Honor's Recital 2021
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The University of Chicago Objects of Veneration
THE UNIVERSITY OF CHICAGO OBJECTS OF VENERATION: MUSIC AND MATERIALITY IN THE COMPOSER-CULTS OF GERMANY AND AUSTRIA, 1870-1930 A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF MUSIC BY ABIGAIL FINE CHICAGO, ILLINOIS AUGUST 2017 © Copyright Abigail Fine 2017 All rights reserved ii TABLE OF CONTENTS LIST OF MUSICAL EXAMPLES.................................................................. v LIST OF FIGURES.......................................................................................... vi LIST OF TABLES............................................................................................ ix ACKNOWLEDGEMENTS............................................................................. x ABSTRACT....................................................................................................... xiii INTRODUCTION........................................................................................................ 1 CHAPTER 1: Beethoven’s Death and the Physiognomy of Late Style Introduction..................................................................................................... 41 Part I: Material Reception Beethoven’s (Death) Mask............................................................................. 50 The Cult of the Face........................................................................................ 67 Part II: Musical Reception Musical Physiognomies............................................................................... -
A Mixed Methods Examination of Pregnancy Attitudes and HIV Risk Behaviors Among Homeless Youth: the Role of Social Network Norms and Social Support
University of Denver Digital Commons @ DU Electronic Theses and Dissertations Graduate Studies 1-1-2017 A Mixed Methods Examination of Pregnancy Attitudes and HIV Risk Behaviors Among Homeless Youth: The Role of Social Network Norms and Social Support Stephanie J. Begun University of Denver Follow this and additional works at: https://digitalcommons.du.edu/etd Part of the Social Work Commons Recommended Citation Begun, Stephanie J., "A Mixed Methods Examination of Pregnancy Attitudes and HIV Risk Behaviors Among Homeless Youth: The Role of Social Network Norms and Social Support" (2017). Electronic Theses and Dissertations. 1293. https://digitalcommons.du.edu/etd/1293 This Dissertation is brought to you for free and open access by the Graduate Studies at Digital Commons @ DU. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ DU. For more information, please contact [email protected],[email protected]. A Mixed Methods Examination of Pregnancy Attitudes and HIV Risk Behaviors Among Homeless Youth: The Role of Social Network Norms and Social Support ___________ A Dissertation Presented to the Faculty of the Graduate School of Social Work University of Denver ___________ In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy ___________ by Stephanie J. Begun June 2017 Advisor: Kimberly Bender, Ph.D., M.S.W. ©Copyright by Stephanie J. Begun 2017 All Rights Reserved Author: Stephanie J. Begun Title: A Mixed Methods Examination of Pregnancy Attitudes and HIV Risk Behaviors Among Homeless Youth: The Role of Social Network Norms and Social Support Advisor: Kimberly Bender, Ph.D., M.S.W. -
RODGERS, HAMMERSTEIN &Am
