Composers | Filmmakers | Interdisciplinary Artists
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Glaadawards March 16, 2013 New York New York Marriott Marquis
#glaadawards MARCH 16, 2013 NEW YORK NEW YORK MARRIOTT MARQUIS APRIL 20, 2013 LOS AnGELES JW MARRIOTT LOS AnGELES MAY 11, 2013 SAN FRANCISCO HILTON SAN FRANCISCO - UnION SQUARE CONNECT WITH US CORPORATE PARTNERS PRESIDENT’S LETTer NOMINEE SELECTION PROCESS speCIAL HONOrees NOMINees SUPPORT FROM THE PRESIDENT Welcome to the 24th Annual GLAAD Media Awards. Thank you for joining us to celebrate fair, accurate and inclusive representations of the lesbian, gay, bisexual and transgender (LGBT) community in the media. Tonight, as we recognize outstanding achievements and bold visions, we also take pause to remember the impact of our most powerful tool: our voice. The past year in news, entertainment and online media reminds us that our stories are what continue to drive equality forward. When four states brought marriage equality to the election FROM THE PRESIDENT ballot last year, GLAAD stepped forward to help couples across the nation to share messages of love and commitment that lit the way for landmark victories in Maine, Maryland, Minnesota and Washington. Now, the U.S. Supreme Court will weigh in on whether same- sex couples should receive the same federal protections as straight married couples, and GLAAD is leading the media narrative and reshaping the way Americans view marriage equality. Because of GLAAD’s work, the Boy Scouts of America is closer than ever before to ending its discriminatory ban on gay scouts and leaders. GLAAD is empowering people like Jennifer Tyrrell – an Ohio mom who was ousted as leader of her son’s Cub Scouts pack – to share their stories with top-tier national news outlets, helping Americans understand the harm this ban inflicts on gay youth and families. -
Dossier De Presse
ARP Sélection présente un film de John Cameron Mitchell Durée : 1h42 Distribution Presse ARP Sélection Moonfleet - Matthieu Rey 13, rue Jean Mermoz 6, rue d’Aumale 75009 Paris 75008 Paris Tel : 01 53 20 01 20 Tel : 01 56 69 26 00 [email protected] www.arpselection.com www.lecinemaquejaime.com Synopsis 1977 : trois jeunes anglais croisent dans une soirée des créatures aussi sublimes qu’étranges. En pleine émergence punk, ils découvriront l’amour, cette planète inconnue et tenteront de résoudre ce mystère : comment parler aux filles en soirée… La production Adapté de la nouvelle de Neil Gaiman, célèbre écrivain et auteur de romans graphiques, l’atmosphère, l’esprit du film et l’époque s’accordent parfaitement avec la passion jubilatoire de Mitchell pour la musique alternative. Mitchell déclare : « En général, j’aime créer mon univers moi-même mais dans ce projet, il y avait quelque chose de spécial. Le film s’inspire de la jeunesse punk de Neil Gaiman à Croydon et, par certains côtés, on a peut-être davantage besoin d’esprit punk maintenant que dans les années 70, à cause de cette impression de noirceur, de dureté, d’accablement qui règne en chacun d’entre nous à l’heure actuelle. » Ce n’est pas uniquement l’esprit punk de l’histoire qui a incité le cinéaste à situer pour la première fois son film à Londres. « C’est aussi une vraie histoire d’amour entre un punk et une extraterrestre, c’est un mélange de cultures et de sous-cultures. Les extraterrestres et les punks sont deux tribus en marge, dans le monde gris et normal du Croydon des années 70. -
A Statement from David France, Director and Producer of the Death and Life of Marsha P
A statement from David France, director and producer of The Death and Life of Marsha P. Johnson In 1992, the year that activist Marsha P. Johnson was killed, I was writing for the Village Voice covering AIDS and the general LGBTQ beat in New York City. Marsha had been a friend of mine, and her story fell to me to report. I started investigating right away, but with no active leads and the exploding AIDS crisis in New York, I let the story slip away. For years, my decision has haunted me. When making my first feature, How To Survive A Plague, I kept a “Projects Board” of other stories I wanted to explore in future work. Marsha’s story was always the most prominent, because I felt a duty to investigate her death the way I had not been able to in 1992. Reina Gossett has suggested that I’ve stolen both the concept and footage for The Death and Life of Marsha P Johnson from her work, the experimental short narrative Happy Birthday, Marsha. I owe a debt to those who have kept Marsha’s story alive over the years. My creative work builds on theirs. But it is it’s own scholarship. My research team and I spoke with every friend and associate of Marsha and Sylvia Rivera’s that we could reach, and poured through a vast archive to arrive at our film, aided immeasurably by the Anti Violence Project, whose story is at the center of my film. We sourced, digitized, and licensed the archival footage. -
