Art Teacher's Book of Lists
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This Constitution: a Bicentennial Chronicle, Nos. 14-18
DOCUMENT RESUME ED 300 290 SO 019 380 AUTHOR Mann, Shelia, Ed. TITLE This Constitution: A Bicentennial Chronicle, Nos. 14-18. INSTITUTION American Historical Association, Washington, D.C.; American Political Science Association, Washington, D.C.; Project '87, Washington, DC. SPONS AGENCY National Endowment for the Humanities (NFAH), Washington, D.C. PUB DATE 87 NOTE 321p.; For related document, see ED 282 814. Some photographs may not reproduce clearly. AVAILABLE FROMProject '87, 1527 New Hampshire Ave., N.W., Washington, DC 20036 nos. 13-17 $4.00 each, no. 18 $6.00). PUB TYPE Collected Works - Serials (022) -- Historical Materials (060) -- Guides - Classroom Use - Guides (For Teachers) (052) JOURNAL CIT This Constitution; n14-17 Spr Sum Win Fall 1987 n18 Spr-Sum 1988 EDRS PRICE MFO1 Plus Postage. PC Not Available from EDRS. DESCRIPTORS Class Activities; *Constitutional History; *Constitutional Law; History Instruction; Instructioral Materials; Lesson Plans; Primary Sources; Resource Materials; Secondary Education; Social Studies; United States Government (Course); *United States History IDENTIFIERS *Bicentennial; *United States Constitution ABSTRACT Each issue in this bicentennial series features articles on selected U.S. Constitution topics, along with a section on primary documents and lesson plans or class activities. Issue 14 features: (1) "The Political Economy of tne Constitution" (K. Dolbeare; L. Medcalf); (2) "ANew Historical Whooper': Creating the Art of the Constitutional Sesquicentennial" (K. Marling); (3) "The Founding Fathers and the Right to Bear Arms: To Keep the People Duly Armed" (R. Shalhope); and (4)"The Founding Fathers and the Right to Bear Arms: A Well-Regulated Militia" (L. Cress). Selected articles from issue 15 include: (1) "The Origins of the Constitution" (G. -
Fractal 3D Magic Free
FREE FRACTAL 3D MAGIC PDF Clifford A. Pickover | 160 pages | 07 Sep 2014 | Sterling Publishing Co Inc | 9781454912637 | English | New York, United States Fractal 3D Magic | Banyen Books & Sound Option 1 Usually ships in business days. Option 2 - Most Popular! This groundbreaking 3D showcase offers a rare glimpse into the dazzling world of computer-generated fractal art. Prolific polymath Clifford Pickover introduces the collection, which provides background on everything from Fractal 3D Magic classic Mandelbrot set, to the infinitely porous Menger Sponge, to ethereal fractal flames. The following eye-popping gallery displays mathematical formulas transformed into stunning computer-generated 3D anaglyphs. More than intricate designs, visible in three dimensions thanks to Fractal 3D Magic enclosed 3D glasses, will engross math and optical illusions enthusiasts alike. If an item you have purchased from us is not working as expected, please visit one of our in-store Knowledge Experts for free help, where they can solve your problem or even exchange the item for a product that better suits your needs. If you need to return an item, simply bring it back to any Micro Center store for Fractal 3D Magic full refund or exchange. All other products may be returned within 30 days of purchase. Using the software may require the use of a computer or other device that must meet minimum system requirements. It is recommended that you familiarize Fractal 3D Magic with the system requirements before making your purchase. Software system requirements are typically found on the Product information specification page. Aerial Drones Micro Center is happy to honor its customary day return policy for Aerial Drone returns due to product defect or customer dissatisfaction. -
The Satrap of Western Anatolia and the Greeks
