Adalaide Morris Fields Positions Awards and Fellowships
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I V Anthropomorphic Attachments in U.S. Literature, Robotics, And
Anthropomorphic Attachments in U.S. Literature, Robotics, and Artificial Intelligence by Jennifer S. Rhee Program in Literature Duke University Date:_______________________ Approved: ___________________________ Kenneth Surin, Supervisor ___________________________ Mark Hansen ___________________________ Michael Hardt ___________________________ Katherine Hayles ___________________________ Timothy Lenoir Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Literature in the Graduate School of Duke University 2010 i v ABSTRACT Anthropomorphic Attachments in U.S. Literature, Robotics, and Artificial Intelligence by Jennifer S. Rhee Program in Literature Duke University Date:_______________________ Approved: ___________________________ Kenneth Surin, Supervisor ___________________________ Mark Hansen ___________________________ Michael Hardt ___________________________ Katherine Hayles ___________________________ Timothy Lenoir An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Literature in the Graduate School of Duke University 2010 Copyright by Jennifer S. Rhee 2010 Abstract “Anthropomorphic Attachments” undertakes an examination of the human as a highly nebulous, fluid, multiple, and often contradictory concept, one that cannot be approached directly or in isolation, but only in its constitutive relationality with the world. Rather than trying to find a way outside of the dualism between human and not- human, -
Ideas, 9 | Printemps / Été 2017 Cultural Imperialism Or Dialogue on Equal Terms? International Publications O
IdeAs Idées d'Amériques 9 | Printemps / Été 2017 Poètes et éditeurs : diffuser la poésie d'avant-garde américaine (depuis 1945) Cultural imperialism or dialogue on equal terms? International publications of innovative American poetry Impérialisme culturel ou dialogue entre égaux ? La publication internationale de la poésie nord-américaine expérimentale ¿Imperialismo cultural o diálogo entre iguales? Publicaciones internacionales de poesía estadounidense innovadora Manuel Brito Édition électronique URL : http://journals.openedition.org/ideas/2054 DOI : 10.4000/ideas.2054 ISSN : 1950-5701 Éditeur Institut des Amériques Référence électronique Manuel Brito, « Cultural imperialism or dialogue on equal terms? International publications of innovative American poetry », IdeAs [En ligne], 9 | Printemps / Été 2017, mis en ligne le 18 juillet 2017, consulté le 21 avril 2019. URL : http://journals.openedition.org/ideas/2054 ; DOI : 10.4000/ideas.2054 Ce document a été généré automatiquement le 21 avril 2019. IdeAs – Idées d’Amériques est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. Cultural imperialism or dialogue on equal terms? International publications o... 1 Cultural imperialism or dialogue on equal terms? International publications of innovative American poetry Impérialisme culturel ou dialogue entre égaux ? La publication internationale de la poésie nord-américaine expérimentale ¿Imperialismo cultural o diálogo entre iguales? Publicaciones internacionales de poesía estadounidense innovadora Manuel Brito Many thanks to the Spanish Ministry of Science and Innovation for its ongoing support of the Project (FFI 2009 10786) from which this essay comes. I also appreciate the IdeAs reviewers’ recommendations, which have definitely improved this essay. Introduction 1 It is true that the simple question “what is language?” has grounded most of the American poetic avant-garde since 1970. -
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INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy sutimitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorged copyright material had to be removed, a note will indicate the deletion. Oversize materials (e g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9* black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. ProQuest Information and Leaming 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 800-521-0600 UMÏ EIHETORICAL HYBRIDITY: ASHBERY, BERNSTEIN AND THE POETICS OF CITAHON DISSERTATION Presented in. Partial Fulfillment of the Requirements for The Degree Doctor of Philosophy m the Graduate School o f The Ohio State University By \fatthew Richardson^ hlA . ***** The Ohio State Unwersity 2001 Dissertation Committee: Approved by Professor Jon Erickson. Adviser Professor Jessica Prinz . -
Judy Malloy's Seat at the (Database) Table: a Feminist Reception History of Early Hypertext Literature
