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CLAES OLDENBURG’S STORE, 1961 Jim Dine, Five feet of colorful tools, 1962 Roy Lichtenstein, Brushstroke, 1965 James Rosenquist Smoked glass 1962 Andy Warhol, Marylin, 1962 The Stable gallery opening, New York, 1963 In December 1963, Andy Warhol ordered a large number of pine boxes from the Havlicek Woodworking Company. These were destined to be used in the first project in his new studio, dubbed the Factory, which would be presented in his first ever sculpture show. In the early months of 1964, Warhol and his helpers would screen print the labels of famous consumer products on each box, creating facsimiles of the originals: Campbell's tomato juice, Del Monte peach halves, Heinz ketchup, Kellogg's cornflakes, Mott's apple juice, and, of course, Brillo pads. The Brillo boxes (there was both a yellow version and the iconic white) were the most memorable, and, with the earlier Campbell's soup lithos, count among of the most famous images in Warhol's oeuvres. Stacked in piles at New York's Stable Gallery, these boxes would help catapult Warhol into superstardom, and Brillo would become emblematic of that ascent. http://www.artbouillon.com/2013/02/that-brilliant-brillo-box-pops-debt-to.html "New Realists Exhibition," Sidney Janis Gallery, 1962 Andy Warhol, Do it yourself (by-the- numbers), 1962 Jasper Johns, Three Flags, 1958 La luce del Pensiero di Mao Zedong illumina la strada della Grande Rivoluzione Culturale Proletaria, 1966, stampa, 53.5 x 74 cm, collezione Ziyunxuan, pubblicità Campbell ani sessanta Andy Warhol, Cambell soup cans, 1962 Andy Warhol Orange Car Crash Fourteen Times 1963 Green Car Crash. Green Burning Car I 1963 228x203cm synthetic polymer, silkscreen ink and acrylic on linen Andy Warhol, Brillo box, 1964 A real Brillo Box Mike Bidlo’s Not Warhol (Brillo Boxes, 1964), 2005, Lever House Art Collection, New York James Rosenquist F.111 1964-65 Tom Wesselmann, Great american nude #54, 1964 Roy Lichtenstein, We rose up slowly, 1964 Claes Oldenburg (b. 1929), Giant Fagends, 1967. Canvas, urethane foam, wire, wood, latex and Formica, 52 × 96 × 96in. (132.1 × 243.8 × 243.8cm). Whitney Museum of American Art, New York.

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