I V Anthropomorphic Attachments in U.S. Literature, Robotics, And
Anthropomorphic Attachments in U.S. Literature, Robotics, and Artificial Intelligence by Jennifer S. Rhee Program in Literature Duke University Date:_______________________ Approved: ___________________________ Kenneth Surin, Supervisor ___________________________ Mark Hansen ___________________________ Michael Hardt ___________________________ Katherine Hayles ___________________________ Timothy Lenoir Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Literature in the Graduate School of Duke University 2010 i v ABSTRACT Anthropomorphic Attachments in U.S. Literature, Robotics, and Artificial Intelligence by Jennifer S. Rhee Program in Literature Duke University Date:_______________________ Approved: ___________________________ Kenneth Surin, Supervisor ___________________________ Mark Hansen ___________________________ Michael Hardt ___________________________ Katherine Hayles ___________________________ Timothy Lenoir An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Literature in the Graduate School of Duke University 2010 Copyright by Jennifer S. Rhee 2010 Abstract “Anthropomorphic Attachments” undertakes an examination of the human as a highly nebulous, fluid, multiple, and often contradictory concept, one that cannot be approached directly or in isolation, but only in its constitutive relationality with the world. Rather than trying to find a way outside of the dualism between human and not- human, -
Country Update
Country Update BILLBOARD.COM/NEWSLETTERS MAY 17, 2021 | PAGE 1 OF 18 BILLBOARD COUNTRY UPDATE [email protected] INSIDE Grand Ole Opry Moves Toward The Old Normal THIS As U.S. Reemerges From COVID-19 ISSUE It likely won’t have the shelf life of Throwback Thursdays or In ideal Opry fashion, the lineup reflected a variety of styles Taco Tuesdays, but “full-capacity Friday night” had an oddly and eras. Lorrie Morgan opened with her chart-topping 1990 Sam Hunt’s ‘90’s’ special ring to it on May 14. single “Five Minutes,” and the rest of the talent parade fea- Breaks Out Grand Ole Opry announcer tured current hitmaker Michael Ray, >page 4 Bill Cody uncorked the phrase as Western vocal quartet Riders in the the WSM-AM Nashville show had Sky, comedian Aaron Weber, Nash- every ticket in the 4,400-seat Opry ville actor Charles Esten and new- House available for the first time comer Brittney Spencer, who sang Underwood, since March 10, 2020, when the a new song, “Sober & Skinny,” for the Aldean, Brooks coronavirus pandemic forced live first time in public. In Play entertainment off the stage. Some Spencer’s appearance was a >page 10 2,400 tickets were sold, according personal milestone, for she made to Opry vp/executive producer Dan her Opry debut. While she felt its Rogers, as the reboot coincided significance (she conceded that her with an unexpected bonus: Barely breathing was more pronounced Makin’ Tracks: 24 hours before the show’s start, the during “Sober” as she fought off a Drew Parker’s city of Nashville dropped face-mask case of nerves), she was still present ‘BP PBR’ Song mandates. -
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Artist Song 2 Unlimited Maximum Overdrive 2 Unlimited Twilight Zone 2Pac All Eyez On Me 3 Doors Down When I'm Gone 3 Doors Down Away From The Sun 3 Doors Down Let Me Go 3 Doors Down Behind Those Eyes 3 Doors Down Here By Me 3 Doors Down Live For Today 3 Doors Down Citizen Soldier 3 Doors Down Train 3 Doors Down Let Me Be Myself 3 Doors Down Here Without You 3 Doors Down Be Like That 3 Doors Down The Road I'm On 3 Doors Down It's Not My Time (I Won't Go) 3 Doors Down Featuring Bob Seger Landing In London 38 Special If I'd Been The One 4him The Basics Of Life 98 Degrees Because Of You 98 Degrees This Gift 98 Degrees I Do (Cherish You) 98 Degrees Feat. Stevie Wonder True To Your Heart A Flock Of Seagulls The More You Live The More You Love A Flock Of Seagulls Wishing (If I Had A Photograph Of You) A Flock Of Seagulls I Ran (So Far Away) A Great Big World Say Something A Great Big World ft Chritina Aguilara Say Something A Great Big World ftg. Christina Aguilera Say Something A Taste Of Honey Boogie Oogie Oogie A.R. Rahman And The Pussycat Dolls Jai Ho Aaliyah Age Ain't Nothing But A Number Aaliyah I Can Be Aaliyah I Refuse Aaliyah Never No More Aaliyah Read Between The Lines Aaliyah What If Aaron Carter Oh Aaron Aaron Carter Aaron's Party (Come And Get It) Aaron Carter How I Beat Shaq Aaron Lines Love Changes Everything Aaron Neville Don't Take Away My Heaven Aaron Neville Everybody Plays The Fool Aaron Tippin Her Aaron Watson Outta Style ABC All Of My Heart ABC Poison Arrow Ad Libs The Boy From New York City Afroman Because I Got High Air -
