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Parallels and Analogies in the Interwar Architecture in Latvia and Czechoslovakia
Scientific Journal of Latvia University of Agriculture Landscape Architecture and Art, Volume 10, Number 10 Parallels and Analogies in the Interwar Architecture in Latvia and Czechoslovakia Renāte Čaupale, Riga Technical University, Latvia University of Agriculture Abstract. The interconnections of the interactions between the art and architecture of the Latvian and Czechoslovakian nations are relatively fragmented. However, there is one large European cultural space in which both parallels and analogies can be found, as required by the communicative role of art and architecture. In the 1920s and 1930s, a European architecture that was founded on modern features could be found in the architecture of the new Latvian state. Art Deco aesthetics was one of the operative events of the interwar period. Its expression changed along with the changes occurring during this time period, retaining the decorativeness principles of Art Deco. Art Deco aesthetics encompass several distinct but related design trends, including the following: interpretation of elements of folklore – Ansis Cīrulis in Latvia and Pavel Janák in Czechoslovakia authored masterfully designed interior examples. Regardless of their creative potential after the First Wold War, artists and architects in many new states were drawn into the stream of contemporary trends – the folkloristic style, which became one of the decisive sources of inspiration for demonstrating national self-determination, which, in turn, is typical of all cultures and civilisations and can sometimes be international. An analogous interpretation of folklore brings these processes together, which allows them to be identified as folkloristic Art Deco trends. There are moments when folkloristic Art Deco as a component of Modernism art and architecture of the 1920-30s organically foreshadows the aesthetics of pre-postmodernism; modernization of the classic form, which has been highlighted directly in the period of the leader cult common in new states. -
General Interest
GENERAL INTEREST GeneralInterest 4 FALL HIGHLIGHTS Art 60 ArtHistory 66 Art 72 Photography 88 Writings&GroupExhibitions 104 Architecture&Design 116 Journals&Annuals 124 MORE NEW BOOKS ON ART & CULTURE Art 130 Writings&GroupExhibitions 153 Photography 160 Architecture&Design 168 Catalogue Editor Thomas Evans Art Direction Stacy Wakefield Forte Image Production BacklistHighlights 170 Nicole Lee Index 175 Data Production Alexa Forosty Copy Writing Cameron Shaw Printing R.R. Donnelley Front cover image: Marcel Broodthaers,“Picture Alphabet,” used as material for the projection “ABC-ABC Image” (1974). Photo: Philippe De Gobert. From Marcel Broodthaers: Works and Collected Writings, published by Poligrafa. See page 62. Back cover image: Allan McCollum,“Visible Markers,” 1997–2002. Photo © Andrea Hopf. From Allan McCollum, published by JRP|Ringier. See page 84. Maurizio Cattelan and Pierpaolo Ferrari, “TP 35.” See Toilet Paper issue 2, page 127. GENERAL INTEREST THE MUSEUM OF MODERN ART,NEW YORK De Kooning: A Retrospective Edited and with text by John Elderfield. Text by Jim Coddington, Jennifer Field, Delphine Huisinga, Susan Lake. Published in conjunction with the first large-scale, multi-medium, posthumous retrospective of Willem de Kooning’s career, this publication offers an unparalleled opportunity to appreciate the development of the artist’s work as it unfolded over nearly seven decades, beginning with his early academic works, made in Holland before he moved to the United States in 1926, and concluding with his final, sparely abstract paintings of the late 1980s. The volume presents approximately 200 paintings, sculptures, drawings and prints, covering the full diversity of de Kooning’s art and placing his many masterpieces in the context of a complex and fascinating pictorial practice. -
RIBA Annual Report 2019