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2017 The aS trap Of Western Anatolia And The Greeks Eyal Meyer University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Ancient History, Greek and Roman through Late Antiquity Commons Recommended Citation Meyer, Eyal, "The aS trap Of Western Anatolia And The Greeks" (2017). Publicly Accessible Penn Dissertations. 2473. https://repository.upenn.edu/edissertations/2473 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/2473 For more information, please contact [email protected]. The aS trap Of Western Anatolia And The Greeks Abstract This dissertation explores the extent to which Persian policies in the western satrapies originated from the provincial capitals in the Anatolian periphery rather than from the royal centers in the Persian heartland in the fifth ec ntury BC. I begin by establishing that the Persian administrative apparatus was a product of a grand reform initiated by Darius I, which was aimed at producing a more uniform and centralized administrative infrastructure. In the following chapter I show that the provincial administration was embedded with chancellors, scribes, secretaries and military personnel of royal status and that the satrapies were periodically inspected by the Persian King or his loyal agents, which allowed to central authorities to monitory the provinces. In chapter three I delineate the extent of satrapal authority, responsibility and resources, and conclude that the satraps were supplied with considerable resources which enabled to fulfill the duties of their office. After the power dynamic between the Great Persian King and his provincial governors and the nature of the office of satrap has been analyzed, I begin a diachronic scrutiny of Greco-Persian interactions in the fifth century BC. -
Transformations in Sirigu Wall Painting and Fractal Art
TRANSFORMATIONS IN SIRIGU WALL PAINTING AND FRACTAL ART SIMULATIONS By Michael Nyarkoh, BFA, MFA (Painting) A Thesis Submitted to the School of Graduate Studies, Kwame Nkrumah University of Science and Technology in partial fulfilment of the requirements for the degree of DOCTOR OF PHILOSOPHY Faculty of Fine Art, College of Art and Social Sciences © September 2009, Department of Painting and Sculpture DECLARATION I hereby declare that this submission is my own work towards the PhD and that, to the best of my knowledge, it contains no material previously published by another person nor material which has been accepted for the award of any other degree of the University, except where due acknowledgement has been made in the text. Michael Nyarkoh (PG9130006) .................................... .......................... (Student’s Name and ID Number) Signature Date Certified by: Dr. Prof. Richmond Teye Ackam ................................. .......................... (Supervisor’s Name) Signature Date Certified by: K. B. Kissiedu .............................. ........................ (Head of Department) Signature Date CHAPTER ONE INTRODUCTION Background to the study Traditional wall painting is an old art practiced in many different parts of the world. This art form has existed since pre-historic times according to (Skira, 1950) and (Kissick, 1993). In Africa, cave paintings exist in many countries such as “Egypt, Algeria, Libya, Zimbabwe and South Africa”, (Wilcox, 1984). Traditional wall painting mostly by women can be found in many parts of Africa including Ghana, Southern Africa and Nigeria. These paintings are done mostly to enhance the appearance of the buildings and also serve other purposes as well. “Wall painting has been practiced in Northern Ghana for centuries after the collapse of the Songhai Empire,” (Ross and Cole, 1977). -
Wolcott-CT-2
Copyright by CLP Research Partial Genealogy of the Wolcotts, Part II Henry Wolcott I Main Political Affiliation: (of Connecticut) (1578-1655) 1763-83 Whig Revolutionary (Emigrated from Gaulden Manor, Tolland, Somerset, 1789-1823 Federalist England to Massachusetts, 1630) (moved to Connecticut, 1636); (CT general court, 1639); (CT gov council, 1643-55) 1824-33 National Republican = Elizabeth Saunders 1834-53 Whig (1589-1655) 1854- Republican 1600 Henry Wolcott II George Wolcott I Anna Wolcott Simon Wolcott 5 Others (1610-80) (1612-62) (1620-1701) (1624-87) (CT house of del, 1660) (Windsor constable) = Matthew Griswold = Martha Pitkin (CT house of mag, 1662) See Treat of CT = Elizabeth Treat (1618-98) (1639-1719) (1627-1705) Genealogy See Griswold of CT See Pitkin of CT SEE WOLCOTT OF CT Genealogy Genealogy GENEALOGY Part II Part I PART I 4 Children 1650 Henry Wolcott I William Wolcott I Gen. Roger Wolcott 7 Others (1670-1747) (1676-1749) (1679-1767) (CT gen ct, 1709); (Windsor CT justice, 1711); (CT gov council, 1714) SEE WOLCOTT = Abiah Hawley (1690-1716) (CT judge, 1721-31); (CT supreme court, 1732-49; chief justice, 1741-49) OF CT (Governor of Connecticut, 1750-54) GENEALOGY See Hawley of CT = Sarah Drake PART III Genealogy (1679-1747) 1700 4 Others William Wolcott II Dr. Alexander Wolcott Gen. Erastus Wolcott Ursula Wolcott 12 Others Gen. Oliver Wolcott I (1711-99) (1711-95 (1722-93) (1724-88) (1726-97) = Abigail Abbot Lydia Atwater = = Mary Richards (CT gen ct, 1760-70s; speaker) = Matthew Griswold (Litchfield co. CT sheriff, 1751) -
