Why & How Do I Pray?
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THE WESTF1ELD LEADER the UADING AMP HOST WIDELY Chtlulated WEEKLY NEWSPAPE* in UNION COUNTY
THE WESTF1ELD LEADER THE UADING AMP HOST WIDELY CHtlULATED WEEKLY NEWSPAPE* IN UNION COUNTY .. la* Second Class Matter -NINTH VEAI-No. 51 Post Office. Weetfleld. N. 1. Published WE8TFIEU), NEW JERSEY, THURSDAY, SEPTEMBEB 1, 1949 Every Thursday. Boro School Bus 11 New Teachers Join Faculty Warns Against Jiina to be Topic Schedule Ready Of Iest6eld Public Schools Polio Scare Doerr To Head The Westfield public schools will open with a full staff on To Start Thursday Wednesday under the direction of Dr. S. N. Ewan Jr., supervising In Westfield _4t Adult School principal. There have been 11 new teachers, one new nurse and one new secretary employed for this school year. Seven of these are in United Campaign Two BUM* to the elementary field, one in the junior high school and three in the Carney Reports 3 China Institute Director Leader of Transport Pupils senior high school, Two former More Infantile Budget Committee For October Drive Special Count, All Chineae Faculty On Four Routes teachers will return from leave of 2500 Dividend absence. Miss Melissa Fouratte Cases This Week Appointed by Samuel Kinney Dr. Chih Menu, director of China Institute in America, baa or- Two buses, each to maintain two returns to Roosevejt Junior High nniwd «special courie tot tbe Westfield Adult School under the title School after a year in Scotland as Two more Westfield familes were Charles A. Doerr, 26 Fair Hill road has been elected general routes, will be provided by the affected by poliomyelitis this week, chairman of Weetfleld's 1949 United Campaign. Announcement of oj "CMna "> Tr»n»ition." It will be presented by eight Chinese lec- Somerset Bus Co. -
Drug Education and Its Publics in 1980S Britain
International Journal of Drug Policy 88 (2021) 103029 Contents lists available at ScienceDirect International Journal of Drug Policy journal homepage: www.elsevier.com/locate/drugpo Policy Analysis Just say know: Drug education and its publics in 1980s Britain Alex Mold Centre for History in Public Health, London School of Hygiene & Tropical Medicine, 15-17 Tavistock Place, London, WC1H 9SH, United Kingdom ARTICLE INFO ABSTRACT Keywords: Until the 1980s, anti-drug education campaigns in the UK were rare. This article examines the reasons behind a Heroin policy shift that led to the introduction of mass media drug education in the mid 1980s. It focuses on two Drug education campaigns. ‘Heroin Screws You Up’ ran in England, and ‘Choose Life Not Drugs’ ran in Scotland. The campaigns Health education were different in tone, with ‘Heroin Screws You Up’ making use of fear and ‘shock horror’ tactics, whereas History of drug use ‘Choose Life Not Drugs’ attempted to deliver a more positive health message. ‘Heroin Screws You Up’ was criticised by many experts for its stigmatising approach. ‘Choose Life Not Drugs’ was more favourably received, but both campaigns ran into difficulties with the wider public. The messages of these campaigns were appro priated and deliberately subverted by some audiences. This historical policy analysis points towards a complex and nuanced relationship between drug education campaigns and their audiences, which raises wider questions about health education and its ‘publics’. In April 1986, the cast of teen TV soap, Grange Hill, released a song wanted to be seen to take action on drugs, leading to the introduction of titled ‘Just say no’. -
Buses from Grange Hill
Buses from Grange Hill 462 FR Limes Farm Estate O Copperfield GH D A LL L Hail & Ride MANOR ROA section AN E Manor Road C St. Winifred’s Church D Grange Hill M AN W A AR MANOR ROAD FO REN Grange Hill C RD T. LONG B WAY G R Manford Way G E Manford Primary School CRE RANGE E N SCEN Brocket Way T Manford Way Hainault Health Centre Destination finder Destination Bus routes Bus stops Destination Bus routes Bus stops B L Barkingside High Street 462 ,a ,c Limes Farm Estate Copperfield 462 ,b ,d Hainault Waverley Gardens Longwood Gardens 462 ,a ,c The Lowe Beehive Lane 462 ,a ,c M Brocket Way 362 ,c Manford Way 462 ,a ,c C Hainault