Portland State University PDXScholar English Faculty Publications and Presentations English 2014 Judy Malloy's Seat at the (Database) Table: A Feminist Reception History of Early Hypertext Literature Kathi Inman Berens Portland State University, [email protected] Follow this and additional works at: https://pdxscholar.library.pdx.edu/eng_fac Part of the Literature in English, North America Commons Let us know how access to this document benefits ou.y Citation Details Published as: Berens, K. I. (2014). Judy Malloy’s seat at the (database) table: A feminist reception history of early hypertext literature. Literary & Linguistic Computing, 29(3), 340–348. This Post-Print is brought to you for free and open access. It has been accepted for inclusion in English Faculty Publications and Presentations by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. [11.7.2014–6:19pm] [1–11] Paper: OP-LLCJ140037 Copyedited by: VM MANUSCRIPT CATEGORY: SHORT PAPER Judy Malloy’s seat at the (database) table: A feminist reception history of early hypertext literature AQ25 ............................................................................................................................................................ AQ3 Kathi Inman Berens Annenberg School of Communication, University of Southern AQ4 California, Los Angeles, CA, USA ....................................................................................................................................... 10 Abstract -
Experimental Poetics and Materialities in the Works of Susan Howe, Stephanie Strickland, and Caitlin Fisher
EXPERIMENTAL POETICS AND MATERIALITIES IN THE WORKS OF SUSAN HOWE, STEPHANIE STRICKLAND, AND CAITLIN FISHER By Elissavet Pournara A Dissertation Submitted to the Department of American Literature and Culture, School of English, Faculty of Philosophy In Fulfillment of the Requirements for the Degree of Doctor of Philosophy Aristotle University of Thessaloniki, Greece 2018 This research has been co-financed – via a programme of the State Scholarships Foundation (IKY)- by the European Union (European Social Fund - ESF) and Greek national funds through the action entitled “Scholarships programme for postgraduates studies -2nd Study Cycle” in the framework of the Operational Programme “Human Resources Development Program, Education and Lifelong Learning” of the National Strategic Reference Framework (NSRF) 2014 – 2020. Elissavet Pournara Experimental Poetics and Materialities in the Works of Susan Howe, Stephanie Strickland, and Caitlin Fisher Doctoral Dissertation Submitted to the Departement of American Literature and Culture, School of English, Faculty of Philosophy, Aristotle University of Thessaloniki Date of Oral Defense: 9 July 2018 Dissertation Committee: Assoc. Prof. Tatiani Rapatzikou, Supervisor Assist. Prof. Amaranth Borsuk, Co-Adviser Prof. Manuel Portela, Co-Adviser Assoc. Prof. Dimitris Kargiotis, Examiner Assist. Prof. Stamatina Dimakopoulou, Examiner Prof. Dimitrios Tryphonopoulos, Examiner Prof. Vasilis Papageorgiou, Examiner To my mother Eftychia, who is always there Pournara 5 TABLE OF CONTENTS ACKNOWLEDGEMENTS………………………………………….…6 -
Poetic Machines: an Investigation Into the Impact of the Characteristics of the Digital Apparatus on Poetic Expression
Poetic MachineS: an investigation into the impact of the characteristics of the digital apparatus on poetic expression. Jeneen Naji B.A. hons M.Sc. Presented for the award of PhD September 2012 Volume 1 of 1 Supervisor: Dr. Patrick Brereton, Dublin City University, School of Communications. 1 I hereby certify that this material, which I now submit for assessment on the programme of study leading to the award of PhD is entirely my own work, and that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge breach any law of copyright, and has not been taken from the work of others save and to the extent that such work has been cited and acknowledged within the text of my work. Signed___________________ ID No.:__________________ Date:____________________ 2 “Poetry is always on the limit of things. On the limit of what can be said, of what can be written, of what can be seen, even of what can be thought, felt and understood. To be on the limit means often for the poet to be beyond the frontier of what we are prepared to accept as being possible” (Melo e Castro, 1996: 140). 3 Table of Contents Acknowledgements 7 Abstract 8 Chapters’ Synopsis 9 Chapter 1. Introduction 11 Chapter 2. Digital Theory Literature Review 24 A. ePoetry as eMedia 24 B. Beyond Remediation 27 C. Interactivity 30 D. The Apparatus 32 i. The Interface 34 ii. The Database 35 iii. The Algorithm 37 Chapter 3. ePoetry Past and Present 41 A. -
In Early March 1981, Lyn Sent a Letter to Barrett, Bob, Charles Bernstein, Ron, and Steve, Proposing That Each Would Write A