Course Description, Class Outline and Syllabus Instructor: Peter Elman
Course description, class outline and syllabus Instructor: Peter Elman Title: “A Round-Trip Road Trip of Country Music, 1950-present: From Nashville to California to Texas--and back.” Course Description: An up close and personal look at the golden era of American country music, this class will explore key movements that contributed to the explosive growth of country music as an industry, art form and subculture. The first half of this course will focus on three major regions: Nashville, California and Texas, and concentrate on the period 1950-1975. The second half will look at the women of country, discuss the making of a country song and record, look at the work of five great songsmiths, visit the country music of the 1980’s, and end with an examination of Americana music. The course will do this through lectures, photographs, recorded music, film clips, question and answer sessions, and the use of live music. The instructor will play piano, guitar and sing, and will choose appropriate examples from each region, period and style. - - - - - - - - - - - Course outline by week, with syllabus; suggested reading, listening and viewing Week one: The rise of “honky-tonk” music, 1940-60: Up from bluegrass—the roots of country music. Roy Acuff, Ernest Tubb, Hank Williams, Kitty Wells, Lefty Frizzell, Porter Wagoner, Jim Reeves, Webb Pierce, Ray Price, Hank Lochlin, Hank Snow, and the Grand Old Opry. Reading: The Nashville sound: bright lights and country music Paul Hemphill, 1970-- the definitive portrait of the roots of country music. Listening: 20 of Hank Williams Greatest Hits, Mercury, 1997 30 #1 Country Hits of the 1950s, 3-disc set, Direct Source, 1997 Viewing: O Brother Where Art Thou, 2000, by the Coen brothers America's Music: The Roots of Country 1996, three-part, six episode documentary. -
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
EPIIC 2013: Global Health and Security
Tufts University • Institute for Global Leadership • January 2013 EPIIC 2013: Global Health and Security EPIIC is just six weeks away from its 28th annual Norris and Margery Bendetson EPIIC Interna- tional Symposium on “Global Health and Security,” February 21-24, 2013. Preparing to bring a broad range of speakers from the medical, policymaking, academic, and humanitarian communities, there will also be delegations of international students from Brazil, Canada, China, Haiti, India, Iraq and Iraqi Kurdistan, Israel, Palestine, Russia, Rwanda, Singapore, and South Korea as part of the IGL’s TILIP program. The year’s symposium panels will include: Food Insecurity: Nutrition, Conflict and the Envi- ronment • HIV/AIDS: Gender and Sexual Health • The Nexus of Water and Disease • Pharma- ceuticals: Legal and Illegal Markets • Zoonosis and Pandemics: The Next Big One • Mental Health and Security • Health in Complex Humanitarian Emergencies • Biosecurity and Bio- photo courtesy of Ron Haviv/VII continued on page 3 IGL Will Screen Two Academy Award Nominated Films Scholar Mary Kaldor Receives 39 Students Travel for Research Mayer Global Citizenship Award to 11 Countries this January On January 22, the IGL will host a special screening of the Continuing its practice of encouraging students to con- In October, the IGL collaborated with the World Peace Academy Award-nominated documentary “How To Sur- nect theory to practice, this winter intersession the IGL Foundation at The Fletcher School, to host a Dr. Jean vive a Plague,” introduced by its director, David France. sponsored 39 students to conduct research projects or in- Mayer Global Citizenship Award Lecture with Mary Kal- The film presents the story of two coalitions—ACT UP ternships in 11 countries. -
The Macdowell Colony Annual Report 2007-2008