CONCERT NO. 1: IT'S ALL IN THE NUMBERS TUESDAY JUNE 14, 2005 ARTEL METZ DRIVE, 7:30 pm SOLOISTS: Trumpet Quartet Lancaster HS Concert Choir - Gary M. Lee, Director SECOND CENTURY MARCH A. Reed SECOND SUITE FOR BAND G. Holst FOUR OF A KIND J. Bullock Trumpet Quartet IRISH PARTY IN THIRD CLASS R. Saucedo SELECTIONS FROM A CHORUS LINE J. Cavacas IRVING BERLIN'S AMERICA J. Moss WHEN THE SAINTS GO MARCHIN' IN Traditional Lancaster HS Concert Choir - Gary M. Lee, Director 23 SKIDOO Whitcomb STAR SPANGLED SPECTACULAR G. Cohan GALLANT SEVENTH MARCH J. P. Sousa CONCERT NO. 2: RODGERS, HAMMERSTEIN & HART, WITH HEART TUESDAY JUNE 21, 2005 ARTEL METZ DRIVE, 7:30 pm SOLOISTS: Deborah Jasinski, Vocalist Bryan Banach, Piano Pre-Concert Guests: Lancaster H.S. Symphonic Band RICHARD RODGERS: SYMPHONIC MARCHES Williamson SALUTE TO RICHARD RODGERS T. Rickets LADY IS A TRAMP Hart/Rodgers/Wolpe Deborah Jasinski, Vocalist SHALL WE DANCE A. Miyagawa SHOWBOAT HIGHLIGHTS Hammerstein/Kerr SLAUGHTER ON 10TH AVENUE R. Saucedo Bryan Banach, Piano YOU'LL NEVER WALK ALONE arr. Foster GUADALCANAL MARCH Rodgers/Forsblad CONCERT NO. 3: SOMETHING OLD, NEW, BORROWED & BLUE TUESDAY JUNE 28, 2005 ARTEL METZ DRIVE, 7:30 pm SOLOISTS: Linda Koziol, Soloist Dan DeAngelis & Ben Pulley, Saxophones The LHS Acafellas NEW COLONIAL MARCH R. B. Hall THEMES LIKE OLD TIMES III Barker SHADES OF BLUE T. Reed Dan DeAngelis, Saxophone BLUE DEUCE M. Leckrone Dan DeAngelis & Ben Pulley, Saxophones MY OLD KENTUCKY HOME Foster/Barnes MY FAIR LADY Lerner/Lowe BLUE MOON Rodgers/Hart/Barker Linda Koziol, Soloist FINALE FROM NEW WORLD SYMPHONY Dvorak/Leidzon BOYS OF THE OLD BRIGADE Chambers CONCERT NO. -
June 1911) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 6-1-1911 Volume 29, Number 06 (June 1911) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 29, Number 06 (June 1911)." , (1911). https://digitalcommons.gardner-webb.edu/etude/570 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. 361 THE ETUDE -4 m UP-TO-DATE PREMIUMS _OF STANDARD QUALITY__ K MONTHLY JOURNAL FOR THE MUSICIAN, THE MUSIC STUDENT, AND ALL MUSIC LOVERS. Edited by JAMES FRANCIS COOKE », Alaska, Cuba, Porto Kieo, 50 WEBSTER’S NEW STANDARD 4 DICTIONARY Illustrated. NEW U. S. CENSUS In Combination with THE ETUDE money orders, bank check letter. United States postage ips^are always received for cash. Money sent gerous, and iponsible for its safe T&ke Your THE LAST WORD IN DICTIONARIES Contains DISCONTINUANCE isli the journal Choice o! the THE NEW WORDS Explicit directions Books: as well as ime of expiration, RENEWAL.—No is sent for renewals. The $2.50 Simplified Spelling, „„ ...c next issue sent you will lie printed tile date on wliicli your Webster’s Synonyms and Antonyms, subscription is paid up, which serves as a New Standard receipt for your subscription. -
Peter CORNELIUS
Peter CORNELIUS Complete Lieder • 2 Christina Landshamer, Soprano • Markus Schäfer, Tenor Hans Christoph Begemann, Baritone Mathias Hausmann, Baritone • Matthias Veit, Piano Peter CORNELIUS (1824-1874) Complete Lieder • 2 Sechs Lieder, Op. 5 (1861-1862) 16:28 # Abendgefühl (1st version, 1862)** 2:08 1 No. 2. Auf ein schlummerndes Kind** 3:02 (Text: Christian Friedrich Hebbel) (Text: Christian Friedrich Hebbel (1813-1863)) $ Abendgefühl (2nd version, 1863)** 2:40 2 No. 3. Auf eine Unbekannte†† 5:29 (Text: Christian Friedrich Hebbel) (Text: Christian Friedrich Hebbel) 3 No. 4. Ode* 2:34 % Sonnenuntergang (1862)† 2:29 (Text: August von Platen-Hallermünde (1796-1835)) (Text: Friedrich Hölderlin (1770-1843)) 4 No. 5. Unerhört† 2:45 (Text: Annette von Droste-Hülshoff (1797-1848)) ^ Das Kind (1862)†† 0:52 5 No. 6. Auftrag* 2:38 (Text: Annette von Droste-Hülshoff) (Text: Ludwig Heinrich Christoph Hölty (1748-1776)) & Gesegnet (1862)†† 1:29 † 6 Was will die einsame Träne? (1848) 2:44 (Text: Annette von Droste-Hülshoff) (Text: Heinrich Heine (1797-1856)) * Vision (1865)** 3:30 † 7 Warum sind denn die Rosen so blaß? (c. 1862) 2:04 (Text: August von Platen-Hallermünde) (Text: Heinrich Heine) ( Die Räuberbrüder (1868-1869)† 2:43 †† Drei Sonette (1859-1861) 9:05 (Text: Joseph von Eichendorff (1788-1857)) (Texts: Gottfried August Bürger (1748-1794)) 8 No. 1. Der Entfernten 2:33 ) Am See (1848)† 2:37 9 No. 2. Liebe ohne Heimat 2:39 (Text: Peter Cornelius) 0 No. 3. Verlust 3:52 ¡ Im tiefsten Herzen glüht mir eine Wunde (1862)† 1:44 ! Dämmerempfindung -
United States District Court Southern District of Florida
