Jimmy Smith Jimmy Smith's Greatest Hits! Mp3, Flac, Wma

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Jimmy Smith Jimmy Smith's Greatest Hits! mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Jimmy Smith's Greatest Hits! Country: US MP3 version RAR size: 1734 mb FLAC version RAR size: 1643 mb WMA version RAR size: 1412 mb Rating: 4.4 Votes: 374 Other Formats: MP2 VOX MP2 VQF MP3 VOX APE Tracklist Hide Credits All Day Long 1 10:25 Written-By – Kenny Burrell The Champ 2 8:30 Written-By – Dizzy Gillespie The Sermon 3 20:20 Written-By – Jimmy Smith Midnight Special 4 9:50 Written-By – Jimmy Smith 5 When Johnny Comes Marching Home 8:00 Can Heat 6 5:20 Written-By – Jimmy Smith Flamingo 7 8:00 Written By – Grouya-Anderson Prayer Meetin' 8 6:00 Written-By – Jimmy Smith Credits Drums – Art Blakey (tracks: 1, 3, 7), Donald Bailey (tracks: 2, 3, 5, 6, 8) Guitar – Kenny Burrell (tracks: 1, 3, 4, 7), Quentin Warren (tracks: 5, 6, 8), Thornel Schwartz (tracks: 2) Liner Notes – Babs Gonzales Organ – Jimmy Smith Saxophone [Alto] – Lou Donaldson (tracks: 1, 3, 6) Saxophone [Tenor] – Stanley Turrentine (tracks: 4, 8), Tina Brooks (tracks: 3) Trumpet – Lee Morgan (tracks: 3, 7) Notes Recording dates and places: 1-Manhattan Towers, NYC, February 12, 1957 2-Rudy Van Gelder Studio, Hackensack, NJ, March 27, 1956 3-Manhattan Towers, NYC, February 25, 1958 4-Rudy Van Gelder Studio, Englewood Cliffs, NJ, April 25, 1960 5-Rudy Van Gelder Studio, Englewood Cliffs, NJ, January 4, 1960 6-Rudy Van Gelder Studio, Englewood Cliffs, NJ, February 7, 1963 7-Manhattan Towers, NYC, February 25, 1958 Other versions Category Artist Title (Format) Label Category Country Year Jimmy Jimmy Smith's Greatest BST 89901 Blue Note BST 89901 US Unknown Smith Hits! (2xLP, Comp) Jimmy Jimmy Smith's Greatest BST 89901 Blue Note BST 89901 US Unknown Smith Hits! (2xLP, Comp) Blue BST 83 135 X, Jimmy Jimmy Smith's Greatest BST 83 135 X, Note, Germany Unknown BST 83 136 X Smith Hits (2xLP, Comp, Gat) BST 83 136 X Blue Note Jimmy Jimmy Smith's Greatest BST 89901 Blue Note BST 89901 Italy Unknown Smith Hits! (2xLP, Comp, RE) Jimmy Jimmy Smith's Greatest BST 89901 Blue Note BST 89901 US Unknown Smith Hits! (2xLP, Comp) Related Music albums to Jimmy Smith's Greatest Hits! by Jimmy Smith Jimmy Smith - The Best Of Jimmy Smith Jimmy Smith - The Sermon! Jimmy Smith - Fourmost Return Jimmy Smith - Prayer Meetin' Jimmy Smith - Home Cookin' Jimmy Smith - Winners Circle Featuring Jimmy Smith And Many Other Jazz Stars Don Gardner, Jimmy Smith - Don Gardner Trio Featuring Jimmy Smith And The Arthur Glenn Quartet - Jimmy Smith Plays Jimmy Smith - Jimmy Smith - Jimmy Smith At The Organ, Volume 2 Jimmy Smith & Wes Montgomery - Further Adventures Of Jimmy Smith & Wes Montgomery.

