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Bella Hadid in Elie Saab
Editor’s LETTER We have weddings on the brain this issue. Not only do we have the brand new season of Bridal Fashion Week to fawn over, but a certain former First Avenue cover star only went and married herself a Prince… and we’re making pretty big deal out of it! Once you’re done with staring at pictures of Prince Harry and Meghan Markle’s glorious Royal Wedding, we invite you to cast your eyes over to Hollywood royalty in the form of the sparkling Cannes Film Festival red carpet. Is it just us, or do the looks get better and better each year? And that’s not all – from gushing over cover star Penelope Cruz and her glorious style, to showing you how to steal a very simple but oh so chic Burberry-heavy celeb look, it’s a jam-packed issue to say the least! Plus, keep the sun out in style with our selection of the most fashionable, statement-making sunglasses around. And we haven’t even mentioned our trendy leopard print edit yet… “Myles Mellor PENELOPE CRUZ - PAGE 38 6 CONTENTS June - July 2018 Style Crushing on… 38 Penelope Cruz Bridal Fashion Week… 12 Spring 2019 Eye Spy… 64 Stunning new season sunnies 10 38 Trend to Try… 32 Leopard print Cannes Film Festival 2018 52 Our most glamorous red carpet looks Get the Look… 10 Dove Cameron 12 52 www.firstavenuemagazine.com First Avenue Magazine @firstavenuemagazine 8 Publisher Hares Fayad Editor Myles Mellor Senior writer Maria Pierides Art Director Ahmad Yazbek Overseas Contributers Nabil Massad, Paris Kristina Rolland, Italy Samo Suleiman, Lebanon Isabel Harsh, New York Kamilia Al Osta, London Offices (U.A.E.), Dubai Jumeirah Lakes Towers, JBC 2 P.O. -
Adult Contemporary Radio at the End of the Twentieth Century
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century Saesha Senger University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2020.011 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Senger, Saesha, "Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century" (2019). Theses and Dissertations--Music. 150. https://uknowledge.uky.edu/music_etds/150 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
Pregled Objava NOVEMBAR DECEMBAR 2020
Pregled objava NOVEMBAR DECEMBAR 2020 NOVEMBAR 2020 MEDIJ datum naslov link U toku izgradnja sekundarne https://www.cdm.me/drustvo/u-toku-izgradnja- CDM 19.11.2020. kanalizacione mreže u Zagoriču, sekundarne-kanalizacione-mreze-u-zagoricu- vrijedna 750 hiljada evra vrijednost-750-hiljada-eura/ U toku izgradnja sekundarne https://www.antenam.net/drustvo/hronika/178909- Antena M 19.11.2020. podgorica-u-toku-izgradnja-sekundarne- kanalizacione mreže u Zagoriču kanalizacione-mreze-u-zagoricu U toku izgradnja sekundarne https://www.standard.co.me/gradovi/u-toku-radovi- Standard 19.11.2020. kanalizacione mreže u Zagoriču, na-izgradnji-sekundarne-kanalizacione-mreze-u- vrijedna 750 hiljada evra zagoricu-vrijedni-preko-750-000-eura/ FOS U podgoričkom naselju Zagorič https://fosmedia.me/infos/drustvo/gradi-se- 19.11.2020. gradi se kanalizaciona mreža kanalizaciona-mreza-u-podgorickom-naselju-zagoric ZAGORIČ: U toku su radovi https://volimpodgoricu.me/2020/11/19/zagoric- Volim Podgoricu 19.11.2020. vrijedni 750.000 evra u-toku-radovi-vrijedni-750-000-eura/ U toku izgradnja sekundarne https://mondo.me/Info/Drustvo/a889461/U-TOKU- Mondo 19.11.2020. kanalizacione mreže u Zagoriču, IZGRADNJA-sekundarne-kanalizacione-mreze-u- vrijedna 750 hiljada evra Zagoricu-VRIJEDNOST-750-HILJADA-EURA.html https://www.antenam.net/podgorica/177309-vesovic- Antena M 6.11.2020. Vešović: Uskoro javni poziv za izgradnju uskoro-javni-poziv-za-izgradnju-postrojenja-za- postrojenja za sakupljanje otpadnih voda sakupljanje-otpadnih-voda Uskoro javni poziv za http://rtcg.me/vijesti/podgorica/298714/uskoro-i- RTCG 6.11.2020. izgradnju postrojenja javni-poziv-za-izgradnju-postrojenja.html Vešović: Zadovoljan sam dinamikom https://www.vijesti.me/vijesti/drustvo/484001/vesovic Vijesti 6.11.2020. -
Montenegro 2019 Human Rights Report