Final General Management Plan/Environmental Impact Statement, Mary Mcleod Bethune Council House National Historic Site
Final General Management Plan Environmental Impact Statement Mary McLeod Bethune Council House National Historic Site Washington, D.C. Final General Management Plan / Environmental Impact Statement _____________________________________________________________________________ Mary McLeod Bethune Council House National Historic Site Washington, District of Columbia The National Park Service is preparing a general management plan to clearly define a direction for resource preservation and visitor use at the Mary McLeod Bethune Council House National Historic Site for the next 10 to 15 years. A general management plan takes a long-range view and provides a framework for proactive decision making about visitor use, managing the natural and cultural resources at the site, developing the site, and addressing future opportunities and problems. This is the first NPS comprehensive management plan prepared f or the national historic site. As required, this general management plan presents to the public a range of alternatives for managing the site, including a preferred alternative; the management plan also analyzes and presents the resource and socioeconomic impacts or consequences of implementing each of those alternatives the “Environmental Consequences” section of this document. All alternatives propose new interpretive exhibits. Alternative 1, a “no-action” alternative, presents what would happen under a continuation of current management trends and provides a basis for comparing the other alternatives. Al t e r n a t i v e 2 , the preferred alternative, expands interpretation of the house and the life of Bethune, and the archives. It recommends the purchase and rehabilitation of an adjacent row house to provide space for orientation, restrooms, and offices. Moving visitor orientation to an adjacent building would provide additional visitor services while slightly decreasing the impacts of visitors on the historic structure. -
Supreme Court Appointments After the Thomas Nomination: Reforming the Confirmation Process
Journal of Civil Rights and Economic Development Volume 7 Issue 1 Volume 7, Fall 1991, Issue 1 Article 26 Supreme Court Appointments After the Thomas Nomination: Reforming the Confirmation Process Joseph Faria David Markey Follow this and additional works at: https://scholarship.law.stjohns.edu/jcred This Note is brought to you for free and open access by the Journals at St. John's Law Scholarship Repository. It has been accepted for inclusion in Journal of Civil Rights and Economic Development by an authorized editor of St. John's Law Scholarship Repository. For more information, please contact [email protected]. SUPREME COURT APPOINTMENTS AFTER THE THOMAS NOMINATION: REFORMING THE CONFIRMATION PROCESS The Judicial Appointments Clause of Article II of the Federal Constitution establishes that the President "shall nominate, and by and with the Advice and Consent of the Senate, shall appoint .... Judges of the supreme Court .... .' This language has been variously interpreted over time.2 Champions of a strong ex- U.S. CONST. art. 11, § 2, cl.2. This clause provides in its entirety: He Ithe Presidenti shall have Power, by and with the Advice and Consent of the Senate, to make Treaties, provided two thirds of the Senators present concur; and he shall nominate, and by and with the Advice and Consent of the Senate, shall appoint Ambassadors, other public Ministers and Consuls, Judges of the supreme Court, and all other Officers of the United States, whose Appointments are not herein otherwise provided for, and which shall be established by Law: but the Con- gress may by law vest the Appointment of such inferior Officers, as they think proper, in the President alone, in the Courts of Law, or in the Heads of the department. -
1 Dalí Museum, Saint Petersburg, Florida