A SUSTAINABLE FUTURE ANNUAL REPORT AND FINANCIAL STATEMENTS 31 DECEMBER 2019 RIBA was founded in 1834 for “the general advancement of civil architecture”. Our purpose is to deliver sustainable buildings and places, stronger communities and an inclusive environment for all. We rely on our members, supporters and charitable trading operations to make our work possible. We uphold the highest standards of professionalism and best practice. We value inclusion, collaboration, knowledge and progression, qualities that will enable our members to succeed, now and in the future. Our purpose is to deliver sustainable buildings and places, stronger communities and an inclusive environment for all. RIBA Annual Report and Financial Statements 2019 2 CONTENTS 1 2 A STRONG ORGANISATION A STRONG PROFESSION FOR WITH A BRIGHT FUTURE 10 A SUSTAINABLE SECTOR 20 Governance for a sustainable future 11 Leading the profession on climate 22 Maintaining financial strength 12 A Plan of Work for sustainable projects 23 A year of membership growth 13 Progress in continuing professional Supporting and developing our people 14 development 24 Digital investment for the long term 16 Creating new business for members 25 Becoming a truly global organisation 18 Fire safety for future generations 27 A brand for the future 19 Standing up for equality 28 Education for tomorrow’s profession 31 Engaging with architects everywhere 32 Setting the professional standard 37 3 4 A STRONG VOICE FOR FINANCIAL LASTING CHANGE 38 REVIEW 64 Speaking up for change 40 Financial review 64 Awards -
Introduction
introduction Writing a Postwar History The biggest victim of the Stalinization of architecture was housing. [Karel] Teige would have recoiled in horror at the endless drab rows of prefabricated boxes of mass housing proliferating around all the major cities of Czechoslo- vakia. Here was the exact antithesis of his utopia of collective dwelling, resem- bling more the housing barracks of capitalist rent exploitation and greed than the joyful housing developments of a new socialist paradise. The result was one of the most depressing collections of banality in the history of Czech architecture, one that still mars the architectural landscape of this small coun- try and will be difficult—if not impossible—to erase from its map for decades, if not centuries. Eric Dluhosch, 2002 Few building types are as vilified as the socialist housing block. Built by the thousands in Eastern Europe in the decades after World War II, the apartment buildings of the planned economy are notorious for problems such as faulty construction methods, lack of space, nonexistent landscaping, long-term maintenance lapses, and general ugliness. The typical narrative of the con- struction and perceived failure of these blocks, the most iconic of which was the structural panel building (panelový dům or panelák, for short, in Czech), places the blame with a Soviet-imposed system of building that was forced upon the unwilling countries of Eastern Europe after the Communists came to power.1 This shift not only brought neoclassicism and historicism to the region but also ended the idealistic era of avant-garde modernism, which dis- appeared with the arrival of fascism in many European countries but sur- vived in Czechoslovakia through World War II. -
Jury Citation This Is the Inaugural Year of the Czech Architecture Awards
Jury citation This is the inaugural year of the Czech Architecture Awards, introduced by the Czech Chamber of Architects. Over 400 projects completed within the last five years from nearly every region of the Czech Republic were submitted, ranging from private houses to offices, public projects to cultural buildings, and education programmes to regeneration projects, all of which have been reviewed by a specially assembled Jury of architects and designers. This is a brave and forward thinking programme which aims to bring to the public theatre a critical debate focused on the demand for excellence within the construction industry. Even braver is that the Jury for this special prize has been assembled from an international stage of many European states; Holland, Germany, Slovakia, Belgium, Switzerland, the United Kingdom and Spain, in turn opening the debate to a wider international audience beyond the borders of the host country. It is of particular note however, that through an extensive judging process resulting with a shortlist of eight finalists including unanimous winner, non of the projects featured were built within the capital city, Prague. This suggests a broad depth of architectural endeavour for this country with an ambition to build high quality work but also raises worrying trends for a city which sees an intensity of many contemporary urban issues. As part of a three day trip, the Jury travelled the length and breadth of the Czech Republic to interrogate the architects and owners of projects for historical centres, projects in landscape settings, projects for domestic clients, regeneration and renovation projects. However it is also worrying to note an absence of meaningful projects managing the wider social concerns of mass housing or schools within urban settings. -
