Dušan Lazarević CV, December 2019

Total Page:16

File Type:pdf, Size:1020Kb

Dušan Lazarević CV, December 2019 Curriculum Vitae DUŠAN LAZAREVIĆ www.dusanlazarevic.com EDUCATION The London Film School (Graduated with Distinction in Direction) University of Belgrade, Faculty of Political Science (Department of Journalism and International Politics) AS DIRECTOR BESA Created by Tony Jordan (Season 1, 12 episodes, mts TV & TV PRVA) Currently in worldwide sales and distribution. Directed the whole first season. THE OUTPOST (Series 2, Episodes 9 & 10, Syfy & The CW) FREE REIN (Series 2, Episodes 5-10, Netflix) SILENT WITNESS (Series 17, Episodes 9 & 10, BBC1) DEATH IN PARADISE (Series 3, Episodes 3 & 4, BBC1) VERA - Young Gods, written by Gaby Chiappe (Series 3, Episode 3, ITV) MISFITS (final two episodes (7-8) for series 4 of the BAFTA winning drama, produced by Clerkenwell Films) SATISFACTION (pilot for 8x1hr drama series for Company Pictures and Eatme Productions, for BBC) ŽENE SA DEDINJA (WOMEN FROM UPTOWN) (8x1hr drama, season 1, for Emotion Production, Serbia) Directed the pilot and the whole first season. GRANGE HILL (20x1/2hr drama series, produced by Mersey TV for BBC) Directed 2 episodes. HOLLYOAKS (teen drama series produced by Mersey TV for Channel 4) Directed 41 episodes. LIVING WITH LIONEL (10X2min series animation b/w+colour) Created, produced and directed an animated series for Fox Kids television. Premiered on air in July 2001. HOW TO KILL (54min - 16mm - colour) Adaptation of a prize-winning play by Angus Reid, inspired by the life and writing of Second World War poet Keith Douglas. Awarded second prize at the New York Television Festival. THE HOTTEST DAY OF THE YEAR (54min 16mm colour) A LFS (United Kingdom) and FRZ (Yugoslavia) co-production. AMPAS, Los Angeles (Student Oscar entry) Edinburgh Film Festival THERE ARE GUEST HOUSES IN THE SAHARA (20min 35mm colour) Short film based on the fictionalised account of a case study The Man Who Mistook His Wife for a Hat by Dr. Oliver Sacks. SECOND SKIN (10min 16mm colour) Documentary on tattooing. Screened on BBC2. WRITING/DEVELOPMENT TAKE ME HOME A feature film: Martha, a mediator in of children adoption, and orphan Marko, form a tumultuous emotional relationship and flee from the general cruelty caused by the institutionalised inhumanity of the adoption process. (Attached as director, currently in development, with Film Center Serbia funding.) ELVIRA A feature film for children: 12-year old Elvira, champion gamer and hacker with a police record is kidnapped, then becomes an eco-warrior on a dangerous and mystical mission. THE FABULATOR (plus 2) A six-part triptych: a futuristic, an occult and a time-travel story set in a modern urban environment. BLACK WIND (CRN VETAR) (8x50min) A British Interpol officer gets tangled in a murder case involving political corruption, set against a backdrop of witchcraft in the time-forgotten settlements in eastern Serbia. CLAY (6x60min) A young family's eight-year-old daughter is brutally murdered. A dark, multi-layered series inspired loosely on the Lesley Molseed case of the 70s, told from different timeframes and contradictory perspectives. UNDERGROUND (8x60min) Drama series about London, Britishness and surviving in a metropolis, but from the perspective of eight immigrants. 13 SUNDAY LUNCHES (13x50min) Drama series, set in Belgrade, Serbia. THE ANGEL OF THE NORTH Treatment and script in development for a 90 minute drama pilot set in London and Edinburgh. THE BUBBLE (50x25min live action) Created the original concept with KUDOS Productions for a teenage mystery soap. THE CHILDREN OF THE CIRQUE DU SOLEIL (13x22min live action/animation) wrote the concept, setting, characters and storylines; lead a team of writers and artists in creating an animated series for GRANADA Animation. OTHER HAND ON THE SHOULDER (45min - 16mm - b/w) Acted (male lead) in a film produced by The Arts Council of England and the British Screen, broadcast on Channel 4. December 2019.