MONTENEGRO 2019 HUMAN RIGHTS REPORT EXECUTIVE SUMMARY Montenegro is a mixed parliamentary and presidential republic with a multiparty political system. Voters choose both the president and the unicameral parliament through popular elections. The president nominates, and the parliament approves, the prime minister. An observation mission of the Office for Democratic Institutions and Human Rights of the Organization for Security and Cooperation in Europe (OSCE/ODIHR) stated the 2016 parliamentary elections were conducted in a competitive environment and that fundamental freedoms were generally respected. The opposition coalition did not accept the election results and began a continuing boycott of parliament, although all but two parties have since returned. In April 2018 Milo Djukanovic, president of the Democratic Party of Socialists (DPS), was elected president, winning approximately 54 percent of the vote in the first round for his second term as president. He had already served six terms as prime minister. Observers from the OSCE/ODIHR, the European Parliament, and the Council of Europe’s Parliamentary Assembly noted the election proceeded in an orderly manner but had a few minor irregularities that did not affect the outcome. Despite opposition protests, elections were generally considered free and fair. The National Police Force, which includes Border Police, is responsible for maintaining internal security. They are organized under the Ministry of Interior and report to the police director and, through him, to the prime minister. Civilian authorities maintained effective control over the security forces. Significant human rights issues included: unsolved attacks on journalists and pressure on the press including violence or threats of violence; corruption; trafficking in persons; and crimes involving violence against lesbian, gay, bisexual, transgender, and intersex (LGBTI) persons. -
“Bruno Barbieri 4 Hotel”. Come Cambia Il Mondo Della Neve Ai Tempi
Anno Year 6 n°11 Inverno Winter 2020-2021 OSPITALITÀ HOSPITALITY INVERNO WINTER Campiglio e la Val Rendena Come cambia il mondo della neve campionesse di ospitalità ai tempi del Coronavirus? con “Bruno Barbieri 4 Hotel”. Incognite e prospettive. CAMPIGLIO AND VAL RENDENA HOW ARE WINTER VACATIONS CHANGING CHAMPIONS OF HOSPITALITY FOR IN THESE TIMES OF THE CORONAVIRUS? BRUNO BARBIERI 4 HOTEL. UNCERTAINTY AND THE OUTLOOK. EDITORIALE LETTER FROM THE EDITOR Un nuovo tempo DI/BY ALBERTA VOLTOLINI VERRÀ IL TEMPO con l’intervento di autorevoli PER RINCONTRARE firme. Racconta storie di LA MONTAGNA vita e di passione per il D’INVERNO:il fascino lavoro. Segue le tracce di del bianco paesaggio, il avventure imprenditoriali che divertimento dello sci, si nutrono di creatività, arte, l’avventura delle attività design. Dà voce a progetti, New times outdoor, la curiosità delle innovativi e sostenibili, che THE TIME WILL COME TO Until then, #CampiglIO will be nuove esperienze, il calore valorizzano le persone e MEET AGAIN IN THESE keeping the fire going for our dell’accoglienza alpina. fanno bene all'ambiente. SNOWY MOUNTAINS the readers, as we take a closer look Verrà il tempo per tornare ad Presenta la puntata di “Bruno allure of a wintry landscape, the at the light and shadow of the ammirare la bellezza silenziosa Barbieri 4 Hotel”: l’eccellenza thrill of skiing, adventure in the present through the eyes of the della natura vestita di neve. dell’ospitalità e la maestria dei great outdoors, the excitement of experts. In this issue, we tell the Verrà il tempo per disegnare, nostri operatori protagoniste new experiences and the warmth stories of passion for a lifelong di nuovo, sinuose curve sulle dello show tv diventato un cult. -
Montenegro 2020 Human Rights Report
MONTENEGRO 2020 HUMAN RIGHTS REPORT EXECUTIVE SUMMARY Montenegro is a mixed parliamentary and presidential republic with a multiparty political system. Voters choose both the president and the unicameral parliament through popular elections. The president nominates, and the parliament approves, the prime minister. An observation mission of the Office for Democratic Institutions and Human Rights (ODIHR) of the Organization for Security and Cooperation in Europe stated that the August 30 parliamentary elections were overall transparent and efficient, but highlighted that the ruling party gained an undue advantage through misuse of office and state resources and dominant media coverage, which undermined the quality of information available to voters. Milo Djukanovic, president of the Democratic Party of Socialists was elected president in 2018 with nearly 54 percent of the vote in the first round for his second term as president. He had already served six terms as prime minister. Observers from ODIHR, the European Parliament, and the Council of Europe’s Parliamentary Assembly noted the election proceeded in an orderly manner but had minor irregularities that did not affect the outcome. Despite opposition protests, elections were generally considered free and fair. The National Police Force, which includes Border Police, is responsible for maintaining internal security. They are organized under the Police Administration, which is independent from the Ministry of Interior and report to the police director and, through him, to the prime minister. The Armed Forces of Montenegro are responsible for external security and consist of an army, navy, and air force that are overseen by the Ministry of Defense. Civilian authorities maintained effective control over the security forces. -