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Downbeat.Com March 2014 U.K. £3.50
£3.50 £3.50 U.K. DOWNBEAT.COM MARCH 2014 D O W N B E AT DIANNE REEVES /// LOU DONALDSON /// GEORGE COLLIGAN /// CRAIG HANDY /// JAZZ CAMP GUIDE MARCH 2014 March 2014 VOLUME 81 / NUMBER 3 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editor Ed Enright Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes Editorial Intern Kathleen Costanza Design Intern LoriAnne Nelson ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene
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60 / Running Head
60 / running head RahsaRahsaaRahsaan Roland Kirk Photo by Michael Wilderman monstrosioso 1965: The Creeper The fussy encyclopedic gravity of the Hammond B-3 overcome and the electric organ lofted to hard-bop orbit, still trailing diapasons of his mother’s church music and the boogie-woogie tap-dance routines of his father’s band—The Incredible Jimmy Smith proclaimed the block letters on a score of albums since the 1956 breakout recordings on Blue Note, those words celebrating a nearly miraculous mating of technology and soul. The thing had ﬁrst stirred to life at a club in Atlantic City where he heard Wild Bill Davis make the Hammond roar like a big wave. It was a monster, upsurged through chocked, choppy chords and backwashed through rilling legatos, wattage enough there to power the entire Basie band. Davis was gruff, brash, gloriously loud, a bumptious lumbering at- tack, great swoops down on the keys and shameless ripsaw goosings of reverb and tremolo, the organ not so much singing as signaling, the music stripped to pure swelling impulse. For a piano player schooled in the over- brimming muscular lines of Art Tatum and the stabbing, nervous prances of Bud Powell, it was almost risible, the goddamned wired-up thing rock- ing on stage like a gurgling showboat. Fats Waller on “Jitterbug Waltz” coaxed over the organ with a percolating ﬁnesse as if running a trapeze artist up a swaying wire, but Davis almost seemed clumsy by design, as if in awe of the organ’s powers yet unable to forego provoking them.
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Jimmy Smith Jimmy Smith Mp3, Flac, Wma
Jimmy Smith Jimmy Smith mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Jimmy Smith Country: US Released: 1975 Style: Bop, Hard Bop MP3 version RAR size: 1374 mb FLAC version RAR size: 1175 mb WMA version RAR size: 1639 mb Rating: 4.1 Votes: 479 Other Formats: TTA AHX APE VOX VOC RA DMF Tracklist A1 Midnight Special A2 Lover Man (Oh Where Can You Be) A3 Bucket B1 Mack The Knife B2 The Champ B3 Blue Moon C The Sermon D1 The Preacher D2 Pork Chop D3 Back At The Chicken Shack Companies, etc. Record Company – United Artists Music And Records Group, Inc. Phonographic Copyright (p) – United Artists Music And Records Group, Inc. Copyright (c) – United Artists Music And Records Group, Inc. Manufactured By – United Artists Music And Records Group, Inc. Recorded At – Van Gelder Studio, Hackensack, New Jersey Recorded At – Manhattan Towers Recorded At – Van Gelder Studio, Englewood Cliffs, New Jersey Credits Coordinator [Album] – George Butler Design – Bob Cato Notes These songs have been previously released. Printed in U.S.A. Gatefold sleeve. Other versions Category Artist Title (Format) Label Category Country Year Blue Note, Jimmy Jimmy Smith (2xLP, United BN-LA400-H2 BN-LA400-H2 Greece 1975 Smith Comp) Artists Records Jimmy Jimmy Smith (2xLP, BN-LA400-H2 Blue Note BN-LA400-H2 Germany 1975 Smith Comp) Jimmy Smith (LP, Jimmy BST 84513 / 14 XC Album, Comp, Blue Note BST 84513 / 14 XC Germany 1975 Smith Mono, 2 L) Related Music albums to Jimmy Smith by Jimmy Smith Gene McDaniels - The Very Best Of Gene McDaniels The Incredible Jimmy Smith - Bucket The Spencer Davis Group - Spencer Davis' Greatest Hits The Spencer Davis Group - Mister 2nd Class Artists United Against Apartheid - Sun City Various - A Decade Of Jazz Volume Two (1949-1959) Jimmy Smith - Midnight Special The Spencer Davis Group - After Tea / Moonshine Jimmy Smith - Six Views Of The Blues Fats Domino - The Very Best Of Fats Domino Horace Silver - Silver 'N Percussion Jimmy Smith - Jimmy Smith's Greatest Hits!.
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Fall 2019 Newsletter
Monday, November 30, 2020 Quarter Notes Volume 6, Issue 2 Fall 2019 In This Issue Madams of the Organ ‣ Madams of the Organ By Matt Silver ‣ And So It Began ‣ The Organ and its Philly/Atlantic Female jazz instrumentalists have long faced an uphill battle for recognition, both from City Connection fellow musicians and, more often, from those charged with shaping the public’s ‣ OGD (Organ Guitar Drum) perception of jazz and those who play it̶jazz journalists. In his 1967 book The Big ‣ Member Spotlight: Phylliss Childs Bands, George T. Simon, one of the most influential jazz writers of the Swing Era, wrote, “Only God can make a tree, and only men can play good jazz.” ‣ Organ + Drums = A Dynamic Duo ‣ The Art in P(ART)nership Philadelphia hasn’t always been on the right side of history, socially speaking̶perhaps ‣ Organ Drummers an understatement to rival some of history’s most flagrant. But the idea that women ‣ The (multi-faceted) purpose of can’t play jazz never gained much purchase here̶because the women who could play, Jazz, and the need for and there’ve been several over the years, were impossible to ignore. Improvisation and jazz education in our lives “One thing you’ll never hear in Philadelphia is that women can’t play,” said organist Rich Budesa, one of many now-accomplished jazz musicians to receive on-the-job training from legendary jazz organist (and pianist) Shirley Scott. “Between Shirley and Trudy [Pitts], we knew better.” Shirley Scott and Trudy Pitts. Different, but forever linked. And where any serious conversation about female jazz organists Order Your Tickets Today! must begin.