Health Centre Chadwell Heath o High Road 362 ,c Manford Way 462 ,a ,c Manford Primary School Chadwell Heath Lane 362 ,c Manor Road St. Winifred's Church 462 ,b ,d Elmbridge Road New North Road Cranbrook Road for Valentines Park 462 ,a ,c Harbourer Road Marks Gate Billet Road 362 ,c E Eastern Avenue 462 ,a ,c N New North Road Harbourer Road 362 ,c Elmbridge Road 462 ,a ,c New North Road Yellow Pine Way 362 ,c F Buses from Grange Hill Fairlop 462 ,a ,c BusesR from Grange Hill Romford Road 362 ,c Forest Road New North Road Fremantle Road 462 ,a ,c Hainault Forest Golf Club for Fairlop Waters Yellow Pine Way Barkingside High Street Boulder Park Rose Lane Estate 362 ,c Forest Road 462 ,a ,c 462 for Fairlop Waters Boulder Park FR Limes Farm Estate W Copperfield O D Fullwell Cross for Leisure Centre 462 ,a ,c WhaleboneGH Lane North 362 ,c A Romford RoadLL L Hail & Ride G MANOR ROA section WhaleboneAN Lane North 362 ,c Gants Hill 462 ,a ,c Fairlop Romford Road Whalebone GroveE Manor Road Hainault Forest Golf Club H Woodford Avenue C 462 ,a ,c St. -
Grange Crescent, Grange Hill, IG7 £850000
Chigwell 22 Brook Parade High Road Chigwell IG7 6PF Tel: 020 8500 1234 [email protected] Grange Crescent, Grange Hill, IG7 £850,000 - Freehold 4 bedrooms, 3 Bathrooms Preliminary Details Offers over £850.000 With an abundance of space is this attractive semi-detached four bedroom house. The property is situated in sought after location within a short walk of Grange Hill underground station, giving easy access to the City, Stratford, for Westfield shopping and the West End and local shopping. The accommodation features, on the ground floor, excellent spacious entrance hall, large through lounge, a second reception, ground floor show-room/bathroom, fitted kitchen leading to a third reception, Utility room and access to the garage. The first floor boasts four good sized double bedrooms all with fitted wardrobes and the master having a en-suite bathroom and a family bathroom. Externally there is a large mature garden measuring approximately 95 feet and off-street parking for multiple cars. Key Features • Semi-detached House • Large Kitchen/Diner • Spacious Receptions • Ground Floor W/C • Four Bedrooms • Garage Chigwell | 22 Brook Parade, High Road, Chigwell, IG7 6PF | Tel: 020 8500 1234 | [email protected] 1 Area Overview © Collins Bartholomew Ltd., 2013 Nearest Stations Grange Hill (0.2M) Hainault (0.5M) Chigwell (0.9M) Chigwell | 22 Brook Parade, High Road, Chigwell, IG7 6PF | Tel: 020 8500 1234 | [email protected] 2 Floor Plan Chigwell | 22 Brook Parade, High Road, Chigwell, IG7 6PF | Tel: 020 8500 1234 | [email protected] 3 Energy Efficiency Rating & Environmental Impact (CO2) Rating Council Tax Bands Council Band A Band B Band C Band D Band E Band F Band G Band H Average £ 934 £ 1,060 £ 1,246 £ 1,401 £ 1,713 £ 2,024 £ 2,335 £ 2,803 Disclaimer Every care has been taken with the preparation of these Particulars but complete accuracy cannot be guaranteed. -
Project 3 Unit 3 Mock Test3
Put the verbs in the brackets into the correct tense. Use the past simple or past continuous tense. My friends saw me when I was waiting for my girlfriend. (see, wait) ________________________________________ 1. The teacher ____________ into the classroom when we _____________ football. (come, play) ________________________________________ 2. I ___________ my girlfriend while I ________________________________________ ___________ at university. (meet, study) 3. Mark ______________ home when it ___________ to rain. (walk, start) /6 . A detective is asking questions. Write the questions. What were you doing at 6 o´clock? ________________________________________ I was walking my dog at 6 o´clock. ________________________________________ 1. _____________________________________? ________________________________________ We were sitting on a bench. /6 2. ______________________________________? . Complete the sentences with the words from the box. I saw a beautiful girl. 3._____________________________________? wind water snow volcano A short skirt and a yellow Tshirt. lightning earthquake 4. ____________________________________? 1. It rained a lot but there was no ___________. She went into the restaurant. 