Terrible Turk”
Chapter 1 The Return of the “Terrible Turk” It seems that they [the Turks] were made only to murder and destroy. In the history of the Turkish nation you will find nothing but fighting, rob- bery, and murder. Every nation has turbulent times in its past, but along- side them also times that are crowned with the marvelous fruits of quiet effort and beneficial work; our nation, for example, has the age of the Hussites, but also the era of the Fathers of Our Country – the unforget- table Charleses. But in the history of the Turks you would search in vain for even a short period devoted to quiet, useful patriotic work. That is also why the images compiled here, in which only fear and terror and gloomy desolation reign, might seem chilling. Nevertheless, the history of the Turks is important, for the fight that Europe has conducted in its defense against the nations of this race has been waged by Christians alone and by the nations of our monarchy in particular. For this reason, the main consideration is given to the scenes that unfolded either in the countries of the Balkan Peninsula or those of Austria-Hungary. kodym, 18791 There have been few other non-Christian figures in European history that have been the object of such a vast range of visual representations as “the Turk.” From the warrior depicted in medieval and early modern German woodcuts, to the Turk as a symbol of wealth woven into the patterns of Renaissance French carpets, the captive Sultan who appeared on the stages of 18th-century Vene- tian opera houses, not to mention the pipe-smoking Turk on the signboards of coffee shops in many European cities and the harem women pictured in 19th- century Orientalist paintings, images of the Turks have accompanied Euro- peans for centuries. -
2009 Druh Dokumentu: XPCA Voľby: Číslovanie Kategórií Publ.Činno
Zoznam publikačnej činnosti a ohlasov Roky vykazovania: 2009 Druh dokumentu: XPCA Voľby: číslovanie kategórií publ.činnosti, zoradiť do skupín KPČ, zobrazenie systémového čísla záznamu, odsadenie celého záznamu doprava; Štatistika: kategória publikačnej činnosti, kategória ohlasov; Triedenie: skupina kategórie publikačnej činnosti, kategória publikačnej činnosti, meno prvého autora; Zobrazovací formát: HSO - modifikácia STN ISO 690 s ohlasmi - všetci autori Skupina A1 - Knižné publikácie charakteru vedeckej monografie (AAA,AAB, ABA, ABB) AAA Vedecké monografie vydané v zahraničných vydavateľstvách AAA01 0027910 KOLESÁR, Zdeno. Kapitoly z dějin designu. II. vydanie, doplnené a revidované. Praha, Česká republika : Vysoká škola uměleckoprůmyslová, 2009. 178 s. [9 AH]. Dostupné na internete: <http://www. vsup.cz/>. ISBN 978-80-86863-28-3. AAB Vedecké monografie vydané v domácich vydavateľstvách AAB01 0029875 RUSINA, Ivan. 59 60 61 : Vysoká škola výtvarných umení v Bratislave 1949-2009 : Academy of fine arts and design 1949-2009. 1. vyd. Bratislava, 2009 ; Bratislava : Vysoká škola výtvarných umení. 299 s. [10 AH]. Dostupné na internete: <http://www.vsvu.sk>. ISBN 978-80-89259-25-0. ABB Štúdie v časopisoch a zborníkoch charakteru vedeckej monografie vydané v domácich vydavateľstvách ABB01 0030081 JABLONSKÁ, Beata. Jednotlivci v príbehu postmoderných dejín. In Osemdesiate: Postmoderna v slovenskom výtvarnom umení 1985-1992. - Bratislava, Slovensko : SNG, 2009. ISBN 978-80-8059-140-3, s. 22-109, [4 AH]. Dostupné na internete: <http://www.sng.sk>. Skupina A2 - Ostatné knižné publikácie (ACA, ACB, BAA, BAB, BCB, BCI, EAI, CAA, CAB, EAJ, FAI) BCB Učebnice pre základné a stredné školy BCB01 0029623 ČARNÝ, Ladislav - FERLIKOVÁ, Klára - PONDELÍKOVÁ, Renáta - ČARNÁ, Daniela. Výtvarná výchova : 5. ročník základných škôl. Aut. -
Riba Fellows 2018