Recommended publications
  • THE WESTF1ELD LEADER the UADING AMP HOST WIDELY Chtlulated WEEKLY NEWSPAPE* in UNION COUNTY
    THE WESTF1ELD LEADER THE UADING AMP HOST WIDELY CHtlULATED WEEKLY NEWSPAPE* IN UNION COUNTY .. la* Second Class Matter -NINTH VEAI-No. 51 Post Office. Weetfleld. N. 1. Published WE8TFIEU), NEW JERSEY, THURSDAY, SEPTEMBEB 1, 1949 Every Thursday. Boro School Bus 11 New Teachers Join Faculty Warns Against Jiina to be Topic Schedule Ready Of Iest6eld Public Schools Polio Scare Doerr To Head The Westfield public schools will open with a full staff on To Start Thursday Wednesday under the direction of Dr. S. N. Ewan Jr., supervising In Westfield _4t Adult School principal. There have been 11 new teachers, one new nurse and one new secretary employed for this school year. Seven of these are in United Campaign Two BUM* to the elementary field, one in the junior high school and three in the Carney Reports 3 China Institute Director Leader of Transport Pupils senior high school, Two former More Infantile Budget Committee For October Drive Special Count, All Chineae Faculty On Four Routes teachers will return from leave of 2500 Dividend absence. Miss Melissa Fouratte Cases This Week Appointed by Samuel Kinney Dr. Chih Menu, director of China Institute in America, baa or- Two buses, each to maintain two returns to Roosevejt Junior High nniwd «special courie tot tbe Westfield Adult School under the title School after a year in Scotland as Two more Westfield familes were Charles A. Doerr, 26 Fair Hill road has been elected general routes, will be provided by the affected by poliomyelitis this week, chairman of Weetfleld's 1949 United Campaign. Announcement of oj "CMna "> Tr»n»ition." It will be presented by eight Chinese lec- Somerset Bus Co.
    [Show full text]
  • Drug Education and Its Publics in 1980S Britain
    International Journal of Drug Policy 88 (2021) 103029 Contents lists available at ScienceDirect International Journal of Drug Policy journal homepage: www.elsevier.com/locate/drugpo Policy Analysis Just say know: Drug education and its publics in 1980s Britain Alex Mold Centre for History in Public Health, London School of Hygiene & Tropical Medicine, 15-17 Tavistock Place, London, WC1H 9SH, United Kingdom ARTICLE INFO ABSTRACT Keywords: Until the 1980s, anti-drug education campaigns in the UK were rare. This article examines the reasons behind a Heroin policy shift that led to the introduction of mass media drug education in the mid 1980s. It focuses on two Drug education campaigns. ‘Heroin Screws You Up’ ran in England, and ‘Choose Life Not Drugs’ ran in Scotland. The campaigns Health education were different in tone, with ‘Heroin Screws You Up’ making use of fear and ‘shock horror’ tactics, whereas History of drug use ‘Choose Life Not Drugs’ attempted to deliver a more positive health message. ‘Heroin Screws You Up’ was criticised by many experts for its stigmatising approach. ‘Choose Life Not Drugs’ was more favourably received, but both campaigns ran into difficulties with the wider public. The messages of these campaigns were appro­ priated and deliberately subverted by some audiences. This historical policy analysis points towards a complex and nuanced relationship between drug education campaigns and their audiences, which raises wider questions about health education and its ‘publics’. In April 1986, the cast of teen TV soap, Grange Hill, released a song wanted to be seen to take action on drugs, leading to the introduction of titled ‘Just say no’.