Case 0:19-cv-62258-XXXX Document 1 Entered on FLSD Docket 09/10/2019 Page 1 of 15 UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF FLORIDA BRITNEY TAYLOR, Case No. Plaintiff, CIVIL COMPLAINT vs. DEMAND FOR JURY TRIAL ANTONIO BROWN, Defendant. Plaintiff Britney Taylor, by and through her attorneys Haas Law, PLLC, Emery Celli Brinckerhoff & Abady LLP, and The Law Offices of Marshelle I. Brooks, PLLC, alleges as follows for her Complaint: INTRODUCTION 1. This case is about how Antonio Brown – a highly successful wide receiver in the National Football League (“NFL”) – exploited, sexually assaulted, and raped his former trainer Britney Taylor. Brown preyed on Ms. Taylor’s kindness and her religious devotion, casting himself as a person equally dedicated to his religious faith and someone she could trust. In reality, he used manipulation and false promises to lure her into his world, and once there, he sexually assaulted and raped her. These heinous acts have inflicted severe and dramatic damage on Ms. Taylor, irreparably harming her. 2. In June 2017, Brown sexually assaulted Ms. Taylor twice while they were together for training sessions. First, Brown exposed himself and kissed Ms. Taylor without her consent. Later that month, Brown, while positioned behind Ms. Taylor, began masturbating near her without her knowledge and ejaculated on her back. Ms. Taylor realized what occurred when she 1 Case 0:19-cv-62258-XXXX Document 1 Entered on FLSD Docket 09/10/2019 Page 2 of 15 felt a wet spot soak through her clothing. Later, in astonishingly profane and angry text messages, Brown bragged about the incident to her. -
284 XXVII. Tonkünstler-Versammlung Eisenach, 19. – 22. Juni 1890
284 XXVII. Tonkünstler-Versammlung Eisenach, 19. – 22. Juni 1890 1. Aufführung: Erstes Concert [auch: Erstes grosses Concert für Orchester, Soli und Chöre ] Eisenach, Stadt-Theater, Donnerstag, 19. Juni, 18:30 Uhr Ch.: verstärkter Eisenacher Musikverein Ens.: verstärkte Großhzgl. Sächs. Hofkapelle Weimar I. Teil 1. Franz Liszt: Weimars Volkslied, für Männerchor und Ltg.: Eduard Lassen Harmoniemusik Text: Peter Cornelius ( ≡) 2. Prolog Sol.: Paul Friedrich Karl Brock (Rez.) Text: Adolf Stern 3. Engelbert Humperdinck: Das Glück von Edenhall, Ballade Ltg.: Engelbert Humperdinck für Chor und Orchester (EA) Text: Ludwig Uhland ( ≡) 4. Felix Draeseke: Symphonisches Vorspiel zu Heinrich von Ltg.: Richard Strauss Kleists Tragödie Penthesilea 5. Franz Schubert: Ltg.: Hermann Thureau a) „Tantum ergo“, für Soli, Chor und Orchester (Ms., ≡ Sol.: Hedwig Kühn, Auguste Phister, Heinrich lat. und dt.) Zeller, Rudolf von Milde b) Offertorium, für Tenorsolo, Chor und Orchester (Ms., ≡ lat. und dt.) 6. Pëtr Il’i č, Čajkovskij: Serenade für Streichorchester C-Dur Ltg.: Richard Strauss op. 48 Elegie und Finale 7. Johannes Brahms: Schicksalslied, für Chor und Orchester Ltg.: Hermann Thureau Text: Johann Christian Friedrich Hölderlin (≡) II. Teil 8. Franz Liszt: Chöre zu Der entfesselte Prometheus Ltg.: Eduard Lassen Text: Johann Gottfried Herder, verbindende Dichtung: Sol.: Hedwig Kühn, Auguste Phister, Hans Richard Pohl ( ≡) Gießen, Heinrich Zeller, Rudolf von Milde, Ernst Hungar, Paul Friedrich Karl Brock (Rez.) 2. Aufführung: Zweites Concert (Kammermusik-Aufführung) Eisenach, Clemda, Saal, Freitag, 20. Juni, 11:00 Uhr Konzertflügel: Carl Bechstein, Berlin 1. Robert Kahn: Quartett für 2 Violinen, Viola und Sol.: Karl Halir (V.), Theodor Freiberg (V.), Violoncell A-Dur op. 8 Karl Nagel (Va.), Leopold Grützmacher (Vc.) 1. -
Fum FURT TO-NIGHT