RIBA FELLOWS 2018 Be Outstanding. Be RIBA. RIBA FELLOWS 2018 Mr James Andrews, FRIBA, Int’l Assoc. AIA, LEED AP San Antonia, USA A Principle at Overland Partners, James leads design teams across Texas, China, and the Middle East to create significant impact at the human scale. One of his most successful and widely-cited projects, the Bridge Homeless Shelter (Dallas, Texas), continues to notably impact its community through improving the quality of life of Dallas’ homeless population. Another, Haven for Hope Homeless Transformation Center (San Antonio, Texas), has placed over 3,700 guests into permanent housing and has been visited as a precedent by over 200 cities worldwide. Both projects have won national and international awards. Committed to conscious sustainable practices, James helped elevate green building standards across the region as a Founding Member of the United States Green Building Council (USGBC) Central Texas chapter. He also served on the Mayor’s Sustainability Task Force, and was presented with the San Antonio Business Journal Going Green Award 2010 for his role as a sustainability expert. Dr Raj Barr, FRIBA, FAIA Washington DC, USA Raj is an expert in sustainable design and green architecture and the author of three books on the subject. He has worked on numerous projects including the Embassies of Trinidad & Tobago, Sri Lanka and Malta in Washington DC, the Cortlandt Medical Center in New York, the, Eco Maya Condominium in Mexico, Altos Escondidos Eco Resort in Panama, the Washington National Cathedral, the World Bank, and numerous restaurants in Washington DC. 1997 National President of the American Institute of Architects, Raj pioneered the AIA Legacy Project His volunteer efforts include work with FEMA/NIC and Luther Place Shelter for Battered Women and Children. -
Yearbook 2012 School of Architecture
Yearbook 2012 School of Architecture SchoolSchool of Architecture of Architecture ISBN 978-1-873640-78/4ISBN 978-1-873640-78/4 FacultyFaculty of Technology, of Technology, Design Design and Environment and Environment OxfordOxford Brookes Brookes University University HeadingtonHeadington Campus Campus Gipsy GipsyLane Lane Oxford,Oxford, UK UK OX3 OBPOX3 OBP For a digitalFor a digitalcopy ofcopy the ofyearbook the yearbook go to go to FriendFriend us on usfacebook on facebook OxfordOxford Brookes Brookes promotes promotes equality equality of opportunity of opportunity for all whofor all study, who study,work andwork visit and here. visit Forhere. more For more http://architecture.brookes.ac.uk/http://architecture.brookes.ac.uk/ www.facebook.com/OBUarchitecturewww.facebook.com/OBUarchitecture detailsdetails please please visit http://www.brookes.ac.uk/services/hr/eod visit http://www.brookes.ac.uk/services/hr/eod To visitTo the visit digital the digitalgallery gallery go to: go to: FollowFollow us on ustwitter on twitter http://oxfordarchitecture.org/http://oxfordarchitecture.org/ @OBUarchitecture@OBUarchitecture To obtainTo obtain a large-print a large-print copy copy of this of thispublication publication or to or enquire to enquire For adviceFor advice about aboutapplciations applciations contact contact Find usFind on usYouTube on YouTube aboutabout other other formats formats please please contact contact +44 +44 (0) 1865(0) 1865 484848 484848 or or [email protected]@brookes.ac.uk or or www.youtube.com/oxfordbrookeswww.youtube.com/oxfordbrookes email:email: [email protected] [email protected] [email protected]@brookes.ac.uk School of Architecture Yearbook 2012 Message from the Head of School Welcome to the Yearbook 2012. -
On Error at the Buffalo School of Architecture An
Assistant Professor Adjunct James Lowder participated Assistant Professor Adjunct Michael Samuelian discussed Professor Adjunct Michael Webb was a juror for The in The Banham Symposium: On Error at the Buffalo School the volunteer work in the wake of Hurricane Sandy by the Moleskine Grand Central Terminal Sketchbook held in of Architecture and Planning. New Yorkers for Parks, of which he is a group leader, in the partnership with the Architectural League of New York and article “Coney Island Is Still Devastated, From the Boardwalk the New York Transit Museum. He gave a lecture and Visiting Professor Daniel Meridor , as lead creative for to the Neighborhood Parks,” in the New York Observer . In exhibited his drawings in the Stuckeman School of Studio D Meridor +, has continued working on architectural addition to his volunteer work, Samuelian continues his work Architecture and Landscape Architecture at Penn State designs and recently completed several projects including on the urban planning, design and marketing of the Hudson University as part of the 3W seminar. The participants were a presentation for a new awareness-generating infrastructure Yards project in Midtown Manhattan. Hudson Yards broke Michael Webb, Mark West and James Wines and a that links man-made and natural environments, an innovated ground on its first 50 story, $1.5 billion office tower in symposium at the Drawing Center in New York will feature product design for an audio company, and published the December of 2012. He also worked on the development of an them. He gave a lecture at the School of Architecture at essay “Medianeras/Sidewalls: A Film by Gustavo Taretto” exhibition at the AIA Center for Architecture celebrating the the University of Illinois-Chicago and at The Cooper Union in Framework . -