    [Show full text]
  • Buses from Grange Hill
    Buses from Grange Hill 462 FR Limes Farm Estate O Copperfield GH D A LL L Hail & Ride MANOR ROA section AN E Manor Road C St. Winifred’s Church D Grange Hill M AN W A AR MANOR ROAD FO REN Grange Hill C RD T. LONG B WAY G R Manford Way G E Manford Primary School CRE RANGE E N SCEN Brocket Way T Manford Way Hainault Health Centre Destination finder Destination Bus routes Bus stops Destination Bus routes Bus stops B L Barkingside High Street 462 ,a ,c Limes Farm Estate Copperfield 462 ,b ,d Hainault Waverley Gardens Longwood Gardens 462 ,a ,c The Lowe Beehive Lane 462 ,a ,c M Brocket Way 362 ,c Manford Way 462 ,a ,c C Hainault Health Centre Chadwell Heath o High Road 362 ,c Manford Way 462 ,a ,c Manford Primary School Chadwell Heath Lane 362 ,c Manor Road St. Winifred's Church 462 ,b ,d Elmbridge Road New North Road Cranbrook Road for Valentines Park 462 ,a ,c Harbourer Road Marks Gate Billet Road 362 ,c E Eastern Avenue 462 ,a ,c N New North Road Harbourer Road 362 ,c Elmbridge Road 462 ,a ,c New North Road Yellow Pine Way 362 ,c F Buses from Grange Hill Fairlop 462 ,a ,c BusesR from Grange Hill Romford Road 362 ,c Forest Road New North Road Fremantle Road 462 ,a ,c Hainault Forest Golf Club for Fairlop Waters Yellow Pine Way Barkingside High Street Boulder Park Rose Lane Estate 362 ,c Forest Road 462 ,a ,c 462 for Fairlop Waters Boulder Park FR Limes Farm Estate W Copperfield O D Fullwell Cross for Leisure Centre 462 ,a ,c WhaleboneGH Lane North 362 ,c A Romford RoadLL L Hail & Ride G MANOR ROA section WhaleboneAN Lane North 362 ,c Gants Hill 462 ,a ,c Fairlop Romford Road Whalebone GroveE Manor Road Hainault Forest Golf Club H Woodford Avenue C 462 ,a ,c St.
    [Show full text]
  • Project 3 Unit 3 Mock Test3
    Put the verbs in the brackets into the correct tense. Use the past simple or past continuous tense. My friends saw me when I was waiting for my girlfriend. (see, wait) ________________________________________ 1. The teacher ____________ into the classroom when we _____________ football. (come, play) ________________________________________ 2. I ___________ my girlfriend while I ________________________________________ ___________ at university. (meet, study) 3. Mark ______________ home when it ___________ to rain. (walk, start) /6 . A detective is asking questions. Write the questions. What were you doing at 6 o´clock? ________________________________________ I was walking my dog at 6 o´clock. ________________________________________ 1. _____________________________________? ________________________________________ We were sitting on a bench. /6 2. ______________________________________? . Complete the sentences with the words from the box. I saw a beautiful girl. 3._____________________________________? wind water snow volcano A short skirt and a yellow T­shirt. lightning earthquake 4. ____________________________________? 1. It rained a lot but there was no ___________. She went into the restaurant. 2. The ____________________ destroyed a lot of 5. ____________________________________? houses. She was short and slim. 3. The _______________ exploded and there /5 came out a lot of stones and lava from the . These are pictures from yesterday. Write what mountain. happened. 4. Tornado is a kind of a strong ________________ which goes very quickly. 5. A flood is a lot of _________________. 6. During an avalanche a lot of _____________ goes down a mountain and destroys everything. /6 When the boy was playing football, he fell and he broke his leg. Correct the sentences. Change only 1 word in 1. When did Grange Hill start? ___________________________________ each sentence.