In early March 1981, Lyn sent a letter to Barrett, Bob, Charles Bernstein, Ron, and Steve, proposing that each would write a page on a topic that she named, the whole to serve as an introduction to a selection of Language writings in French translation that would appear in Change magazine, as part of the March 1982 issue focused on “L’espace amérique,” edited (with an additional introduction) by Nanos Valaoritis. In 1989, our same six-person introduction was retranslated into Serbian and published in an issue of Delo, in Yugoslavia. Here is the six-person introduction. Ron Silliman, Barrett Watten, Steve Benson, Lyn Hejinian, Charles Bernstein, Bob Perelman Begun in the sixties, the writing of the American poets gathered here for Change matured into an organized, ongoing literary discourse in the following decade, a period of significant transition for the United States. From the perspective of capital, the war in Indochina was lost, a critical blow to national military prestige. More importantly, 1974 marked the end of capital’s longest “boom,” the expansionist years following the Second World War (on top of which the essential optimism of every variety of “New American” poetry had been constructed). Simultaneously, the largest generation in U.S. history, the “baby boom” of the 40’s and early 50’s, passed from college to the daily practices of material life. Tied to that generation and crippled from the beginning by its rejection of historical knowledge, the American New Left rapidly dissolved, although several of its veterans were to re-emerge as leaders of cross-class movements based on forms of personal oppression, as women or as gays of either sex. -
Z: • in ABOUT & AROUND LANGUAGE
F--~~-~- SEGUE DISTRIBUTING 1990 $5 Z z: • IN ABOUT & AROUND LANGUAGE ROOF BOOKS GAZ oBOOKS BURNING DECK SINK PRESS POTES & POETS PRESS XEXOXIAL EDITIONS PARADIGM PRESS SUN &MOON AWEDE bpNICHOL NORTH & SOUTH AND MORE... .......~4__.. $I I- POETICS MAGAZINES ANTHOLOGIES p--------- FEATURED PRESSES ROOF BOOKS Raik by Ray DiPalma The one hundred poems in Ray DiPalma's new collection con The Politics ofPoetic Form: Poetry andPublic Policy tinue his experiments with the poetic line that began in the early Edited by Charles Bernstein 1970s with works such as The Sargasso Transcries, Soli, and Marquee, as well as the long lyric poem Planh. Raik articulates Acollection of 14 essays by contemporary poets and critics that the dynamic variety possible within the fixed form set for each expand on the discussions presented in L=A= N= G= U= poem in the book. A= G= E, focussing on the political and ideological dimensions of the formal and stylistic practices of contemporary poetry. There is a wide range of subject matter to be found here: the lyri These essays were originally presented at the Wolfson Center for cal qualities of Elizabethan underworld slang and the contem National Affairs of the New School for Social Research in New porary urban landscape; meditations on moments in history from York. Each essay is accompanied by an edited transcript of the ancient Egypt and Roman Britain to the Italian Renaissance. discussion that took place at the New School following the initial These choices of subject spotlight DiPalma's assiduous attention presentation. to details. The word choices in each poem stir awareness of each The Politics ofPoetic Form includes full-length essays by Jerome letter in the line. -
Essay Partly on the Tolerance Project by Stephen Voyce
TOWARD AN OPEN SOURCE POETICS: APPROPRIATION, COLLABORATION, AND THE COMMONS Author(s): Stephen Voyce Source: Criticism, Vol. 53, No. 3, Open Source (Summer 2011), pp. 407-438 Published by: Wayne State University Press Stable URL: http://www.jstor.org/stable/23133908 Accessed: 07-12-2017 20:53 UTC REFERENCES Linked references are available on JSTOR for this article: http://www.jstor.org/stable/23133908?seq=1&cid=pdf-reference#references_tab_contents You may need to log in to JSTOR to access the linked references. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms Wayne State University Press is collaborating with JSTOR to digitize, preserve and extend access to Criticism This content downloaded from 165.123.34.86 on Thu, 07 Dec 2017 20:53:50 UTC All use subject to http://about.jstor.org/terms TOWARD AN OPEN SOURCE POETICS: APPROPRIATION, COLLABORATION, AND THE COMMONS Stephen Voyce Intellectual Property is the oil of the 21st century. —Mark Getty, Chairman of Getty Images (2000)' The new artistic paradigm is distribution. —Kenneth Goldsmith, word processor (2002)2 Software programmers first introduced the term open source to describe a model of peer production in which users are free to access, modify, and collaborate on software code. -
“Too Philosophical for a Poet”: a Conversation with Charles Bernstein
b2 Interview “Too Philosophical for a Poet”: A Conversation with Charles Bernstein Andrew David King ADK: I wanted to start by asking about the phenomenon of the book—as object and as commodity. In 2010, you spoke with Thom Donovan about the process and rationale behind putting together your selected poems, All the Whiskey in Heaven. Certain types of work (nonpoems; this is, of course, a tricky distinction) were excluded: the essays and libretti, for instance, whose presentations alongside poems in My Way unsettle more mainstream, big- publishing- house attitudes toward the compilation of written work. You said that the final product “has a very strong connection from beginning to end,” but that “it’s not in the way that the poems look, or the tone, or the style”: a connection, instead, in the “potentiating recombinations among