The Macdowell Colony Annual Report 2007-2008
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Literary Miscellany
Literary Miscellany Including Recent Acquisitions, Manuscripts & Letters, Presentation & Association Copies, Art & Illustrated Works, Film-Related Material, Etcetera. Catalogue 349 WILLIAM REESE COMPANY 409 TEMPLE STREET NEW HAVEN, CT. 06511 USA 203.789.8081 FAX: 203.865.7653 [email protected] www.williamreesecompany.com TERMS Material herein is offered subject to prior sale. All items are as described, but are consid- ered to be sent subject to approval unless otherwise noted. Notice of return must be given within ten days unless specific arrangements are made prior to shipment. All returns must be made conscientiously and expediently. Connecticut residents must be billed state sales tax. Postage and insurance are billed to all non-prepaid domestic orders. Orders shipped outside of the United States are sent by air or courier, unless otherwise requested, with full charges billed at our discretion. The usual courtesy discount is extended only to recognized booksellers who offer reciprocal opportunities from their catalogues or stock. We have 24 hour telephone answering and a Fax machine for receipt of orders or messages. Catalogue orders should be e-mailed to: [email protected] We do not maintain an open bookshop, and a considerable portion of our literature inven- tory is situated in our adjunct office and warehouse in Hamden, CT. Hence, a minimum of 24 hours notice is necessary prior to some items in this catalogue being made available for shipping or inspection (by appointment) in our main offices on Temple Street. We accept payment via Mastercard or Visa, and require the account number, expiration date, CVC code, full billing name, address and telephone number in order to process payment. -
Resisting Diaspora and Transnational Definitions in Monique Truong's the Book of Salt, Peter Bacho's Cebu, and Other Fiction
Georgia State University ScholarWorks @ Georgia State University English Dissertations Department of English Spring 5-5-2012 Resisting Diaspora and Transnational Definitions in Monique Truong's the Book of Salt, Peter Bacho's Cebu, and Other Fiction Debora Stefani Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/english_diss Recommended Citation Stefani, Debora, "Resisting Diaspora and Transnational Definitions in Monique ruong'T s the Book of Salt, Peter Bacho's Cebu, and Other Fiction." Dissertation, Georgia State University, 2012. https://scholarworks.gsu.edu/english_diss/81 This Dissertation is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. RESISTING DIASPORA AND TRANSNATIONAL DEFINITIONS IN MONIQUE TRUONG’S THE BOOK OF SALT, PETER BACHO’S CEBU, AND OTHER FICTION by DEBORA STEFANI Under the Direction of Ian Almond and Pearl McHaney ABSTRACT Even if their presence is only temporary, diasporic individuals are bound to disrupt the existing order of the pre-structured communities they enter. Plenty of scholars have written on how identity is constructed; I investigate the power relations that form when components such as ethnicity, gender, sexuality, religion, class, and language intersect in diasporic and transnational movements. How does sexuality operate on ethnicity so as to cause an existential crisis? How does religion function both to reinforce and to hide one’s ethnic identity? Diasporic subjects participate in the resignification of their identity not only because they encounter (semi)-alien, socio-economic and cultural environments but also because components of their identity mentioned above realign along different trajectories, and this realignment undoubtedly affects the way they interact in the new environment. -
UNIVERSITY of CALIFORNIA RIVERSIDE Recalling Vietnam