    [Show full text]
  • Appendix A: Non-Executive Directors of Channel 4 1981–92
    Appendix A: Non-Executive Directors of Channel 4 1981–92 The Rt. Hon. Edmund Dell (Chairman 1981–87) Sir Richard Attenborough (Deputy Chairman 1981–86) (Director 1987) (Chairman 1988–91) George Russell (Deputy Chairman 1 Jan 1987–88) Sir Brian Bailey (1 July 1985–89) (Deputy Chairman 1990) Sir Michael Bishop CBE (Deputy Chairman 1991) (Chairman 1992–) David Plowright (Deputy Chairman 1992–) Lord Blake (1 Sept 1983–87) William Brown (1981–85) Carmen Callil (1 July 1985–90) Jennifer d’Abo (1 April 1986–87) Richard Dunn (1 Jan 1989–90) Greg Dyke (11 April 1988–90) Paul Fox (1 July 1985–87) James Gatward (1 July 1984–89) John Gau (1 July 1984–88) Roger Graef (1981–85) Bert Hardy (1992–) Dr Glyn Tegai Hughes (1983–86) Eleri Wynne Jones (22 Jan 1987–90) Anne Lapping (1 Jan 1989–) Mary McAleese (1992–) David McCall (1981–85) John McGrath (1990–) The Hon. Mrs Sara Morrison (1983–85) Sir David Nicholas CBE (1992–) Anthony Pragnell (1 July 1983–88) Usha Prashar (1991–) Peter Rogers (1982–91) Michael Scott (1 July 1984–87) Anthony Smith (1981–84) Anne Sofer (1981–84) Brian Tesler (1981–85) Professor David Vines (1 Jan 1987–91) Joy Whitby (1981–84) 435 Appendix B: Channel 4 Major Programme Awards 1983–92 British Academy of Film and Television Arts (BAFTA) 1983: The Snowman – Best Children’s Programme – Drama 1984: Another Audience With Dame Edna – Best Light Entertainment 1987: Channel 4 News – Best News or Outside Broadcast Coverage 1987: The Lowest of the Low – Special Award for Foreign Documentary 1987: Network 7 – Special Award for Originality
    [Show full text]
  • 1 an AGE of KINGS (BBC TV, 1960) Things Have Moved on in Fifty Years
    1 AN AGE OF KINGS (BBC TV, 1960) BBC VIDEO 5 disc set; ISBN 1-4198-7901-4, Region 1 only Tom Fleming, Robert Hardy Things have moved on in fifty years. In 1960 (I was sixteen), we didn’t have a television, and I had to prevail upon my school-friends to let me cycle round to their houses every alternate Thursday to watch this series. 1 Now, I can sit in my armchair and watch it straight through on my computer on DVD, with sound coming through the headphones. I count An Age of Kings as the single most important cultural event in my entire life, more important even than being in Trevor Nunn’s first-ever Shakespeare production ( Hamlet ) the previous year. It taught me what Shakespeare was about, and I’ve never forgotten it. Over ten years ago, seeing that it was on at the NFT, I went down to see some odd bits. Approaching Michael Hayes, the director, I said, “What you did here provided me with the single most important cultural event of my life”. He looked at me suspiciously: “You seem a bit young to say that”, he said, and turned away. I went up to Peter Dews, the producer: “What you did here provided me with the single most important cultural event of my life” – “Good!” he grunted, and turned away. So much for the creative team. Were they really as boring as that in 1960? (In fact Dews died shortly after our brief chat.) Paul Daneman said in an accompanying NFT lecture that the cast spent every morning talking, and didn’t start rehearsals till after lunch.
