhol’s pivotal Death and Disaster series, Most Wanted Men #3, Ellis Ruiz B. (estimate: $5.5-6.5 million) and Tunafish Disaster (estimate: $6-8 million), will be exhibited to the public. One of Peter Doig’s greatest masterpieces will also go on public view in London, for the first time since it dominated the central room of the artist’s Retrospective at Tate Britain in 2008. The works, which will be offered at auction in New York on November 10, are on view as part of a series of exhibitions and auctions dedicated to Post-War and Contemporary Art at Christie’s London from 14 to 17 October to co-incide with Frieze. The leading highlights from the London auctions which will be on public view at Christie’s include significant works by Martin Kippenberger, Lucio Fontana, Damien Hirst, Gerhard Richter, Pino Pascali and a rare, early rediscovered drawing by Lucian Freud (separate release available).
    [Show full text]
  • Michala Božoňová
    Michala Božo ňová, 7.ro čník I.stupn ě Výtvarný obor Učitelka Jana Holcová Co mi dala výtvarka? Asi to,že jsem se rok od roku zlepšovala a dostala se do fáze,kdy m ě čeká SUPŠ Sv. Anežky České.Obor jsem si vybrala scénická,interiérová a výstavní tvorba a věř ím,že díky výtvarce to budu dob ře zvládat.Chodím do zušky už od 1.t řídy a po řád mě to baví tak jako na za čátku,i když ob čas jsem m ěla chvíle,kdy jsem to všechno cht ěla vzdát,ale díky babi čce,která m ě v tom strašn ě podporuje pokra čuji a jsem za to ráda.Z výtvarky už znám docela dost technik,které bych asi jinak v ůbec neznala a poznala jsem i spoustu lidí. ANDREW WARHOLA 6. srpna 1928, Pittsburgh– 22. února 1987, New York, znám ější jako Andy Warhol, byl americký malí ř, grafik, filmový tv ůrce a v ůdčí osobnost amerického hnutí pop artu. Představivost, kreativita a fascinace, kterou vzbuzoval u ostatních, prom ěnila Andrewa Warholu, syna prostých slovenských emigrant ů, v Andyho Warhola, superstar amerického pop-artu, v um ělce, který se stal bohatým a slavným.Podstatné ovšem není to, že byl slavný, ale to, že byl skute čně d ůležitým um ělcem, nebo ť p řisp ěl ke zm ěně našeho pohledu na sv ět. Můžeme říci, že spolu s Picassem a Dalím tvo ří trojici nepopiratelných géni ů 20. století. Jeho otec pracoval v uhelných dolech a na stavbách v Pensylvánii. Andy m ěl ješt ě dva starší bratry, Johna a Paula .Všichni spole čně žili na pittsburské 55.
    [Show full text]
  • 1 ANDY WARHOL 9 1.1 Biografie
    TECHNICKÁ UNIVERZITA V LIBERCI FAKULTA TEXTILNÍ BAKALÁŘSKÁ PRÁCE 2012 MATĚJ BRNICKÝ TECHNICKÁ UNIVERZITA V LIBERCI FAKULTA TEXTILNÍ PÁNSKÁ ODĚVNÍ KOLEKCE “DÍLO ANDY WARHOLA” MEN´S CLOTHING COLLECTION “WORK OF ANDY WARHOL” 2012 MATĚJ BRNICKÝ P r o h l á š e n í Byl jsem seznámen s tím, že na mou bakalářskou práci se plně vztahuje zákon č. 121/2000 Sb., o právu autorském, zejména § 60 – školní dílo. Beru na vědomí, že Technická univerzita v Liberci (TUL) nezasahuje do mých autorských práv užitím mé bakalářské práce pro vnitřní potřebu TUL. Užiji-li bakalářskou práci nebo poskytnu-li licenci k jejímu využití, jsem si vě- dom povinnosti informovat o této skutečnosti TUL; v tomto případě má TUL právo ode mne požadovat úhradu nákladů, které vynaložila na vytvoření díla, až do jejich skutečné výše. Bakalářskou práci jsem vypracoval samostatně s použitím uvedené literatury a na základě konzultací s vedoucím bakalářské práce a konzultantem. Datum Podpis Poděkování V první řadě bych chtěl poděkovat svým rodičům za podporu, bez které bych tuto baka- lářskou práci nemohl dokončit. Jmenovitě pak děkuji vedoucí práce Mgr. art. Zuzaně Veselé, modelovi Dominiku Procházkovi, fotografovi Ondřeji Báčovi a za korekturu manželům Martinkům. 4 Annotation This work is inspired by a famous American artist of the 20th century Andy Warhol. It is especially his paintings and screen printing technology which immediately capture everyone´s attention. From 1962 Warhol gradually found his typical style of painting. Men clothes collection was design from eight types. These types includes t-shirts and simple cut trousers. The t-shirts were made by author himself and so were the printed pictures on them.