UNIVERSITY OF CALIFORNIA RIVERSIDE Recalling Vietnam: Queering Temporality and Imperial Intimacies in Contemporary U.S. and Franco-Vietnamese Cultural Productions A Thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in Southeast Asian Studies by Justin Quang Nguyên Phan December 2018 Thesis Committee: Dr. Mariam Beevi Lam, Chairperson Dr. Jodi Kim Dr. Sarita See Copyright by Justin Quang Nguyên Phan 2018 The Thesis of Justin Quang Nguyên Phan is approved: Committee Chairperson University of California, Riverside ACKNOWLEDGMENTS My deepest gratitude to Mariam Beevi Lam who continues to challenge me to embrace interdisciplinarity and for graciously and patiently meeting with me time and time again to navigate the wonders of the university; to Jodi Kim, for providing sustained and incisive comments on my ideas and for always reminding me to not put the ‘cart before the horse’; and to Sarita See for creating shelters for critical engagement wherever we go since our meeting in her Race, Culture, Labor seminar years ago. Many thanks as well to Crystal Mun-Hye Baik, David Biggs, Evyn Lê Espiritu, Dylan Rodríguez, and Christina Schwenkel for commenting on earlier iterations of my work. While this was indeed a product of many conversations with mentors, friends, and family, any shortcomings in the pages to come are respectfully mine. To the administrative staff—Trina Elerts, Crystal Meza, Iselda Salgado as well as Ryan Mariano, Diana Marroquin, and Kristine Specht—for working with me throughout the transitions to ensure that I fulfill everything necessary for this degree. To Amina Mama, Wendy Ho, and Naomi Ambriz who continue to inspire me to examine the intersections of colonialism, race, class, gender, and sexuality within a transnational perspective. -
Medal Day 2019
Vol. 48, No. 1, Summer/Fall 2019 IN THIS ISSUE Jackie Sibblies Drury Wins Pulitzer, Orange and Norman Earn Nominations 2 Fellows Accolades in Theatre, plus Arts and Letters Honors 3 Charles Gaines Becomes 60th Edward MacDowell Medalist Before 1,400 5 National Benefit Raises More than Half-a-Million for Programs 10 Architects | Composers | Filmmakers | Interdisciplinary Artists | Theatre Artists | Visual Artists | Writers Medal Day 2019 100 High Street, Peterborough, NH 03458-2485 NH Peterborough, Street, High 100 PETERBOROUGH, NH PETERBOROUGH, PERMIT NO. 55 NO. PERMIT PAID U.S. POSTAGE U.S. NON-PROFIT ORG. NON-PROFIT Playwright Jackie Sibblies Drury Wins Pulitzer Prize Jackie Sibblies Drury (11) whose play Fairview has been earning acclaim since opening Off-Broadway at Soho Repertory Theatre last summer, is the winner of the 2019 Pulitzer Prize for Drama. In making the award, the Pulitzer board called the play “a hard-hitting drama that examines race in a highly conceptual, layered structure, ultimately bringing audiences into the actors’ community to face deep-seated prejudices.” Two other Fellows were finalists for Pulitzer Prizes. Writer Tommy Orange (14, 19) was nominated for the fiction award for his novel There There, and compos- er Andrew Norman (5x 08-14) was nominated for the award in music composi- tion for his orchestral work Sustain. Two Fellows Take LETTER FROM THE DIRECTOR The New York Artists Illuminate Times Notable Home GRAMMYs Our Way Forward We also congratulate two Fellows who took home Book List 2018: GRAMMYs at the beginning of the year. Aaron Jay A few years ago, on my first visit to Pales- Kernis (1989, 1991, 1992) won the Best Contemporary tine, I met a gentleman who told me this In its latest list of the 100 Notable Books of the Classical Composition GRAMMY for his Violin Concerto, story: after years of petitioning the govern- Year, The New York Times included 18 titles by while Steven Lance Ledbetter (1995) was the co-com- ment to allow him to build a home for his MacDowell Fellows. -
Monique Truong Oral History Interview and Transcript
Houston Asian American Archive (HAAA) Chao Center for Asian Studies, Rice University Interviewee: Monique Truong Interviewer: Chelsey Wen Date of Interview: November 6, 2020 Transcribed by: Emily Ma Reviewed by: Sonia He, Ann Shi Audio Track Time: 2:58:37 Background: Born in 1968, Monique Truong is a Vietnamese American author who embraces writing and storytelling as a way to build empathy, subvert expectations, and spark dialogue. She grew up in Vietnam but at age six came to the U.S. as a refugee, arriving at Camp Pendleton, in California. After her family found a sponsor, they relocated again—this time to Boiling Springs, North Carolina, where Truong experienced constant bullying and racial discrimination. In middle school, her family moved to Centerville, Ohio, and then to Alief, Texas as Truong entered high school. Although Alief was racially diverse, Truong still saw herself as an outsider and struggled to mesh with other Vietnamese American students. For Truong and her parents, food was an essential connection to Vietnam — they would drive for hours to find the ingredients to prepare traditional meals. Facing racism and bullying at school, Truong also found solace at the local library. After graduating high school, Truong attended Yale University as a literature major. Here, she not only gained a better understanding of her own identity as an Asian American, but also grew passionate about America’s treatment of Asian Americans and other minority groups as a whole. This later pushed her to study law at Columbia Law School. However, practicing law in an unhealthy work environment took an intense physical and emotional toll, so Truong gradually transitioned out of law and into writing. -