2. The ____________________ destroyed a lot of 5. ____________________________________? houses. She was short and slim. 3. The _______________ exploded and there /5 came out a lot of stones and lava from the . These are pictures from yesterday. Write what mountain. happened. 4. Tornado is a kind of a strong ________________ which goes very quickly. 5. A flood is a lot of _________________. 6. During an avalanche a lot of _____________ goes down a mountain and destroys everything. /6 When the boy was playing football, he fell and he broke his leg. Correct the sentences. Change only 1 word in 1. When did Grange Hill start? ___________________________________ each sentence. -
1 an AGE of KINGS (BBC TV, 1960) Things Have Moved on in Fifty Years
1 AN AGE OF KINGS (BBC TV, 1960) BBC VIDEO 5 disc set; ISBN 1-4198-7901-4, Region 1 only Tom Fleming, Robert Hardy Things have moved on in fifty years. In 1960 (I was sixteen), we didn’t have a television, and I had to prevail upon my school-friends to let me cycle round to their houses every alternate Thursday to watch this series. 1 Now, I can sit in my armchair and watch it straight through on my computer on DVD, with sound coming through the headphones. I count An Age of Kings as the single most important cultural event in my entire life, more important even than being in Trevor Nunn’s first-ever Shakespeare production ( Hamlet ) the previous year. It taught me what Shakespeare was about, and I’ve never forgotten it. Over ten years ago, seeing that it was on at the NFT, I went down to see some odd bits. Approaching Michael Hayes, the director, I said, “What you did here provided me with the single most important cultural event of my life”. He looked at me suspiciously: “You seem a bit young to say that”, he said, and turned away. I went up to Peter Dews, the producer: “What you did here provided me with the single most important cultural event of my life” – “Good!” he grunted, and turned away. So much for the creative team. Were they really as boring as that in 1960? (In fact Dews died shortly after our brief chat.) Paul Daneman said in an accompanying NFT lecture that the cast spent every morning talking, and didn’t start rehearsals till after lunch. -
Skins and the Impossibility of Youth Television
Skins and the impossibility of youth television David Buckingham This essay is part of a larger project, Growing Up Modern: Childhood, Youth and Popular Culture Since 1945. More information about the project, and illustrated versions of all the essays, can be found at: https://davidbuckingham.net/growing-up-modern/. In 2007, the UK media regulator Ofcom published an extensive report entitled The Future of Children’s Television Programming. The report was partly a response to growing concerns about the threats to specialized children’s programming posed by the advent of a more commercialized and globalised media environment. However, it argued that the impact of these developments was crucially dependent upon the age group. Programming for pre-schoolers and younger children was found to be faring fairly well, although there were concerns about the range and diversity of programming, and the fate of UK domestic production in particular. Nevertheless, the impact was more significant for older children, and particularly for teenagers. The report was not optimistic about the future provision of specialist programming for these age groups, particularly in the case of factual programmes and UK- produced original drama. The problems here were partly a consequence of the changing economy of the television industry, and partly of the changing behaviour of young people themselves. As the report suggested, there has always been less specialized television provided for younger teenagers, who tend to watch what it called ‘aspirational’ programming aimed at adults. Particularly in a globalised media market, there may be little money to be made in targeting this age group specifically. -
Stagecoach London 462 Ilford-Grange Hill