    [Show full text]
  • Art Teacher's Book of Lists
    JOSSEY-BASS TEACHER Jossey-Bass Teacher provides educators with practical knowledge and tools to create a positive and lifelong impact on student learning. We offer classroom-tested and research-based teaching resources for a variety of grade levels and subject areas. Whether you are an aspiring, new, or veteran teacher, we want to help you make every teaching day your best. From ready-to-use classroom activities to the latest teaching framework, our value-packed books provide insightful, practical, and comprehensive materials on the topics that matter most to K–12 teachers. We hope to become your trusted source for the best ideas from the most experienced and respected experts in the field. TITLES IN THE JOSSEY-BASS EDUCATION BOOK OF LISTS SERIES THE SCHOOL COUNSELOR’S BOOK OF LISTS, SECOND EDITION Dorothy J. Blum and Tamara E. Davis • ISBN 978-0-4704-5065-9 THE READING TEACHER’S BOOK OF LISTS, FIFTH EDITION Edward B. Fry and Jacqueline E. Kress • ISBN 978-0-7879-8257-7 THE ESL/ELL TEACHER’S BOOK OF LISTS, SECOND EDITION Jacqueline E. Kress • ISBN 978-0-4702-2267-6 THE MATH TEACHER’S BOOK OF LISTS, SECOND EDITION Judith A. Muschla and Gary Robert Muschla • ISBN 978-0-7879-7398-8 THE ADHD BOOK OF LISTS Sandra Rief • ISBN 978-0-7879-6591-4 THE ART TEACHER’S BOOK OF LISTS, FIRST EDITION Helen D. Hume • ISBN 978-0-7879-7424-4 THE CHILDREN’S LITERATURE LOVER’S BOOK OF LISTS Joanna Sullivan • ISBN 978-0-7879-6595-2 THE SOCIAL STUDIES TEACHER’S BOOK OF LISTS, SECOND EDITION Ronald L.
    [Show full text]
  • (26.11.2018) Pop
    CLAES OLDENBURG’S STORE, 1961 Jim Dine, Five feet of colorful tools, 1962 Roy Lichtenstein, Brushstroke, 1965 James Rosenquist Smoked glass 1962 Andy Warhol, Marylin, 1962 The Stable gallery opening, New York, 1963 In December 1963, Andy Warhol ordered a large number of pine boxes from the Havlicek Woodworking Company. These were destined to be used in the first project in his new studio, dubbed the Factory, which would be presented in his first ever sculpture show. In the early months of 1964, Warhol and his helpers would screen print the labels of famous consumer products on each box, creating facsimiles of the originals: Campbell's tomato juice, Del Monte peach halves, Heinz ketchup, Kellogg's cornflakes, Mott's apple juice, and, of course, Brillo pads. The Brillo boxes (there was both a yellow version and the iconic white) were the most memorable, and, with the earlier Campbell's soup lithos, count among of the most famous images in Warhol's oeuvres. Stacked in piles at New York's Stable Gallery, these boxes would help catapult Warhol into superstardom, and Brillo would become emblematic of that ascent. http://www.artbouillon.com/2013/02/that-brilliant-brillo-box-pops-debt-to.html "New Realists Exhibition," Sidney Janis Gallery, 1962 Andy Warhol, Do it yourself (by-the- numbers), 1962 Jasper Johns, Three Flags, 1958 La luce del Pensiero di Mao Zedong illumina la strada della Grande Rivoluzione Culturale Proletaria, 1966, stampa, 53.5 x 74 cm, collezione Ziyunxuan, pubblicità Campbell ani sessanta Andy Warhol, Cambell soup cans, 1962 Andy Warhol Orange Car Crash Fourteen Times 1963 Green Car Crash.