    [Show full text]
  • Harry Attacks the Press As Meghan Sues Mail on Sunday
    Veteran newsman Sissons dead at 77 - page 3 California’s British Accent ™ - Since 1984 Saturday, October 5, 2019 • Number 1803 Always Free Harry attacks the press as Meghan sues Mail On Sunday n Prince says he can no longer be a “silent witness to her private suffering” THE TENSE relationship between Harry, Meghan and the British media took a turn for the worse this week, as it emerged that the Duchess plans to sue the Mail on Sunday. The legal action is acceptable, at any level. We individual. Pursuing legal a consequence of the won’t and can’t believe in action on this narrow basis newspaper’s decision to a world where there is no also gives the royals a publish a handwritten accountability for this. greater chance of success letter Meghan had sent to “Though this action may against DMG Media, her estranged father. not be the safe one, it is the formerly Associated The decision came right one … I’ve seen what Newspapers, which also as Prince Harry launched happens when someone owns the Daily Mail and an extraordinary and I love is commoditized to MailOnline – both of which highly personal attack on the point that they are no have run a substantial the British tabloid press and longer treated or seen as a number of stories about its treatment of his wife, real person. Meghan. PRINCE HARRY: “I’ve seen what happens when someone I love is commoditized saying he could no longer The Mail on Sunday has to the point that they are no longer treated or seen as a real person.” be a “silent witness to her embarrassing stories run multiple embarrassing private suffering”.
    [Show full text]
  • Shail, Robert, British Film Directors
    BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter.
    [Show full text]
  • FOX SEARCHLIGHT PICTURES Presents a DJ FILMS / GASWORKS
    FOX SEARCHLIGHT PICTURES Presents A DJ FILMS / GASWORKS MEDIA Production DOMHNALL GLEESON MARGOT ROBBIE KELLY MACDONALD ALEX LAWTHER STEPHEN CAMPBELL MOORE VICKI PEPPERDINE RICHARD McCABE GERALDINE SOMERVILLE PHOEBE WALLER-BRIDGE Introducing WILL TILSTON DIRECTED BY .......................................................... SIMON CURTIS WRITTEN BY ........................................................... FRANK COTTRELL-BOYCE .................................................................................... SIMON VAUGHAN PRODUCED BY ........................................................ DAMIAN JONES p.g.a. .................................................................................... STEVE CHRISTIAN p.g.a. DIRECTOR OF PHOTOGRAPHY ........................... BEN SMITHARD BSC PRODUCTION DESIGNER ..................................... DAVID ROGER FILM EDITOR ........................................................... VICTORIA BOYDELL EXECUTIVE PRODUCERS ..................................... SIMON CURTIS .................................................................................... SIMON VAUGHAN CO-PRODUCER ........................................................ MARK HUBBARD COSTUME DESIGNER ............................................ ODILE DICKS-MIREAUX HAIR, MAKE-UP & PROSTHETICS DESIGNER .. SIAN GRIGG MUSIC BY ................................................................. CARTER BURWELL MUSIC SUPERVISOR .............................................. SARAH BRIDGE CASTING BY ..........................................................
    [Show full text]
  • Skins and the Impossibility of Youth Television
    Skins and the impossibility of youth television David Buckingham This essay is part of a larger project, Growing Up Modern: Childhood, Youth and Popular Culture Since 1945. More information about the project, and illustrated versions of all the essays, can be found at: https://davidbuckingham.net/growing-up-modern/. In 2007, the UK media regulator Ofcom published an extensive report entitled The Future of Children’s Television Programming. The report was partly a response to growing concerns about the threats to specialized children’s programming posed by the advent of a more commercialized and globalised media environment. However, it argued that the impact of these developments was crucially dependent upon the age group. Programming for pre-schoolers and younger children was found to be faring fairly well, although there were concerns about the range and diversity of programming, and the fate of UK domestic production in particular. Nevertheless, the impact was more significant for older children, and particularly for teenagers. The report was not optimistic about the future provision of specialist programming for these age groups, particularly in the case of factual programmes and UK- produced original drama. The problems here were partly a consequence of the changing economy of the television industry, and partly of the changing behaviour of young people themselves. As the report suggested, there has always been less specialized television provided for younger teenagers, who tend to watch what it called ‘aspirational’ programming aimed at adults. Particularly in a globalised media market, there may be little money to be made in targeting this age group specifically.