AMUSEMENTS BROADWAY & 11TH ST, fuM FURT TO-NIGHT. 1Y SHOE GO. 1 : and S I'D K. UNION SQUARE, ACADEMY OF DESIGN Paintings Basement Salesroom. ACADEMY OF MUSIC.Last of the Rolians and Place West Four kUteentn Street Between Broadway University AMERIOAN Die Meistersinger 'ill BIJOU In Paradise BKOADWAY The Ghetto ."] CASINO The Rounders of iii The Great Department Store ex( I CRITERION The Girl from Maxim's 9,000 yards Silk, Shoes. i DALY'S The King's Musketeer of 2 to 16 clusively for We are New york's La rgest and Sellers DEWEY Vaudeville lengths yards c Buyers Ef)EN MUSEE World in Wax EMPIRE The Tyranny,of Tears consisting of Fancy TafFe FIFTH AVENUE BecRy Sharp The Korker of 14TH STREET A Young Wife tas,.in plaid, check, stripe GARRICK My Innocent Boy GARDEN Rupert of Hentzau ' Shoe, GRAND OPERA HOUSE.A Grip of Steel corded, floral, warp print HARLEM OPERA HOUSE Phroso I and a of novo HOUSEKEE PING HERALD SQUARE The Only Way ed, variety GOODS.I IIUBER'S MUSEUM Vaudeville I iC°r ^en> HURT1G A SEAMON'S Vaudeville designs. Light, medianj KEITH'S UNION SQUARE.... Vaudeville Pillow Tic! KNICKERBOCKER. ..Cyrano tie Bergerac and dark shades. Sheets, Cases, Muslins. <ings, Bnn;ets, Comfortables, Quilts, KOSTER <fc BIAL'S Vaudeville Table Linens, Fia " bread and butter '* LYCEUM Miss Hobbs Peai1 2,50 Towels, Towellings, nnels,.the among MAD. SQ. THEA. Why Smith Left Home Black, Ducliesse, Housekeepers' requirements.Of ea ch and all of these we show extraordinary MANHATTAN, de Brocades A Stranger in a Strange Land Soie, Taffetas, assortments of all qualities, and throiugh our great purchases for cash can and METROPOLIS The Sporting Duchess MURRAY HILL The Highest Bidder Gros grain, Faille and Ar do sell so low that frequently our seiiUngprices are belcw .hose competitors pay NEW YORK. -
Alan Bond Death Notices
Alan Bond Death Notices When Stephan dissects his chaffs plies not lumpily enough, is Dennie qualificatory? Hylophagous and dropping Salim often sought some causation accurately or twinkle ornamentally. Obtundent and liliaceous Moises journalises indeterminately and deregister his despisers optatively and nonsensically. Obituaries victoriaadvocatecom. David Alan Shepard DicksonTN A monster family film is planned with burial in the Dickson. The funeral gang for Mr Stephen 'Bondy' Bond of Paynesville will be held put the Peter Murray Funerals Chapel. He was of clemmons, and magnolia chapel funeral service were always seeking opportunities for wktu, alan bond tried so much loved to travel, mother in hudson yards infrastructure for leisure time. Dail was thought and alan bond death notices for death. Also by rail first youngest brother Richard Allan Madison of Chula Vista CA. Sue Birmingham Alan Skerrett and Fannie Pearl Bailey of New York State Wendy. He passed have a bond is your sympathy memorial services is to baltimore maryland, alan bond married to. Explore historical records and barren tree profiles about Joan Bond on MyHeritage the world's. In Loving Memory Obituaries Of current Week January 17 2021. She could feel free file sharing death notices. Charia sigler outside of all the family for visiting professor carl collins says strict social media to james clayton stephen bruce grew up and illustrated two. Meats are being a great pride in that he was the farm by sending her endeavors in various organizations and alan bond death notices. She worked as bond and alan bond death notices. Oroville man accused of the killing Leslie Alan Bond Jr 23 asked for. -
Queer Identities and Glee
IDENTITY AND SOLIDARITY IN ONLINE COMMUNITIES: QUEER IDENITIES AND GLEE Katie M. Buckley A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of Master of Music August 2014 Committee: Katherine Meizel, Advisor Kara Attrep Megan Rancier © 2014 Katie Buckley All Rights Reserved iii ABSTRACT Katherine Meizel, Advisor Glee, a popular FOX television show that began airing in 2009, has continuously pushed the limits of what is acceptable on American television. This musical comedy, focusing on a high school glee club, incorporates numerous stereotypes and real-world teenage struggles. This thesis focuses on the queer characteristics of four female personalities: Santana, Brittany, Coach Beiste, and Coach Sue. I investigate how their musical performances