Dalí Museum, Saint Petersburg, Florida Integrated Curriculum Tour Form Education Department, 2015 TITLE: “Salvador Dalí: Elementary School Dalí Museum Collection, Paintings ” SUBJECT AREA: (VISUAL ART, LANGUAGE ARTS, SCIENCE, MATHEMATICS, SOCIAL STUDIES) Visual Art (Next Generation Sunshine State Standards listed at the end of this document) GRADE LEVEL(S): Grades: K-5 DURATION: (NUMBER OF SESSIONS, LENGTH OF SESSION) One session (30 to 45 minutes) Resources: (Books, Links, Films and Information) Books: • The Dalí Museum Collection: Oil Paintings, Objects and Works on Paper. • The Dalí Museum: Museum Guide. • The Dalí Museum: Building + Gardens Guide. • Ades, dawn, Dalí (World of Art), London, Thames and Hudson, 1995. • Dalí’s Optical Illusions, New Heaven and London, Wadsworth Atheneum Museum of Art in association with Yale University Press, 2000. • Dalí, Philadelphia Museum of Art, Rizzoli, 2005. • Anderson, Robert, Salvador Dalí, (Artists in Their Time), New York, Franklin Watts, Inc. Scholastic, (Ages 9-12). • Cook, Theodore Andrea, The Curves of Life, New York, Dover Publications, 1979. • D’Agnese, Joseph, Blockhead, the Life of Fibonacci, New York, henry Holt and Company, 2010. • Dalí, Salvador, The Secret life of Salvador Dalí, New York, Dover publications, 1993. 1 • Diary of a Genius, New York, Creation Publishing Group, 1998. • Fifty Secrets of Magic Craftsmanship, New York, Dover Publications, 1992. • Dalí, Salvador , and Phillipe Halsman, Dalí’s Moustache, New York, Flammarion, 1994. • Elsohn Ross, Michael, Salvador Dalí and the Surrealists: Their Lives and Ideas, 21 Activities, Chicago review Press, 2003 (Ages 9-12) • Ghyka, Matila, The Geometry of Art and Life, New York, Dover Publications, 1977. • Gibson, Ian, The Shameful Life of Salvador Dalí, New York, W.W. -
2014 AAAM Conference Booklet
2014 Annual Conference Association of African American Museums HELP US BUILD THE MUSEUM h i P s A n e r s n d C r t o l P A l A B o r A t i o n s Birmingham, Alabama i August 6–9, 2014 n t RENEW your membership today. h e BECOME a member. DONATE. d The National Museum of African American History and i Culture will be a place where exhibitions and public g hosted by i programs inspire and educate generations to come. t Birmingham Civil rights institute A l Visit nmaahc.si.edu for more information. A g Program Design: Chris Danemayer, Proun Design, LLC. e Back Cover Front Cover THINGS HAVE CHANGED. SO HAVE WE. Association AAAM HISTORICAL OVERVIEW of African American Museums The African American Museum Movement emerged during the 1950s Board of Directors, 2013–2014 and 1960s to preserve the heritage of the Black experience and to ensure its Officers proper interpretation in American history. Black museums instilled a sense At the place of Dr. Martin Luther King, Jr.’s Samuel W. Black of achievement within Black communities, while encouraging collaborations death in 1968 in Memphis, Tennessee, the President National Civil Rights Museum was born. Pennsylvania between Black communities and the broader public. Most importantly, the African American Museums Movement inspired new contributions to society and Dr. Deborah L. Mack The Museum, a renowned educational Vice President advanced cultural awareness. Washington, D.C. and cultural institution that chronicles the In the late 1960s, Dr. Margaret Burroughs, founder of the DuSable Museum American Civil Rights Movement, has been Auntaneshia Staveloz Secretary in Chicago, and Dr. -
Lucy Sparrow Photo: Dafydd Jones 18 Hot &Coolart
FREE 18 HOT & COOL ART YOU NEVER FELT LUCY SPARROW LIKE THIS BEFORE DAFYDD JONES PHOTO: LUCY SPARROW GALLERIES ONE, TWO & THREE THE FUTURE CAN WAIT OCT LONDON’S NEW WAVE ARTISTS PROGRAMME curated by Zavier Ellis & Simon Rumley 13 – 17 OCT - VIP PREVIEW 12 OCT 6 - 9pm GALLERY ONE PETER DENCH DENCH DOES DALLAS 20 OCT - 7 NOV GALLERY TWO MARGUERITE HORNER CARS AND STREETS 20 - 30 OCT GALLERY ONE RUSSELL BAKER ICE 10 NOV – 22 DEC GALLERY TWO NEIL LIBBERT UNSEEN PORTRAITS 1958-1998 10 NOV – 22 DEC A NEW NOT-FOR-PROFIT LONDON EXHIBITION PLATFORM SUPPORTING THE FUSION OF ART, PHOTOGRAPHY & CULTURE Art Bermondsey Project Space, 183-185 Bermondsey Street London SE1 3UW Telephone 0203 441 5858 Email [email protected] MODERN BRITISH & CONTEMPORARY ART 20—24 January 2016 Business Design Centre Islington, London N1 Book Tickets londonartfair.co.uk F22_Artwork_FINAL.indd 1 09/09/2015 15:11 THE MAYOR GALLERY FORTHCOMING 21 CORK STREET, FIRST FLOOR, LONDON W1S 3LZ TEL: +44 (0) 20 7734 3558 FAX: +44 (0) 20 7494 1377 [email protected] www.mayorgallery.com EXHIBITIONS WIFREDO ARCAY CUBAN STRUCTURES THE MAYOR GALLERY 13 OCT - 20 NOV Wifredo Arcay (b. 1925, Cuba - d. 1997, France) “ETNAIRAV” 1959 Latex paint on plywood relief 90 x 82 x 8 cm 35 1/2 x 32 1/4 x 3 1/8 inches WOJCIECH FANGOR WORKS FROM THE 1960s FRIEZE MASTERS, D12 14 - 18 OCT Wojciech Fangor (b.1922, Poland) No. 15 1963 Oil on canvas 99 x 99 cm 39 x 39 inches STATE_OCT15.indd 1 03/09/2015 15:55 CAPTURED BY DAFYDD JONES i SPY [email protected] EWAN MCGREGOR EVE MAVRAKIS & Friend NICK LAIRD ZADIE SMITH GRAHAM NORTON ELENA SHCHUKINA ALESSANDRO GRASSINI-GRIMALDI SILVIA BRUTTINI VANESSA ARELLE YINKA SHONIBARE NIMROD KAMER HENRY HUDSON PHILIP COLBERT SANTA PASTERA IZABELLA ANDERSSON POPPY DELEVIGNE ALEXA CHUNG EMILIA FOX KARINA BURMAN SOPHIE DAHL LYNETTE YIADOM-BOAKYE CHIWETEL EJIOFOR EVGENY LEBEDEV MARC QUINN KENSINGTON GARDENS Serpentine Gallery summer party co-hosted by Christopher Kane. -
DEMA Annual Report 2015
ARIZONA DEPARTMENT OF EMERGENCY AND MILITARY AFFAIRS 2015 Annual Report Office of the Adjutant General 5636 E. McDowell Rd Phoenix, AZ 85008 Web site: dema.az.gov Social Media: Arizona National Guard AZNationalGuard AZNationalGuard RSS Arizona Division of Emergency Management ArizEIN azein AzEINvideo azeinblog RSS Cover: Soldiers and Airmen from the Arizona National Guard assemble in a mass formation during the Arizona National Guard Muster Dec. 7 at Arizona State University's Sun Devil Stadium in Tempe, Ariz. More than 4,000 Guard Members from throughout the state were present for the historic muster formation. (U.S. Army National Guard Photo by Staff Sgt. Brian A. Barbour) 2 Soldiers and Airmen from the Arizona National Guard assemble in a mass formation during the Arizona National Guard Muster Dec. 7 at Arizona State University's Sun Devil Stadium in Tempe, Ariz. More than 4,000 Guard Members from throughout the state were present for the historic muster formation. (U.S. Army National Guard Photo by Staff Sgt. Brian A. Barbour) INTRODUCTION AND EXECUTIVE SUMMARY On September 2, 1865, the Arizona National Guard was established with the first muster of the First Infantry Regiment of Arizona, comprised of five companies of more than 350 enlisted Soldiers and nine officers. From that first muster to serving as the acting Guard of Honor for President Woodrow Wilson during the treaty negotiations ending World War I to the 158th “Bushmasters” being recognized by General Douglas MacArthur as “No greater fighting combat team has ever deployed for battle” to our recent deployments to Afghanistan and Iraq, the Arizona National Guard has established a long and distinguished history of service to Arizona and our nation. -
Inside Special Issue on the Chinese Contemporary Art Market Interviews with Liu Jianhua and Shan Shan Sheng Dialogue on Documenta 12
December 2007 | Winter Issue Inside Special Issue on the Chinese Contemporary Art Market Interviews with Liu Jianhua and Shan Shan Sheng Dialogue on documenta 12 US$12.00 NT$350.00 china square 1 2 Contents 4 Editor’s Note 6 Contributors 8 Contemporary Chinese Art: To Get Rich Is Glorious 11 Britta Erickson 17 The Surplus Value of Accumulation: Some Thoughts Martina Köppel-Yang 19 Seeing Through the Macro Perspective: The Chinese Art Market from 2006 to 2007 Zhao Li 23 Exhibition Culture and the Art Market 26 Yü Christina Yü 29 Interview with Zheng Shengtian at the Seven Stars Bar, 798, Beijing Britta Erickson 34 Beyond Selling Art: Galleries and the Construction of Art Market Norms Ling-Yun Tang 44 Taking Stock Joe Martin Hill 41 51 Everyday Miracles: National Pride and Chinese Collectors of Contemporary Art Simon Castets 58 Superfluous Things: The Search for “Real” Art Collectors in China Pauline J. Yao 62 After the Market’s Boom: A Case Study of the Haudenschild Collection 77 Michelle M. McCoy 72 Zhong Biao and the “Grobal” Imagination Paul Manfredi 84 Export—Cargo Transit Mathieu Borysevicz 90 About Export—Cargo Transit: An Interview with Liu Jianhua 87 Chan Ho Yeung David 93 René Block’s Waterloo: Some Impressions of documenta 12, Kassel Yang Jiechang and Martina Köppel-Yang 101 Interview with Shan Shan Sheng Brandi Reddick 109 Chinese Name Index 108 Yishu 22 errata: On page 97, image caption lists director as Liang Yin. Director’s name is Ying Liang. On page 98, image caption lists director as Xialu Guo.