Download the Program for EWV #8
The 8th "Engaging with Vietnam - An Interdisciplinary Dialogue" Conference Engaging with Vietnam through Scholarship and the Arts | October 4-10, 2016 www.engagingwithvietnam.net & www.engagingwithvietnam.org Engaging With Vietnam Through Scholarship and the Arts 4th-10th October 2016, University of Hawaiʻi at Mānoa, Honolulu ---------------------------------------------------------------------------------------------------- Pre-Conference Activities: Tuesday, 4th October 6-8 pm: The 2016 College of Education Carl and Alice Daeufer Education Lecture “Pedagogic Possibilities of Cosmopolitanism” given by Professor Fazal Abbas Rizvi (University of Melbourne, Australia). Professor Fazal Abbas Rizvi is also delivering a keynote speech at the 8th Engaging with Vietnam Conference. See the rest of the program for details. Location: Architecture Auditorium, University of Hawaiʻi at Mānoa The lecture is free and open to all UH and EWC affiliates. 1 The 8th "Engaging with Vietnam - An Interdisciplinary Dialogue" Conference Engaging with Vietnam through Scholarship and the Arts | October 4-10, 2016 www.engagingwithvietnam.net & www.engagingwithvietnam.org Pre-Conference Activities: Wednesday, 5th October 2016 2- 4.30 pm: Queer Vietnamese Film Festival’s Film Screening and Q&A, co-sponsored by Engaging with Vietnam and Center for Southeast Asian Studies (CSEAS) Location: Moore 258, hosted by Paul RAUSCH, Associate Director, CSEAS The film screening is free and open to all UH and EWC affiliates. 2 The 8th "Engaging with Vietnam - An Interdisciplinary Dialogue" Conference Engaging with Vietnam through Scholarship and the Arts | October 4-10, 2016 www.engagingwithvietnam.net & www.engagingwithvietnam.org Main Conference Day 1: Thursday, 6th October 2016 The main conference days 1 and 2 are free and open to all UH and EWC affiliates. -
St Francis College Annual Donor Report 2012-2013
THE ST. FRANCIS COLLEGE MAGAZINE | WINTER 2013-2014; VOLUME 77, NUMBER 2 St . Francis College 2013 Literary Prize And the Winner is… Page 4 Also Inside: Campus News . 2 Affinity Groups: New Ways to Connect . 10 New Four Year Nursing Program . 2 SFC Athletics . 13 Sara Sooy ’14—Balancing Work, Play, and Religion . 3 Alumni Events . 16 St . Clare and St . Francis Week . 6 Class Notes . 18 The Center for Entrepreneurship is Open for All Businesses . 8 Fashion Forward with Tabitha St . Bernard ’04 . 18 Getting in Tune with History . 9 St . Francis College 2012–2013 Annual Donor Report . 22 TERRIER BOARD OF TRUSTEES ALUMNI BOARD OF DIRECTORS Winter 2013-2014 Vol. 77, Number 2 CHAIRMAN PRESIDENT Terrier , the magazine of St. Francis College, is John F. Tully ’67 Joseph M. Hemway ’84 published by the Office of College Relations for alumni and friends of St. Francis College. TRUSTEES VICE PRESIDENT Hector Batista ’84 Robert L. Smith ’72 Linda Werbel Dashefsky Bro. William A. Boslet, OSF ’70 Vice President for DIRECTORS Msgr. John J. Bracken Government and Community Relations James Bozart ’86 John B. Clark, Ph.D. Dennis J. McDermott ’74 Sarah Bratton ’07 Edward N. Constantino ’68 Director of Alumni Relations Brendan J. Cahalan ’92 Bro. Leonard Conway, OSF ’71 Rosmery Camilo ’06 Thomas F. Flood Orville W. Dale Vice President for Development John J. Casey ’70 Kenneth Daly ’88 Salvatore Demma ’09 Mary Beth Dawson, Ph.D. EDITOR: Patrick Dugan ’01 William Dawson ’86 Richard Relkin John Kiely ’76 Brendan J. Dugan ’68** Director of Media Relations Mary Anne Killeen ’78 Catherine Greene PHOTO EDITOR: Alfonso Lopez ’06 Michael Henning ’61 Lorraine M. -
1 LEE FRIEDLANDER Born, 1934, Aberdeen, Washington Lives In