ARCHITECTS | COMPOSERS | FILMMAKERS | INTERDISCIPLINARY ARTISTS | THEATRE | VISUAL ARTISTS | WRITERS MacDowell FREEDOM TO CREATE ANNUAL REPORT April, 2007 through March, 2008 THE The MacDowell Colony nurtures the arts by offering creative individuals of the highest talent an inspiring environment in which to produce enduring MISSION works of the imagination. The Colony was founded in 1907 by American composer Edward MacDowell and Marian MacDowell, his wife. Since its inception, the Colony has supported the work of more than 6,000 women and men of exceptional ability. Situated on 450 acres of woodlands and fields in Peterborough, New Hampshire, the Colony offers 32 studios to artists in seven disciplines. MacDowell is listed in the National Register of Historic Places and is a National Historic Landmark. Works of art conceived, developed, and completed during residencies at the Colony have added immeasurably to our country’s cultural life. In 1997, The MacDowell Colony was awarded the National Medal of Arts for “nurturing and inspiring many of this century’s finest artists.” More than 250 Fellows work at the Colony each year from all parts of the United States and abroad. Anyone may apply. The sole criterion for acceptance is talent as judged by a juried committee in the applicant’s discipline. A Fellowship lasts from two weeks to two months. Accepted artists are given a private studio in which to work as well as room and all meals. There is no fee. The Colony encourages artists from all backgrounds to apply and does not discriminate on the basis of age, race, handicap, sex, religion, sexual orientation, marital status, or national origin. -
Our Next President & His “First Dude”
No. 623 • April 25, 2019 • outwordmagazine.com Our Next President & His “First Dude” page 14 Big Day of Marking a Avengers Two Singular Giving Milestone In IMAX Sirens page 4 page 10 page 17 page 21 Give Big on the Big Day of Giving Outword ake a big difference and help the causes you love by participating in the Big Day of Giving. On Thursday, May Staff M2, donors can support their favorite charitable cause in the PUBLISHER Sacramento region: 601 organizations will use this opportunity to Fred Palmer boost their fundraising campaigns. ART DIRECTOR/PRODUCTION The Big Day of Giving is more than a neighborhoods vibrant, empowering our Ron Tackitt once-annual 24-hour giving challenge. It’s young people, protecting our most GRAPHIC DESIGN the culmination of an entire year’s worth vulnerable populations, preserving our Ron Tackitt of community-building and collaboration natural spaces, and so much more,” said that connects non-profits to the Linda Beech Cutler, chief executive of the EDITOR community at-large and to each other. Sacramento Region Community Foundation, [email protected] Since 2013, this effort has raised more which organizes Big Day of Giving. ARTS EDITOR than $30 million! Donors who wish to plan their giving in Chris Narloch “We will come together again to send an advance of May 2 can visit www. unmistakable message of support to those bigdayofgiving.org. For a complete list of SALES organizations that help the Sacramento partners, visit Fred Palmer region flourish by making our www.bigdayofgiving.org/partners. CONTRIBUTING WRITERS Chris Allan New Shelter Brings New Hope Matthew Burlingame Emily Desanto oming out isn’t always easy, and for some, it has meant Diana Kienle Chris Narloch being kicked out of the house and having nowhere to go. -
Artists for the Hammer Museum
NEW YORK NEW ARTISTS FOR THE HAMMER MUSEUM FOR ARTISTS NEW YORK | 16 & 17 MAY 2019 16 & 17 MAY 2019 N0N10069 & N10070 N0N10069 2019 16 & MAY 17 2 SOTHEBY’S 3 4 SOTHEBY’S 5 TABLE OF CONTENTS 8 INTRODUCTION 14 HAMMER HISTORY 22 CONTEMPORARY ART EVENING 34 CONTEMPORARY ART DAY 6 SOTHEBY’S 7 DIRECTOR’S MESSAGE FROM ANN PHILBIN I came to the Hammer in 1999. From the outset, The story of Los Angeles’ arrival as a global arts we established some guiding principles that have capital is by now well told. This city has long been since become the DNA of the museum. We set out home to artists, many of whom studied or taught to make the Hammer a place that would nurture at outstanding schools like UCLA, CalArts, Otis, or young talent; bring new voices to the table; create a ArtCenter. In order to be taken seriously, the story welcoming space for our community; serve as a public goes, artists left L.A. to find their careers in New platform for the extraordinary riches of UCLA; and York. But in recent decades that changed, as more tackle the most urgent issues of the day. and more artists chose instead to stay put. That Those are our core values and our daily choice has had a ripple effect as the city’s institutions, touchstones. In particular, we have long believed galleries, alternative spaces, and collectors have that a museum can have a viewpoint, that it can take proliferated and matured in the twenty-first century. positions—often progressive and controversial.