Stagecoach London 462 Ilford-Grange Hill Mondays to Fridays (from 25 March 2017) service no. 462 462 462 462 462 462 462 462 462 462 462 462 462 462 462 462 462 462 notes Ilford, Hainault Street Stop W 0620 0632 0644 0654 0705 0717 0729 0742 0756 0811 0826 0841 0856 0911 0926 0941 0956 1011 Ilford, Rail Station Stop H 0623 0635 0647 0657 0709 0721 0734 0747 0802 0817 0832 0847 0902 0917 0931 0946 1001 1016 Gants Hill, Beehive Lane 0627 0639 0651 0701 0714 0726 0740 0754 0809 0824 0839 0853 0908 0923 0937 0952 1007 1022 Gants Hill, Underground Station Stop EB 0630 0642 0654 0705 0718 0730 0745 0800 0815 0830 0845 0859 0913 0928 0942 0957 1012 1027 Barkingside, Longwood Gardens 0633 0645 0657 0709 0722 0735 0750 0805 0820 0835 0850 0904 0918 0933 0947 1002 1017 1032 Fullwell Cross, Stop A 0636 0648 0700 0713 0726 0740 0755 0810 0825 0840 0855 0909 0923 0938 0952 1007 1022 1037 Hainault, Manford Way Stop AH 0643 0655 0708 0721 0734 0748 0803 0818 0833 0848 0903 0917 0931 0946 1000 1015 1030 1045 Grange Hill, Underground Station Stop B 0647 0659 0712 0725 0739 0753 0808 0823 0838 0853 0908 0922 0936 0950 1004 1019 1034 1049 Grange Hill, Amanda Close 0651 0704 0717 0730 0744 0759 0814 0829 0844 0859 0913 0927 0941 0955 1009 1024 1039 1054 service no. 462 462 462 462 462 462 462 462 462 462 462 462 462 462 462 462 462 462 notes Ilford, Hainault Street Stop W 1026 1041 1056 1056 1111 1126 1141 1156 1211 1226 1241 1256 1311 1326 1341 1355 1409 1423 Ilford, Rail Station Stop H 1031 1046 1101 1101 1116 1131 1146 1201 1216 1231 1246 1301 1316 1331 -
Production Notes
PRODUCTION NOTES Director | Nick Gillespie Producer | Finn Bruce Cast | Tom Meeten, Kris Marshall, Johnny Vegas, Katherine Parkinson, Kevin Bishop, Steve Oram, Alice Lowe, Jarred Christmas, Mandeep Dhillon, Pippy Haywood, Craig Parkinson, Steve BroDy, Neil EDmonD, Lloyd Griffith Executive Producers| Finn Bruce, Pandora Edmiston, Matthew ShreDer, James Appleton Writers | Brook Driver, Matt White & Nick Gillespie Editor | Tom Longmore Cinematographer | Billy J Jackson Run Time | 1h 35m 05s Rating | TBC Company | Belstone Pictures Publicity Contact The DDA Group [email protected] LOGLINE: When Paul’s chances of winning a national talent competition are ruined and his dreams of fame slashed, he plans a deathly revenge mission. One lunch break, five spectacular murders! Will the sparkly suited Paul pull it off, stay one step ahead of the cops and find the fame he’s always longed for? SYNOPSIS: Paul, a weedy charity-shop worker has his heart set on winning a national talent competition. With a sparkly suit, killer routine, and his dear old mother in tow… this is his big chance. But when the actions of five intransigent, selfish people get in his way and cause him to miss the audition, Paul plans a deathly revenge mission. One lunch break, five spectacular murders! Each wrongdoer seemingly dispatched in a fitting manner by a sparkly-suited Paul on a revenge rampage around his small hometown. But will he pull it off, stay one step ahead of the cops and find the fame he’s always longed for? DIRECTOR’S STATEMENT | NICK GILLESPIE “This story for me has always been an uplifting one but at the heart of which it’s essentially about grief and loss and how people deal with that. -
Season Two- CAST BIOGRAPHIES TOBY STEPHENS (Captain Flint)
-Season Two- CAST BIOGRAPHIES TOBY STEPHENS (Captain Flint) Toby Stephens was born in London, England and trained at the London Academy of Music and Dramatic Art (LAMDA). He has gained critical acclaim as a stage and screen actor. In 2011, Toby starred as ‘Jack Armstrong’ in the BBC Comedy Drama “Vexed.” Previous television roles include “Robin Hood” (BBC), “Wired” (ITV), “The Wild West” (BBC 1), “Jane Eyre” (BBC 1), “Sharpe’s Challenge” (ITV), “The Best Man” (ITV), “The Queen’s Sister” (Channel 4), “Waking the Dead” (BBC 1), “Poirot” (ITV), “Cambridge Spies” (BBC 2), “Perfect Strangers” (BBC 2), and “The Tenant of Wildfell Hall” (BBC 1). In 2012 Toby filmed Believe with Natasha McElhone and Brian Cox, and in 2013 starred as one of the leads in All Things to All Men alongside Gabriel Byrne and Rufus Sewell. Toby also wrapped filming in Caradog James’ The Machine for Content Film. Other film work includes: Severance, The Rising: Ballad of Mangal Pandey, Die Another Day, Possession, The Announcement, Onegin, Photographing Fairies, Sunset Heights, Cousin Bette, The Great Gatsby, Twelfth Night, and Orlando. Toby is an accomplished stage actor – both in London’s West End and on Broadway. Theater credits include ‘Elyot’ opposite Anna Chancellor in “Noel Coward’s Private Lives,” ‘Georges Danton’ in “Danton’s Death” (National Theatre Olivier), ‘Henry’ in “The Real Thing” (The Old Vic), ‘Thomas’ in “A Doll’s House” and ‘Jerry’ in “Betrayal” (Donmar Warehouse), ‘Mr. Horner’ in “The Country Wife,” ‘Anthony Cavendish’ in “The Royal Family,” ‘Japes’ -