LEE FRIEDLANDER Born, 1934, Aberdeen, Washington Lives in New City, New York AWARDS & HONORS 2018 Lucie Award for Lifetime Achievement in Photography 2010 Lead Award Gold Medal, MONOPOL Magazine 2006 Lifetime Achievement Award, The International Center of Photography, Infinity Awards 2005 Erna and Victor Hasselblad Foundation International Award in Photography Doctor of Fine Arts, The Art Center School of Design, Pasadena, CA 2004 Doctor of Fine Arts, University of Pennsylvania Doctor of Fine Arts, Yale University 1999 Fellow of the American Academy of Arts and Sciences French Chevalier of the Order of Arts and Letters 1990 John D. and Catherine T. MacArthur Foundation Award 1986 Edward MacDowell Medal 1981 Medal of the City of Paris 1980 National Endowment for the Arts Grant Friends of Photography Peer Award 1979 National Endowment for the Arts Grant 1978 National Endowment for the Arts Grant 1977 National Endowment for the Arts Grant John Simon Guggenheim Memorial Foundation Fellowship Mellon Chair, Rice University 1972 National Endowment for the Arts Grant 1962 John Simon Guggenheim Memorial Foundation Fellowship 1960 John Simon Guggenheim Memorial Foundation Fellowship SELECTED SOLO EXHIBITIONS 2020 Lee Friedlander, Luhring Augustine, New York, NY 2019 Lee Friedlander: Dog’s Best Friend, Andrew Smith Gallery, Tucson, AZ Signs, Fraenkel Gallery, San Francisco, CA 2018 Lee Friedlander / MARIA, Deborah Bell Photographs, New York, NY Lee Friedlander in Louisiana, New Orleans Museum of Art, New Orleans, LA 1 Lee Friedlander: American Musicians, -
LGBTQ+ Artists Represented Int the Performing Arts Special Collections
LGBTQ+ Artists Represented in the Performing Arts Special Collections in the Library of Congress Music Division Aaron Copland with Samuel Barber and Gian Carlo Menotti, 1945 (Aaron Copland Collection, Box 479 Folder 3) Compiled by Emily Baumgart Archives Processing Technician January 2021 Introduction The artistic community has always had many LGBTQ+ members, including musicians, dancers, choreographers, writers, directors, designers, and other creators. The Music Division holds a wealth of information about these LGBTQ+ artists in its performing arts special collections, which contain musical scores, correspondence, scripts, photographs and other documents of their lives and careers. This survey brings together some of the highlights from these holdings, providing an opportunity to learn more about LGBTQ+ creators and to recognize and celebrate their artistic achievements. The sexual and gender identity of many historical figures has been obscured over time; moreover, it can be difficult to determine how such individuals would identify by today’s terminology, especially when little of their personal life is known. Other figures, however, have disclosed their identity through their private correspondence or other writings. We do not wish to ascribe to any person an identity that they may have disagreed with, but at the same time we recognize that many of the queer community’s accomplishments have been hidden through oppression, prejudice, and forced closeting. By increasing awareness of LGBTQ+ identity in the Music Division’s special collections, we can make relevant primary source materials more readily accessible for students, educators, and scholars to study these creators and their contributions. This survey does not claim to be comprehensive, neither in terms of identifying every LGBTQ+ artist within the Music Division’s special collections nor in terms of identifying every collection in which those artists are represented. -
Merce Cunningham Dance Company Friday and Saturday, February 6–7, 8 Pm, 2004 Zellerbach Hall
CAL PERFORMANCES PRESENTS Merce Cunningham Dance Company Friday and Saturday, February 6–7, 8 pm, 2004 Zellerbach Hall Dancers Cédric Andrieux Jonah Bokaer Lisa Boudreau Holley Farmer Jennifer Goggans Rashaun Mitchell Koji Mizuta Marcie Munnerlyn Daniel Roberts Daniel Squire Jeannie Steele Derry Swan Robert Swinston Andrea Weber Musicians Loren Kiyoshi Dempster Stuart Dempster Takehisa Kosugi John Shiurba Choreography Merce Cunningham Founding Music Director Assistant to the Choreographer John Cage (1912–1992) Robert Swinston Music Director Executive Director Takehisa Kosugi Jeffrey H. James Trevor Carlson, general manager James Hall, wardrobe supervisor Josh Johnson, lighting director Will Knapp, production manager Andy Russ, music supervisor Eddie Schneller, company