Why We Help Artists at Camelot Castle
CAMELOT CASTLE SPECIAL Westminster Issue 10,178 1.10p 36 INDEPENDENTLondon’s International Newspaper www.londonlocals.co.uk WHY WE HELP ARTISTS AT CAMELOT CASTLE by David Edwards Fine Arts Editor Irina Kudrenok-Ablakova-Mappin WHO REALLY IS IRINA So what is an artist? some would say, to excess, by “An artist is that mankind. We now have access to KUDRENOK-ABLAKOVA-MAPPIN? The best definition that we are aware of all the volume of communication is “An artist is that person who delivers or cre- person that that we could possibly need. ... AND WHAT IS THE GREATER ates a higher quality of communication.” delivers or Fortunes have been CANVASS OF CAMELOT CASTLE? There has been, for many centuries, an made and speed records broken ongoing race across civilizations that has now creates a higher in that game but the game of Indeed, what is an artist really? This is a question that has been won. This was the race of “Quantity of communication quantity has been asked down through the centuries. Students have Communication”. And, as the digital age has flow- quality of observably peaked. asked this of their teachers. Teachers have asked it of their ered, many among us who are part of that digital students. Audiences have asked it of each other, and per- age can acknowledge that the race for quantity of communication.” haps most importantly artists have asked it of themselves. communication is now well and truly played out, Cont... P.02 SUBSCRIBE TO OUR POSITIVE NEWS UPDATE WWW.CAMELOTCASTLE.COM 2 INDEPENDENT LOCALS WWW.LONDONLOCALS.CO.UK 020 8961 3345 INDEPENDENT LOCALS 3 Irina Kudrenok-Ablakova- Mappin in Couture by Royal Designer Elizabeth Emanuel The Kazan Tsarina Sujumbike 1516-1564 was personally schooled and educated in Art, Beauty and the higher Sciences of Aesthetics by His Noble Excellency Ablak Your canvas is your future.. -
Metaphors of Love in 1946–2016 Billboard Year-End Number-One Songs
Text&Talk 2021; 41(4): 469–491 Salvador Climent* and Marta Coll-Florit All you need is love: metaphors of love in 1946–2016 Billboard year-end number-one songs https://doi.org/10.1515/text-2019-0209 Received June 25, 2019; accepted September 19, 2020; published online October 26, 2020 Abstract: This study examines the use of metaphors, metonymies and meta- phorical similes for love in a corpus of 52 year-end number one hit songs in the USA from 1946 to 2016 according to Billboard charts. The analysis is performed within the framework of Conceptual Metaphor Theory and from quantitative and quali- tative perspectives. Our findings indicate that the theme of romantic love is prevalent in US mainstream pop music over the course of seven decades but shows evolutionary features. Metaphors of love evolve from conventional to novel with a notable increase in both heartbreak and erotic metaphors. Remarkably, the study finds that the two predominant conceptualizations of love in pop songs – which in a significant number of cases overlap – are the following: experiential, originating in the physical proximity of the lovers, and cultural, reflecting possession by one lover and showing a non-egalitarian type of love. Keywords: Conceptual Metaphor Theory; corpus linguistics; metaphor; pop music; romantic love 1 Introduction The central theme of a large number of pop songs is some facet of romantic love. Starr and Waterman (2003: 105–110, 199–200) noted this to be already the case in the Tin Pan Alley era in the USA of the 1920s and 1930s and the trend continued through the 1940s and 1950s, when the entertainment industry grew exponen- tially: “total annual record sales in the United States rose from $191 million in 1951 to $514 million in 1959” (Starr and Waterman 2003: 252). -
Le Défilé L'oréal Paris: Das Waren Die Highlights Der Ersten Beauty- Und Fashion-Show Auf Der Seine!