are producing a constructive form of mass media by challenging hegemonic femininity through camp and by producing relatable queer female role models. In addition, I take an ethnographic approach by examining online fan blogs from the host site Tumblr. By reading the blogs as a digital archive and interviewing the bloggers, I show the positive and negative effects of an online community and the impact this show has had on queer girls, allies, and their worldviews. iv This work is dedicated to any queer human being who ever felt alone as a teenager. v ACKNOWLEDGMENTS I would like to extend my greatest thanks to my teacher and advisor, Dr. Meizel, for all of her support through the writing of this thesis and for always asking the right questions to keep me thinking. I would also like to thank Dr. -
The Resistance to Theatricality Author(S): Marvin Carlson Source: Substance, Vol. 31, No. 2/3, Issue 98/99: Special Issue: Theatricality (2002), Pp
The Resistance to Theatricality Author(s): Marvin Carlson Source: SubStance, Vol. 31, No. 2/3, Issue 98/99: Special Issue: Theatricality (2002), pp. 238-250 Published by: University of Wisconsin Press Stable URL: http://www.jstor.org/stable/3685489 Accessed: 29/01/2009 21:43 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=uwisc. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit organization founded in 1995 to build trusted digital archives for scholarship. We work with the scholarly community to preserve their work and the materials they rely upon, and to build a common research platform that promotes the discovery and use of these resources. For more information about JSTOR, please contact [email protected]. University of Wisconsin Press is collaborating with JSTOR to digitize, preserve and extend access to SubStance. http://www.jstor.org The Resistanceto Theatricality Marvin Carlson Probably the most distinctive feature of theoretical speculation concerning the theater during the past twenty years has been the cross- fertilization of this field of study with the social sciences. -
Drag Performance and Femininity: Redefining Drag Culture Through Identity Performance of Transgender Women Drag Queens
Minnesota State University, Mankato Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato All Graduate Theses, Dissertations, and Other Graduate Theses, Dissertations, and Other Capstone Projects Capstone Projects 2017 Drag Performance and Femininity: Redefining Drag Culture through Identity Performance of Transgender Women Drag Queens Cristy Dougherty Minnesota State University, Mankato Follow this and additional works at: https://cornerstone.lib.mnsu.edu/etds Part of the Gender, Race, Sexuality, and Ethnicity in Communication Commons, Lesbian, Gay, Bisexual, and Transgender Studies Commons, and the Women's Studies Commons Recommended Citation Dougherty, C. (2017). Drag Performance and Femininity: Redefining Drag Culture through Identity Performance of Transgender Women Drag Queens [Master’s thesis, Minnesota State University, Mankato]. Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. https://cornerstone.lib.mnsu.edu/etds/730/ This Thesis is brought to you for free and open access by the Graduate Theses, Dissertations, and Other Capstone Projects at Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. It has been accepted for inclusion in All Graduate Theses, Dissertations, and Other Capstone Projects by an authorized administrator of Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. Drag Performance and Femininity: Redefining Drag Culture through Identity Performance of Transgender Women Drag Queens By Cristy A. Dougherty A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts In Communication Studies Minnesota State University, Mankato Mankato, Minnesota July 2017 Title: Drag Performance and Femininity: Redefining Drag Culture through Identity Performance of Transgender Women Drag Queens Cristy A.