    [Show full text]
  • An Examination of Andy Warhol's Extraordinary Commercial Success
    - Fifteen minutes and then some: an examination of Andy Warhol's extraordinary commercial success. Reed, Alycia Faith https://iro.uiowa.edu/discovery/delivery/01IOWA_INST:ResearchRepository/12730536030002771?l#13730816480002771 Reed, A. F. (2012). Fifteen minutes and then some: an examination of Andy Warhol’s extraordinary commercial success [University of Iowa]. https://doi.org/10.17077/etd.2qhyy95z https://iro.uiowa.edu Copyright © 2012 Alycia Faith Reed Downloaded on 2021/09/25 15:17:11 -0500 - FIFTEEN MINUTES AND THEN SOME: AN EXAMINATION OF ANDY WARHOL’S EXTRAORDINARY COMMERCIAL SUCCESS by Alycia Faith Reed A thesis submitted in partial fulfillment of the requirements for the Master of Arts degree in Art History in the Graduate College of The University of Iowa May 2012 Thesis Supervisor: Professor Craig Adcock Copyright by ALYCIA FAITH REED 2012 All Rights Reserved Graduate College The University of Iowa Iowa City, Iowa CERTIFICATE OF APPROVAL MASTER’S THESIS This is to certify that the Master’s thesis of Alycia Faith Reed has been approved by the Examining Committee for the thesis requirement for the Master of Arts degree in Art History at the May 2012 graduation. Thesis Committee: Craig Adcock, Thesis Supervisor Dorothy Johnson Julie Berger Hochstrasser ! To Mom, who loved Andy first. ! ii! Some company recently was interested in buying my “aura.” They didn’t want my product. They kept saying, “We want your aura.” I never figured out what they wanted. But they were willing to pay a lot for it. Andy Warhol, The Philosophy of Andy Warhol (From A to B and Back Again) ! iii! ACKNOWLEDGEMENTS I would like to thank my thesis advisor, Professor Craig Adcock, for his support and guidance, and for allowing me to write about Andy Warhol as much as possible over the course of my time at the University of Iowa.
    [Show full text]
  • Exhibition Reviews
    Jcs 3 (1) pp. 117–150 Intellect Limited 2014 Journal of curatorial studies Volume 3 Number 1 © 2014 Intellect Ltd Exhibition Reviews. English language. doi: 10.1386/jcs.3.1.117_7 Exhibition REviEws GLAM! THE PERFORMANCE OF STYLE Curated by Darren Pih, exhibited at Tate Liverpool, 8 February–12 May 2013, Schirn Kunsthalle Frankfurt, 14 June–22 September 2013, and Lentos Kunstmuseum Linz, 19 October 2013–2 February 2014. Reviewed by Kathryn Franklin, York University Two exhibitions have opened in 2013 that centre on a specific artistic style of the early 1970s known as glam. Glam! The Performance of Style calls itself the first exhibition to explore glam style and sensibility in depth. The exhibit deals primarily with musicians such as David Bowie, Marc Bolan of T-Rex, and Roxy Music, and artists such as Andy Warhol, Cindy Sherman and David Hockney, along with their roles in shaping and developing the glam aesthetic. Meanwhile, London’s Victoria and Albert Museum (V&A) has been granted access to David Bowie’s archive to curate what is argu- ably the most widely discussed exhibit of the year. David Bowie Is focuses on the recording artist’s long and influential career – Bowie himself having just released his twenty-fourth studio album, The Next Day, earlier in the year. Glam rock, however, has never historically counted as a significant phenomenon in discourses on rock music culture. Philip Auslander (2006) suggests that this historical neglect of glam rock is symptomatic of the failure of most major British glam artists to penetrate the American market – with the exception of the ubiquitous David Bowie.
    [Show full text]
  • Art Market Trends 2010
    ART MARKET TRENDS 2010 TM THE WORLD LEADER IN ART MARKET INFORMATION Art Market Trends 2010 p 5. Editorial p 7. Roller coaster p 8. Post-War and Contemporary Art in the global market p 8. 2010: Renewed competition p 10. A mixed return for Contemporary signatures: the “successes” of Hirst, Murakami and Koons p 12. China: the new global leader p 13. New York vs. Beijing p 14. Catching up on Old Masters and imposing their Contemporary artists p 15. France’s place in the art world: doomed to decline p 18. Art Market Confidence Index – 2010, a positive year p 21. Twitter: 2010 in 140 characters p 22. Top 10 Artists p 30. Top 100 auction performances in 2010 p 32. Top 500 artists by auction revenue in 2010 3 ART MARKET TRENDS 2010 Editorial In the words of Thierry Ehrmann, the After the previous art market meltdown founder and CEO of Artprice, the world in 1991, it took 4 years of patience before leader in art market information, China’s prices began to recover. This time round it accession to the lead- took only 18 months. ing position in global Fine Art sales repre- During the past decade, two strong sents an “electroshock trends have emerged: firstly we have seen in the history of the a veritable mutation in the commerce of global art market...”. art. The market’s structure has changed It took just three years with the evolution of Internet (with the ac- for China to jump celeration of online sales), the competition from third place (pre- generated by the more than 2601 art fairs Thierry Ehrmann viously occupied by organised each year around the world and France) in 2007 to first place in 2010, ahead the importance of investors and invest- of the UK and the USA, the grand masters ment funds in the market.
    [Show full text]