Create.Canterbury.Ac.Uk
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Canterbury Research and Theses Environment Canterbury Christ Church University’s repository of research outputs http://create.canterbury.ac.uk Please cite this publication as follows: Blackman, S. J., Bradley, R., Fagg, M. and Hickmott, N. (2017) Towards ‘sensible’ drug information: critically exploring drug intersectionalities, ‘Just Say No,’ normalisation and harm reduction. Drugs: Education, Prevention and Policy. ISSN 0968-7637. Link to official URL (if available): https://doi.org/10.1080/09687637.2017.1397100 This version is made available in accordance with publishers’ policies. All material made available by CReaTE is protected by intellectual property law, including copyright law. Any use made of the contents should comply with the relevant law. Contact: [email protected] Towards ‘Sensible’ Drug Information: critically exploring drug intersectionalities, ‘just say no,’ normalisation and harm reduction. Shane Blackman, Rick Bradley, Matt Fagg and Nick Hickmott Formatted: Font color: Text 1 4 Authors Abstract This article examines the impact of new psychoactive substances (NPS) on drug service interventions using a case study of regional professional practitioners in South East England. We assess how professionals seek to develop an innovative approach towards providing ‘sensible drug information.’ The research methods include observations, and individual and collective ethnographic interviews with 13 professionals who work with young people across the county. We argue that the notion of sensible is untheorised at present; therefore, we take up this challenge and use the ideas of Gilles Deleuze, which according to Mazzei and McCoy (2010: 504) “prompts the possibilities of new questions and different ways of thinking research.” It is important to theorise sensible drug information because it is a key element in contemporary professional drug practice as part of a harm reduction approach. -
Dušan Lazarević CV, December 2019
Curriculum Vitae DUŠAN LAZAREVIĆ www.dusanlazarevic.com EDUCATION The London Film School (Graduated with Distinction in Direction) University of Belgrade, Faculty of Political Science (Department of Journalism and International Politics) AS DIRECTOR BESA Created by Tony Jordan (Season 1, 12 episodes, mts TV & TV PRVA) Currently in worldwide sales and distribution. Directed the whole first season. THE OUTPOST (Series 2, Episodes 9 & 10, Syfy & The CW) FREE REIN (Series 2, Episodes 5-10, Netflix) SILENT WITNESS (Series 17, Episodes 9 & 10, BBC1) DEATH IN PARADISE (Series 3, Episodes 3 & 4, BBC1) VERA - Young Gods, written by Gaby Chiappe (Series 3, Episode 3, ITV) MISFITS (final two episodes (7-8) for series 4 of the BAFTA winning drama, produced by Clerkenwell Films) SATISFACTION (pilot for 8x1hr drama series for Company Pictures and Eatme Productions, for BBC) ŽENE SA DEDINJA (WOMEN FROM UPTOWN) (8x1hr drama, season 1, for Emotion Production, Serbia) Directed the pilot and the whole first season. GRANGE HILL (20x1/2hr drama series, produced by Mersey TV for BBC) Directed 2 episodes. HOLLYOAKS (teen drama series produced by Mersey TV for Channel 4) Directed 41 episodes. LIVING WITH LIONEL (10X2min series animation b/w+colour) Created, produced and directed an animated series for Fox Kids television. Premiered on air in July 2001. HOW TO KILL (54min - 16mm - colour) Adaptation of a prize-winning play by Angus Reid, inspired by the life and writing of Second World War poet Keith Douglas. Awarded second prize at the New York Television Festival. THE HOTTEST DAY OF THE YEAR (54min 16mm colour) A LFS (United Kingdom) and FRZ (Yugoslavia) co-production.