    [Show full text]
  • Geoffrey Beevers Is the Master*
    ISSUE 40 • JUNE 2012 NOT FOR RESALE FREE! GEOFFREY BEEVERS IS THE MASTER* PLUS! MARK STRICKSON & SARAH SUTTON Nyssa and Turlough Interviewed! I KNOW THAT VOICE... Famous names in Big Finish! *AND YOU WILL OBEY HIM! SNEAK PREVIEWS EDITORIAL AND WHISPERS e love stories. You’ll be hearing those words from us a lot more over the coming months. We’re only saying it because it’s the truth. And in THE FOURTH DOCTOR ADVENTURES a way, you’ve been hearing it from us since we started all this, right SERIES 3 W back in 1998, with Bernice Summerfield! Every now and then, I think it’s a good idea to stop and consider why we do 2014 might seem what we do; especially when, as has happened recently, we’ve been getting such a long way away, a pounding by a vociferous minority in online forums. As you may know, there but it’ll be here have been some teething problems with the changeover to our new website. before you know There was a problem with the data from the old site, relating to the downloads it – and so we’re in customers’ accounts. It seems that the information was not complete and had already in the some anomalous links in it, which meant that some downloads didn’t appear and studio recording others were allocated incorrectly. Yes, we accidentally gave a lot of stuff away! And, the third series of in these cash-strapped times, that was particularly painful for us. Thanks to all of Fourth Doctor Adventures, once again you who contacted us to say you wouldn’t take advantage of these – shall we say featuring the Doctor and Leela.
    [Show full text]
  • Peter J. Morton Resume
    BRITISH AMERICAN TALENT PETER J. MORTON SAG-AFTRA (ELIGIBLE) • EQUITY (UK) • UK CITIZEN • GREEN CARD TELEVISION American Crime Co-Star ABC • Dir. Ramsey Nickell Over the Hill Series Regular BBC • Dir. Aidan David 1000 Ways to Die Guest Star Paramount Network • Dir. Alex Harvey Psychoville Guest Star BBC • Dir. Matt Lipsey Jekyll Co-Star BBC America • Dir. Matt Lipsey The Worst Week of My Life Guest Star BBC • Dir. M. Bussell & J. Sbresni The Bill Recurring Guest Star ITV • Dir. Various Teachers Co-Star Channel 4 • Dir. Reza Moradi Grange Hill Series Regular BBC • Dir. Various Hope & Glory Guest Star BBC • Dir. Jonas Grimås Eastenders Recurring Guest Star BBC • Dir. Various Demob Guest Star Granada • Dir. Robert Knights North and South Guest Star BBC • Dir. Brian Percival New Tricks Guest Star BBC • Dir. Nicholas Laughland FILM Synced Lead Dir. Devon Avery Jeff Lead Dir. Adam Linzey As Worlds Collide Lead Dir. Andrew Mackenzie The Human Condition Lead Dir. Chance Minster Ciaran the Demon Hunter Lead Dir. Andrew Amsden Walk of Shame Lead Dir. Aidan J. David 20Hz Lead Dir. Ben Saunders George Lead Dir. Angus Gafraidh Action Lead Dir. Daniel Johnson Failures Pantomime Lead Dir. Christopher Purdie Keane Lead Dir. Aidan J. David The Long Hard Road to Hell Lead Dir. Christopher Purdie Once He Fell Lead Dir. Aidan J. David Sam’s Duck Lead BBC • Dir. Julie Callahan THEATRE An Evening with Gary Lineker Dan Dir. Sandro Monetti Les Miserables Gavroche Apollo Theater Comfort (Voice-Over Campaign) Darren Denim Ogilvy and Mather Jack and the Beanstalk Jack Hammond Productions Aladdin Aladdin Hammond Productions Love to Recycle Scott Love Productions TRAINING • EDUCATION Redroofs Theatre School • Screen Acting • UK SPECIAL SKILLS Accents/Dialects: British (various) • US (Standard • Southern • NY) • Irish • Australian • Russian • Italian Singer/Songwriter • Guitar • Harmonica • Improv • Magic • Stage Combat • Stunts • Horse Riding • Driver License ______________________________________________________________________________ LOS ANGELES (323) 394-9503 7083 HOLLYWOOD BLVD.
    [Show full text]