manager Jeannie Steele, rehearsal assistant David Vaughan, archivist This performance is made possible with public funds from the National Endowment for the Arts and the New York State Council on the Arts, a state agency. Major support for the Merce Cunningham Dance Company’s 50th Anniversary was provided by the Howard Gilman Foundation, Sage and John Cowles, The Andrew W. Mellon Foundation, and Phyllis Wattis. These performances have been made possible, in part, by members of the Cal Performances Producers Circle. Cal Performances thanks the William and Flora Hewlett Foundation and the Zellerbach Family Foundation for their generous support. Cal Performances receives additional funding from the National Endowment for the Arts, a federal agency that supports the visual, literary, and performing arts to benefit all Americans. C AL PERFORMANCES 1 FRIDAY PROGRAM FRIDAY PROGRAM This dance was begun by processing phrases of movement into DanceForms, the dance computer program I utilize. It continues my interest in dancers dealing with movement complexities. -
Pulitzer Prize Winners and Finalists
WINNERS AND FINALISTS 1917 TO PRESENT TABLE OF CONTENTS Excerpts from the Plan of Award ..............................................................2 PULITZER PRIZES IN JOURNALISM Public Service ...........................................................................................6 Reporting ...............................................................................................24 Local Reporting .....................................................................................27 Local Reporting, Edition Time ..............................................................32 Local General or Spot News Reporting ..................................................33 General News Reporting ........................................................................36 Spot News Reporting ............................................................................38 Breaking News Reporting .....................................................................39 Local Reporting, No Edition Time .......................................................45 Local Investigative or Specialized Reporting .........................................47 Investigative Reporting ..........................................................................50 Explanatory Journalism .........................................................................61 Explanatory Reporting ...........................................................................64 Specialized Reporting .............................................................................70 -
David Diamond-Bernard Rogers Correspondence
DAVID DIAMOND–BERNARD ROGERS CORRESPONDENCE Special Collections 1996.24 RUTH T. WATANABE SPECIAL COLLECTIONS SIBLEY MUSIC LIBRARY EASTMAN SCHOOL OF MUSIC UNIVERSITY OF ROCHESTER Processed in Spring 2006; revised by David Peter Coppen. Subsequently revised by Gail E. Lowther, November 2020 1 TABLE OF CONTENTS Description of Collection 3 Description of Series 5 INVENTORY Series 1: Correspondence 7 2 DESCRIPTION OF COLLECTION Shelf location: M1B 4, 1 Physical extent: 1 linear foot Biographical Sketch David Diamond (1966). Photograph attributed to Pach Bros. From ESPA 36-16 (8x10). The composer David Diamond was born in Rochester, New York on July 9, 1915. He began playing the violin at the age of seven and would often experiment with his own compositions. He did not receive formal musical training, however, until 1927, after his family moved to Cleveland, OH; there, his talent came to the attention of Andre di Ribaupierre, who arranged for the young violinist to study with him at the Cleveland Institute of Music (1928–29). After the Diamond family returned to Rochester, Diamond studied composition with Bernard Rogers at the Eastman School of Music (1930–34) and, thereafter, with Roger Sessions at the New Music School in New York, NY. In 1936, Diamond traveled to Paris, where he studied with Nadia Boulanger. Throughout the 1940s, Diamond’s income was derived primarily from composition, facilitated by numerous grants and awards, including multiple Guggenheim Fellowships (1938, 1941, 1958), the Prix du Rome (1942), a National Academy of Arts and Letters grant (1944), and a commission from the Koussevitzky Foundation (1945, for his Symphony No.