Buildings for the Performing Arts This Page Intentionally Left Blank Buildings for the Performing Arts a Design and Development Guide
Buildings for the Performing Arts This page intentionally left blank Buildings for the Performing Arts A design and development guide Second Edition Ian Appleton AMSTERDAM • BOSTON • HEIDELBERG • LONDON • NEW YORK • OXFORD PARIS • SAN DIEGO • SAN FRANCISCO • SINGAPORE • SYDNEY • TOKYO Architectural Architectural Press is an imprint of Elsevier Press Architectural Press is an imprint of Elsevier Ltd Linacre House, Jordan Hill, Oxford OX2 8DP 30 Corporate Road, Burlington, MA 01803 First published 1996 Reprinted 1997 Second edition 2008 Copyright © 2008 Ian Appleton. Published by Elsevier Limited. All rights reserved The right of Ian Appleton to be identified as the author of this work ha been asseted in accordance with the copyright, Designs and Patents Act 1988 No part of this publication may be reproduced stored in a retrieval system or transmitted in any form or by any means electronic, mechincal, photocopying, recording or otherwise without the prior written permission of the publisher Permission may be sought directly from Elsevier’s Science & Technology Rights Department in Oxford, UK: phone (ϩ44) (0) 1865 843830; fax (ϩ44) (0) 1865 853333; email: [email protected]. Alternatively you can submit your request online by visiting the Elsevier web site at http://elsevier.com/locate/ permissions, and selecting Obtaining permission to use Elsevier material Notice No responsibility is assumed by the publisher for any injury and/or damage to persons to property as a matter of products liability, negligence or otherwise, or from any use or operation of any methods, products, instructions or ideas contained in the material herein. Becuse or rapid advances in the medical sciences, in particular, independent verification of diagnoses and drug dosages should be made. -
COS V94 2002 2003 03.Pdf (2.177Mb)
COLLEGE OF ARCHITECTURE, ART, AND PLANNING ADMINISTRATION history of architecture lead to the Bachelor of Libraries Science. The Fine Arts Library in Sibley Hall serves the Porus Olpadwala, dean Graduate-level programs are offered in art, College of Architecture, Art, and Planning John E. Zissovici, associate dean architectural design and urban design, through its collections on architecture, fine architectural sciences, history of architecture arts, city and regional planning, and landscape Nasrine Seraji, chair, department of architec and urbanism, historic preservation planning, architecture. The library, with more than ture city and regional planning, regional science, 183,900 books, is capable of supporting Buzz Spector, chair, department of art and landscape architecture. undergraduate, graduate, and research programs. Some 1,400 serials are currently Pierre Clavel, chair, department of city and Students in each of these programs work in received and maintained. regional planning physical proximity to one another and thus The Visual Resources Facility, made possible Cynthia K. Prescott, director, administration gain a broader understanding of their own special area of interest through contact with through gifts from George and Adelaide and finance students and faculty from other disciplines. Knight, is located in Sibley Hall and contains Elizabeth A. Cutter, director, admissions and the F. M. Wells Memorial Slide Collection, Early in its development, the college set a limit student services which consists of a large and growing on the number of students it would enroll and collection of slides of architecture, architec Walter C. Williams, director, alumni affairs and devised a selective method of admission. There tural history, and art. The collection now development are now more than 650 students and a full-time includes approximately 450,000 slides.