LE DÉFILÉ L'ORÉAL PARIS: DAS WAREN DIE HIGHLIGHTS DER ERSTEN BEAUTY- UND FASHION-SHOW AUF DER SEINE! Am 30. September veranstaltete L'Oréal Paris seine erste Runway-Show auf der Seine, die für alle offen stand! Le Défilé L’Oréal Paris verwandelte das Seineufer für ein paar Stunden in eine wahre Beauty- und Fashion-Zone. Die Show mit spektakulärem Catwalk auf dem Wasser, stieß auf großes Publikumsinteresse. Jede Menge Zuschauer versammelten sich an der Seine, um Markenbotschafter und Models auf dem Catwalk über Wasser laufen zu sehen. Mit dem Ziel, Fashion und Beauty einem noch größeren Publikum näherzubringen, wurde Le Défilé L’Oréal Paris aus dem Herzen der französischen Hauptstadt live in 30 Länder übertragen. LE DÉFILÉ L'ORÉAL PARIS: SHOWTIME AN DER SEINE! Bei der Show enthüllte L’Oréal Paris neue Beauty-Trends für jedes Alter und jede Herkunft. Global Make-Up Artist Val Garland und Global Hair Artist Stéphane Lancien kreierten dafür mit seinem Beauty-Team 70 Hair- und Make-Up Looks. Die 14 Partner-Designer, von Balmain, Poiret, Jacquemus bis hin zu Isabel Marant, Elie Saab und vielen mehr, zeigten von der Parisienne inspirierte Teile aus aktuellen Store-Kollektionen. Außerdem wurde Schmuck in einer exklusiven Partnerschaft mit dem renommierten Haus Chopard präsentiert. LE DÉFILÉ L'ORÉAL PARIS: EINE FLUSS-SHOW FÜR DIE GANZE WELT Zahlreiche internationale Botschafter von L’Oréal Paris gesellten sich zu Ikonen aus der Modewelt, um Frauen und Beauty in ihrer ganzen Vielfalt zu feiern. LE DÉFILÉ L'ORÉAL PARIS: EIN TECHNISCHES SPEKTAKEL Ein schwimmender 60-Meter-Laufsteg hielt den Verkehr auf der Seine für die Dauer der Show an. -
Council of Fashion Designers of America
Council of Fashion Designers of America ANNUAL REPORT 2017 The mission of the Council of Fashion Designers of America is to strengthen the impact of American fashion in the global economy. B 1 Letter from the Chairwoman, Diane von Furstenberg, and the President and Chief Executive Officer, Steven Kolb In fashion, we respond to the world we live in, a point that was powerfully driven home in 2017. We were excited to see talents with broad cultural backgrounds and political ideas begin to express their experiences and beliefs through their collections. Diversity moved into the spotlight in ways we have never seen before. Designers embraced new approaches to business, from varying show formats to disruptive delivery cycles. It was also the year to make your voices heard, and CFDA listened. We engaged in civic initiatives important to our industry and partnered with Planned Parenthood, the ACLU, and FWD.us. We also relaunched our CFDA Health Initiative with guidelines to help those impacted by sexual assault or other forms of abuse. There’s no going back. In 2018, CFDA is moving ahead at full speed with an increased focus on inclusivity and women in fashion, the latter through an exciting new study with Glamour magazine. We may be a reflection of the world we live in, but we also work hard to make that world a better place. Altruism, after all, never goes out of style. 3 CFDA STRENGTHENED PILLARS WITH MISSION-DRIVEN ACTIONS MEMBERSHIP Fashion Professional Fashion Civic+ Retail Partnership Week + Market Development Supply Chain Philanthropy Opportunities SUSTAINABILITY INDUSTRY ENGAGEMENT SOCIAL AND EDITORIAL MARKETING AND EVENTS KEY UNCHANGED MODIFIED NEW PROVIDED INITIATIVES RELEVANT TO DESIGNERS EMERITUS AT EVERY STAGE OF CAREER DESIGNERS • Board Engagement • Philanthropy and Civic ICONIC Responsibility DESIGNERS • Mentorship • Editorial Visibility • Board Engagement • Fashion Week • Philanthropy and Civic ESTABLISHED Responsibility DESIGNERS • Mentorship • Editorial Visibility • NETWORK. -
Дефиле L'oréal Paris: Оживите В Памяти Образы Дефиле Мод, Которое Впервые Было Проведено Для Широкой Публики На Реке Сена!