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Jimmy Smith Bashin' - the Unpredictable Jimmy Smith + Hobo Flats Mp3, Flac, Wma
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Kenny Burrell
Kenny Burrell One of the leading exponents of straight-ahead jazz guitar, Kenny Burrell is a highly influential artist whose understated and melodic style, grounded in bebop and blues, made him in an in-demand sideman from the mid-'50s onward and a standard by which many jazz guitarists gauge themselves to this day. Born in Detroit in 1931, Burrell grew up in a musical family in which his mother played piano and sang in the Second Baptist Church choir and his father favored the banjo and ukulele. Burrell began playing guitar at age 12 and quickly fell under the influence of such artists as Charlie Christian, Django Reinhardt, Oscar Moore, T-Bone Walker, and Muddy Waters. Surrounded by the vibrant jazz and blues scene of Detroit, Burrell began to play gigs around town and counted among his friends and bandmates pianist Tommy Flanagan, saxophonists Pepper Adams and Yusef Lateef, drummer Elvin Jones, and others. In 1951, Burrell made his recording debut on a combo session that featured trumpeter Dizzy Gillespie as well as saxophonist John Coltrane, vibraphonist Milt Jackson, and bassist Percy Heath. Although his talent ranked among the best of the professional jazz players at the time, Burrell continued to study privately with renowned classical guitarist Joe Fava and enrolled in the music program at Wayne State University. Upon graduating in 1955 with a B.A. in music composition and theory, Burrell was hired for a six-month stint touring with pianist Oscar Peterson's trio. Then, in 1956, Burrell and Flanagan moved to New York City and immediately became two of the most sought-after sidemen in town, performing on gigs with such luminaries as singers Tony Bennett and Lena Horne, playing in Broadway pit orchestras, as well as recording with an array of legendary musicians including Coltrane, trumpeter Kenny Dorham, organist Jimmy Smith, vocalist Billie Holiday, and many others.
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Bobby Lyle Press
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Aaron SACHS: Frank SACKENHEIM: Erna SACK: Fats SADI
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The Toll of Excessive Sample License Fees on Creativity in Hip-Hop Music and the Need for a Compulsory Sound Recording Sample License System
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Masters Thesis
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S T. a Ed, Fingerprinted, and Mugged
Thi a Flor I I hr I * , ii S Im , iai 'tlii hg il i.1 L ,l 't puLl to ed i i s l tS'W!ili> .tIihn ;(u ItO' id billi ieil to out t el4lit u tiillil tO DaII.I hair a wi'tu, Ui mli iio - 1 clm,. lih 'unit st'salig''r diiii %(,lws.' Phi thII otlh.r white iis i l i -hilIL' dur.'n t ' Ia I 'e , hL. ILtli uh. .h i i ilelut , tina itu tht i.h ir It - '- , th t si t the tutu', lie wAs so l Ie [L, eS hut eti Ih. li iti vi; - it< tIn d U et ta etl" tP u -fi itor'. th~it hie took ill the white tIeuLuhstratot tt tie wi- I ter .t .ifthr, .' a d Theswit -Bo tt'rtsL of two stul. eit i Ihwlrt b1in Iz'it- aducn onts, e.wh ,Iwnit 7 x to lptit 'ol t ( sI p t I twii oet r~t 7.our i(olrnu hadi I dlim over- he ii light, small window, a lava- aotgh ,,dor- igw. e er III y, toik'I, iuid .11110 te-flour. p:tt, thye u' cargoad, nofhe khnow A ho, t wills ti lie. n pI.istered ii iill .h w.iy thut they hid a pu~~$BI (Itfa, I iSNitsie t) e Klainmen, mnd soci we wet being or sit aylauist without heavy-dloth followed hw iou, ~Irs. Our driver jprotettinl. As ou'eunt 'od, 'I pulled ui ik lv to ine Side if the guts.
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