parts,” which, at the same time, were linearly fused via your decision to exclude book titles from the text proper (making “a kind of text opera”—and there’s your libretto!) from the chronological selections, or, as the case may be, excerpts (Donovan 2010: n.p.). You recently released Recalculating, your first full- length volume of new poems in seven years, and so I wanted to Andrew David King and Charles Bernstein conducted this exchange by email from December 20, 2012, to March 7, 2015. boundary 2 44:3 (2017) DOI 10.1215/01903659- 3898094 © 2017 by Duke University Press Downloaded from http://read.dukeupress.edu/boundary-2/article-pdf/44/3/17/498982/BOU44_3_03King_Fpp.pdf by guest on 30 September 2021 18 boundary 2 / August 2017 know if there was anything significantly different for you about the act of putting a collection together now, after curating All the Whiskey in Heaven— or, alternatively, if there’s anything significantly different about the project of assembling a “new” collection versus a selected poems. -
2017-2018 HUMANITIES CENTER BROWN BAG SERIES Poetics As Value Thinking
2017-2018 HUMANITIES CENTER BROWN BAG SERIES Poetics as Value Thinking: The Example of ‘Plan B’ Barrett Watten, Professor, English Wednesday, April 4, 2018 12:30PM-1:30PM Rm. 2339 F/A Bldg This lecture is a hybrid of two thought experiments—one, a discussion of the poetics of value that sees political economy and poetics as twin forms of historically specific making, linked discourses of the determination of value. The second is a proposal for the transvaluation of poetics, and specifically Language and conceptual writing, as prospective organizations of poetic labor as a form of a“knowledge base” (adopted from information and digital theory). The notion that unites both is that poetry and poetics are forms not only of value making but value thinking—sites for the transvaluation of a general notion of value into particular values. Key forebears of the turn to a materialist poetics in modernism—Louis Zukofsky and William Carlos Williams above all—provide examples of poetry as value making in the widest sense. Zukofsky theorized a poetics of value in the making of his keystone work and parallel text, The First Half of “A.” Williams, early and late, shows how the making of the world is what counts as value, nowhere more readable than in the discontinuous unfolding, the uneven development of Paterson. In my second part, I propose how the poetics of Language and conceptual writing can be transvalued, from a static compiling of the data of language toward a transvaluation of the labor congealed in past production—language, poetry, and world. Just as experimental writing was a transvaluation of prior modes of poetry, leading to new values for writing, so the Barrett Watten transvaluation of experimental writing returns it to the world in its form of knowledge base, redefining the task of poetry and poetics as forms of value English thinking. -
David Jhave Johnston CV
David (Jhave) Johnston 01 David (Jhave) Johnston h2p://glia.ca [email protected] Digital net-ar>st-poet concentra>ng on integra>ng advanced computa>onal techniques (neural nets, VR, and fluid dynamics) into the crea>on of art installa>ons and spoken word performances that expose and ques>on human-machine symbiosis. August 15.2012 - December 30.2016 Assistant Professor Deputy Director of MFA Program School of Crea>ve Media, City University of Hong Kong h2p://www.scm.cityu.edu.hk/profile/DAVID.JHAVE.JOHNSTON Currently: Advisor, Building21, McGill University. Affiliate faculty, Computa>onal Arts, Concordia. THEORETICAL PUBLICATION Aesthe>c Animism: Digital Poetry’s Ontological Implica>ons MIT Press (June 2016) https://mitpress.mit.edu/aesthetic Winner of 2017 N. Katherine Hayles Award for Best Criticism of Electronic Literature David (Jhave) Johnston 02 EDUCATION 2007-2011 PhD in Interdisciplinary Humani>es Concordia University, Montreal. Thesis >tle: Aesthe>c Animism: Digital Poetry as Ontological Probe Thesis directors: Ollivier Dyens, Jason Lewis, Chris Salter, Sha Xin Wei. External advisor: John Cayley (Director of Electronic Wri>ng. Brown University.) 2011 l'Université interna>onale d'été en pédagogie universitaire. Concordia. 2010 Graduate Seminar in University Teaching Cer>ficate. Concordia. 2004-2007 Masters of Science in Interac>ve Arts Simon Fraser University SIAT: School of Interac>ve Arts and Technology Thesis >tle: Fer>le Synthesis: Emo>on in online Digital Poetry Thesis directors: Diane Gromala, Thecla Schiphorst 2001-2004 Bachelor of Computer Science (graduated with dis>nc>on) with a Minor in Digital Image & Sound, Concordia University, Montreal. ONGOING EDUCATION 2016 Crea>ve Applica>ons of Deep Learning with TensorFlow Taught by Parag Mital July 22, 2016 — December 28, 2016 h2ps://www.kadenze.com/cer>ficates/V39QEL7O Machine Learning for Musicians and Ar>sts Taught by Rebecca Fiebrink (from Goldsmiths University of London) h2ps://www.kadenze.com/cer>ficates/1UR3F8V5 February 3, 2016 — May 25, 2016.