ДЕФИЛЕ L'ORÉAL PARIS: ОЖИВИТЕ В ПАМЯТИ ОБРАЗЫ ДЕФИЛЕ МОД, КОТОРОЕ ВПЕРВЫЕ БЫЛО ПРОВЕДЕНО ДЛЯ ШИРОКОЙ ПУБЛИКИ НА РЕКЕ СЕНА! 30 сентября бренд L'Oréal Paris устроил прямую трансляцию модного показа Le Défilé, на который были приглашены все желающие! Специально для проведения дефиле L'Oréal Paris построил уникальную конструкцию подиума на реке Сене! Все желающие собрались на берегах Сены, чтобы стать свидетелем показа L'Oréal Paris. Это было исключительное шоу, посвященное красоте и моде; топ-модели и амбассадоры бренда, казалось, ходили по воде. В рамках дефиле L'Oréal Paris продемонстрировал последние веяния моды и красоты из самого сердца французской столицы, демонстрируя, что красота доступна каждому. Прямая трансляция трансляции Le Défilé велась в 30 странах мира. МОДНЫЙ ПОКАЗ L'ORÉAL PARIS: ШОУ НА РЕКЕ СЕНЕ! Прославляя многообразие красоты, международный директор по макияжу L'Oréal Paris Вал Гарланд и международный стилист по волосам Стефан Лансьен руководили командой стилистов и визажистов, создавших 70 различных образов причесок и макияжа. 12 партнеров-дизайнеров: Balmain, Poiret, Jacquemus, Isabel Marant, Elie Saab и многие другие продемонстрировали свои коллекции, вдохновленные образом истинной парижанки. Ювелирные изделия были представлены домом Chopard. МОДНЫЙ ПОКАЗ L'ORÉAL PARIS: МИРОВОЕ ШОУ НА РЕКЕ Международные посланники красоты, мировые модели, легендарные в мире моды и начинающие дизайнеры собрались в одном месте, чтобы прославить многообразие женской красоты. МОДНЫЙ ПОКАЗ L'ORÉAL PARIS: ТЕХНИЧЕСКИЙ ПРОГРЕСС Специально -
IL CAPITALE CULTURALE Studies on the Value of Cultural Heritage Supplementi 04 / 2016
IL CAPITALE CULTURALE Studies on the Value of Cultural Heritage Supplementi 04 / 2016 eum Il Capitale culturale Marazzi, Fabio Mariano, Aldo M. Morace, Studies on the Value of Cultural Heritage Raffaella Morselli, Olena Motuzenko, Giuliano Supplementi 4, 2016 Pinto, Marco Pizzo, Edouard Pommier, Carlo Pongetti, Adriano Prosperi, Angelo R. Pupino, ISSN 2039-2362 (online) Bernardino Quattrociocchi, Mauro Renna, ISBN 978-88-6056-466-5 Orietta Rossi Pinelli, Roberto Sani, Girolamo Sciullo, Mislav Simunic, Simonetta Stopponi, © 2016 eum edizioni università di macerata Michele Tamma, Frank Vermeulen, Stefano Registrazione al Roc n. 735551 del 14/12/2010 Vitali Direttore Web Massimo Montella http://riviste.unimc.it/index.php/cap-cult e-mail Coordinatore editoriale [email protected] Francesca Coltrinari Editore Coordinatore tecnico eum edizioni università di macerata, Centro Pierluigi Feliciati direzionale, via Carducci 63/a – 62100 Macerata Comitato editoriale tel (39) 733 258 6081 Giuseppe Capriotti, Alessio Cavicchi, Mara fax (39) 733 258 6086 Cerquetti, Francesca Coltrinari, Patrizia http://eum.unimc.it Dragoni, Pierluigi Feliciati, Enrico Nicosia, [email protected] Francesco Pirani, Mauro Saracco, Emanuela Stortoni Layout editor Cinzia De Santis Comitato scientifi co - Sezione di beni culturali Giuseppe Capriotti, Mara Cerquetti, Francesca Progetto grafi co Coltrinari, Patrizia Dragoni, Pierluigi Feliciati, +crocevia / studio grafi co Maria Teresa Gigliozzi, Valeria Merola, Susanne Adina Meyer, Massimo Montella, Umberto Moscatelli, Sabina Pavone,